Curated shelf
FR Musique
Browse FR Musique as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
La Tétralogie de l'Anneau du Nibelung
Richard Wagner
La Tétralogie de l'Anneau du Nibelung
"La Tétralogie de l'Anneau du Nibelung" by Richard Wagner is a cycle of four epic music dramas composed between 1848 and 1874. Drawing from Germanic and Norse legends, the work follows struggles over a magic ring that grants world domination. The story spans three generations, involving gods, heroes, and mythical creatures, culminating in a final cataclysm. With approximately fifteen hours of music requiring a specially built theatre, Wagner created what many consider opera's most massive undertaking.
Musiciens d'autrefois
Romain Rolland
Musiciens d'autrefois
"Musiciens d'autrefois" by Romain Rolland is a historical account written in the early 20th century. The work delves into the history and significance of music, particularly focusing on opera and its evolution throughout different eras. The text is likely to appeal to those interested in music history, arts, and cultural analysis. At the start of "Musiciens d'autrefois," the author introduces the pivotal role music plays in the broader tapestry of history and culture. Rolland emphasizes the often-overlooked depth of musical history, positioning music as a vital expression of the human spirit that reflects societal values, emotions, and transformations. He critiques the historical narrative that has sidelined music in favor of more tangible arts, while establishing a connection between music and other art forms, highlighting how they influence one another. Rolland's examination urges readers to appreciate the intricate relationships between music, literature, and societal changes, setting the stage for a more thorough exploration of opera and its predecessors in subsequent chapters.
Histoire de la musique
Henri Lavoix
Histoire de la musique
"Histoire de la musique" by Henri Lavoix is a historical account written in the late 19th century. This work provides an in-depth exploration of the evolution of music, beginning from ancient civilizations such as the Egyptians and Assyrians, and moving through the ages to contemporary music. The author aims to detail the transformative nature of musical practices over time and across cultures. The opening of the volume presents a comprehensive introduction to the definitions and fundamental concepts of music, highlighting the elements that constitute it, such as sound, rhythm, harmony, and timbre. Lavoix emphasizes the role of music as both a form of entertainment and a powerful medium of expression, arguing that true musical works endure beyond transient pleasures. He sets the stage for a historical narrative that will trace the connections between ancient musical traditions and the development of modern music, showing how various cultures contributed to this rich artistic heritage.
Faust: A Lyric Drama in Five Acts
Charles Gounod
Faust: A Lyric Drama in Five Acts
"Faust: A Lyric Drama in Five Acts" by Gounod, Barbier, and Carré is a grand opera composed in 1859. An aging scholar, despairing over a life wasted on fruitless studies, strikes a fateful bargain with the demonic Méphistophélès. Transformed into a handsome young man, Faust pursues the virtuous Marguerite, setting in motion a tragic tale of temptation, love, and damnation. Based on Goethe's legendary story, this five-act opera became one of the most frequently performed works in operatic history.
La vie de Rossini, tome II
Stendhal
La vie de Rossini, tome II
"La vie de Rossini, tome II" by Stendhal is a biographical account written in the early 19th century. The work focuses on the life and artistic contributions of the composer Gioachino Rossini, delving into theatrical performances and highlighting various operatic works, such as "Cenerentola." Stendhal's observations provide insights into Rossini's musical style and the public's reception of his creations, presenting a distinct analysis of themes and characters within his operas. At the start of this volume, the author recounts his experience attending a performance of "Cenerentola" in Trieste, where he reflects on the quality of the singing and staging while grappling with his personal disappointment regarding the music's emotional resonance. He discusses how the opera's themes of vanity and social dynamics evoke a sense of detachment for him, contrasting the audience's joyous reaction. Stendhal articulates his views on music's ability to convey emotions, emphasizing that it should aspire to reach a "beau idéal." As he critiques the work's connection to societal vanity and offers introspective comments on Rossini's artistic choices, the opening sets the stage for a deeper exploration of the composer's legacy within the broader context of musical culture.
Mémoires de Hector Berlioz comprenant ses voyages en Italie, en Allemagne, en Russie et en Angleterre, 1803-1865
Hector Berlioz
Mémoires de Hector Berlioz comprenant ses voyages en Italie, en Allemagne, en Russie et en Angleterre, 1803-1865
"Mémoires de Hector Berlioz" by Hector Berlioz is an autobiographical account written in the mid-19th century. The work explores the life and artistic journey of the renowned composer Hector Berlioz, detailing his upbringing, musical education, and early experiences in the world of composition. The memoir also reflects on Berlioz's travels through various countries like Italy, Germany, Russia, and England, providing insights into his influences and the challenges he faced as an artist. At the start of this memoir, Berlioz introduces his early life in the small town of Côte-Saint-André, France, where he recalls formative experiences such as his first communion and initial musical impressions. He shares anecdotes about his family, particularly his relationship with his father, a doctor who despite his own career hopes supported Berlioz's growing interest in music. The narrative sets the stage for Berlioz's eventual decision to pursue a career in music, revealing his passion for travel, poetry, and the struggles of finding his identity as an artist. The opening portion serves to contextualize Berlioz's musical aspirations and the emotional events that shaped his character before he embarks on his journey to Paris and beyond.
La vie de Rossini, tome I
Stendhal
La vie de Rossini, tome I
"La vie de Rossini, tome I" by Stendhal is a biographical account written in the early 19th century. The work explores the life and significance of the Italian composer Gioachino Rossini, highlighting his influence on music and society during his time. It reflects not only on Rossini's musical genius but also on the cultural context of Italy and France in that era. The opening of "La vie de Rossini" introduces the reader to Stendhal's admiration for Rossini and sets the stage for an exploration of the musician's life, particularly from the late 18th century to 1819. Stendhal, through personal anecdotes and observations from his time in Italy, hints at the dynamic atmosphere surrounding Rossini's operas and his emerging prominence in the musical world. The text details Stendhal's early experiences with music, his interactions with other composers, and the evolving landscape of Italian opera leading up to Rossini's significance in it. As Stendhal delves into Rossini’s impact, readers gain insights into the intersections of art, emotion, and society that would define not just Rossini's work, but also Stendhal's own philosophies on music.
Les soirées de l'orchestre
Hector Berlioz
Les soirées de l'orchestre
"Les soirées de l'orchestre" by Hector Berlioz is a collection of stories published in 1852. In this satirical work, Berlioz imagines orchestra musicians so bored playing mediocre operas that they tell each other tales during performances. When masterpieces by Mozart, Beethoven, or Weber are played, silence reigns—no stories emerge. Through humor and sharp wit, Berlioz critiques the musical world of his time while offering glimpses into nineteenth-century concert life, theatrical intrigue, and his own artistic passions.
Études: Baudelaire, Paul Claudel, André Gide, Rameau, Bach, Franck, Wagner, Moussorgsky, Debussy, Ingres, Cézanne, Gauguin
Jacques Rivière
Études: Baudelaire, Paul Claudel, André Gide, Rameau, Bach, Franck, Wagner, Moussorgsky, Debussy, Ingres, Cézanne, Gauguin
"Études: Baudelaire, Paul Claudel, André Gide, Rameau, Bach, Franck, Wagner,…" by Jacques Rivière is a critical collection of essays written in the early 20th century. The work delves into the lives and contributions of prominent figures in French literature, music, and art, including renowned poets, playwrights, composers, and artists, exploring their artistic expressions and philosophical underpinnings. The opening of the work introduces a profound examination of the poet Charles Baudelaire, vividly depicting him as a figure deeply engaged with the mundanities of life while also harboring a rich inner spiritual landscape. Rivière offers insights into Baudelaire's poetic process, portraying him as a skilled craftsman who meticulously shapes and guides his verses, balancing emotion with structure. The text captures the essence of Baudelaire's work, emphasizing the interplay between suffering and creativity, as well as the poet’s search for beauty amid existential despair. Overall, the beginning establishes a thoughtful exploration of artistic integrity and the nuances of poetic expression, setting the tone for Rivière's analysis of other influential figures.
Les musiciens et la musique
Hector Berlioz
Les musiciens et la musique
"Les musiciens et la musique" by Hector Berlioz is a collection of musical criticism that likely originated in the mid-19th century. The work compiles a series of articles written by Berlioz during his long tenure as a music critic for the "Journal des Débats." It delves into the state of music in France, offering insights on various composers and performances, while reflecting Berlioz's personal opinions and artistic views. At the start of this collection, the reader is introduced to Berlioz's struggles as a critic after his return from Rome. Despite his rising fame as a composer, including works like "Symphonie fantastique," he describes the poverty and dissatisfaction that accompany his writing duties. The opening portion reveals his passionate yet complicated relationship with music criticism, highlighting the ambivalence he feels between his love for music and the constraints of his role as a critic. Berlioz grapples with the challenge of articulating his thoughts on contemporary composers while lamenting the limitations imposed by the expectations of his audience and the publishing world. This mix of frustration, creativity, and sincere admiration for musical artistry sets the tone for the exploration of Berlioz's critiques of both his contemporaries and the music he holds dear.
A travers chants: études musicales, adorations, boutades et critiques
Hector Berlioz
A travers chants: études musicales, adorations, boutades et critiques
"A travers chants: études musicales, adorations, boutades et critiques" by Hector Berlioz is a collection of musical studies and critiques written in the mid-19th century. This work delves into various aspects of music, exploring both its emotional impacts and theoretical foundations, while also providing critiques of contemporary musical practices and compositions. Berlioz, a prominent figure in the romantic era of music, discusses the complexities of musical expression, the relationship between inspiration and study, and the transformative power of music on the listener. The opening of the collection sets the tone for Berlioz’s profound reflections on music as an art form. He begins by defining music as a unique combination of sentiment and science, arguing that true musicians must balance both innate talent and rigorous study. He critiques those who produce music without a full understanding of its principles, emphasizing that genuine musicianship goes beyond satisfying the ear to evoke deep emotional resonance. Through this philosophical lens, Berlioz lays the groundwork for discussions on melody, harmony, rhythm, and expression, offering insights that invite readers to consider their own perceptions and experiences with music.
Derniers souvenirs d'un musicien
Adolphe Adam
Derniers souvenirs d'un musicien
"Derniers souvenirs d'un musicien" by Adolphe Adam is a fictional narrative likely written in the late 19th century. The book tells the story of Joseph Haydn, the celebrated composer, tracing his humble beginnings and his journey through the challenges of life as a musician. The opening of the book introduces us to Mathias Haydn, a poor cartwright in a small village near Vienna, who takes joy in the simple life and his love for music. Noticing his son Joseph's innate musical talent, Mathias encourages Joseph to pursue music. As Joseph grows, he is invited by a stranger, Reutter, to come to Vienna to study music, promising a brighter future. Despite the excitement, Joseph's mother is reluctant to let him go, showcasing the emotional conflict between parental duties and the aspirations for a child’s success. Ultimately, the text sets the stage for Joseph's transformation from a village boy to a budding musician while highlighting the struggles faced along the way.
Voyage musical en Allemagne et en Italie, II
Hector Berlioz
Voyage musical en Allemagne et en Italie, II
"Voyage musical en Allemagne et en Italie, II" by Hector Berlioz is a musical travelogue written in the mid-19th century. The work provides an insightful exploration of music, particularly focusing on Berlioz's experiences and observations related to key composers like Beethoven, Gluck, and Weber. The central themes revolve around Berlioz's journey as a composer and musician, including his interactions with the musical culture in Italy and the intricacies of musical competitions. The opening of the text sets the stage for Berlioz's narrative, as he reflects on the peculiarities of a musical composition competition he participated in. He delves into the absurd restrictions and standards set by the Institut de France, lamenting the inability to properly assess orchestral works when they are played on a piano. As he describes the process of participation and the subsequent judgments, Berlioz introduces a cast of characters from the artistic community, including his conversation with the insightful concierge, Pingard. This engaging mix of personal anecdotes and critiques on the art of music aims to captivate readers interested in both Berlioz's own journey and the broader discourse on music in that era.
Mes souvenirs (1848-1912)
Jules Massenet
Mes souvenirs (1848-1912)
"Mes souvenirs (1848-1912)" by Jules Massenet is an autobiographical account written in the early 20th century. The book explores the life and memories of the famed French composer, focusing on his early experiences, particularly in music. As he reflects on his childhood, education, and rise in the world of classical music, readers are introduced to the influences and pivotal moments that shaped his career. The beginning of the memoir sets a nostalgic tone as Massenet recalls significant events from his childhood, particularly the day he entered the Conservatoire. The narrative begins with a vivid depiction of the political upheaval in France when he was six years old, seamlessly transitioning into personal anecdotes about his education in music, the important figures he encountered, and his initial forays into composition. He shares heartfelt memories of his mother, the challenges he faced, and the joyous moments that defined his early artistic journey, establishing a framework that combines personal history with his musical development.
Portraits et études; Lettres inédites de Georges Bizet
Hugues Imbert
Portraits et études; Lettres inédites de Georges Bizet
"Portraits et études; Lettres inédites de Georges Bizet" by Hugues Imbert is a collection of essays and letters concerning various composers, written in the late 19th century. The work focuses on the lives and contributions of significant figures in classical music, including César Franck, C. M. Widor, Édouard Colonne, and Georges Bizet himself. It examines their artistic journeys, influences, and the impact they had on the music scene of their time, offering insight into their personalities and artistic philosophies. At the start of the work, the author paints a vivid portrait of César Franck, depicting him as a deeply introspective artist whose life was consumed by his love for music. Imbert contrasts Franck's character with that of Beethoven, highlighting the gentler and more benevolent nature of Franck, who had a profound admiration for older musical traditions, yet sought to innovate within them. The opening portion also discusses Franck's significant influence on his pupils and contemporaries, underscoring his role as a mentor while lightly touching on his lesser-known compositions. Through this examination, readers are introduced to a rich tapestry of historical context surrounding these composers, suggesting both their struggles and triumphs in the pursuit of musical excellence.
Les illusions musicales et la vérité sur l'expression
Johannès Weber
Les illusions musicales et la vérité sur l'expression
"Les illusions musicales et la vérité sur l'expression" by Johannès Weber is a musical treatise likely written in the early 20th century. The work explores the nature of music, questioning conventional understanding and emphasizing its deeper emotional and communicative power. Weber critiques various musical philosophies and misconceptions about music’s role and impact, aiming to elevate the discourse around musical expression. The opening of the book introduces a preface that highlights the necessity for a revised edition due to high demand, indicating a history of prior success. Weber mentions the limitations of music education in France and the broader implications for musical art, emphasizing that music should not be viewed merely as a conventional art form but rather as a profound means of expression. He references notable figures such as Berlioz, challenging their assumptions about who truly understands music and laying the groundwork for a deeper analysis of musical interpretation and its subjective nature. Ultimately, the beginning sets the stage for an in-depth exploration of the relationship between music, emotion, and cultural education.
Portraits et souvenirs
Camille Saint-Saëns
Portraits et souvenirs
"Portraits et souvenirs" by Camille Saint-Saëns is a collection of reminiscences and musical critiques written in the late 19th century. The work provides insights into the lives and works of notable musicians and composers from Saint-Saëns's perspective, exploring their legacies and contributions to music. Through anecdotes, he reflects on figures like Berlioz and Liszt, blending personal narratives with broader commentary on artistic trends of his time. The opening of "Portraits et souvenirs" introduces the reader to Saint-Saëns's views on the changing landscape of music appreciation, contrasting his earlier work, "Harmonie et Mélodie," with current tastes for complexity over melody. He begins with a preface that outlines his intention to share diverse anecdotes and memories about esteemed musicians he has known, while downplaying the notion of writing a memoir. The first sections provide a detailed look at Hector Berlioz's distinctive style and revolutionary influence, praising his orchestration while critiquing contemporary misunderstandings of his works. This segment sets the stage for Saint-Saëns's reflective and analytical approach to the rich tapestry of musical figures he intends to explore throughout the book.
Le Vaisseau fantôme (Der Fliegende Holländer)
Richard Wagner
Le Vaisseau fantôme (Der Fliegende Holländer)
"Le Vaisseau fantôme (Der Fliegende Holländer)" by Richard Wagner is an opera composed in 1841 and premiered in 1843. A ghostly captain is condemned to sail the seas eternally until redeemed by a woman's love. Inspired by Heinrich Heine's retelling of a maritime legend, Wagner encountered the story during a harrowing sea voyage through a Norwegian fjord. The opera marks a transition in Wagner's style, introducing themes of wandering, sacrifice, and redemption that would define his later works.
Les pianistes célèbres: silhouettes & médaillons
A. (Antoine) Marmontel
Les pianistes célèbres: silhouettes & médaillons
"Les pianistes célèbres: silhouettes & médaillons" by A. Marmontel is a biographical collection written in the late 19th century. The work features sketches of renowned pianists, showcasing their contributions to music and their unique styles. Marmontel's intent is to illuminate the artistry and character of these musicians, providing insights into their lives and the music they created. The opening of the book establishes the author's purpose in compiling studies of famous pianists into a single volume, reflecting on the public's positive reception of his previous articles. Marmontel emphasizes his commitment to truth and aesthetic appreciation, stating his desire to present these musicians not just as notable figures in music history, but as individuals with rich personal narratives. The first chapter introduces the iconic composer Frédéric Chopin, detailing his early life, influences, and the emotional depth of his music, which embodied both poetic inspiration and melancholic beauty, setting the stage for further explorations of celebrated pianists in the subsequent chapters.
Miniature essays: Igor Stravinsky
Anonymous
Miniature essays: Igor Stravinsky
"Miniature essays: Igor Stravinsky" by Anonymous is a collection of essays written in the early 20th century. This book provides insights into the life and works of the influential Russian composer Igor Stravinsky, exploring his musical development and significant contributions to 20th-century music. It is likely intended for readers interested in music theory, historical musical figures, and the development of classical music. The essays detail Stravinsky's early life, from his birth in 1882 to his transformative education under renowned composer Rimsky-Korsakov. The text outlines his major works, including "The Firebird," "Petrushka," and "The Rite of Spring," emphasizing his innovative use of rhythm, orchestration, and musical form. It reflects on Stravinsky's ability to blend traditional influences with modern styles, illustrating how his music served as both an expression of personal identity and a commentary on contemporary artistic trends. The work discusses the significance of his compositions in the broader context of music history, highlighting how they continue to captivate audiences and inspire musicians today.
Voyage musical en Allemagne et en Italie, I
Hector Berlioz
Voyage musical en Allemagne et en Italie, I
"Voyage musical en Allemagne et en Italie, I" by Hector Berlioz is a collection of travel writings and musical reflections written in the mid-19th century. This work chronicles Berlioz's experiences and observations as he tours Germany and Italy, particularly focusing on his musical endeavors, reflecting on composers such as Beethoven, Gluck, and Weber. Readers can expect a blend of travelogue and musical critique, with insight into the artistic atmosphere of the time. At the start of this volume, Berlioz writes to his friend Morel, expressing his mixed emotions upon returning to Paris after a long journey filled with concerts and rehearsals in Germany. He reflects on the contrast between the warm reception he received in Germany and the disheartening atmosphere in France, where he senses a lack of enthusiasm for music. The narrative unfolds with anecdotes about the challenges he faced while trying to organize concerts, including the cancellation of performances due to the illness of a renowned singer. Along the way, Berlioz shares vivid descriptions of the cities he visits, the people he meets, and his thoughts on the musical culture he encounters, setting the stage for the exploration of his experiences in the pages that follow.
F. Chopin
Franz Liszt
F. Chopin
"F. Chopin" by Franz Liszt is a critical analysis of the works of composer Frédéric Chopin written in the late 19th century. The text examines the innovative nature of Chopin's music, contrasting it with the traditional forms of his time, while also delving into the emotional depth and national identity represented in his compositions. Franz Liszt, a contemporary of Chopin and a renowned composer himself, aims to illuminate Chopin's significance as a pioneer within the realm of piano music. The opening of the text emphasizes the profound impact that Chopin's music had on audiences and critics alike, suggesting that his genius might not be fully appreciated until future generations recognize the beauty and merit of his work. Liszt reflects on the struggles that innovators in art often face, particularly in music, where new forms can be initially met with skepticism by contemporary audiences. The passage introduces themes of Chopin's emotional sensitivity, notably his ability to convey complex feelings through music, such as sorrow and longing, underscoring the intricate relationship between his personal experiences and his creative output. Through a lyrical and passionate examination, Liszt sets the stage for a deeper appreciation of Chopin's contributions to music and culture.
Lettres à un ami, 1865-1872
Georges Bizet
Lettres à un ami, 1865-1872
"Lettres à un ami, 1865-1872" by Georges Bizet is a collection of correspondence written in the late 19th century. This work serves as a valuable window into the life and thoughts of the famed composer, offering insights into his artistic journey, his mentorship, and his relationships with contemporaries. The letters chronicle various aspects of his musical education and the challenges he faced during his career. At the start of this correspondence, we see Bizet engaging with a friend, offering advice on music theory and composition while reflecting on their shared experiences. He discusses specific corrections to musical exercises, emphasizes the importance of studying great composers, and expresses a heartfelt desire to strengthen their friendship. This opening lays the foundation for understanding Bizet's dedication to his craft and his generous, supportive nature, setting the stage for deeper explorations of his creative process and personal reflections throughout the collection.
Le chef d'orchestre: théorie de son art
Hector Berlioz
Le chef d'orchestre: théorie de son art
"Le chef d'orchestre: théorie de son art" by Hector Berlioz is a theoretical work on conducting music, likely written in the mid-19th century. The book serves as an exploration of the art and responsibilities of a conductor, emphasizing the critical role they play in realizing a composer's vision and ensuring a cohesive performance from the orchestra. In this text, Berlioz delves into the nuances of conducting, outlining the various gestures and techniques that a conductor must master to guide the musicians effectively. He discusses the importance of the conductor's ability to communicate and inspire the orchestra, highlighting that a conductor not only directs but also shapes the interpretation of the music. The text covers topics such as the complexity of conducting different time signatures, the necessity for precise timing, and the collaboration between the conductor and musicians, particularly in challenging passages. Berlioz’s insights serve not only as a guide for future conductors but also as a critique of the practice and execution of conducting music during his time.
Israël en Égypte: Étude sur un oratorio de G.F. Hændel
Maurice Bouchor
Israël en Égypte: Étude sur un oratorio de G.F. Hændel
"Israël en Égypte: Étude sur un oratorio de G.F. Hændel" by Maurice Bouchor is a musical analysis written during the late 19th century. This book dives into George Frideric Handel's oratorio "Israel in Egypt," exploring its themes, structure, and musical intricacies. It reflects the author's deep appreciation for the oratorio's grandeur and emotional depth, as well as its historical and cultural context. In the text, Bouchor provides an insightful examination of the oratorio's components, emphasizing the power of its choral passages and the character of the vocal solos. He describes the music's ability to convey the poignant journey of the Israelites from oppression in Egypt to liberation, punctuating significant moments with evocative descriptions of the performances he witnessed. Through detailed commentary on various musical sections, soloists, and orchestral arrangements, Bouchor highlights Handel’s genius in combining theatricality with religious fervor, ultimately presenting "Israël en Égypte" as a divine celebration of freedom and faith.
Richard Wagner
Champfleury
Richard Wagner
"Richard Wagner" by Champfleury is a biography written during the mid-19th century. The book examines the artistic journey and struggles of the renowned composer Richard Wagner, particularly focusing on his groundbreaking contributions to music and opera. The text blends personal reflections with commentary on Wagner's impact on the music world, providing insight into the cultural atmosphere of the time. In this work, Champfleury captures the essence of Wagner's music through vivid descriptions and personal anecdotes, offering readers a glimpse into the emotional and artistic landscape of the composer. He discusses Wagner's public reception, his innovative musical techniques, and the challenges he faced as a proscribed artist. The narrative highlights the transformative power of Wagner's music—not as mere entertainment, but as a profound expression of human experience. The author also reflects on the contrasts Wagner represented in relation to contemporary criticism and public sentiment, revealing a deep appreciation for the richness and complexity of Wagner's art.