Curated shelf
Art
Browse Art as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
The Doré Bible Gallery, Complete Containing One Hundred Superb Illustrations, and a Page of Explanatory Letter-press Facing Each
Unknown
The Doré Bible Gallery, Complete Containing One Hundred Superb Illustrations, and a Page of Explanatory Letter-press Facing Each
"The Doré Bible Gallery, Complete" by Gustave Doré is a visual art book published during the late 19th century. This comprehensive collection features engravings that depict scenes from the Bible, all crafted by the acclaimed artist Gustave Doré, who is celebrated for his imaginative and intricate illustrations. The volume aims to provide an accessible selection of Doré's work for art lovers and biblical scholars, focusing on key events and figures from scripture. The opening of the book details the intention behind compiling this illustrated gallery, highlighting the immense popularity of Doré’s original, more expensive editions. It emphasizes the meticulous selection of illustrations that resonate with significant biblical narratives and the critical appreciation they have garnered over time. Alongside each engraving, there is narrative text that offers brief analyses and context, enriching the viewer's understanding of both the illustrations and the scripture from which they draw inspiration. The beginning establishes Doré’s artistic genius, showcasing his capacity to bring biblical stories to life through striking visual representation.
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
H. B. (Henry Beauchamp) Walters
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
"History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)" by H. B. Walters is a scientific publication written in the early 20th century. This volume specializes in the comprehensive examination of ancient pottery, focusing on the intricacies of Greek, Etruscan, and Roman ceramics. It covers various styles, themes, and techniques, making it a pertinent resource for those interested in ancient art and archaeology. The opening of the volume sets the stage for an extensive exploration of the topics presented on Greek vases. It introduces the relationship between vase decoration, mythology, and ancient literature, shedding light on how these artistic expressions not only reflect cultural beliefs but also serve as a significant source of historical knowledge. The content outlines the arrangement of the chapters that delve into various subjects from the Olympian deities to heroic legends and everyday life, establishing a framework for understanding the rich iconography that characterizes ancient pottery.
A guide book of art, architecture, and historic interests in Pennsylvania
Unknown
A guide book of art, architecture, and historic interests in Pennsylvania
"A Guide Book of Art, Architecture, and Historic Interests in Pennsylvania" edited by A. Margaretta Archambault is a comprehensive guidebook intended for tourists, likely written in the early 20th century. This work highlights various significant artistic and historic sites throughout Pennsylvania, arranged chronologically by counties and detailing the artistic contributions, colonial history, and remarkable landmarks of each area. The opening of the guide provides insightful context regarding the book's purpose and the collaborative efforts that went into its creation. It articulates the intention behind documenting art and historical interests by relaying information from local historians and residents, ensuring a thorough account while acknowledging potential discrepancies. Additionally, the beginning section outlines the guide's structure, emphasizing the focus on both early American and local history, setting the stage for a rich exploration of Pennsylvania’s cultural landscape as the reader moves further into the text.
The Notebooks of Leonardo Da Vinci — Complete
da Vinci Leonardo
The Notebooks of Leonardo Da Vinci — Complete
"The Notebooks of Leonardo Da Vinci — Complete" by Leonardo da Vinci is a comprehensive collection of writings and sketches that delve into various aspects of art and science, first compiled in the late 19th century. The notebooks reveal Leonardo's insights and observations on topics such as painting techniques, perspective, anatomy, and natural phenomena, reflecting the innovative spirit of the Renaissance era. The content spans approximately thirty years of Leonardo's intellectual labor, showcasing his analytical approach to understanding the world. The opening of the work provides an introduction and context for Leonardo's writings, emphasizing the challenges in deciphering his unique handwriting and the chaotic arrangement of his notes. It outlines the author's intent to publish his manuscripts, which cover a wide range of subjects, from theoretical knowledge required for painting to the principles of perspective. Additionally, the preface highlights the confusion present in the manuscripts and the importance of organizing them logically to aid readers. This initial portion sets the stage for an exploration of Leonardo's brilliant mind, inviting readers to engage with the fascinating intersection of art and science he so passionately pursued.
Language of Flowers
Kate Greenaway
Language of Flowers
"Language of Flowers" by Kate Greenaway is a beautifully illustrated collection that blends botany with poetic expression, likely written during the late 19th century. This book serves as a charming exploration of the meanings attributed to various flowers, revealing the language of flowers and their symbolism throughout history. This enchanting work captures the essence of floral communication, offering readers a glimpse into how flowers convey emotions and sentiments. The book presents an extensive alphabetical compilation of flowers, each accompanied by a brief description of its symbolic meaning. For example, the rose represents love, while the daisy epitomizes innocence. Interspersed with illustrations, the text creates a vivid tapestry of vivid imagery and sentiment, serving as both a reference for flower meanings and an aesthetic celebration of nature's beauty. Through its careful curation, "Language of Flowers" invites readers to not only appreciate the blooms but also to understand the deeper connections between flora and human emotions.
What Is Art?
Leo Tolstoy
What Is Art?
"What Is Art?" by graf Leo Tolstoy is a philosophical work completed in 1897. Tolstoy questions the very nature of art, rejecting beauty-based definitions to propose that art is anything communicating emotion—from jokes to church services. Yet his Christian moralism leads him to dismiss celebrated masters like Beethoven, Wagner, and Shakespeare, along with most of his own writings. He condemns the obscurity and artificiality of contemporary art, insisting that true art must be accessible to all and serve humanity's moral evolution by evoking brotherhood and love.
Goethe's Theory of Colours
Johann Wolfgang von Goethe
Goethe's Theory of Colours
"Goethe's Theory of Colours" by Johann Wolfgang von Goethe is a book published in German in 1810. The poet challenges Isaac Newton's spectral theory, arguing that color arises from the interaction between light and darkness rather than from light alone. Through extensive observations of colored shadows, refraction, and prisms at varying distances, Goethe presents a phenomenological approach focused on human perception. His work profoundly influenced artists including Turner and Kandinsky, while sparking debate among physicists and philosophers about the nature of color itself.
An Illustrated Dictionary of Words used in Art and Archaeology Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations.
John W. (John William) Mollett
An Illustrated Dictionary of Words used in Art and Archaeology Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations.
"An Illustrated Dictionary of Words used in Art and Archaeology" by John W. Mollett is a reference work written in the late 19th century. The dictionary aims to elucidate terms frequently encountered in the realms of art and archaeology, ranging from architecture to various art forms, including painting, sculpture, and decorative arts. It serves as an invaluable resource for students, researchers, and enthusiasts of art history and archaeology. At the start of this reference, Mollett outlines the origins of the dictionary, revealing that it began as an amended edition of a French work by M. Ernest Bosc. He emphasizes the comprehensive approach taken, incorporating definitions drawn from esteemed authorities across multiple disciplines related to art and archaeology. The opening portion also hints at the extensive inclusion of both illustrations and entries, ensuring that readers have a thorough understanding of the history and terminology related to artistic and archaeological practices.
The Palace and Park Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Samuel Phillips
The Palace and Park Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
"The Palace and Park" by Forbes, Latham, Owen, Scharf, and Shenton is a guidebook written in the mid-19th century. The work serves as a comprehensive account of the Crystal Palace and its surrounding gardens, offering valuable insights into its natural history and the notable portrait gallery it contains. The text aims to enhance the visitor's experience by providing a thorough understanding of the art, architecture, and exhibitions housed within the palace. The opening of the guide details the intention to simplify navigation and exploration of the Crystal Palace and its extensive collections. It introduces various elements such as the refreshment tariffs, official announcements, and event listings relevant to visitors. Notably, it highlights the palace’s architectural significance, historical context, and the efforts made to create an engaging educational environment through exhibits that blend art and science. The authors emphasize accessibility and enjoyment for the public, setting a tone that encourages both leisure and learning.
Anzeiger für Kunde der deutschen Vorzeit (Jg. 26, 1879) Neue Folge
Various
Anzeiger für Kunde der deutschen Vorzeit (Jg. 26, 1879) Neue Folge
"Anzeiger für Kunde der deutschen Vorzeit (Jg. 26, 1879)" by Various is a historical publication written in the late 19th century. This work serves as a periodical that reports and discusses findings related to German cultural and historical studies, particularly through contributions from various scholars and academics. The contributions include various articles, notes, and genealogies that reflect the interests and research within the fields of history, archaeology, and the arts. The opening of this work begins with a transcription note, which details the corrections made to the original text from the 1879 volume. Following that, the publication includes information about its editorial board, featuring prominent scholars who guide its contributions. Each issue encompasses diverse topics such as biographical sketches, art history, and insights into German antiquity, presented in a structured format that aims to inform and educate its readership about historical developments and cultural heritage.
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Clara Erskine Clement Waters
Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.
"WOMEN IN THE FINE ARTS FROM THE SEVENTH CENTURY B.C. TO THE TWENTIETH CENTURY" by Clara Erskine Clement is a historical account written in the early 20th century. The book surveys the contributions of women artists throughout history, spanning over two millennia and across multiple cultures. It aims to highlight women's roles and achievements in the fine arts, pointing out that many artists have been overlooked or forgotten despite their significant contributions. The opening of the book introduces the author's mission to gather information about women artists by reaching out to them directly, thus establishing a foundation of credibility and thoroughness for her work. Clement mentions that over a thousand women artists have been identified for this study, sharing intriguing fragments of history, such as those of ancient Greek and Roman women artist names and highlighting the cultural shifts that impacted their careers. It also critiques the lack of recorded contributions from women in the arts before the Renaissance, outlining the challenges they faced throughout different eras while paving the way for future generations of female artists. The opening sets the stage for a deeper exploration of women's artistic heritage in the following chapters.
The Venetian School of Painting
Evelyn March Phillipps
The Venetian School of Painting
"The Venetian School of Painting" by Evelyn March Phillipps is an informative historical account written in the early 20th century. The book presents a comprehensive overview of the Venetian School of Painting, highlighting its masters and the evolution of its distinctive style from its inception to its decline. It seeks to educate art enthusiasts and visitors on the significance and contributions of Venetian painters in the broader context of art history. The opening of the work sets the stage by emphasizing the unique position of Venetian painting in contrast to other Italian schools. The author reflects on how Venice, through a confluence of influences and its own distinct cultural identity, cultivated an art form that stood apart, characterized by a sensuous appreciation for color and emotion over the intellectual rigor found in Florence. The introduction discusses the isolation and rich history of Venice, mentioning key elements that shaped its art, including the connection to the East and the local response to various art movements, ultimately framing the Venetian School as an important and singular artistic phenomenon to be explored throughout the text.
Historic Paris
Jetta Sophia Wolff
Historic Paris
"HISTORIC PARIS" by Jetta Sophia Wolff is a historical account written in the early 20th century. This volume serves as a detailed exploration of Paris's architectural heritage, capturing its significant structures and their historical contexts, while reflecting on the author's extensive observations and experiences in the city. The opening of the book introduces readers to a narrative about the evolution of the Louvre, one of Paris's most iconic landmarks. Wolff describes its transformation from a simple hunting lodge to a royal palace, detailing the architectural modifications made over the centuries and the key historical events that took place within its walls. The narrative not only emphasizes the architectural richness of the Louvre but also hints at the tumultuous history of the city, using the building as a lens through which to examine broader historical themes. The author invites readers to appreciate the artistry and historical significance found in every corner of Paris as they explore its streets and structures.
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
"The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920" by Various is a collection of literary essays, poems, and articles edited during the early 20th century. It provides a platform for a variety of voices exploring contemporary literature, fine arts, music, and drama, reflecting on the cultural landscape of post-World War I Britain. The publication aims to bridge traditional literary criticism and original artistic expression, making it significant for readers interested in the evolution of literary discourse during this transformative period. The opening of the volume presents the editorial vision behind "The London Mercury," articulating its commitment to fostering literary culture amidst the challenges of the day. It discusses the necessity for a periodical that combines critical reviews, original works, and essays on the arts, aiming to uphold and promote the values of creativity and culture. It highlights this undertaking as an essential act of resilience and intellect, striving to clarify the role of literature and the arts in a society emerging from crisis. The editor emphasizes the need to maintain a robust literary tradition while embracing innovation, pointing towards a broader ambition to capture the rich conversation about art and literature of the time.
The Practice and Science of Drawing
Harold Speed
The Practice and Science of Drawing
"The Practice and Science of Drawing" by Harold Speed is an instructional art manual written in the early 20th century. The book aims to provide art students with an understanding of the principles and practices that underpin successful drawing, emphasizing that there are no shortcuts to artistic excellence and that meaningful drawing requires intellectual engagement and individual expression. At the start of the book, Speed addresses common misconceptions about drawing and warns against seeking quick, formulaic solutions. He recounts his own learning journey, highlighting the gap between mechanical accuracy in training and true artistic expression as demonstrated in the works of the old masters. He encourages readers to cultivate an understanding of form and emotional significance in their work while avoiding the pitfalls of purely academic approaches that might stifle creativity and individuality. Speed's introduction sets the stage for a deeper exploration of drawing, aiming to stimulate students' appreciation for the artistic process and the various elements that contribute to the creation of meaningful art.
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
Joseph Grego
Rowlandson the Caricaturist; a Selection from His Works. Vol. 2
"Rowlandson the Caricaturist; a Selection from His Works. Vol. 2" by Joseph Grego is a comprehensive collection of satirical illustrations and caricatures created by Thomas Rowlandson, written in the late 19th century. This volume includes a range of works that reflect social and political themes from 1800 to 1825, accompanied by anecdotal descriptions of Rowlandson's famous caricatures as well as insights into his life and contemporaries. The book serves as both an art historical account and a commentary on the cultural context of Rowlandson’s time through humor and wit. At the start of the book, readers are introduced to the format that combines the index of the current volume with references to the first volume. This initial section hints at the structure of the book, which contains a chronological summary of Rowlandson's works alongside illustrations that capture the essence of early 19th-century British life, societal norms, humor, and politics. The opening includes a variety of titles and descriptions of the caricatures, showcasing Rowlandson's ability to blend humor with critical societal commentary, as seen in his representations of characters and events from that era. The illustrations aim to provide a vivid window into the past, through both artistic expression and narrative, exemplifying Rowlandson's unique blend of artistry and satire.
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Clara Erskine Clement Waters
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
"A History of Art for Beginners and Students: Painting, Sculpture, Architecture" by Clara Erskine Clement is an introductory text on art history written in the late 19th century. The book provides a comprehensive overview of various forms of art, focusing particularly on painting, sculpture, and architecture from ancient to medieval times. It aims to educate beginners and students about the development and significance of art across different cultures. The opening of the book establishes a clear distinction between the fine arts and the mechanical arts, emphasizing the cultural and educational value of artistic endeavors. The author introduces painting as an essential component of the fine arts, detailing its impact on education and imagination. Beginning with ancient civilizations like Egypt, Clement describes how art served not merely decorative purposes but also conveyed historical narratives and cultural practices. This foundation sets the stage for a broader exploration of the evolution of art techniques and practices through time. From the Egyptian use of painting for recording stories to the emphasis on composition and perspective in ancient Greece, the opening portion highlights the functional and aesthetic aspects of art, preparing readers for a deeper examination of specific artists and movements that follow in later chapters.
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10) Cimabue to Agnolo Gaddi
Giorgio Vasari
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10) Cimabue to Agnolo Gaddi
"Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10)" by Giorgio Vasari is a series of artist biographies published in 1550, with a second edition in 1568. This groundbreaking work chronicles the lives of Italian Renaissance painters, sculptors, and architects, establishing the genre of art history writing. Vasari combines technical insights with colorful anecdotes and gossip about artists from Giotto to his own contemporaries. Though criticized for favoring Florentine artists and containing factual inaccuracies, it remains the most influential and widely read art history text of its era.
History of Lace
Bury Palliser
History of Lace
"History of Lace" by Mrs. Bury Palliser is a detailed historical account written in the early 20th century. The work explores the rich art and craft of lace-making, tracing its evolution through various cultures and time periods, particularly focusing on the techniques, styles, and significance of lace in social and artistic contexts. The opening of the book introduces the significance of needlework as a foundational skill in lace-making, connecting it to various historical periods, starting from ancient civilizations such as the Egyptians and moving through to the Middle Ages and beyond. The text discusses how embroidery and decorative techniques were interwoven with social rituals, arts, and even commerce. It highlights the roles of women in the production of lace and intricately links the development of lace to specific historical contexts, alluding to various cultures’ contributions to this delicate craft.
Books and Printing; a Treasury for Typophiles
Unknown
Books and Printing; a Treasury for Typophiles
"Books and Printing; a Treasury for Typophiles" edited by Paul A. Bennett is a collection of essays written in the mid-20th century. This work explores the intricacies of typographic art, the history of printing, and the significant advancements in book production, appealing to collectors, printers, and typography enthusiasts alike. The collection aims to inform readers about the various aspects of books, their materiality, and the fascinating processes behind their creation. At the start of the book, the editor provides a comprehensive introduction that sets the stage for the ensuing essays. He emphasizes the breadth of topics covered, from the historical evolution of the alphabet to the role of modern typography. Notably, he highlights contributions from various authors, each presenting unique perspectives on the printing craft, such as Otto Ege's exploration of the alphabet's history and Lancelot Hogben's examination of printing's relationship with paper and playing cards. The opening establishes a framework that reflects on the interplay between typography, artistry, and the evolving nature of books, suggesting that further exploration of these themes awaits in the subsequent essays.
A History of Caricature and Grotesque in Literature and Art
Thomas Wright
A History of Caricature and Grotesque in Literature and Art
"A History of Caricature and Grotesque in Literature and Art" by Thomas Wright is a historical account written in the late 19th century. The book explores the evolution of caricature and grotesque elements within literature and visual art, tracing their origins from ancient civilizations to modern times. It aims to provide a comprehensive look at how these forms of expression have reflected and shaped societal attitudes through history. The opening of the book establishes the author's intent to examine the development of comic literature and art in a broad context, emphasizing its inherent ties to human nature and society. Wright discusses the early expressions of humor and ridicule found in various cultures, starting from the ancient Egyptians and Greeks, highlighting how caricature has always been a tool for social commentary. The text mentions the role of mockery in rituals and its transition into formalized art and literature, setting the stage for a deeper exploration of specific examples and cultural impacts in subsequent chapters.
The Lighter Classics in Music A Comprehensive Guide to Musical Masterworks in a Lighter Vein by 187 Composers
David Ewen
The Lighter Classics in Music A Comprehensive Guide to Musical Masterworks in a Lighter Vein by 187 Composers
"The Lighter Classics in Music" by David Ewen is a comprehensive guide to notable musical works characterized by their lighter themes, written in the early 1960s. This collection features an exploration of compositions by 187 different composers, spanning various genres and styles, aiming to make classical music more accessible and enjoyable. The book likely touches on the significance of these compositions and composers in the context of musical history, highlighting their contributions to lighter orchestral and vocal music. The opening of this work introduces several notable composers, beginning with Joseph Achron, who is known for his evocative "Hebrew Melody." This is followed by descriptions of other composers, such as Adolphe-Charles Adam, celebrated for his opéra-comique, and Richard Addinsell, famed for the melodious "Warsaw Concerto." Each segment provides insights into the lives and notable works of these composers, illustrating their impact and the enduring popularity of their lighter compositions in concert repertoires. The text also references the origins and themes of specific pieces, establishing a foundation for the exploration of lighter classical music throughout the remainder of the guide.
A history of Italian painting
Frank Jewett Mather
A history of Italian painting
"A History of Italian Painting" by Frank Jewett Mather is a historical account written in the early 20th century. The work serves as a guide for beginners seeking to understand Italian painting, particularly from the Renaissance period. Mather aims to discuss the evolution of painting in Italy, focusing on key artists and artistic movements while providing a foundation for those new to the subject. The opening of the text establishes its purpose and target audience, indicating that it emerged from a series of lectures aimed at art novices. Mather emphasizes the importance of introducing the reader to significant phases of Italian painting by simplifying complex topics, avoiding intricate debates, and providing credible visual examples. He sets the stage for a detailed exploration of artists like Giotto, while also giving a broader context about Florence as a crucial hub of artistic innovation during the Renaissance. The chapter previews discussions of the relationship between artistic technique and emotional expression in the context of the evolving humanist ideals of the time.
Biographical Anecdotes of William Hogarth, With a Catalogue of His Works
John Nichols
Biographical Anecdotes of William Hogarth, With a Catalogue of His Works
"Biographical Anecdotes of William Hogarth, With a Catalogue of His Works" by John Nichols is a historical account likely written in the late 18th century. This work offers not only a detailed biography of the renowned English painter and engraver William Hogarth but also includes a systematic catalog of his prints and designs. The contents highlight both Hogarth's life story and his contributions to the art world, showcasing his unique ability to blend satirical art with moral commentary. At the start of the text, the author introduces the purpose of compiling anecdotes about Hogarth, prompted by the growing interest in the artist's works following the release of Horace Walpole's writings on English painters. Nichols recounts the initial intent to produce a simple pamphlet that grew into a more extensive volume due to accumulating information and anecdotes from various sources. The opening sets the tone for a comprehensive exploration of Hogarth's life, touching on his early struggles, artistic beginnings, and eventual prominence as a significant figure in English art, thereby framing the context for the detailed anecdotes and catalog that follow.
The Art of Ballet
Mark Edward Perugini
The Art of Ballet
"The Art of Ballet" by Mark Edward Perugini is a historical account written in the early 20th century. The book explores the evolution of the art of ballet, particularly in France and England, emphasizing its development and significance over the centuries. It aims to provide a rich narrative that highlights the key milestones and figures in ballet history, tracing its roots and transformations without attempting to cover every detail from every country. The opening of the text serves as an introduction and preface to the detailed exploration that follows. Perugini discusses the nature of ballet as an art form, addressing criticisms and misconceptions. He emphasizes the historical significance of ballet, acknowledging that it has existed for around two thousand years and has been a source of aesthetic pleasure across cultures. Perugini also sets the stage for the examination of ballet's elements—dancing, miming, music, and scenic effects—highlighting their intertwined histories and contributions to what is recognized as professional ballet today.
The Burlington magazine : $b for connoisseurs. vol. II—June to August
Unknown
The Burlington magazine : $b for connoisseurs. vol. II—June to August
"The Burlington Magazine for Connoisseurs, Vol. II—June to August" by Various is a monthly publication focused on art and antiquities written in the early 20th century. This volume features a variety of articles that explore significant topics in art history, including discussions on early painters of the Netherlands, the preservation of ancient structures, and the artistic techniques of prominent figures like Alesso Baldovinetti. It serves as an engaging resource for art enthusiasts, scholars, and collectors interested in the discourse surrounding artistic heritage. The opening of the magazine introduces readers to a thorough editorial discussion on the urgent topic of preserving ancient buildings like Clifford's Inn in London. It emphasizes the lack of protective legislation in the UK compared to other European nations and discourages the destruction of historically significant structures, urging public authorities to take action. Following the editorial, the volume promises rich content, including notable articles about the works of art held in private collections and an exploration of the renowned hunting manuscript by Count Gaston de Foix. This sets the tone for an enriching read focused on the intersection of culture, history, and the arts.
Modern Painters, Volume 1 (of 5)
John Ruskin
Modern Painters, Volume 1 (of 5)
"Modern Painters, Volume 1 (of 5)" by John Ruskin is a work of art criticism published in 1843. Written as a passionate defense of painter J. M. W. Turner, Ruskin argues that contemporary landscape artists surpass the old masters through accurate documentation of nature. The young critic distinguishes between surface appearances and deeper truths, claiming Turner evolved from detailed observation to profound insight into natural forces. This influential volume sparked debates about art's purpose and helped shape the Pre-Raphaelite movement.
Caricature and Other Comic Art in All Times and Many Lands.
James Parton
Caricature and Other Comic Art in All Times and Many Lands.
"Caricature and Other Comic Art in All Times and Many Lands" by James Parton is a historical account written in the late 19th century. The book explores the evolution and significance of caricature and comic art across various cultures and time periods, highlighting its role in satire and societal commentary. The opening portion introduces the diverse types of caricatures found in antiquity, specifically emphasizing examples from the Romans, Greeks, Egyptians, and Hindoos. It discusses how caricature has served as a humorous yet insightful reflection of human life and societal norms, illustrated by ancient wall drawings from Pompeii, Greek pottery, and depictions of gods and mortals engaging in absurd situations. The author aims to showcase that humor is a timeless element of human expression, presenting both a historical and artistic perspective on caricature's role across different civilizations.
English Caricaturists and Graphic Humourists of the Nineteenth Century. How they Illustrated and Interpreted their Times.
Graham Everitt
English Caricaturists and Graphic Humourists of the Nineteenth Century. How they Illustrated and Interpreted their Times.
"English Caricaturists and Graphic Humourists of the Nineteenth Century" by Graham Everitt is a historical account written in the late 19th century. The work explores the evolution and significance of English caricature and graphic satire from the time of Napoleon until the death of noted cartoonist John Leech in 1864. It provides a detailed examination of how caricaturists interpreted and illustrated the social and political climate of their times, with prominent figures like Gillray, Rowlandson, and Cruikshank featured prominently. The opening of the book introduces the subject of caricature, defining it as an exaggerated portrayal that conveys popular opinion and sentiments of the era. Everitt discusses the shift in style and spirit of English caricatures, noting how earlier works were characterized by coarseness typical of the last century, while later caricaturists like John Doyle and his successors refined and transformed the art into a more sophisticated form. He asserts the relevance of these artists in understanding the political narratives of their time, particularly regarding figures like Napoleon and the socio-political changes happening throughout the 19th century.
The International Monthly, Volume 3, No. 2, May, 1851
Various
The International Monthly, Volume 3, No. 2, May, 1851
"The International Monthly, Volume 3, No. 2, May 1851" by Various is a literary magazine that likely belongs to the mid-19th century. This collection of essays, articles, and critiques covers various topics including literature, art, and science, reflecting the significant intellectual and cultural currents of the time. Readers can expect to find sharp observations on historical figures, critical reviews of contemporary art and literature, and narratives exploring social issues, all presented with an engaging and thoughtful prose style. The opening portion of the magazine features a detailed introduction to George Wilkins Kendall, an influential journalist and author known for reporting on the Mexican-American War and his travels in the southwestern United States. This segment highlights Kendall’s adventurous spirit and contributions to journalism while outlining his career trajectory, including his editorial work at the New Orleans "Picayune" and his firsthand accounts of military operations during the war. The text captures the essence of Kendall’s character, illustrating his significant role in shaping public discourse through vivid storytelling and reporting. The mix of biographical content and historical commentary serves to set the stage for the various literary contributions that follow in the magazine.
Olympic Victor Monuments and Greek Athletic Art
Walter Woodburn Hyde
Olympic Victor Monuments and Greek Athletic Art
"Olympic Victor Monuments and Greek Athletic Art" by Walter Woodburn Hyde is a historical account written in the early 20th century. The work delves into the genre of Greek sculpture, focusing specifically on the monuments erected at Olympia and throughout the Greek world to honor victorious athletes of the Olympic games. This examination is framed by an in-depth analysis of the artistic, cultural, and historical contexts surrounding these monuments. At the start of the text, Hyde introduces the purpose of his study, which is to reconstruct the various types and poses of surviving remnants of these victor statues, as well as to explore the literary and archaeological sources that inform this research. He emphasizes the challenges present due to the limited number of surviving artifacts and the complexities involved in identifying these monuments, which were often destroyed or lost over time. The opening chapters set the stage for an exploration of early Greek athletics, the significance of victor monuments, and the stylistic and material aspects of the art form, outlining the structure and themes that will be explored in greater detail throughout the book.
The History of Modern Painting, Volume 2 (of 4) Revised edition continued by the author to the end of the XIX century
Richard Muther
The History of Modern Painting, Volume 2 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 2" by Richard Muther is an art historical account written in the early 20th century. This volume of a four-part series explores the evolution of modern painting, particularly focusing on developments and artistic movements up to the end of the 19th century. The book delves into various styles and influential artists during a transformative period in art history, highlighting the dynamic relationship between art and contemporary society. The opening of the volume presents a critical view of the initial detachment of modern painting from ordinary life and its reliance on historical and classical themes. Muther examines how the art of the early 19th century, particularly in France, Germany, and England, often maintained a distance from the present reality, favoring classical references over modern subjects. He discusses notable artists and their works, such as David and Delacroix, pointing out the shortcomings in capturing contemporary life. The section also emphasizes the role of caricaturists and draughtsmen who began to integrate modern life into their art, representing the societal dynamics and individual experiences of their times.
The Louvre: Fifty Plates in Colour
Paul G. (Paul George) Konody
The Louvre: Fifty Plates in Colour
"The Louvre: Fifty Plates in Colour" by Paul G. Konody and Maurice W. Brockwell is an illustrated art volume written in the early 20th century. The work focuses on the vast collection housed in the Louvre Museum, highlighting its historical significance and featuring detailed analyses of numerous paintings from various artists and schools. The book delves into notable artworks, possibly including famous pieces like the "Mona Lisa" and aims to provide readers with insights into the evolution of artistic styles represented in the museum. At the start of the text, the authors present a preface that outlines their intention to systematically study the paintings in the Louvre, addressing artists by their widely recognized names rather than official catalog labels. They emphasize the importance of critical analysis concerning the attribution of works, especially concerning Italian paintings, and the role of historical context in interpreting these art pieces. The introduction details the historical development of the Louvre as a royal collection, featuring anecdotes about significant monarchs, such as François I, who laid the foundation for the art collection, and provides brief insights into individual artists and their contributions within the museum’s esteemed collection.
The Book of the Pearl The history, art, science, and industry of the queen of gems
George Frederick Kunz
The Book of the Pearl The history, art, science, and industry of the queen of gems
"The Book of the Pearl" by George Frederick Kunz and Charles Hugh Stevenson is a comprehensive scientific publication written in the early 20th century. This work delves into the history, art, science, and industry associated with pearls, exploring their significance through various cultures and time periods. Readers can expect an in-depth examination of how pearls have been valued as gems and their influence on art, decoration, and commerce throughout history. At the start of the book, the authors introduce the historical context of pearls, emphasizing their esteemed value in ancient civilizations, particularly in the East. They trace the origins of pearls, highlighting references in ancient texts, such as the Vedas and the accounts of notable figures like Pliny. The opening portion discusses the early human fascination with pearls, their association with purity and beauty, and the way they became symbols of wealth and status across different cultures, including India, China, and the Roman Empire.
Miracle Mongers and Their Methods A Complete Exposé of the Modus Operandi of Fire Eaters, Heat Resisters, Poison Eaters, Venomous Reptile Defiers, Sword Swallowers, Human Ostriches, Strong Men, Etc.
Harry Houdini
Miracle Mongers and Their Methods A Complete Exposé of the Modus Operandi of Fire Eaters, Heat Resisters, Poison Eaters, Venomous Reptile Defiers, Sword Swallowers, Human Ostriches, Strong Men, Etc.
"Miracle Mongers and Their Methods" by Harry Houdini is a detailed exposé on the techniques and tricks of various performers who claim supernatural abilities, written during the late 19th century. The work serves as a historical account of entertainers such as fire-eaters, sword swallowers, and other so-called 'miracle mongers.' Houdini's first-hand experiences and knowledge of stage illusions provide insights into the methods behind these performances and the psychology of both the performers and the audiences who are often captivated by their acts. The opening of the book introduces Houdini's perspective on wonder and illusion, emphasizing human fascination with the extraordinary. He recounts the origins of fire worship and the mystique surrounding fire-eating across different cultures, linking historical practices with contemporary performances. Houdini illustrates the ritualistic nature of these acts, such as the fire-walking ceremonies of different peoples, while foreshadowing the scientific explanations that will follow in subsequent chapters. As he lays the groundwork, readers anticipate a thorough investigation of the art of illusion, including the secrets behind the celebrated feats of daring performed by famed entertainers throughout history.
Magic, Stage Illusions and Scientific Diversions, Including Trick Photography
Albert A. (Albert Allis) Hopkins
Magic, Stage Illusions and Scientific Diversions, Including Trick Photography
"Magic, Stage Illusions and Scientific Diversions, Including Trick Photography" compiled and edited by Albert A. Hopkins is a detailed exploration of magical arts and illusions written in the late 19th century. This comprehensive work delves into the integration of scientific principles such as optics, mechanics, and electricity into stage magic, presenting insights into some of the most renowned conjurers and their tricks, including elaborate descriptions and explanations of various illusions. The opening of this work sets the stage by outlining the unique niche it fills in the literature of magic, as it attempts to demystify stage illusions through scientific explanations. It highlights the significance of magic as an art form rooted in ancient practices and discusses notable figures in the field, explaining how their tricks are often based on ingenious mechanical and optical principles. Overall, the beginning serves as a promise of an entertaining and educational journey into the world of magic, including historical perspectives, specific techniques, and the harmonious blend of artistry and science in theatrical performances.
Jewellery
H. Clifford (Harold Clifford) Smith
Jewellery
"Jewellery" by H. Clifford Smith is a scholarly examination of the history and artistry of personal ornaments, published in the early 20th century. The work systematically explores various styles of jewellery from ancient civilizations through to the modern era, emphasizing the artistic and cultural significance of these adornments across different periods. With a focus primarily on European jewellery, it delves into the craftsmanship and symbolic meanings that these pieces have held throughout history. The opening of the book introduces the definition of jewellery as a form of personal ornamentation, distinguishing it from mere decorative objects. It outlines the systematic structure of the work, which organizes the discussion of jewellery by historical periods, with a particular emphasis on the ancient Egyptians, whose elaborate burial customs preserved many examples of their craftsmanship. Additionally, the text highlights the symbolic significance of various ornaments, such as the scarab in Egyptian culture, and begins to set the context for a deeper exploration of specific types of jewellery and their evolution over time.
A History of the Old English Letter Foundries with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Talbot Baines Reed
A History of the Old English Letter Foundries with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
"A History of the Old English Letter Foundries" by Talbot Baines Reed is a historical account written in the late 19th century. The work explores the evolution of letter founding in England, detailing its origins, major figures, and the various techniques employed in the craft of typography. The narrative emphasizes the significance of these developments to the broader field of English printing, providing both historical context and bibliographical notes on the various contributors to this essential art. The opening of the book sets the stage for a thorough examination of the intricacies of typography and letter founding, beginning with a preface that reflects on the advancements in the craft compared to the past. Reed highlights the obscurity surrounding the earliest years of English letter founding, expressing a mission to document the fragmented history of this art form. He references previous works, like Edward Rowe Mores' dissertation, while introducing his own research that merges historical anecdotes with bibliographical detail. This section establishes the foundation of the discussion, focusing on early typographical practices and the essential contributions of notable founders, thereby inviting readers into a rich exploration of typographical heritage.
A Treatise on Wood Engraving, Historical and Practical
William Andrew Chatto
A Treatise on Wood Engraving, Historical and Practical
"A Treatise on Wood Engraving, Historical and Practical" by Chatto, Bohn, and Jackson is a historical and practical examination of wood engraving likely written in the early to mid-19th century. The work details the development of wood engraving as an art form and trade, emphasizing the historical context and practical techniques involved. It aims to bridge the gap in existing literature regarding both the theoretical aspects and the hands-on practices of wood engraving. The opening of the treatise sets the stage by addressing the public's general unfamiliarity with wood engraving techniques. It clarifies the distinction between wood engraving and copper engraving, explaining the methodologies involved in creating impressions from each type of engraving. The author articulates his intentions to provide a comprehensive account of the art form, rooted in both practical experience and historical context, laying the groundwork for a structure that will explore the legacy and evolution of wood engraving.
The Book of Tea
Kakuzo Okakura
The Book of Tea
"The Book of Tea" by Kakuzo Okakura is an essay written in 1906 that links the Japanese tea ceremony to the aesthetic and cultural values of Japanese life. Originally written in English for Western readers, it explores how Teaism teaches simplicity, harmony, and humility. Okakura protests Western misunderstandings of Eastern culture and argues that the principles of tea offer a universal remedy for conflict. The book discusses Zen, Taoism, and the philosophy of finding beauty in imperfection.
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
George Frederick Kunz
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
"Rings for the Finger" by George Frederick Kunz is a detailed historical account written in the early 20th century. The work explores the significance of rings throughout history, focusing on their origins, usages, materials, and cultural symbolism, particularly in relation to love, engagement, and mourning rituals. This comprehensive volume is likely to appeal to readers interested in jewelry, history, and the intricate meanings associated with adornments. At the start of the book, the author sets out the purpose of his work, explaining that it aims to gather everything important regarding finger rings from ancient times to the present. Kunz discusses the obscure origins of rings, tracing their development from modified seals used in ancient Egypt to various forms utilized in different cultures, such as signet rings and wedding bands. He highlights the societal and spiritual significance attributed to these ornaments, while providing a glimpse into their decorative evolution, talismanic attributes, and the craftsmanship behind their creation. The opening chapters promise to delve into diverse themes—including rings' uses in official contexts, religious ceremonies, and personal milestones—indicating a rich exploration of both material and sentimental value attached to rings.
Geofroy Tory Painter and engraver; first royal printer; reformer of orthography and typography under François I.
Auguste Bernard
Geofroy Tory Painter and engraver; first royal printer; reformer of orthography and typography under François I.
"Geofroy Tory" by Auguste Bernard is a historical account written in the late 19th century. The book provides an in-depth look at the life and works of Geofroy Tory, a significant figure in French typography and engraving, highlighting his contributions as France's first royal printer and his role in the reform of orthography and typography under François I. At the start of this detailed examination, we learn about Tory’s early life, beginning with his modest origins in Bourges around 1480. Bernard describes how Tory rose from humble beginnings to become an influential artist and printer, eventually earning the title of king's printer. The opening sections detail his educational journey, including his studies in Italy, and emphasize his dedication to elevating the French language and perfecting typography. This historical account sets the stage for exploring Tory's multifaceted career, alongside the cultural and artistic revolutions of the early 16th century.
The History of Modern Painting, Volume 1 (of 4) Revised edition continued by the author to the end of the XIX century
Richard Muther
The History of Modern Painting, Volume 1 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 1 (of 4)" by Richard Muther is a historical account written in the late 19th century. This work meticulously explores the evolution and significance of modern art beginning from the 18th century, highlighting key figures and movements that shaped its development. The text likely addresses the transition of painting from the traditional notions dominated by church and aristocracy to a more bourgeois-led narrative and aesthetic. The opening of the book sets the stage for this in-depth exploration by analyzing the new social and cultural dynamics that accompanied the rise of modern painting. Muther introduces the historical context of England, positioning it as a pioneer in modern art, largely due to its middle-class development. He emphasizes the influence of contemporary life on English literature and art, showcasing how figures like William Hogarth embodied this shift toward a more realistic depiction of everyday life and society, contrasting with the idealism of previous eras. The introduction prepares readers for a comprehensive study of pivotal artists and how their works reflect the complexities and variances of modern life and culture.
Illuminated manuscripts in classical and mediaeval times, their art and their technique
J. H. (John Henry) Middleton
Illuminated manuscripts in classical and mediaeval times, their art and their technique
"Illuminated Manuscripts in Classical and Mediaeval Times, Their Art and Their Technique" by J. Henry Middleton is a historical account written in the late 19th century. This work explores the evolution and artistry of illuminated manuscripts, tracing their development from classical antiquity through the Middle Ages. The book focuses on the various methods, materials, and techniques employed in manuscript creation, highlighting the significance of illumination as an art form. The opening of the work establishes the author's intention to provide a comprehensive overview of manuscript writing and decoration from the earliest times to the sixteenth century, marking the transition from illuminated texts to printed works. Middleton emphasizes the survival of classical techniques throughout the mediaeval period and introduces the reader to the types of manuscripts, such as those inscribed on metal and wax tablets, which set the stage for the ensuing exploration of decorated texts. The early chapters delve into specific forms of writing, such as the use of a stylus and pen, and hint at the intricate process and care taken by scribes and illuminators, setting up a rich narrative of the artistry and craftsmanship involved in these historical texts.
American Book-Plates: A Guide to Their Study with Examples
Charles Dexter Allen
American Book-Plates: A Guide to Their Study with Examples
"American Book-Plates: A Guide to Their Study with Examples" by Charles Dexter Allen is a reference work on the artistic and historical study of book-plates, written in the late 19th century. This guide serves to explore the unique world of American ex-libris, highlighting their evolution and significance, while providing numerous illustrations of both rare and noteworthy examples. The book addresses not only the artistic styles but also the prominent figures associated with their production and use throughout American history. The opening of the book features a detailed preface in which the author acknowledges the contributions of prior scholars and collectors in the realm of book-plate studies. Allen emphasizes the growing interest in book-plates as part of American cultural heritage, and he frames his work as a pioneering effort to document and introduce the uniquely American aspects of this practice. He reflects on the transition from early imported designs to those crafted by native engravers in the U.S., distinguishing the regional styles emerging in different colonies. This introduction sets the stage for an in-depth exploration of various types of book-plates, their artistic styles, and their historical contexts, making the work not only informative but also a celebration of the craft of book-plate design.
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Clara Erskine Clement Waters
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
"A History of Art for Beginners and Students: Painting, Sculpture, Architecture" by Clara Erskine Clement is an educational guide on art history, written in the late 19th century. This comprehensive volume serves as a resource aimed at both novices and students of art, covering major art forms such as painting, sculpture, and architecture across different cultures and eras. The likely topic of the book focuses on the evolution and examples of these art forms, providing insights into their historical context and significance. The opening of the book introduces the subject of ancient sculpture, beginning with Egyptian art. It discusses the early practices and techniques of Egyptian artists, highlighting notable figures such as the sculptor Martisen, and describes the unique characteristics of their sculpture, including its stiff poses and lack of action. Illustrations of famous works like the Sphinx and the Colossi of Thebes are mentioned, alongside discussions on the limitations and advancements in Egyptian art. The section establishes a foundation for understanding the subsequent chapters, which will explore other cultures including Assyrian and Greek sculpture, marking the journey through art history that the book aims to present.
Finger-ring lore : $b historical, legendary, anecdotal
William Jones
Finger-ring lore : $b historical, legendary, anecdotal
"Finger-ring Lore: Historical, Legendary, Anecdotal" by William Jones is a historical account written in the late 19th century. The work delves into the cultural significance of rings throughout history, exploring their use in various societies and the rich lore surrounding them. It encompasses a wide array of topics including ring superstitions, ecclesiastical usages, and the artistry involved in ring-making, appealing to those interested in archaeology, history, and social customs. At the start of the book, the author sets the stage for a deep exploration of the significance of rings from ancient times to the present day. Jones acknowledges his initial intention to focus solely on ring superstitions but found a wealth of intriguing information on the topic of rings themselves. Through anecdotes and historical references, he illustrates the diverse materials and craftsmanship of rings, linking them to notable historical figures and events, while also emphasizing the emotional and symbolic meanings they held in different cultures. The opening chapters provide a foundation for understanding how rings have served not just as adornments, but also as representations of power, promises, and personal connections through the ages.
Six Centuries of Painting
Randall Davies
Six Centuries of Painting
"Six Centuries of Painting" by Randall Davies is a historical account written in the early 20th century. The book explores the evolution of painting across Europe, detailing prominent artists and movements from the Renaissance to modern times. It serves as a comprehensive survey, aiming to provide readers with insights into the development of artistic styles and techniques alongside the socio-cultural contexts that influenced them. The opening of this work lays a foundational understanding of the history of painting, starting from the pivotal figure of Cimabue in the thirteenth century. Davies emphasizes the important role of the Christian Church in fostering the growth of painting as an art form, which had initially been shunned. He outlines significant milestones and transitions in artistic representation, highlighting how painting evolved from rigid religious depictions to embodying emotional depth and realistic portrayals of human beings and nature. This introductory section emphasizes the relationships among key historical figures and how their innovations set the stage for future developments in art.