Curated shelf
Fashion
Browse Fashion as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period
P. L. Jacob
Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period
"Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period" by Paul Lacroix (Bibliophile Jacob) is a historical account written in the late 19th century. The work explores the intricate tapestry of social behaviors, traditions, and fashion that characterized life during the Middle Ages and the Renaissance, offering insight into the evolution of various customs reflective of broader societal changes. The opening of the book serves as a preface where the author outlines the rationale and importance behind the study of manners and customs from these periods, asserting the significance of art and culture as expressions of societal values. Lacroix discusses the chaotic disorganization that marked the early Middle Ages, characterized by a blend of Roman, Germanic, and Christian influences that led to feudalism and a complex social hierarchy. Essential themes include the transformation of roles within this evolving society, the gradual shift from servitude to freedom, and the rich array of customs that illustrate daily life, from royalty to peasantry. The text prepares the reader for a detailed exploration of how historical factors shaped the lives of ordinary people and the nobility alike.
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Augustin Challamel
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
"The history of fashion in France : or, the dress of women from the Gallo-Roman…." by Augustin Challamel is a historical account written in the late 19th century. It charts the evolution of French women’s dress from ancient Gaul through the Middle Ages to the author’s present, treating clothing as a social and moral barometer. The work highlights Paris’s leadership in style and the roles of actresses, fashion journals, and even dressed dolls in spreading trends, and it promises a period-by-period survey from the Gallo-Roman era onward. The opening of the volume presents fashion as a serious lens on society, quoting poets, praising Frenchwomen’s taste, and placing Paris at the center of global style. It illustrates celebrity influence with Mlle. Mars’s famous yellow gown, sketches the rise of fashion media from Amman’s Gynæceum to Lamésangère’s Journal des Dames et des Modes, mentions dolls used to export styles, and lays out a plan to cover each era. The first chapters then describe Gallic and Gallo-Roman attire—woad-stained skin yielding to tunics, veils (mavors and palla), Roman stolae, perfumes and cosmetics, jewelry, specialized footwear, fans, and cooling amber or crystal balls—before moving to Merovingian and early Carlovingian fashions shaped by Frankish rule: skins and camlets, coifs and veils (including the obbou), jeweled belts, braided hair, and modesty enforced by custom and church. They profile royal women and manuscript images to detail belts, veils, colors, and cleanliness (including baths), and then trace the shift to distinctly French medieval styles: dominical veils, bliauds and garde-corps, afiche clasps and serpent-trains, surcoats and hoods, emblazoned gowns, and a growing variety of fabrics.
Women's Bathing and Swimming Costume in the United States
Claudia Brush Kidwell
Women's Bathing and Swimming Costume in the United States
"Woman's Bathing and Swimming Costume in the United States" by Claudia Brush Kidwell is a historical account published in the late 20th century. This work traces the evolution of women's swimwear in America from its utilitarian beginnings to more functional and aesthetically pleasing designs. The book delves into how societal attitudes towards women's roles and participation in recreational activities have influenced the changing styles and standards of modesty in bathing and swimming costumes throughout history. The opening of the book provides a thorough introduction to the topic, discussing how early women's bathing attire was initially restrictive and utilitarian, influenced by modesty norms and societal expectations. It explains the gradual transformation of these garments, highlighting the cultural dynamics and technological advancements that allowed women greater freedom and acceptance in water activities. Kidwell sets the stage for a detailed exploration of this evolution, noting that the history of women's bathing dress is intertwined with broader themes such as public perceptions of women, health movements, and the advancement of gender equality in recreational pursuits.
A dictionary of men's wear
William Henry Baker
A dictionary of men's wear
"A dictionary of men's wear" by William Henry Baker is a trade reference dictionary written in the early 20th century. It compiles the terminology of men’s apparel and allied trades—covering fabrics, tailoring, shoemaking, hats, haberdashery, and uniforms—mixing precise definitions with shop slang and practical notes. Aimed at clothiers, tailors, manufacturers, and sellers, it promises an engaging, useful lexicon with appendices on correct dress and military attire. The opening of the dictionary presents a playful epigraph, a sweeping dedication to the clothing trades, and an explanatory preface outlining its origins in a smaller “Clothes Dictionary,” its aim to be comprehensive yet readable, and its choice of simplified spelling and non-pronouncing format to save space. The author stresses practicality over pedantry, notes incomplete coverage is inevitable, and lists extensive authorities (encyclopedias, trade journals, and U.S. uniform regulations), followed by personal acknowledgments. The alphabetical entries then begin, running from A into early C, defining garments, textiles, processes, and tools (from alpaca and aiguillette to back stitch and basket weave), along with retail slang, sports gear, and detailed military uniform notes—delivered in a brisk, sometimes witty tone.
The Heritage of Dress: Being Notes on the History and Evolution of Clothes
Wilfred Mark Webb
The Heritage of Dress: Being Notes on the History and Evolution of Clothes
"The Heritage of Dress: Being Notes on the History and Evolution of Clothes" by Wilfred Mark Webb is a historical account written in the early 20th century. The book explores the evolution of clothing through various periods and cultures, drawing connections between societal norms and dress. It examines not only the functional aspects of clothing but also the artistic and ornamental elements that reflect the history of human civilization. The opening of the book sets the stage for an exploration into the relationship between humans and their clothing. Webb introduces the idea that dress plays a crucial role in expressing social status and personal identity in society. He discusses the origins of clothing, suggesting that both practicality and aesthetics were likely motivating factors in their adoption. The discussion touches on the immense diversity of clothing throughout human history and sets up the framework for a deeper examination of individual garments, their functions, and their transformations, emphasizing the significance of observing and understanding these cultural artifacts.
Germany from the Earliest Period, Volume 4
Wolfgang Menzel
Germany from the Earliest Period, Volume 4
"Germany from the Earliest Period, Volume 4" by Wolfgang Menzel is a historical account written during the mid-19th century. This volume delves into the history and cultural developments of Germany, particularly focusing on significant events during the rise of Prussia and the influence of art, fashion, and literature in shaping German identity. The opening of this volume outlines how art and architecture in Germany were affected by foreign influences, particularly from France, leading to a decline in taste during the period. Menzel discusses various artists and their contributions, noting a shift from traditional styles to more superficial and extravagant ones. He also highlights the impact of the Reformation and the subsequent French influence on German literature, detailing the evolution of poetic forms and the cultural shifts toward domesticity and sentimentality, all while positioning these changes against the backdrop of Germany's complex political landscape, particularly during the turmoil of revolutions and wars with France.
Two Centuries of Costume in America, Volume 1 (1620-1820)
Alice Morse Earle
Two Centuries of Costume in America, Volume 1 (1620-1820)
"Two Centuries of Costume in America, Volume 1 (1620-1820)" by Alice Morse Earle is a historical account written in the early 20th century. This volume provides a comprehensive exploration of American dress from the early colonial period through to the early 19th century, examining the garments worn by various groups, including Puritans and Pilgrims, as well as their social and cultural implications. The opening of the book delves into the misconceptions surrounding the typical images of Puritan and Pilgrim attire as somber and dull. Earle argues against this notion by highlighting the rich variety of colors and styles that were prevalent among the New England settlers. She discusses the evidence we have from historical documents, inventories, and surviving garments that illustrate a vibrant tradition of dress that reflected both individual identity and social status. Earle paints a picture of colonists in lively russet and scarlet attire, contradicting the stereotype of drab Puritan clothing and emphasizing that the settlers paid careful attention to their apparel as a reflection of their dignity and social standing.
Paris and the Parisians in 1835 (Vol. 2)
Frances Milton Trollope
Paris and the Parisians in 1835 (Vol. 2)
"Paris and the Parisians in 1835 (Vol. 2)" by Frances Milton Trollope is a historical account written in the early 19th century. The book provides a detailed observation of life in Paris, focusing on the distinct characteristics of Parisian society, fashion, and culture during this period. Trollope's writing examines the French social scene, contrasting it with English norms and highlighting unique aspects of Parisian life. The opening of this volume begins with a letter that reflects on the distinctive air of Frenchwomen and their inimitable style, which is immediately recognizable to anyone familiar with the English. Trollope elaborates on the intricacies of Parisian fashion and the societal expectations tied to personal appearance. She contrasts the dress culture between English and French women, noting the former's elaborate changes throughout the day versus the simpler French approach. This letter sets the stage for a wider examination of Parisian life, and it foreshadows discussions on social gatherings, politics, and the city’s vibrant artistic culture that Trollope intends to explore in subsequent letters.
Needlework Economies: A Book of Mending and Making with Oddments and Scraps
Unknown
Needlework Economies: A Book of Mending and Making with Oddments and Scraps
"Needlework Economies: A Book of Mending and Making with Oddments and Scraps" edited by Flora Klickmann is a practical guide focused on creative and resourceful needlework techniques written in the early 20th century. This text emphasizes the importance of mending, utilizing scraps, and economic craftsmanship, especially in the context of post-war thriftiness. The book provides insights into transforming worn garments into usable items and crafting various home goods, highlighting a do-it-yourself ethos. The beginning of the book sets the stage by discussing the lessons learned from the hardships of war, particularly the value of minimizing waste and practicing thrift. It introduces the theme of reusing and repurposing materials to create essential items, with a focus on both practical techniques and the philosophy behind them. Specific instructions are provided, such as how to construct a brassiere and various types of aprons, emphasizing the ease and cost-saving benefits of making items at home instead of purchasing them.
Jewels and the woman: The romance, magic and art of feminine adornment
Marianne Ostier
Jewels and the woman: The romance, magic and art of feminine adornment
"Jewels and the Woman: The Romance, Magic and Art of Feminine Adornment" by Marianne Ostier is a comprehensive examination of jewelry, written in the late 20th century. The work delves into the historical significance of jewelry, particularly how it relates to femininity and adornment across various cultures and eras. It likely weaves together themes of romance, magic, and artistic expression, highlighting the importance of jewels in enhancing beauty and social standing. The opening portion of the text sets a reflective tone, discussing the cultural and historical evolution of jewelry and its significance to women. The foreword notes that throughout history, women have increasingly become associated with adornment, contrasting with the traditional roles of men in many societies. It discusses the transition of jewelry from being primarily a masculine dominion to a symbol of femininity, beauty, and personal expression. The opening also hints at a detailed exploration of the practical and aesthetic aspects of jewelry, suggesting themes that range from ancient adornments to modern jewelry-making practices. The author expresses a deep appreciation for the beauty of jewels and their power to convey personal identity and societal status.
The American Gentleman's Guide to Politeness and Fashion or, Familiar Letters to his Nephews
Margaret C. (Margaret Cockburn) Conkling
The American Gentleman's Guide to Politeness and Fashion or, Familiar Letters to his Nephews
"The American Gentleman's Guide to Politeness and Fashion" by Henry Lunettes is a collection of instructional letters written in the mid-19th century. This guide offers advice on the art of politeness and the nuances of fashion for young gentlemen, emphasizing the importance of personal presentation and social etiquette. With a focus on dressing appropriately and cultivating good manners, it aims to equip its readers with the knowledge to navigate social situations with grace and refinement. At the start of the book, Lunettes introduces his project by addressing his young male relatives, expressing his intention to discuss various aspects of gentlemanly behavior, beginning with an emphasis on dress. He outlines the significance of adhering to fashion while also advocating for individual taste, and he critiques the eccentricities of certain styles that stray too far from conventional propriety. Through anecdotes and practical advice, Lunettes further exemplifies the connection between one's appearance and character, establishing a foundation on which the following letters will build elaborate discussions on manners, accomplishments, and the moral education of a gentleman.
Habits and men, with remnants of record touching the makers of both
Dr. (John) Doran
Habits and men, with remnants of record touching the makers of both
"Habits and Men, with Remnants of Record Touching the Makers of Both" by Dr. Doran is a philosophical and societal exploration written in the mid-19th century. The text delves into the complex relationship between habits, manners, and dress, tracing historical examples and cultural reflections on how these elements shape human identity and social status. As a commentary on society, it combines wit and didacticism, addressing not only men but also women in the context of fashion and conduct. At the start of the work, the author introduces a playful yet insightful discourse on the significance of dress and habits, citing various historical and literary references that highlight changing societal norms. Dr. Doran reflects on the philosophical perspectives regarding vanity and morality, suggesting that habits, especially in terms of appearance, play a crucial role in a person's social standing and identity. Through anecdotes and literary allusions, he sets the stage for a broader exploration of how societal expectations of attire affect personal and communal identities, creating a tapestry of cultural commentary that is both instructive and entertaining.
Self-instructor in the art of hair work, dressing hair, making curls, switches, braids, and hair jewelry of every description.
Mark Campbell
Self-instructor in the art of hair work, dressing hair, making curls, switches, braids, and hair jewelry of every description.
"Self-Instructor in the Art of Hair Work, Dressing Hair, Making Curls, Switches, &c." by Mark Campbell is a comprehensive guide written in the late 19th century. This instructional manual aims to educate readers on the intricate art of hair work, encompassing various techniques for hair dressing and the creation of hair jewelry using original designs and Parisian patterns. The book is especially relevant for those interested in mastering the craft, whether for personal use or as a means of offering a lucrative service. The opening of the book introduces the author's rationale for creating this detailed instructional text, citing a demand for accessible knowledge in the art of hair work, which has historically been kept secretive among a few skilled practitioners. Campbell assures readers of his expertise, gained through years of experience. He outlines the book's intent to demystify hair braiding and creation techniques, encouraging novice and experienced individuals alike to explore their creativity with hair. The text promises detailed illustrations, step-by-step instructions, and practice patterns that cater to various skill levels, setting the stage for a thorough exploration of the craft.
Costume: Fanciful, Historical and Theatrical
Mrs. (Eliza Davis) Aria
Costume: Fanciful, Historical and Theatrical
"Costume: Fanciful, Historical and Theatrical" by Mrs. Aria is a compilation focusing on the evolution of clothing and fashions through various historical periods, written in the early 20th century. The work delves into the intricacies of costume design from classic times to more modern influences, drawing connections between attire and cultural contexts. The illustrations by Percy Anderson enrich the text, showcasing the vivid styles and trends that defined different eras. At the start of the book, the author introduces the concept of fashion, noting its limited scope in ancient Roman society, where dress was strictly regulated by societal norms and laws. She discusses the toga and the tunic as prevalent garments, emphasizing the lack of individuality in fashion during those times. The text highlights Boadicea’s preference for Roman attire during her rebellion against the Romans, setting a historical context for the discussion of clothing through the ages. Mrs. Aria’s narrative is both informative and reflective, establishing a foundation for examining the artistry of costume across various chapters, focusing on details such as fabrics, styles, and cultural significance.
Le Pantalon Féminin
Pierre Dufay
Le Pantalon Féminin
"Le Pantalon Féminin" by Pierre Dufay is a historical account written in the early 20th century. This work examines the evolution and cultural significance of women's pants, tracing its origins through various epochs, while blending humor with scholarly commentary. The book likely aims to explore societal attitudes towards women's clothing and the implications of the female pant attire through history. The opening of "Le Pantalon Féminin" sets the tone with a preface that showcases the author's disdain for women's pants, juxtaposed with a tongue-in-cheek analysis of their historical roots. The preface reflects on the absurdity often associated with women's fashion, suggesting that pants—often considered practical—are emblematic of deeper issues pertaining to women's roles in society. As the narrative begins, it hints at a thorough exploration of how pants have transitioned from an ignominious item to a symbol of social progression, with references to literary figures and historical anecdotes that reinforce the complexities surrounding attire, gender, and societal expectations.
Textile Fabrics A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Daniel Rock
Textile Fabrics A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
"Textile Fabrics" by Daniel Rock is a descriptive catalogue written in the late 19th century. The work focuses on a collection of church vestments, dresses, silk stuffs, needlework, and tapestries housed in the South Kensington Museum. The book offers insights into the history, techniques, and cultural significance of various textiles, examining materials such as wool, silk, and gold, as well as their geographical sources and styles. The opening of the catalogue introduces the reader to the extensive collection and its intended purpose. It emphasizes the historical relevance of textiles, showcasing the evolution of weaving and the role of women in the textile arts throughout various cultures and eras. Rock highlights the importance of these fabrics not only as functional items but also as works of art, worthy of study for their craftsmanship and aesthetic qualities. By delineating the materials and methods used in creating textiles, he sets the stage for a deeper exploration of the various sections that will follow in the catalog.
Dress design $b: an account of costume for artists & dressmakers
Talbot Hughes
Dress design $b: an account of costume for artists & dressmakers
"Dress Design: An Account of Costume for Artists & Dressmakers" by Talbot Hughes is a technical handbook written in the early 20th century. This work serves as a comprehensive guide that explores the evolution of historical costume, providing practical insights and illustrations beneficial to both artists and dressmakers. The book discusses various styles of dress through the ages, offering suggestions for modern dressmakers while acknowledging historical influences. The opening of the book introduces its aims and the significance of costume design as an essential craft that combines artistry and technical skill. The author emphasizes the importance of understanding the principles that govern the development of costume, such as freshness, fit, and the interplay of design and craftsmanship. Moreover, Hughes mentions his extensive research, including insights drawn from his collection of historical garments and patterns, which are included to assist readers in their design endeavors. The introduction sets a tone of appreciation for costume history while proposing a blend of traditional craftsmanship with modern practices.
English Costume
Dion Clayton Calthrop
English Costume
"English Costume" by Dion Clayton Calthrop is a historical account written in the early 20th century. The work provides an in-depth examination of the evolution of civilian clothing in England, beginning from the time of the Norman Conquest through various historical periods. Focusing on how clothing reflects societal changes and individual identity, it meticulously traces the transition of styles, materials, and cultural influences over time. The opening of "English Costume" sets the stage for a comprehensive exploration of fashion history, with the author emphasizing the integral role clothing plays in shaping a person's identity and reflecting social norms and values. Calthrop introduces the idea that fashion is intertwined with significant historical figures and events, illustrating this connection through anecdotes about notable garments from various reigns. He establishes an organized historical timeline, pairing illustrations with textual descriptions that detail the changes in men’s and women’s attire from the Norman Conquest (1066) onwards, all while asserting the importance of understanding the clothes of one's own people to fully grasp their history. The opening effectively frames the book as a unique resource that links fashion to historical narratives in a way that is both accessible and engaging.
Textiles and Clothing
Kate Heintz Watson
Textiles and Clothing
"Textiles and Clothing" by Kate Heintz Watson is a comprehensive examination of textile production and fashion, written in the early 20th century. This work delves into the history and techniques of fabric creation, covering everything from primitive methods of spinning and weaving to modern industrial processes. It aims to educate homemakers, educators, and those interested in the textile arts about the intricacies and significance of clothing and fabric in everyday life. The opening of the book introduces readers to the foundational arts of spinning and weaving, tracing their origins back to primitive societies where they were vital for securing and creating functional items for daily living. It highlights the evolution of these crafts from rudimentary techniques to more sophisticated methods developed over time, emphasizing the role of women in these processes. Watson emphasizes the transformation of fabric-making as it has transitioned from manual labor to automation in modern industry, setting the stage for a deeper exploration of the materials, techniques, and cultural significance associated with textiles and clothing.
The Evolution of Fashion
Florence Mary Gardiner
The Evolution of Fashion
"The Evolution of Fashion" by Florence Mary Gardiner is a historical account written in the late 19th century. This work explores the development of fashion, tracing its changes from ancient times to the author's contemporary period, focusing on various aspects such as clothing, headgear, and the cultural influences that shaped them. The book aims to present a comprehensive yet accessible narrative about the evolution of fashion within the British context, highlighting how societal norms and preferences impacted clothing styles. At the start of the volume, Gardiner sets the stage by discussing the inherent challenges humanity faced regarding clothing—particularly the absence of natural body coverings—which led to the establishment of fashion as a means of expression and social status. She emphasizes the simplicity of early garments used by our ancestors and contrasts this with the more elaborate attire identifiable in ancient civilizations such as Egypt and Greece. Through vivid descriptions and insights into historical customs, the author foreshadows a detailed examination of dress styles through the ages, reflecting on how cultural exchanges and societal evolutions have continuously shaped fashion trends.
Umbrellas and Their History
William Sangster
Umbrellas and Their History
"Umbrellas and Their History" by William Sangster is a historical account written in the 19th century, likely during the Victorian era. The book explores the evolution and significance of umbrellas, detailing their origins, cultural relevance, and the transformation in their design and utility over time. Sangster presents umbrellas not only as practical items for sheltering against rain but also as objects intertwined with social status and fashion. In the book, Sangster traces the history of the umbrella from ancient civilizations, highlighting its use as a parasol in hot climates, to its eventual adoption in England and its role in daily life. He discusses notable figures, such as Jonas Hanway, credited for promoting the umbrella's utility in London, and narrates various humorous anecdotes that underscore societal attitudes toward umbrellas. The book also delves into the technological advancements that led to the modern umbrella's design, revealing how these changes have enhanced both functionality and accessibility. Overall, Sangster's narrative offers a charming blend of historical research and light-hearted commentary, celebrating the umbrella's journey into becoming an indispensable accessory in contemporary life.
Godey's Lady's Book, Vol. 48, No. XVIII, April, 1854
Various
Godey's Lady's Book, Vol. 48, No. XVIII, April, 1854
"Godey's Lady's Book, Vol. 48, No. XVIII, April, 1854" by Various is a historical magazine published in the mid-19th century. This edition is a compilation of various articles, stories, and illustrations, focusing on topics relevant to women of the time, including fashion, literature, and domestic life. It seeks to provide readers with practical and creative content, emphasizing the cultural and social aspects of women's experiences during this period. The opening of this issue presents a detailed table of contents featuring a mix of insightful articles, fashion patterns, and creative projects, such as "The Manufacture of Artificial Flowers" and "The Orphan's Departure." The featured pieces range from instructional content about artisanal crafts to romantic tales, reflecting the interests and aspirations of the magazine's readership. The beginning sets the tone for a blend of education, entertainment, and inspiration, making it a valuable resource for women in the 1850s to navigate their roles in society while enjoying aspects of art and domesticity.
In Vanity Fair: A Tale of Frocks and Femininity
Eleanor Hoyt Brainerd
In Vanity Fair: A Tale of Frocks and Femininity
"In Vanity Fair: A Tale of Frocks and Femininity" by Eleanor Hoyt Brainerd is a novel written in the early 20th century. The book delves into the extravagant world of Parisian fashion and the societal implications of femininity within that context. It explores the lives of women who passionately pursue fashion, showcasing their charm and obsession through a culture that both celebrates and critiques the frivolities of a luxurious lifestyle. The opening of the story introduces the reader to the concept of "chic," a quintessentially French term that encapsulates the allure and elegance of Parisian women. It discusses how these women, from their early years to old age, cultivate an artful coquetry that remains captivating despite the passage of time. The narrative paints vivid scenes of the Parisienne culture, where each frock and feminine expression is steeped in meaning and societal commentary. Through a mix of humor and insight, the text sets the stage for a broader examination of the interplay between fashion, identity, and the relentless pursuit of charm in the vibrant yet superficial realm of Vanity Fair.
The Mirror of the Graces Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
active 19th century Lady of distinction
The Mirror of the Graces Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
"The Mirror of the Graces" by an active 19th century Lady of distinction is a comprehensive guidebook written in the early 19th century. The book focuses on the cultivation of beauty, elegance, and good manners in women, combining insights on dress, personal accomplishments, and health. It offers advice on how women can enhance their appearance while maintaining virtue and modesty. The opening portion of the book introduces the author's perspective on the importance of the human body as a vessel for expression and connection, emphasizing that outward beauty should reflect inner virtues. The author discusses the balance between neglecting one's appearance and overvaluing it, urging young women to understand societal expectations while preserving their grace. She highlights the need for mothers to guide their daughters in maintaining both beauty and morality in a changing cultural landscape and sets the tone for detailed discussions on manners, fashion, and health throughout the book.
Ancient Egyptian, Assyrian, and Persian costumes and decorations
Mary G. (Mary Galway) Houston
Ancient Egyptian, Assyrian, and Persian costumes and decorations
"Ancient Egyptian, Assyrian, and Persian costumes and decorations" by Mary G. Houston et al. is a technical history of costume written in the early 20th century. This informative work delves into the various styles and designs of clothing and decorations from ancient Egypt, Assyria, and Persia, contributing to the understanding of historical fashion and material culture. The book provides detailed descriptions and illustrations of traditional garments, their construction, and the materials used, such as linen and wool. Each section covers different types of costumes, ranging from tunics and robes to shawls and draperies, emphasizing the rich decorative elements and the variations between male and female attire in these ancient cultures. With a combination of twenty-five full-page illustrations, including sixteen in color and numerous diagrams, it serves as an invaluable resource for artists, designers, historians, and educators, facilitating the reproduction of historic garments and informing dramatic representations or theoretical studies on ancient civilizations.
Clothing and Health: An Elementary Textbook of Home Making
Helen Kinne
Clothing and Health: An Elementary Textbook of Home Making
"Clothing and Health: An Elementary Textbook of Home Making" by Helen Kinne and Anna M. Cooley is an educational guide aimed at teaching home economics, particularly focusing on clothing and health, written in the early 20th century. The textbook is designed for elementary school students and emphasizes the importance of sewing, textile knowledge, and the relationship between clothing and health. The opening of the book introduces the Pleasant Valley School, where students are engaged in practical lessons about sewing and textile materials. The narrative highlights the girls of the sewing league as they learn how to choose appropriate materials for their projects, such as towels and aprons, while also discussing the characteristics of various fabrics like cotton and linen. Through hands-on learning, the girls explore not only the art of sewing but also the significance of making informed choices about clothing in relation to hygiene and health, laying the foundation for a well-rounded home-making education.
The Book of the Feet: A History of Boots and Shoes
Joseph Sparkes Hall
The Book of the Feet: A History of Boots and Shoes
"The Book of the Feet: A History of Boots and Shoes" by Joseph Sparkes Hall is a historical account written in the mid-19th century. The book explores the evolution and significance of footwear, detailing styles from ancient civilizations including the Egyptians, Romans, and Greeks, as well as the development of shoe-making practices in Europe and the United States. Hall, an experienced boot maker himself, combines historical insights with practical advice for shoemakers and remedies for foot ailments. At the start of the book, Hall sets the tone by discussing the origin of foot coverings, particularly sandals in ancient Egypt, illustrating the early methods of shoe-making. He references ancient artifacts and adaptations found in museums, providing a vivid picture of how footwear has changed over time. The opening chapters introduce various aspects of shoe construction and usage in history, emphasizing both the aesthetic and functional roles shoes have played in societal norms and individual comfort, while hinting that the delight in craftsmanship and fashion has continually intertwined with cultural identity.
Origin and Early History of the Fashion Plate
J. L. (John Lea) Nevinson
Origin and Early History of the Fashion Plate
"Origin and Early History of the Fashion Plate" by J. L. Nevinson is a scholarly historical account written in the mid-20th century. This book traces the development of fashion plates, which are artistic representations that indicate clothing styles, from their inception in the late 15th and early 16th centuries through their evolution during the 19th century. The aim is to provide an understanding of how these illustrations reflected societal changes in fashion consciousness and communication. In this detailed examination, Nevinson outlines the origins of fashion plates, noting that they began as costume portraits for identity representation rather than individual features. He chronicles their transformation, highlighting improvements in communication and transportation that fueled the growth of interest in foreign fashions and styles. The book also explores key figures and publications that contributed to the fashion plate industry, illustrating how fashion became increasingly accessible to the middle social classes through periodicals and magazines. This work not only serves as an informative resource for costume historians but also emphasizes the socio-cultural context surrounding the evolution of fashion illustration.
The corset and the crinoline : $b A book of modes and costumes from remote periods to the present time
William Barry Lord
The corset and the crinoline : $b A book of modes and costumes from remote periods to the present time
"The Corset and the Crinoline" by W. B. L. is a historical account written in the late 19th century. This volume explores the intricate relationship between fashion, specifically corsetry and crinolines, and their influence on female beauty ideals throughout history. The text delves into the various customs, styles, and societal implications tied to these garments, shedding light on women's pursuit of an aesthetically pleasing silhouette. The opening of the book introduces the reader to the historical context of corsets, tracing their origins to ancient practices across different cultures, including savage tribes and renowned civilizations such as Egypt and India. It discusses not only the physical creation of corsets but also the societal pressures placed on women to conform to a defined waistline, emphasizing the importance of aesthetics over health. The text hints at a broader examination of fashion trends that have evolved over time, making it clear that the book will serve as a comprehensive guide to the evolution of women's attire and the pervasive corset debate that accompanies it.
Straw Hats: Their history and manufacture
Harry Inwards
Straw Hats: Their history and manufacture
"Straw Hats: Their History and Manufacture" by Harry Inwards is a detailed exploration of the history, production, and evolution of straw hats, likely written in the early 20th century. The book covers various aspects of the straw hat industry, including the origins of straw headgear, manufacturing techniques, and the influence of fashion on hat styles. It serves as both a historical account and a technical guide for understanding the complexities involved in straw hat production. The opening of the work introduces the rich history behind straw hats, suggesting that the usage of plant materials for head coverings dates back to ancient times, with references to literary works and archaeological findings. Inwards notes that traditional headgear was often made by the common folk and emphasizes the various regional practices and innovations that contributed to the development of straw hats throughout history. He also touches upon notable contributions from specific regions, like Florence and Luton, establishing a foundation for discussing the meticulous processes of weaving and plaiting straws as well as the machines used in modern production.
Chats on Costume
G. Woolliscroft (George Woolliscroft) Rhead
Chats on Costume
"Chats on Costume" by G. Woolliscroft Rhead is a historical account written in the early 20th century. This work explores the evolution and significance of costume throughout history, focusing on its cultural and artistic dimensions while avoiding military and ecclesiastical attire. The book serves as a conversation starter about the importance of dress, showcasing how clothing reflects societal values and aesthetics. The opening of "Chats on Costume" provides an insightful introduction to the topic, examining the multifaceted purposes of clothing: for decency, comfort, and beauty. The author references various historical perspectives on dress, drawing on philosophical observations and cultural practices from different civilizations. Rhead sets the stage for a more detailed exploration of specific garments, highlighting how clothing serves as an art form that encapsulates the identity and values of societies across time. This groundwork invites readers to appreciate clothing as an essential aspect of culture and design.
Woman as Decoration
Emily Burbank
Woman as Decoration
"Woman as Decoration" by Emily Burbank is a guide on women's fashion and costume design written in the early 20th century. The book delves into the art of dressing well, emphasizing the role of women as vital elements in the decorative scheme of any setting. It aims to provide readers with principles for understanding their own types and how to enhance their appearance through appropriate choice of costumes in various contexts. The opening of the book introduces the author's intent to study the historical context of women's attire while guiding modern women to create effective and decorative costumes for daily life and special occasions. Burbank highlights the importance of grasping fundamental rules about line, color, and appropriateness, with an emphasis on understanding one's own body type and employing techniques that celebrate individual strengths. She also touches on the psychological aspects of clothing, illustrating how attire can influence a woman's demeanor and presence in society. Overall, the introduction sets the stage for a comprehensive exploration of fashion as both an art and a means of personal expression.
Greek dress : $b a study of the costumes worn in ancient Greece, from pre-Hellenic times to the Hellenistic age
Ethel Beatrice Abrahams
Greek dress : $b a study of the costumes worn in ancient Greece, from pre-Hellenic times to the Hellenistic age
"Greek Dress: A Study of the Costumes Worn in Ancient Greece, from Pre-Hellenic Times to the Hellenistic Age" by Ethel B. Abrahams is a scholarly work written in the early 20th century. This book delves into the evolution and characteristics of clothing in ancient Greece, covering a broad timeline from pre-Hellenic civilization through the Hellenistic period. The focus is on how dress reflects societal and cultural changes, emphasizing the distinctions between Doric and Ionic styles and the significance these clothing types had in ancient Greek life. The opening of the work presents a preface where Abrahams outlines her objective: to provide a comprehensive account of Greek dress over time, utilizing archaeological findings and literary references. She discusses the early civilizations of the Aegean and contrasts the elaborate costumes found in Mycenæan art with the simpler garments described in Homeric works. Abrahams indicates that the differences in dress point towards a significant cultural shift between the pre-Hellenic inhabitants and the Hellenic Greeks, with highlighted discussions on the influences of invasions and the incorporation of diverse elements into the costumes of later periods. Overall, the introduction sets the stage for a detailed exploration of ancient Greek fashion and its cultural implications.
Godey's Lady's Book, Vol. 48, January, 1854
Various
Godey's Lady's Book, Vol. 48, January, 1854
"Godey's Lady's Book, Vol. 48, January, 1854" by Various is a historical magazine published in the mid-19th century. It serves as a collection of essays, fashion articles, stories, poetry, and advice pieces geared primarily toward women of that era, reflecting the cultural and societal norms of the time. The content likely delves into topics related to motherhood, fashion, domestic life, and personal development, catering to the interests and enterprises of its female readership. The opening of the volume introduces a wide array of contents, providing insights into different aspects of life in the 1850s. It mentions articles on fashion trends, etiquette advice for brides, and practical instructions for various crafts like embroidery and gardening. Additionally, the volume features stories and poems that are likely meant to entertain and inspire. Notably, it highlights the societal expectations of women during the time, showcasing their roles in the household and the importance of fashion and etiquette in social standing. Overall, the opening establishes a rich tapestry of themes that resonate with the aims of the publication to both inform and entertain its audience.
Seven Centuries of Lace
Maria Margaret Pollen
Seven Centuries of Lace
"Seven Centuries of Lace" by Maria Margaret Pollen is a comprehensive study on the art of lace-making, published in the early 20th century. This richly illustrated volume explores the historical, technical, and artistic aspects of both needlepoint and bobbin-made lace, spanning from the early centuries to the author's contemporary period. The work aims to document the evolution of lace design and techniques while providing full-sized reproductions of various lace specimens, making it a valuable resource for enthusiasts and scholars alike. The opening of the book sets the stage for its exploration by explaining the author's motivation to share her extensive lace collection through photography, emphasizing the difficulty in understanding lace from mere illustrations. It introduces the author's intention to highlight the intricate details of historical lace designs, some of which have roots in ancient Coptic work. The introductory text reveals an appreciation for the artistry involved in lace-making and establishes a timeline for the development of lace, demonstrating its cultural significance in both religious and secular contexts through the ages.
Godey's Lady's Book, Vol. 48, June, 1854
Various
Godey's Lady's Book, Vol. 48, June, 1854
"Godey's Lady's Book, Vol. 48, June, 1854" by Various is a vintage periodical that features a compilation of articles, stories, and illustrations reflecting the interests of women in mid-19th century America. The publication likely encompasses themes such as fashion, literature, and domestic advice, alongside various creative contributions that appeal to a female audience of that era. The opening of this volume includes a fascinating array of fashion illustrations and descriptions, such as intricate bonnets, caps, and garments like the Pyramid Talma, capturing the fashion trends of the time. It also features a musical composition, the Palace Waltz, indicating the cultural exchanges and entertainment preferences of the audience. Additionally, the introductory section presents a comprehensive table of contents, highlighting diverse topics covered in the issue, from practical advice on food preservation to fictional narratives, showcasing the variety of content aimed at engaging and enlightening women of the period.
Stoles and shawls: hairpin lace, knitted, crocheted
American Thread Company
Stoles and shawls: hairpin lace, knitted, crocheted
"Stoles and shawls: hairpin lace, knitted, crocheted" by the American Thread Company is a craft instruction book published in the mid-20th century. This book serves as a comprehensive guide for creating stoles and shawls using hairpin lace, knitting, and crocheting techniques. The content reflects the fashion sensibilities of that era, showcasing various patterns and styles that would appeal to crafters looking to create stylish accessories for both casual and formal occasions. The book features an array of patterns for stoles and shawls, detailing the materials required and providing step-by-step instructions for each design. It includes illustrations and explanations of knitting and crochet abbreviations, ensuring that crafters of varying skill levels can follow along. Projects range from simple designs to more intricate patterns, allowing readers to mix and match colors and techniques. Overall, this book not only serves as a practical guide for making beautiful, self-made fashion accessories but also fosters creativity and individual expression through knitting and crocheting.
Bulkies [Sweaters to Knit and Crochet]
American Thread Company
Bulkies [Sweaters to Knit and Crochet]
"Bulkies [Sweaters to Knit and Crochet]" by American Thread Company is a detailed collection of knitting and crochet patterns published during the mid-20th century. The book focuses on a variety of sweaters designed for different age groups and styles, providing instructions for creating these garments through both knitting and crocheting techniques. At its core, the book is centered around handcrafting clothing, emphasizing creativity and practicality. The book includes several patterns, each with specific measurements, materials required, and detailed instructions. For example, it features patterns for a boy's hooded jacket, a girl's crocheted hooded jacket, and both a woman's knitted sweater and a man's zippered jacket. Each pattern outlines the yarn types needed, the required stitch gauge, and detailed step-by-step directions for construction, ensuring accessibility for both novice and experienced crafters. The provided illustrations further enhance comprehension, making it a valuable resource for anyone interested in knitting or crocheting stylish and functional sweaters.
The Lady's Album of Fancy Work for 1850 Consisting of Novel, Elegant, and Useful Designs in Knitting, Netting, Crochet, Braiding, and Embroidery, with Clear and Explicit Directions for Working the Patterns
Unknown
The Lady's Album of Fancy Work for 1850 Consisting of Novel, Elegant, and Useful Designs in Knitting, Netting, Crochet, Braiding, and Embroidery, with Clear and Explicit Directions for Working the Patterns
"The Lady's Album of Fancy Work for 1850" by Unknown is a collection of instructional designs for various needlework techniques, likely created during the mid-19th century. This versatile volume offers patterns and clear instructions for an array of crafts including knitting, netting, crochet, embroidery, and more. Its purpose is to inspire and facilitate the artistic pursuits of women during that era, emphasizing the blend of creativity and practicality in domestic arts. The opening of this album sets the stage for a rich exploration of needlework, introducing the reader to the art's historical significance and its evolution over time. It details the types of projects included, such as an embroidered front for a lady's cabinet, a crocheted infant's bonnet, and a cover for a cake basket, each with specific materials and detailed instructions outlined. The text suggests a commitment to both aesthetic appeal and technical mastery, providing a valuable resource for traditional handiwork that aims to enrich the domestic sphere and enhance the skills of the diligent needleworker.
Garment cutting in the twentieth century : $b Consisting of a series of articles on garment cutting and making
Günther F. Hertzer
Garment cutting in the twentieth century : $b Consisting of a series of articles on garment cutting and making
"Garment Cutting in the Twentieth Century: Consisting of a Series of Articles on Garment Cutting and Making with Illustrations by Diagrams" by Günther F. Hertzer is an instructional work focused on the techniques of garment cutting, likely written in the late 19th century. The book outlines the fundamentals and methodologies of tailoring, particularly addressing how to create well-fitted garments through various cutting techniques. It likely serves as a significant resource for aspiring tailors and those interested in the art of custom garment creation. The opening of the book features a preface that introduces the author's extensive experience in tailoring and garment fitting. Hertzer emphasizes that while styles may change, the foundational principles of good garment cutting remain constant. He discusses the importance of creating a solid base for cuts, utilizing specific measurements, angles, and methods to ensure comfort and fit in tailored trousers. The author expresses his intent to share practical knowledge gleaned from decades of experience, aiming to guide readers in the art of tailoring while acknowledging the complexities that come with the craft.
Godey's Lady's Book, Vol. 48-49, No. XVIII, May, 1854
Various
Godey's Lady's Book, Vol. 48-49, No. XVIII, May, 1854
"Godey's Lady's Book, Vol. 48-49, No. XVIII, May, 1854" by Various is a periodical publication that reflects mid-19th century American culture. This edition features a range of topics aimed at women, including articles on fashion, household tips, personal advice, and creative hobbies like knitting and painting. The content indicates a strong focus on the roles and interests of women during this time period, offering insight into their lives and societal expectations. The opening of this volume presents a detailed Table of Contents, outlining a variety of articles and illustrations that encourage women to engage in both creative and intellectual pursuits. From discussions about the adoption of the Bloomer costume to considerations of delicate women's needs, the publication addresses contemporary issues, advice on marriage, and artistic endeavors. Notably, the list suggests that readers can expect engaging and practical content aimed at enhancing their domestic lives and social standings within the community.
The Philosophy of Beards A Lecture Physiological, Artistic & Historical
Thomas S. Gowing
The Philosophy of Beards A Lecture Physiological, Artistic & Historical
"The Philosophy of Beards" by Thomas S. Gowing is a historical and philosophical examination of the beard's significance, written in the late 19th century. The work delves into physiological, artistic, and historical aspects of beards, exploring their role in masculinity, fashion, and cultural identity throughout various civilizations. The opening of the text presents a preface and introduction wherein Gowing argues against the societal trend of shaving, positing that the beard serves essential protective purposes, such as shielding sensitive facial areas from the elements. He reflects on how fashion influences human behavior, specifically in regard to beards, and expresses a desire to discuss the natural and artistic beauty of beards, as well as address objections to their existence. Through a blend of humor and earnestness, Gowing sets the tone for a discourse on the importance of embracing natural attributes that embody masculinity.
Fashion parade : $b knit and crochet for him and her
American Thread Company
Fashion parade : $b knit and crochet for him and her
"Fashion Parade: Knit and Crochet for Him and Her" by American Thread Company is a practical guidebook on knitting and crochet techniques, likely created in the mid-20th century. This book presents various patterns and styles for both men's and women's apparel, showcasing a diverse collection of garments that can be made using knitting and crochet methods. Its focus on accessible design makes it an ideal resource for hobbyists and crafting enthusiasts looking to create handmade clothing. The book includes detailed instructions for a variety of projects, each with specific materials and measurements provided for different sizes. It features patterns for items such as jackets, skirts, and sweaters, with each design incorporating intricate stitches and techniques suitable for both beginners and more experienced crafters. The content is organized systematically, allowing readers to easily follow along with the patterns. Additionally, illustrations enhance the understanding of each project, making this book a valuable tool for anyone interested in exploring fashion through the art of knitting and crochet.
The Sunshade, the Glove, the Muff
Octave Uzanne
The Sunshade, the Glove, the Muff
"The Sunshade, the Glove, the Muff" by Octave Uzanne is a collection of essays on the history and cultural significance of these feminine ornamental accessories, written in the late 19th century. The text serves as an exploration of the evolution and functionality of these items, demonstrating Uzanne's interest in the blend of art, fashion, and social commentary present in women’s adornments. The narrative indicates that the book will delve deeply into various historical contexts, highlighting their uses across different cultures and time periods, and possibly reflects on the role of women in society concerning fashion. The opening of the work features a preface by Uzanne, who explains the motivation behind this exploration following the success of his previous volume on "The Fan." He begins by discussing the historical roots of the sunshade, tracing its use back to ancient civilizations and its symbolic representation across cultures. Uzanne references various literary and historical sources to illustrate how these items were more than mere accessories but significant cultural artifacts representing beauty, femininity, and social class. He humorously hints at the challenges of undertaking such a comprehensive topic, reflecting a blend of seriousness and levity as he prepares to embark on an enriching literary journey regarding these fashionable items.
The Girl's Own Paper, Vol. XX, No. 983, October 29, 1898
Various
The Girl's Own Paper, Vol. XX, No. 983, October 29, 1898
"The Girl's Own Paper, Vol. XX, No. 983, October 29, 1898" by Various is a periodical publication written during the late 19th century. The magazine features a mix of short fiction, fashion articles, and uplifting content aimed specifically at young women of that era. Its pages are filled with stories that reflect societal values, aspirations, and the challenges of women at that time, often promoting themes of personal growth, morality, and the importance of kindness. The opening portion introduces a fictional narrative titled "Where Swallows Build" by Sarah Doudney, centering on the characters Robert Cardigan and Alice Harper. The story unfolds over a Sunday, where Cardigan, who has recently bought the old farm of Swallow's Nest, seeks out Alice, a young woman who has been living there. Their encounter reveals a deep conversation about wealth, responsibility, and the emotional weight of one's decisions. Alice expresses her reservations about Cardigan's plans to demolish the farm, which she associates with rich history and layered sentiments. As their dialogue progresses, it is evident that both characters carry their personal struggles and hopes, hinting at the budding connection between them amidst social contemplation.
Mood fashions
American Thread Company
Mood fashions
"Mood Fashions" by American Thread Company is a collection of knitting and crochet patterns written during the mid-20th century. The book provides guidelines for crafting a variety of garments, reflecting popular fashion trends of its time. Its likely topic centers around the art of knitting and crocheting, aiming to cater to both beginners and experienced crafters who wish to create stylish clothing items. The content of the book includes detailed patterns for an array of knitted and crocheted pieces such as sweaters, pants, dresses, and ponchos, with sizes typically ranging from small to medium. Each pattern outlines the necessary materials, needle sizes, yarn types, and specific instructions for crafting each item. The book also features knitting and crochet abbreviations, making it accessible for readers to follow along. Overall, "Mood Fashions" serves as both an instructional guide and a creative inspiration for crafters looking to enhance their wardrobe with handmade garments.
Emma McChesney and Co.
Edna Ferber
Emma McChesney and Co.
"Emma McChesney and Co." by Edna Ferber is a novel written during the early 20th century. The story revolves around Emma McChesney, a strong-willed saleswoman who is navigating the competitive world of the women's fashion industry. With a keen business sense and a desire to succeed, Emma is poised to travel to South America to expand her company's reach against the rival Sans-Silk Skirt Company, led by her former colleague, Fat Ed Meyers. At the start of the narrative, we are introduced to Emma McChesney, whose dedication to her son and career sets the stage for her upcoming challenges. The opening chapter depicts her lively dialogue with her business partner, T. A. Buck, highlighting their dynamic partnership. Emma's determination to seize opportunities in South America is met with both skepticism and support from Buck, capturing the tension between their professional ambitions and personal concerns. The initial interactions not only establish Emma's character as a savvy and confident businesswoman but also hint at the unfolding drama between ambition, gender roles, and a budding romance that could complicate their professional lives.
An embroidery book
Anne Knox Arthur
An embroidery book
"An Embroidery Book" by Anne Knox Arthur is a practical guide to the art and craft of embroidery, likely written in the early 20th century. This book serves as a comprehensive resource for both novice and experienced needleworkers, emphasizing the historical significance of embroidery and its application in designing everyday items. The focus is on practical skills and techniques, encouraging crafters to express their creativity through fabric and thread. The opening portion of the book introduces readers to the world of embroidery, establishing its importance as a domestic art form that can enhance daily life. The author discusses the advantages of needlework, including its accessibility, affordable materials, and ability to add beauty to one's surroundings. The text highlights the historical evolution of embroidery in England and encourages women to rediscover this craft by exploring their creative potential, moving beyond traditional techniques to develop unique, personalized designs. The foreword suggests a revival of interest in handwork that expresses individuality and creativity, regardless of prior experience.