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FR Séduction et libertinage
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Dictionnaire érotique moderne
Alfred Delvau
Dictionnaire érotique moderne
"Dictionnaire érotique moderne" by Alfred Delvau is a specialized lexicon on erotic language written in the mid-19th century. This work aims to catalog and explain a wide range of expressions related to eroticism that are not typically found in standard dictionaries. It serves as a guide to the colorful and often risqué vernacular used in intimate contexts, reflecting societal attitudes towards sexuality during its time. The opening of the book sets the stage for Delvau's ambitious project, as he discusses the absence of comprehensive erotic dictionaries prior to his work. He critiques the reluctance of past authors to address sexual language directly, suggesting that a lexicon of this nature is essential for both casual readers and scholars alike. Delvau emphasizes his commitment to honest and explicit language, stating that he avoids euphemisms and ambiguities to bring clarity to the terms of erotic discourse. He invites readers to view this dictionary as an insightful exploration of the language surrounding love and desire rather than simply a collection of obscene terms, highlighting the importance of such language in understanding the culture of his era.
Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe siècle, Tome I
Roger de Rabutin Bussy
Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe siècle, Tome I
"Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe…" by Roger de Bussy-Rabutin is a satirical roman à clef published in 1665. This scandalous work chronicles the romantic intrigues and indiscretions of French high society, mocking King Louis XIV's early love affair and various aristocratic figures under pseudonyms. Written privately to entertain his mistress and friends, the manuscript was published without the author's consent, leading to his arrest, imprisonment in the Bastille, and permanent exile from court for the remainder of his life.
Les liaisons dangereuses Lettres recueillies dans une Société et publiées pour l'instruction de quelques autres
Choderlos de Laclos
Les liaisons dangereuses Lettres recueillies dans une Société et publiées pour l'instruction de quelques autres
"Les liaisons dangereuses" by Choderlos de Laclos is an epistolary novel published in 1782. Through 175 letters, two former lovers and master manipulators—the Vicomte de Valmont and the Marquise de Merteuil—orchestrate elaborate seductions among French nobility. She plots to corrupt an innocent young woman for revenge, while he pursues a virtuous married woman. United in manipulation yet rivals in ambition, they skillfully deceive those around them while preserving their reputations. But their dangerous game of masks has consequences.
L'escole des filles réimpression complète du texte original sur la contrefaçon hollandaise de 1668
Michel Millot
L'escole des filles réimpression complète du texte original sur la contrefaçon hollandaise de 1668
"L'escole des filles" by Michel Millot is an erotic book first published in Paris in 1655. The work presents a dialogue between two cousins, Susanne and Fanchon, discussing sexual topics. After its publication, authorities quickly intervened—the printer was arrested, copies were seized, and Millot was burned in effigy. Despite attempts to suppress it, the scandalous book survived through Dutch reprints and became notorious across Europe, even appearing in Samuel Pepys's diary as an "idle, rogueish book."
Le Pantalon Féminin
Pierre Dufay
Le Pantalon Féminin
"Le Pantalon Féminin" by Pierre Dufay is a historical account written in the early 20th century. This work examines the evolution and cultural significance of women's pants, tracing its origins through various epochs, while blending humor with scholarly commentary. The book likely aims to explore societal attitudes towards women's clothing and the implications of the female pant attire through history. The opening of "Le Pantalon Féminin" sets the tone with a preface that showcases the author's disdain for women's pants, juxtaposed with a tongue-in-cheek analysis of their historical roots. The preface reflects on the absurdity often associated with women's fashion, suggesting that pants—often considered practical—are emblematic of deeper issues pertaining to women's roles in society. As the narrative begins, it hints at a thorough exploration of how pants have transitioned from an ignominious item to a symbol of social progression, with references to literary figures and historical anecdotes that reinforce the complexities surrounding attire, gender, and societal expectations.
Monsieur Vénus
Rachilde
Monsieur Vénus
"Monsieur Vénus" by Rachilde is a novel written in 1884. French noblewoman Raoule de Vénérande seeks escape from the suffocating ennui of upper-class life through an unconventional relationship with Jacques Silvert, a poor florist. She transforms him through escalating manipulation, subverting gender roles and sexual morality in her pursuit of pleasure and identity. When jealousy and social transgression collide, the arrangement spirals toward a violent confrontation—and an unsettling conclusion that defies conventional mourning.
L'Anti-Justine; ou, Les Delices de l'amour
Restif de La Bretonne
L'Anti-Justine; ou, Les Delices de l'amour
"L'Anti-Justine; ou, Les Delices de l'amour" by Restif de La Bretonne is a novel published in 1798. Presented as the memoirs of lawyer Jean-Pierre Linguet, this work explicitly positions itself as a response to the Marquis de Sade's notorious writings. The author seeks to create an equally sensuous but non-violent erotic work, replacing Sade's cruelty with pleasure. The novel remains unfinished, with only four copies ever printed before the author's appointment to a police position apparently prompted caution.
L'oeuvre de John Cleland: Mémoires de Fanny Hill, femme de plaisir Introduction, essai bibliographique par Guillaume Apollinaire
John Cleland
L'oeuvre de John Cleland: Mémoires de Fanny Hill, femme de plaisir Introduction, essai bibliographique par Guillaume Apollinaire
"L'oeuvre de John Cleland: Mémoires de Fanny Hill, femme de plaisir" by John Cleland is an erotic novel first published in London in 1748 and 1749. Written while Cleland was imprisoned for debt, it follows the experiences of a woman of pleasure through elaborate euphemisms and literary devices, avoiding explicit terminology. Considered the first original English prose pornography in novel form, it became one of history's most prosecuted books, sparking obscenity trials across centuries in Britain and America before landmark court rulings eventually permitted its publication.
Théologie hindoue. Le Kama soutra.
Vatsyayana
Théologie hindoue. Le Kama soutra.
"Théologie hindoue. Le Kama soutra." by Vātsyāyana is an ancient Sanskrit text composed between 400 BCE and 300 CE. This work explores sexuality, eroticism, and emotional fulfillment within Hindu philosophy's framework of life goals. Far more than a manual on sexual positions, it guides readers through courtship, love's nature, maintaining relationships, social arts, and pleasure as a legitimate pursuit. Written in terse aphoristic verses, the text distills wisdom from earlier manuscripts and presents a philosophy of desire—what triggers it, sustains it, and when it serves human flourishing within a meaningful life.
Les amours du temps passé
Charles Monselet
Les amours du temps passé
"Les amours du temps passé" by Charles Monselet is a fictional work written in the late 19th century. The story follows the character M. le chevalier de Pimprenelle, who is portrayed as a dandy enamored with fashionable society and the affairs of love, showcasing a humorous exploration of romantic entanglements and social pretensions. The opening of the work introduces M. le chevalier de Pimprenelle as he awakens after a night of indulgence, illustrating his flamboyant personality through his interactions with his valet, La Brie. As Pimprenelle bemoans the state of his attire from the previous evening, he decides to reinvent himself as a "petit-maître," embodying the whimsical and fashionable man of his time. The dialogue between him and La Brie reveals Pimprenelle's aspirations for grandeur and extravagance, setting the stage for his social interactions and romantic pursuits, including plans to impress the dancer Tonton at the opera, while also hinting at a more complex web of relationships to come.
Les Bains de Bade: Petit Roman d'aventures Galantes et morales
René Boylesve
Les Bains de Bade: Petit Roman d'aventures Galantes et morales
"Les Bains de Bade: Petit Roman d'aventures Galantes et morales" by René Boylesve is a novel published in 1896. Inspired by two letters from Renaissance humanist Poggio Bracciolini, this work weaves together scenes from life at the baths of Baden with accounts of the Council of Constance. The novel blends gallant adventures with moral reflection, drawing on historical sources to create a tale of intrigue and observation set against the backdrop of medieval European society.
L'oeuvre du comte de Mirabeau
Honoré-Gabriel de Riqueti Mirabeau
L'oeuvre du comte de Mirabeau
"L'oeuvre du comte de Mirabeau" by Honoré-Gabriel de Riqueti Mirabeau is a historical account written in the late 19th century. The work delves into the life and writings of the notable French revolutionary figure, exploring a variety of his erotic and liberal texts, which include reflections on sexuality and societal norms of his era. Central to the text is an analysis of Mirabeau's literary contributions, particularly focusing on themes of libertinism and the critique of moral hypocrisy. The opening of this volume provides a biographical overview of Mirabeau, presenting his significant relationships, particularly with Sophie de Ruffey, and contextualizes the political and social tensions of 18th-century France that influenced his writings. It details Mirabeau's imprisonment and his prolific output during this time, emphasizing his melding of personal experiences with broader critiques of society. The text sets a foundation for understanding the themes and controversies surrounding his work, particularly regarding erotic literature and philosophical introspections on freedom and morality.
Vénus dans le cloître, ou la religieuse en chemise Nouvelle édition enrichie de figures gravées en taille douce
Jean Barrin
Vénus dans le cloître, ou la religieuse en chemise Nouvelle édition enrichie de figures gravées en taille douce
"Vénus dans le cloître, ou la religieuse en chemise" by Jean Barrin is a work of erotic fiction published in 1683. Through a series of dialogues between two nuns—sixteen-year-old Sister Agnès and nineteen-year-old Sister Angélique—the book depicts the sexual education of an innocent young woman by her experienced elder. The conversations challenge conventional religious restrictions, exploring themes of bodily desire and philosophical freedom within convent walls. This controversial example of the "whore dialogue" genre uses seduction and debate to question the boundaries between spiritual devotion and earthly pleasure.
Le Petit Art d'Aimer en quatorze chapitres
Armand Silvestre
Le Petit Art d'Aimer en quatorze chapitres
"Le Petit Art d'Aimer" by Armand Silvestre is a philosophical treatise on love and relationships written in the late 19th century. The text explores the complexities of love, offering advice on the selection of a partner and the emotional dynamics involved in romantic entanglements. Through its engaging prose, the book invites readers to reflect on their own desires and the essence of love itself. The opening of the work introduces a conversation between the narrator and a woman who seeks guidance on choosing an admirer. The narrator expresses a shift in perspective from seeing love as an all-consuming force to understanding literature as a predominant passion in his life. He discusses the freedom that comes with being single and the importance of careful consideration in choosing a lover, emphasizing that true love demands selflessness and depth of character. The dialogue illustrates the narrator's insights into the nature of romantic relationships, classifying men based on their approach to love and highlighting the foolishness of jealousy, while setting the tone for the broader exploration of love's intricacies in the following chapters.
Le portier des Chartreux, ou mémoires de Saturnin écrits par lui-même
Jean-Charles Gervaise de Latouche
Le portier des Chartreux, ou mémoires de Saturnin écrits par lui-même
"Le portier des Chartreux, ou mémoires de Saturnin écrits par lui-même" by Jean-Charles Gervaise de Latouche is a French novel published in 1741. This celebrated erotic work follows the monk Saturnin as he recounts his life story through a series of sexually transgressive encounters. Beginning with forbidden relationships and progressing through various taboo-breaking experiences, the narrative interweaves humor with sharp criticism of church and society. Saturnin's journey culminates in unexpected consequences that lead him to seek final refuge in a Carthusian monastery.
Histoire de Mlle Brion dite Comtesse de Launay (1754) Introduction, Essai bibliographique par Guillaume Apollinaire
Anonymous
Histoire de Mlle Brion dite Comtesse de Launay (1754) Introduction, Essai bibliographique par Guillaume Apollinaire
"Histoire de Mlle Brion dite Comtesse de Launay" by Anonymous is a fictional narrative written in the mid-18th century. The novel presents the life of Mlle Brion, who recounts her experiences and escapades in a world of libertinage and societal expectations. It delves into themes of desire, identity, and the complexities of love and sexuality during a time of burgeoning enlightenment in France. The beginning of the story introduces Mlle Brion as she prepares to reveal the details of her life at the behest of a friend. With a frank tone, she reflects on her past of libertinism, revealing her awareness of public perception while expressing her tumultuous relationship with pleasure and morality. Mlle Brion describes her childhood, her family's circumstances, and her entry into a life of indulgence as a means to escape her familial burdens. As the opening unfolds, we see her navigate the complexities of her social environment, giving us a glimpse into her early relationships and the libertine society she has become entwined with, setting the stage for further explorations of her adventures and encounters.
En Virginie, épisode de la guerre de sécession Précédé d'une étude sur l'esclavage et les punitions corporelles en Amérique, et suivi d'une bibliographie raisonnée des principaux ouvrages français et anglais sur la flagellation
Jean de Villiot
En Virginie, épisode de la guerre de sécession Précédé d'une étude sur l'esclavage et les punitions corporelles en Amérique, et suivi d'une bibliographie raisonnée des principaux ouvrages français et anglais sur la flagellation
"En Virginie, épisode de la guerre de sécession" by Jean de Villiot is a historical novel written in the early 20th century. The book explores the complex themes surrounding slavery, corporal punishment, and the moral and social upheavals during the American Civil War. The narrative appears to be centered around the character of Dolly, a young woman reflecting on her experiences and the socio-political circumstances of her time, likely offering a blend of personal and historical perspectives. The opening of the novel introduces the reader to the author's intent to address the truths of slavery and corporal punishment in America, particularly in relation to the Civil War. It begins with a prologue that reveals the author's observations of society in New York following the war, before transitioning into Dolly's story. The initial chapters focus on her interactions with others, including her reflections on the realities faced by former slaves and her relationships, particularly with a character named Randolph, who represents the complexities of Southern society. This section hints at themes of desire, personal freedoms, and societal expectations against the backdrop of a tumultuous historical period, setting the stage for deeper exploration of these critical issues.
Les bijoux indiscrets
Denis Diderot
Les bijoux indiscrets
"Les bijoux indiscrets" by Denis Diderot is a libertine novel published anonymously in 1748. In this allegorical tale, a sultan receives a magic ring that makes women's intimate parts speak, revealing their hidden secrets. The sultan tests the ring thirty times on various women of his court while his favorite, Mirzoza, fears becoming its next victim. Through these revelations, Diderot paints a portrait of liberated society where appearances deceive and genuine tenderness rarely exists.
Curiosa: Essais critiques de littérature ancienne ignorée ou mal connue
Unknown
Curiosa: Essais critiques de littérature ancienne ignorée ou mal connue
"Curiosa: Essais critiques de littérature ancienne ignorée ou mal connue" by Alcide Bonneau is a scholarly work written in the late 19th century. The book serves as a collection of critical essays and studies that explore lesser-known or disregarded literature from ancient times, shedding light on works that merit attention alongside more celebrated texts. The opening of this book introduces the reader to the purpose and structure of the compilation. Bonneau outlines that the collection encompasses critical studies preceding reprints or translations of curious literary works published over the previous decade, specifically focusing on forgotten authors from the Renaissance and other eras. He emphasizes the importance of these diverse contributions to the literary landscape, highlighting the essential role they play in complementing established classics and enriching cultural discourse. The initial sections feature discussions on various lesser-known writers and their works, presenting a scholarly examination of their significance.
Le petit-neveu de Grécourt, ou, Étrennes gaillardes Recueil de Contes en vers, réimprimés sur l'édition de 1782
Unknown
Le petit-neveu de Grécourt, ou, Étrennes gaillardes Recueil de Contes en vers, réimprimés sur l'édition de 1782
"Le petit-neveu de Grécourt, ou, Étrennes gaillardes" by Isidore Liseux is a collection of light-hearted tales written in the late 19th century. This work, reprinted from its original edition in the early 1780s, presents a series of humorous and provocative poems that reflect the playful and risqué nature of social interactions. The collection appears to be a tapestry of stories, featuring themes of love, seduction, and the trials of relationships, providing readers with a blend of amusement and social commentary. The opening of the collection introduces readers to the playful yet audacious style of the tales to follow. It begins with a charming letter from the editor, Y. X., who humorously dedicates the work to a friend and acknowledges the lighthearted nature of the stories he has gathered. The first tale features a young grenadier who becomes enamored with a woman named Thérèse, exploring themes of love at first sight and the complexities of romantic entanglement. Delving into the challenges that arise as Thérèse considers an impending marriage, the narrative sets the stage for comedic situations driven by seduction and the cleverness of the characters involved. It hints at a series of humorous escapades that celebrate and critique the social mores of the time.
Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe siècle, Tome III
Roger de Rabutin Bussy
Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe siècle, Tome III
"Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe…" by Roger de Bussy-Rabutin is a satirical roman à clef published in 1665. Written during the author's exile, this scandalous pamphlet reveals the romantic intrigues and scandals of Louis XIV's court under thinly veiled pseudonyms. The work exposes the young king's love affairs, aristocratic debauchery, and courtly gossip—earning Bussy-Rabutin imprisonment in the Bastille, permanent disgrace, and lifelong exile, despite his recent election to the Académie française.
Vies des dames galantes
Pierre de Bourdeille Brantôme
Vies des dames galantes
"Vies des dames galantes" by Pierre de Bourdeille Brantôme is a collection of narratives exploring the lives and romantic entanglements of women written in the late 16th century. The work grapples with themes of love, infidelity, and societal norms surrounding marriage and womanhood, all depicted through anecdotal storytelling. This exploration serves to shed light on the dynamics of relationships between men and women in the historical context of the French court. The opening of the text introduces a dedication to the Duke of Alençon, reflecting on conversations the author had with him about various tales and witty anecdotes. The author sets the stage for a series of discourses concerning women's affairs in love, discussing topics such as the nature of marital infidelity, the allure of beauty, and the differences between youthful and mature love. The formulation hints at a blend of humor and critical observation, indicating a broader commentary on gender relations and moral judgments prevalent during the author's time. As the text proceeds, it seeks to entertain while simultaneously prompting reflection on the behaviors and expectations of women and their lovers, positioning itself as both a literary and sociological commentary.
Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe siècle, Tome IV
Roger de Rabutin Bussy
Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe siècle, Tome IV
"Histoire amoureuse des Gaules; suivie des Romans historico-satiriques du XVIIe…" by Roger de Bussy-Rabutin is a satirical roman à clef published in 1665. Written during the author's exile, this scandalous work chronicles the love affairs and intrigues of French court nobility, thinly disguised under pseudonyms. It mocks King Louis XIV's early romance and exposes aristocratic scandals. Published against Bussy-Rabutin's wishes, the work resulted in his arrest, imprisonment in the Bastille, and permanent disgrace—condemning him to spend his final twenty-seven years in exile.
Les amours du chevalier de Faublas, tome 1/5
Jean-Baptiste Louvet de Couvray
Les amours du chevalier de Faublas, tome 1/5
"Les amours du chevalier de Faublas, tome 1/5" by Jean-Baptiste Louvet de Couvray is a libertine novel published in three parts between 1787 and 1790. The story follows the amorous adventures of a young provincial aristocrat who moves to Paris with his father and sister. Written in a vivid, fast-paced style, the novel features numerous comic episodes and a distinctively androgynous hero who frequently appears in disguise. The third part takes a darker turn, foreshadowing gothic fiction.
Contes pour les satyres
Georges Fourest
Contes pour les satyres
"Contes pour les satyres" by Georges Fourest is a collection of short stories written in the early 20th century. The text appears to center on themes of desire and complex human relationships, often interweaving satire and social commentary with vivid and provocative narratives. It showcases an array of characters entrenched in scandalous and absurd situations, reflecting on the follies of desire and societal expectations. The opening of "Contes pour les satyres" introduces us to a world of frivolity and decadence through poetic and fantastical tales. The narrative begins with a vivid scene involving a promiscuous character, illustrating the extremes of passion and lust. It then shifts to a man, Alcindor, grappling with the expectation of marriage and familial legacy, leading to a comedic yet melancholic exploration of love, fidelity, and the absurdities of life. This engaging introduction sets the tone for the collection, hinting at the witty and often irreverent exploration of human nature and societal norms that readers can expect throughout the work.
L'oeuvre du divin Arétin, deuxième partie Essai de bibliographie arétinesque par Guillaume Apollinaire
Pietro Aretino
L'oeuvre du divin Arétin, deuxième partie Essai de bibliographie arétinesque par Guillaume Apollinaire
"L'oeuvre du divin Arétin, deuxième partie" by Pietro Aretino is a collection of dialogues written in the early 16th century. This work delves into the intricacies of relationships and courtship, focusing on the education of women in matters of love and seduction. Central to the narrative is Pippa, a young woman being instructed by her mother, Nanna, on the art of becoming a successful and alluring courtesan. The beginning of this text introduces readers to the characters of Nanna and Pippa in a lively exchange where Nanna is determined to prepare her daughter for the realities of courtly life. Nanna conveys her wisdom, emphasizing the importance of cleverness and strategy in seduction over mere physical beauty. The dialogue is rich with advice on conduct during social engagements, grooming, and the subtle power dynamics at play in romantic encounters, showcasing Aretino’s satirical lens on societal norms regarding love and sexuality.
La Légende des sexes: Poëmes hystériques
Edmond Haraucourt
La Légende des sexes: Poëmes hystériques
"La Légende des sexes: Poëmes hystériques" by Edmond Haraucourt is a collection of poetry written in the late 19th century. The work delves into themes of sexuality and human desire, presenting an audacious and vibrant exploration of the erotic aspects of life. Through various voices and styles, it aims to complement the literary legacy of renowned poets like Victor Hugo, seeking to shed light on the often-overlooked facets of human experience. The opening of the collection features a blend of preface and poetry, setting a provocative tone that intertwines philosophical reflections with vivid imagery of sensuality. The lyrical verses open with a meditation on the nature of humanity and sexuality, challenging the reader to reconsider the essence of existence and the primal urges that lie within. Haraucourt introduces allegorical figures that speak to the shared experiences of love, lust, and longing, laying the groundwork for a series of poems that promise to explore the myths and realities of human intimacy across ages and cultures.
Les amours du chevalier de Faublas, tome 2/5
Jean-Baptiste Louvet de Couvray
Les amours du chevalier de Faublas, tome 2/5
"Les amours du chevalier de Faublas, tome 2/5" by Jean-Baptiste Louvet de Couvray is a libertine novel published between 1787 and 1790. This fast-paced tale follows the romantic adventures of a young provincial aristocrat navigating Parisian society with his father and sister. The androgynous hero frequently appears in disguise, moving through comic episodes that grow darker in the final installment. Written in a vivid style compared to Dumas, this work achieved enormous success, inspiring numerous adaptations for opera, theater, and film.
Catéchisme libertin à l'usage des filles de joie et des jeunes demoiselles qui se destinent à embrasser cette profession
Théroigne de Méricourt
Catéchisme libertin à l'usage des filles de joie et des jeunes demoiselles qui se destinent à embrasser cette profession
"Catéchisme libertin" by Théroigne de Méricourt is an erotic treatise aimed at women entering the profession of prostitution, likely written during the late 18th century. This provocative text serves as both a guide and a satire on the sexual mores of its time, delving into the world of pleasure and libertinism with both candor and humor. It encapsulates the period's complex relationship with sexuality and societal norms. The book provides a structured catechism format, where questions about prostitution, desired qualities in a courtesan, and methods to please clients are answered with a mixture of wit and explicitness. Théroigne outlines the essential qualities that a "putain" (prostitute) should possess: effrontery, compliance, and the ability to adapt or transform to suit her clients' desires. Throughout the text, the author discusses various sexual practices, educational insights into the business of pleasure, and the dynamics between courtesans and their patrons, all while infusing the content with a spirited commentary on human nature and the erotic arts. The book ultimately reflects the libertine philosophy of the time, emphasizing pleasure as a central aspect of life.
Les amours du chevalier de Faublas, tome 3/5
Jean-Baptiste Louvet de Couvray
Les amours du chevalier de Faublas, tome 3/5
"Les amours du chevalier de Faublas, tome 3/5" by Jean-Baptiste Louvet de Couvray is a libertine novel published between 1787 and 1790. This fast-paced tale follows the amorous adventures of a young provincial aristocrat navigating Parisian society with his father and sister. The androgynously beautiful hero frequently appears in disguise, experiencing comic escapades that grow darker in the final volume. Written in a vivid style, the work achieved tremendous success, inspiring numerous adaptations for opera, theater, and film across Europe.
L'oeuvre du divin Arétin, première partie Introduction et notes par Guillaume Apollinaire
Pietro Aretino
L'oeuvre du divin Arétin, première partie Introduction et notes par Guillaume Apollinaire
"L'oeuvre du divin Arétin, première partie" by Pietro Aretino is a controversial literary work comprised of dialogue-driven narratives written in the 16th century. The book delves into themes of sexuality, societal norms, and the various lives of women during the Renaissance, particularly focusing on nuns, married women, and courtesans through conversations filled with both humor and critique. At the start of the narrative, the characters Nanna and Antonia engage in a lively conversation discussing the life of nuns and their options regarding marriage and becoming courtesans. Nanna expresses her concerns about her daughter Pippa as they explore the societal expectations and roles of women. The dialogue flows with wit and insight, examining the conflicts between desire and societal norms, which reflects Aretino's critical perspective on the moral landscape of his time. As the discussion unfolds, it sets the stage for deeper explorations of these themes throughout the work.
Le Canapé couleur de feu
Louis Charles Fougeret de Monbron
Le Canapé couleur de feu
"Le Canapé couleur de feu" by Louis Charles Fougeret de Monbron is a satirical novel written in the early 18th century. The story revolves around a magical transformation and explores themes of love, lust, and social commentary, particularly on the behaviors and morals of various characters in society. The narrative follows a prosecutor who, after a life of preying on the misfortunes of others, attempts to find happiness in marriage. The plot takes a fantastical turn when a beautiful young man appears from a couch in the couple's home, revealing he was once a gentleman transformed into a sofa as punishment for his misdeeds. As the story unfolds, characters engage in various escapades, including encounters with a fairy, seductive situations with members of the clergy, and hypocritical displays of piety. Ultimately, the protagonist seeks to regain his human form and love, leading to a series of humorous situations that critique societal norms of the time.
Le moyen de parvenir, tome 2/3
Béroalde de Verville
Le moyen de parvenir, tome 2/3
"Le moyen de parvenir, tome 2/3" by Béroalde de Verville is a banquet narrative published in 1616. This eccentric work assembles guests from different eras and social ranks at an imaginary feast where they speak freely, moving from topic to topic through imperceptible connections. The text reflects late Renaissance anxieties following religious wars and social upheaval, channeling this turmoil into carnivalesque satire. With its transgressive content and chaotic structure, the work stands at the crossroads between Renaissance exuberance and emerging concepts of literary obscenity.
L'Ystoire de Eurialus et Lucresse, vrays amoureux, selon pape Pie
Pope Pius II
L'Ystoire de Eurialus et Lucresse, vrays amoureux, selon pape Pie
"L'Ystoire de Eurialus et Lucresse, vrays amoureux, selon pape Pie" by Pope Pius II is a French translation published in 1493 of an erotic prose romance originally written in Latin in 1444. Set in Siena during the time of Emperor Sigismund, the story follows Euryalus, an unmarried confidant of the emperor, and Lucretia, a married woman, whose forbidden passion ignites through secret glances and letters. Their dangerous affair unfolds through disguises and clandestine meetings while Lucretia's suspicious husband tightens his watch, leading toward an inevitable and tragic conclusion.
Le moyen de parvenir, tome 3/3
Béroalde de Verville
Le moyen de parvenir, tome 3/3
"Le moyen de parvenir, tome 3/3" by Béroalde de Verville is a banquet narrative published in 1616. The work presents an imaginary feast where figures from all conditions, ranks, and centuries gather to converse freely, moving from topic to topic through imperceptible connections. This eccentric and transgressive text reflects the disillusionment of the late sixteenth century through universal satire. With its mixture of bawdy humor and chaotic form, it embodies the extraordinary literary vitality of a twilight Renaissance, standing at the crossroads between carnivalesque license and emerging modern obscenity.
Gamiani, ou Une nuit d'excès
Alfred de Musset
Gamiani, ou Une nuit d'excès
"Gamiani, ou Une nuit d'excès" by Alfred de Musset is a novel first published in 1833. The story follows two nights in the life of Countess Gamiani as she engages in passionate encounters with Fanny and Alcide. During these encounters, the three characters share tales of their sexual awakenings and exploits. This work became the most widely read and reprinted erotic novel of the nineteenth century, with over forty editions, though Musset's authorship was long disputed.
Éloge du sein des femmes Ouvrage curieux
Claude-François-Xavier Mercier de Compiègne
Éloge du sein des femmes Ouvrage curieux
"Éloge du sein des femmes" by Claude-François-Xavier Mercier de Compiègne is a curious and light-hearted treatise written in the early 19th century. The work explores the aesthetic and cultural significance of women's breasts, both celebrating their beauty and examining societal norms regarding their visibility and accessibility. Through a playful tone and poetic references, the author delves into what he considers the virtues of this particular aspect of female beauty. The opening of the text introduces the reader to a historical context wherein discussions on human anatomy have taken on a charm and frivolity, linking them to previous works that delight in exploring the body. Mercier explains his intent to focus on women's breasts, drawing attention to their beauty and allure through poetic allusions and anecdotes from other authors. He touches upon societal attitudes towards exposure and touch while presenting a barrage of poetic imagery highlighting the aesthetic appreciation of women's bodies, suggesting that such topics have long captivated artists and poets alike. The author employs humor and clever observations, hinting at both admiration and the often humorous absurdity that surrounds discussions of physical attributes in a thoughtful yet ribald manner.
Le moyen de parvenir, tome 1/3
Béroalde de Verville
Le moyen de parvenir, tome 1/3
"Le moyen de parvenir, tome 1/3" by Béroalde de Verville is a banquet narrative published in 1616. The work presents an imaginary feast where people from all eras and social ranks gather to tell stories and discuss freely. Through its chaotic structure and bawdy content, this eccentric text embodies the turbulent spirit of the late Renaissance, reflecting anxieties about religious wars and social disorder while pushing the boundaries of obscenity in early modern literature.
Amis
Edmond Haraucourt
Amis
"Amis" by Edmond Haraucourt is a novel written in the late 19th century. The story explores complex themes of friendship, love, and existential pondering through its main characters, Georges Desreynes and Pierre Arsemar, who navigate their relationships and personal philosophies against a backdrop of societal expectations and emotional turmoil. At the start of the novel, we are introduced to Georges Desreynes, who is preparing to leave Paris, feeling disillusioned with the constant pursuit of superficial relationships. His conversation with an acquaintance reveals his inner conflict about love, relationships, and societal norms, as he contemplates the monotony of love affairs and the role of women in these dynamics. As Desreynes embarks on a journey to visit his friend Arsemar, whom he hasn't seen for years, he reflects on his life choices and the nature of his friendships, setting the stage for a deeper exploration of these relationships as the narrative unfolds. The opening hints at tensions regarding love and fidelity, especially as it pertains to Arsemar's new wife, creating a sense of anticipation for the complications that arise.
Le livre du faulcon
Anonymous
Le livre du faulcon
"Le livre du faulcon" by Anonymous is a fictional narrative written during the late 15th to early 16th century. The book explores themes of love and relationships through the allegorical device of falconry, where characters represent different aspects of human emotions, such as jealousy and desire. The text serves as a reflection on the complexities of love and the trials that lovers face in their pursuits. The story revolves around a noble falconer who becomes deeply enamored with a beautiful falcon, representing his romantic interest. His love for the falcon leads him to create elaborate lures in hopes of winning her affection. However, jealousy and envy arise from other birds and animals, who attempt to sabotage their love. Throughout the narrative, the falconer struggles with external temptations and the difficulties in asserting his bond with the falcon. Ultimately, the book delves into the nature of love, the impact of gossip, and the moral lessons that accompany romantic pursuits, revealing the trials one must endure for true affection.
Les amours du chevalier de Faublas, tome 4/5
Jean-Baptiste Louvet de Couvray
Les amours du chevalier de Faublas, tome 4/5
"Les amours du chevalier de Faublas, tome 4/5" by Jean-Baptiste Louvet de Couvray is a libertine novel published between 1787 and 1790. This memoir-style tale follows the romantic adventures of a young provincial aristocrat navigating life in Paris with his father and sister. Written in a lively style, the novel blends comic episodes with darker themes, featuring a hero of androgynous beauty who frequently appears in disguise. The story's fast-paced narrative chronicles the increasingly complex entanglements of its charismatic protagonist.
Ma conversion; ou le libertin de qualité
Honoré-Gabriel de Riqueti Mirabeau
Ma conversion; ou le libertin de qualité
"Ma conversion; ou le libertin de qualité" by Mirabeau is an erotic novel written in the late 18th century. This provocative work explores themes of sexuality and moral ambiguity through the eyes of the narrator, who navigates a world filled with temptation and debauchery. The narrative promises to delve into the complexities of human desire, societal expectations, and the pursuit of pleasure, making it a compelling read for those intrigued by human nature and erotic literature. At the start of the novel, the narrator addresses a character named Monsieur Satan, reflecting on his past and the influence of wickedness during his formative years. He reveals a hedonistic lifestyle, filled with encounters with various women and financial transactions tied to his sexual exploits. As he observes the changing landscape of vice around him, he contemplates a shift toward virtue, albeit humorously tinged with his ongoing carnal desires. The opening portion sets the tone for a satirical and candid exploration of lust, revealing the protagonist's internal conflict between indulgence and a newly discovered craving for respectability, typical of the libertine literature of its time.
Point de lendemain
Vivant Denon
Point de lendemain
"Point de lendemain" by Vivant Denon is a novella first published anonymously in 1777. A young, naive man experiences his first encounter with the sophisticated world of aristocratic libertinage. Invited to an evening at a chateau, he becomes entangled in an elaborate game of seduction and manipulation orchestrated by the clever Madame de T. Through luxurious settings and secret chambers, he discovers that everyone plays a carefully assigned role—and nothing is as it seems. This concise tale of social and erotic awakening reveals the coded rituals of eighteenth-century French society.
Thémidore; ou, mon histoire et celle de ma maîtresse
Claude Godard d'Aucour
Thémidore; ou, mon histoire et celle de ma maîtresse
"Thémidore; ou, mon histoire et celle de ma maîtresse" by Claude Godard d'Aucour is a novel written in the late 18th century. The story follows the experiences of Thémidore, a rich and charming young man who passionately seeks pleasure and adventure. He navigates through romantic entanglements, particularly with a woman named Rozette, while providing intriguing insights into the desires and follies of the Parisian elite. The opening of the novel introduces Thémidore and his feelings for Rozette, portraying him as a character filled with youthful exuberance and a thirst for indulgence. It depicts his social interactions and playful banter with various characters, including his friends and fellow libertines. As he recounts his encounters, Thémidore showcases his flirtation and admiration for Rozette, setting the stage for the tangled web of relationships that will unfold. The lively and sensual atmosphere established in these early chapters invites readers into Thémidore's world, rich in both humor and longing.
Code galant, ou, Art de Conter fleurette
Horace Raisson
Code galant, ou, Art de Conter fleurette
"Code galant, ou, Art de Conter fleurette" by Horace Raisson is a treatise on the art of love and courtship written in the early 19th century. This work explores the intricacies of romance, the nature of love, and the essential skills needed to be charming and appealing to potential partners. It reflects a time when social etiquette and the delicate dance of courtship were paramount in romantic relationships. The opening of the book sets the tone by establishing the pivotal role of love in human life, suggesting that a person must love at least once, with the outcome of that first love heavily influencing overall happiness. Raisson introduces the concept of "conter fleurette," which refers to the art of sweet talk or flirtation, as a critical social skill. He recounts a touching anecdote from the youth of King Henri IV and his first love, Fleurette, to illustrate the purity and depth of early romantic feelings. This narrative serves as a backdrop for the author's exploration of love's nature, laying the foundation for subsequent discussions on its various aspects and manifestations.
Les trois Don Juan Don Juan Tenorio d'Espagne, Don Juan de Maraña des Flandres, Don Juan d'Angleterre
Guillaume Apollinaire
Les trois Don Juan Don Juan Tenorio d'Espagne, Don Juan de Maraña des Flandres, Don Juan d'Angleterre
"Les trois Don Juan" by Guillaume Apollinaire is a novel written in the early 20th century. The book revolves around the legendary figure of Don Juan, introducing multiple incarnations, including Don Juan Tenorio from Spain, Don Juan de Maraña from Flanders, and Don Juan from England. The narrative delves into themes of love, seduction, and the darker elements of desire, portraying how these different versions of Don Juan approach romance and the consequences of their actions. The opening of the story sets a dramatic tone by exploring the early life of Don Juan Tenorio, who is born into a noble family amidst a backdrop of astrological omens and family foreshadowing. His mother, Doña Clara, experiences a troubled pregnancy filled with ominous dreams, leading her to seek the counsel of an astrologer, Master Max Jacobi. The astrologer's predictions hint at a tumultuous future for Don Juan, leading to a humorous yet tense interaction filled with predictions of both greatness and moral peril. This opening frames a story rich in fantastical elements, intrigue, and the complex interplay between destiny and free will, drawing readers into the world of seduction and personal conflict that follows.
L'oeuvre des conteurs allemands: mémoires d'une chanteuse allemande traduit pour la première fois en français avec des fragments inédits
Anonymous
L'oeuvre des conteurs allemands: mémoires d'une chanteuse allemande traduit pour la première fois en français avec des fragments inédits
"L'oeuvre des conteurs allemands: mémoires d'une chanteuse allemande" by Anonymous is an autobiographical work likely written in the 19th century. The text appears to be a candid reflection of a woman's personal and romantic experiences, capturing her journey through love, sexuality, and societal expectations as she navigates her emotional life. The narration hints at a deeply psychological exploration of femininity and self-realization. The opening of the work introduces the main character, who is addressing a friend with a sense of trust and intimacy. She reflects on her past, recounting her experiences related to love and desire, beginning with her early adolescence and the complexities of her awakening sexuality. The narrative discusses her perceptions of her parents' relationship, her own burgeoning sensuality, and her curiosity about intimacy, which is stirred by witnessing the affection between her parents. This part establishes a theme of exploration and inquiry into the nature of love and personal identity, painting a vivid picture of the protagonist's internal conflicts and her journey towards understanding her desires and the societal constraints surrounding them.
Margot la Ravaudeuse
Louis Charles Fougeret de Monbron
Margot la Ravaudeuse
"Margot la Ravaudeuse" by Louis Charles Fougeret de Monbron is a libertine novel published in 1750. First printed in Hamburg, this work paints a realistic portrait of eighteenth-century Parisian society, exposing the vices and virtues of its inhabitants. The novel's candid depiction of social mores helped secure Fougeret de Monbron's place in literary history, becoming his most enduring work and earning numerous modern reprints across prestigious French literary collections.