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FR Théâtre
Browse FR Théâtre as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Roméo et Juliette Tragédie
William Shakespeare
Roméo et Juliette Tragédie
"Roméo et Juliette" by William Shakespeare is a tragedy written between 1591 and 1595. Two young lovers from feuding Italian families defy ancient hatred to pursue their forbidden romance. Set in Verona, their secret marriage sets off a chain of violence involving duels, banishment, and desperate schemes. As misunderstandings multiply and blood feuds escalate, the lovers face impossible choices between family loyalty and their devotion to each other. This archetypal tale of young love has become one of Shakespeare's most performed plays.
La Tétralogie de l'Anneau du Nibelung
Richard Wagner
La Tétralogie de l'Anneau du Nibelung
"La Tétralogie de l'Anneau du Nibelung" by Richard Wagner is a cycle of four epic music dramas composed between 1848 and 1874. Drawing from Germanic and Norse legends, the work follows struggles over a magic ring that grants world domination. The story spans three generations, involving gods, heroes, and mythical creatures, culminating in a final cataclysm. With approximately fifteen hours of music requiring a specially built theatre, Wagner created what many consider opera's most massive undertaking.
Hamlet
William Shakespeare
Hamlet
"Hamlet" by William Shakespeare is a tragedy written between 1599 and 1601. Set in Denmark, the play follows Prince Hamlet as he seeks revenge against his uncle Claudius, who murdered Hamlet's father to seize the throne and marry Hamlet's mother. When a ghost reveals the truth of the murder, Hamlet must navigate madness, betrayal, and moral uncertainty while plotting his vengeance. Widely considered one of the greatest plays ever written, it remains among the most powerful tragedies in English literature.
Le barbier de Séville; ou, la précaution inutile
Pierre Augustin Caron de Beaumarchais
Le barbier de Séville; ou, la précaution inutile
"Le barbier de Séville; ou, la précaution inutile" by Beaumarchais is a French play written in 1773. A Spanish count falls for Rosine and disguises himself as a poor student to win her true affection. Her scheming guardian, Doctor Bartholo, keeps her locked away and plans to marry her himself. When the Count reunites with his former servant Figaro, now a barber, they devise clever schemes to outwit Bartholo and bring the lovers together in this comedic tale of disguise and deception.
Cyrano de Bergerac
Edmond Rostand
Cyrano de Bergerac
"Cyrano de Bergerac" by Edmond Rostand is a play written in 1897. Set in 17th-century Paris, it tells the story of Cyrano, a brilliant soldier and poet cursed with an enormous nose. He loves his cousin Roxane but believes his appearance makes him unworthy of her affection. When Roxane falls for the handsome but inarticulate Christian, Cyrano agrees to help him win her heart by writing eloquent love letters in his name, creating a romantic triangle of devastating complexity.
Molière - Œuvres complètes, Tome 3
Molière
Molière - Œuvres complètes, Tome 3
"Œuvres complètes, Tome 3" by Molière is a collection of classic French comedic works likely written in the mid-17th century. This volume features some of Molière's most renowned plays, including "Don Juan," showcasing the author's keen exploration of themes such as infidelity, satire, and the moral dilemmas faced by his characters. The prominent figure in "Don Juan" is, unsurprisingly, Don Juan, a charming and unscrupulous seducer whose reckless pursuits lead to a series of dramatic confrontations and moral consequences. The opening of "Don Juan" introduces the audience to Sganarelle, the cynical servant of Don Juan, who expresses his concerns over his master's unfaithfulness and libertine lifestyle. As they discuss Don Juan's intentions, it becomes clear that he is embroiled in yet another romantic conquest, pursuing a young fiancée while neglecting his existing commitments. Sganarelle attempts to caution him about the consequences of his actions and the potential for divine retribution, foreshadowing the play's exploration of morality and the ramifications of a life lived in defiance of societal and religious expectations. This exchange sets the stage for the unfolding drama, highlighting themes of seduction, betrayal, and the impending repercussions of Don Juan's actions.
Salomé
Oscar Wilde
Salomé
"Salomé" by Oscar Wilde is a one-act tragedy written in 1891 and published in 1893. This controversial play depicts the biblical story of Salome, stepdaughter of Herod Antipas, who becomes dangerously obsessed with the imprisoned prophet Jokanaan. Her fatal fascination leads to seduction attempts, the infamous dance of the seven veils, and ultimately violence and death. Originally written in French and banned in Britain for decades due to its depiction of biblical characters, the play inspired Richard Strauss's famous opera and sparked international controversy.
Des soirs, des gens, des choses... (1909-1911)
Ernest La Jeunesse
Des soirs, des gens, des choses... (1909-1911)
"Des soirs, des gens, des choses..." by Ernest La Jeunesse is a collection of dramatic critiques written in the early 20th century. The author reflects on his experiences and observations within the Parisian theatre scene, likely detailing the social interactions and cultural commentary of that time. The work presents various characters and events in the world of drama, focusing on the personal reflections of the author as he navigates through the vibrant life of performers, audiences, and critics. The opening of the book introduces us to a pivotal day in the author’s life, February 18, 1909, when he attends a significant event at the Académie Française. La Jeunesse describes the atmosphere, the people present, and the theatre community's vibrancy. He shares anecdotes about his unexpected assignment to critique a play at the Gymnase theatre, hinting at his ambivalence toward the role. The initial portion sets a lively backdrop against which La Jeunesse's subsequent reflections and critiques of the Parisian theatre—and its blend of personal highs and lows—will unfold, weaving a rich tapestry of artistic life during that era.
Molière - Œuvres complètes, Tome 1
Molière
Molière - Œuvres complètes, Tome 1
"Œuvres complètes, Tome 1" by Molière is a collection of the complete works of the renowned French playwright Molière, written in the late 19th century. This edition features a compilation of plays that exemplify Molière's sharp wit and social commentary, touching on themes of hypocrisy, love, and the absurdities of human behavior. The opening of the collection serves as an introduction to Molière’s life and the beginnings of his career as a playwright and director. It outlines his formative years, his initial struggles, and his eventual success in establishing a theater troupe, the "Illustre Théâtre." The narrative also alludes to some of Molière's early works and sets the stage for the exploration of his characters, such as the troublesome husband in "Le Médecin Volant," who seeks relief from his troublesome wife. This part of the text reveals Molière's keen observation of human nature and his ability to transform personal and societal challenges into engaging theatrical performances.
Œuvres de P. Corneille, Tome 01
Pierre Corneille
Œuvres de P. Corneille, Tome 01
"Œuvres de P. Corneille, Tome 01" by Pierre Corneille is a collection of dramatic works and poetry written in the 17th century. This first volume showcases Corneille's approach to both the theatrical elements of his time and his language, often reflecting on the accuracy of text from previous editions. It serves as a comprehensive compilation and revision of his classic works, highlighting his legacy in French literature and drama. At the start of this collection, the editor Ch. Marty-Laveaux emphasizes the importance of accuracy in presenting Corneille's texts, addressing the various alterations made by previous editors to the author's original works. The introduction includes details about Corneille's contributions to literature, as well as the historical context surrounding his writing. The opening portion discusses the significant changes to the language and style of the dramatic works over time, with the aim of giving readers a faithful representation of Corneille's genius as it was intended in the original prints. The notice also points out that this edition includes unpublished pieces, annotations, and variants that enrich the understanding of Corneille's writing and its evolution.
Œuvres de P. Corneille, Tome 04
Pierre Corneille
Œuvres de P. Corneille, Tome 04
"Œuvres de P. Corneille, Tome 04" by Pierre Corneille is a collection of dramatic works written in the 17th century. This volume primarily includes the tragedy "Pompée," which explores themes of power, loyalty, and ambition against the backdrop of ancient Rome. The central figures involve the conflicted characters of Pompée, Cléopâtre, and various agents of political intrigue, demonstrating the complexity of human emotions intertwined with grand historical narratives. The opening of "Pompée" sets the stage with a tense political discussion among the characters Ptolomée, Photin, and Achillas regarding the fate of the defeated general Pompée, who seeks refuge in Egypt after being overthrown. The dialogue reveals Ptolomée's inner turmoil as he weighs the decision to either protect Pompée or betray him to the rising power of Julius Caesar. As the arguments unfold, the themes of moral obligation versus self-preservation emerge, foreshadowing the intertwined destinies of Rome and Egypt as well as the tragic consequences of political decisions. The characters' motivations and the socio-political climate create a gripping introduction that draws readers into the complexities of loyalty and power dynamics in Corneille's work.
Œuvres de P. Corneille, Tome 02
Pierre Corneille
Œuvres de P. Corneille, Tome 02
"Œuvres de P. Corneille, Tome 02" by Pierre Corneille is a collection of plays written in the early 17th century. This volume includes Corneille's works, such as "La Galerie du Palais", which are significant contributions to French theatre and drama. The text explores themes of love, societal expectations, and the intricate dynamics between characters, particularly in romantic entanglements. The opening of "La Galerie du Palais" introduces us to several characters, primarily focusing on Célidée and Lysandre, who are entangled in a love affair that is complicated by misunderstandings and rival affections. Célidée grapples with her feelings while maintaining a façade of indifference, whereas Lysandre is deeply affected by her coldness. The play also includes the interactions between their confidants, such as Florice and Aronte, who influence the romantic developments. With witty dialogues and a lively setting depicting Parisian society, the beginning sets the stage for a comedic exploration of love and the games people play.
Hernani
Victor Hugo
Hernani
"Hernani" by Victor Hugo is a drama written in August and September 1829. Set in 1519 Spain, it tells the story of three men—an elderly nobleman, a bandit hiding noble origins, and the King of Spain himself—who all compete for the love of the beautiful Dona Sol. Their rivalry unfolds against a backdrop of political conspiracy and questions of honor, leading to a tragic resolution. The play's premiere sparked such intense controversy that it became known as the "Battle of Hernani," marking a revolutionary moment in French theater.
Bibliographie Cornélienne Description raisonnée de toutes les éditions des oeuvres de Pierre Corneille
Emile Picot
Bibliographie Cornélienne Description raisonnée de toutes les éditions des oeuvres de Pierre Corneille
"Bibliographie Cornélienne" by Émile Picot is a bibliographic work written in the late 19th century. The book serves as a comprehensive guide to the various editions of the works of the celebrated French playwright Pierre Corneille, including imitations, translations, and related works. Its aim is to provide collectors and literary critics with detailed descriptions of every edition published during Corneille's lifetime and subsequent works concerning him. The opening portion of the text introduces the concept of bibliographies as valuable resources for collectors, highlighting the importance of original editions of classical authors like Corneille. It discusses the growing interest in these editions among bibliophiles, which has led to the compilation of special bibliographies to assist in collection-building. Additionally, Picot outlines the meticulous approach taken in the book, emphasizing the inclusion of historical notes regarding each work and the distinction between authentic publications and later reprints or forgeries. This opening establishes a framework for understanding Corneille's literary significance and the meticulous detail that follows in the bibliographic inquiries.
L'Avare
Molière
L'Avare
"L'Avare" by Molière is a five-act comedy first performed in 1668. The play centers on Harpagon, an elderly miser whose obsession with his gold overshadows everything else in his life. He schemes to marry a young woman his own son loves, while forcing his daughter into an unwanted match. When his precious cash box is stolen, Harpagon's paranoia explodes as he suspects everyone around him. This fast-paced comedy blends satire and farce, even breaking the fourth wall to include the audience in its chaos.
Ubu Roi, ou, les Polonais
Alfred Jarry
Ubu Roi, ou, les Polonais
"Ubu Roi, ou, les Polonais" by Alfred Jarry is a play first performed in 1896. A wild and grotesque comedy, it follows the brutal Pa Ubu as his scheming wife convinces him to murder the King of Poland and seize power. Once crowned, Ubu terrorizes his subjects through greed and violence, sparking invasion and revolution. This shocking work scandalized audiences with its obscenity and childish chaos, yet revolutionized theater by shattering conventions and paving the way for modernism, Dadaism, and the Theatre of the Absurd.
A Selection from the Comedies of Marivaux
Pierre Carlet de Chamblain de Marivaux
A Selection from the Comedies of Marivaux
"A Selection from the Comedies of Marivaux" by Pierre Carlet de Chamblain de Marivaux is a compilation of notable comedic works written in the early 18th century. The collection emphasizes the themes of love and social interaction, featuring Marivaux's signature exploration of the intricate dynamics between characters. Notable plays included in this edition are "Le Jeu de l'Amour et du Hasard," "Le Legs," and "Les Fausses Confidences," showcasing his uniquely delicate and sophisticated prose style. The opening of this selection introduces Marivaux, noting the absence of his works in English-speaking contexts despite his significant contributions to drama. It provides a biographical overview of the author, detailing his early life, education, and the influences on his writing. Marivaux's keen observations of society and relationships, along with his gentle critique of social norms and the nature of love, are set as key themes to be explored in the selected comedies, hinting at the witty dialogue and intricate characters that define his artistry. This preface serves to establish Marivaux not only as a master of comedy but also as a poignant commentator on the human experience, making this collection appealing for readers interested in classic literature and social commentary.
Le Martyre de Saint Sébastien
Gabriele D'Annunzio
Le Martyre de Saint Sébastien
"Le Martyre de Saint Sébastien" by Gabriele D'Annunzio is a five-act musical mystery play written in 1911, with incidental music by Claude Debussy. The work follows Saint Sebastian through five symbolic scenes, from dancing on hot embers as lilies emerge, to confronting false gods and an infatuated emperor, to his ultimate martyrdom by arrows in Apollo's laurel grove. Designed as a vehicle for dancer Ida Rubinstein, the premiere sparked scandal when the Archbishop of Paris urged Catholics to boycott the production.
Le retour de l'exilé: Drame en cinq actes et huit tableaux
Louis Honoré Fréchette
Le retour de l'exilé: Drame en cinq actes et huit tableaux
"Le retour de l'exilé: Drame en cinq actes et huit tableaux" by Louis-H. Fréchette is a dramatic play written in the late 19th century. The story centers on Auguste, a man who returns to Quebec after years of exile, and his interactions with various other characters such as Adrien, a passionate young man in love, and Jolin, a wealthy but morally dubious character tied to the power struggles in the region. The play delves into themes of love, betrayal, ambition, and moral decay, particularly against the backdrop of societal expectations and historical tensions in Canada. The opening of the play sets a vibrant scene within an inn in Sillery, Quebec, where we meet several characters engaged in lively conversation. Auguste arrives, a returning traveler, and quickly draws attention due to his unusual presence and demeanor. He learns about the local dynamics, particularly regarding Jolin, a wealthy man of questionable integrity who has benefited from the troubles of the past. Additionally, we are introduced to Adrien, who harbors deep feelings for Blanche Saint-Vallier, the daughter of a struggling widow living with Jolin. As tensions between the characters unfold, the narrative hints at undercurrents of conflict, particularly with Auguste's mysterious past and Adrien's desperate love for Blanche. This sets up an intricate web of relationships that promise to deepen as the story progresses.
Œuvres complètes de Alfred de Musset — Tome 3
Alfred de Musset
Œuvres complètes de Alfred de Musset — Tome 3
"Œuvres complètes de Alfred de Musset — Tome 3" by Alfred de Musset is a collection of plays written in the early 19th century. This volume focuses on Musset's comedies, showcasing his adeptness in blending romance, drama, and humor in theatrical form. The works delve into various themes of love, society, and the human condition, reflecting the complexities of human relationships through compelling characters and dialogue. The opening portion introduces "La Nuit Vénitienne," a one-act comedy set against the romantic backdrop of Venice. It begins with a conversation between Razetta and Laurette, where Razetta expresses his distress over Laurette’s impending marriage to the Prince of Eysenach, revealing his deep feelings for her. As Laurette braces for her fate, Razetta proposes a desperate plan to follow her, suggesting a turmoil of love and ambition that set the play's tone. The dialogue sets up a classic love triangle, hinting at the intertwining of desire and social obligation, which will play out as the narrative unfolds.
Don Juan, ou le Festin de pierre
Molière
Don Juan, ou le Festin de pierre
"Don Juan, ou le Festin de pierre" by Molière is a five-act prose comedy first performed in 1665. The play follows the final thirty-six hours of dom Juan Tenorio, a libertine seducer and religious skeptic, accompanied by his cowardly servant Sganarelle. After abandoning his wife and pursuing other women, dom Juan encounters his past victims, his pursuing brothers-in-law, and ultimately issues a blasphemous invitation to a stone statue. Mixing farce with tragedy, this controversial work faced violent criticism and wasn't published until after Molière's death.
Molière - Œuvres complètes, Tome 2
Molière
Molière - Œuvres complètes, Tome 2
"Œuvres complètes, Tome 2" by Molière is a collection of theatrical works written in the 17th century. This volume includes plays that reflect the societal norms and personal dynamics of Molière's time, particularly focusing on themes of love, marriage, and the contrasts between youth and age. One of the featured works is "L'École des maris," which explores the tensions between strict guardianship and the desires of young lovers. At the start of "L'École des maris," we are introduced to Sganarelle and Ariste, two brothers with opposing views on love and the freedoms of young women. Sganarelle represents strict control and traditional values, wishing to confine their ward, Isabelle, to a life of obedience. In contrast, Ariste advocates for a more lenient approach, supporting Isabelle's independence and wishes. As the plot unfolds, Isabelle finds herself caught between the rigid expectations of Sganarelle and her own wishes, which stir the arrival of her suitor, Valère. The opening scenes set the stage for a humorous exploration of love's complexities and the clash of generational values in romantic relationships.
Œuvres de P. Corneille, Tome 05
Pierre Corneille
Œuvres de P. Corneille, Tome 05
"Œuvres de P. Corneille, Tome 05" by Pierre Corneille is a collection of dramatic works written in the mid-17th century. This volume particularly features the tragedy "Théodore, vierge et martyre," which explores themes of faith, sacrifice, and the struggle against societal norms. The central character, Théodore, is a Christian virgin facing the perils of persecution and moral dilemmas in a tumultuous political and social environment. The opening of this tragedy sets the stage for intense character interactions and dramatic conflicts. We are introduced to Placide, the son of the governor Valens, who struggles with his affections for Théodore, despite his commitments and the pressure from his family to marry another. Marcelle, Placide's mother, exhibits a fierce determination to eliminate Théodore, viewing her as an obstacle to her ambitions for her daughter Flavie. The narrative explores the tension between personal desires and societal expectations, with Théodore's unwavering faith and purity clashing against the corrupt and politically motivated actions of those around her. As the characters navigate their complex relationships, the audience is drawn into a tale of love, jealousy, and the quest for redemption amidst impending doom.
Molière - Œuvres complètes, Tome 4
Molière
Molière - Œuvres complètes, Tome 4
"Œuvres complètes, Tome 4" by Molière is a collection of theatrical works written in the 17th century. This volume includes several of Molière's plays, among which is "Amphitryon," a comedy that explores themes of love, deception, and the complexities of human relationships in a humorous manner. The characters include gods, such as Jupiter and Mercury, as well as mortals like Amphitryon and his wife Alcmène, setting the stage for a blend of myth and reality. The beginning of "Amphitryon" introduces the themes of misunderstanding and mistaken identity. It opens with Mercury discussing the plans of Jupiter, who has taken on the form of Amphitryon to seduce Alcmène, the general's wife, while he is away at war. As the scene unfolds, we meet Sosie, Amphitryon's valet, who is bewildered by his encounters and the confusion surrounding his master’s return. The dialogue sets a witty tone, establishing the comedic elements that Molière is known for, while also hinting at deeper philosophical questions about fidelity and the nature of love.
Le Voyage de Monsieur Perrichon: Comédie en quatre actes
Eugène Labiche
Le Voyage de Monsieur Perrichon: Comédie en quatre actes
"Le Voyage de Monsieur Perrichon: Comédie en quatre actes" by Eugène Labiche and Édouard Martin is a comedy first performed in 1860. Two young men compete for the hand of Henriette Perrichon during her family's vacation to Chamonix. When one suitor saves Mr. Perrichon's life, an unexpected problem arises: the rescue seems to embarrass him. The rival suitor cleverly engineers a situation where Perrichon becomes the hero instead. This shrewd comedy explores vanity, gratitude, and the contradictions of bourgeois pride.
Œuvres de P. Corneille, Tome 07
Pierre Corneille
Œuvres de P. Corneille, Tome 07
"Œuvres de P. Corneille, Tome 07" by Pierre Corneille is a collection of plays written during the 17th century. This volume includes the tragedy "Agésilas," which explores themes of love, ambition, and political intrigue set against the backdrop of ancient Sparta. The audience follows the titular character, Agésilas, as he navigates complex relationships and power dynamics, particularly involving other prominent figures like Lysander and various royal suitors. The opening of the tragedy introduces the characters Elpinice and Aglatide, daughters of Lysander, as they discuss their impending marriages to kings. The dialogue highlights Aglatide's ambition for a royal match, contrasting with Elpinice’s more pragmatic views on love and duty. The characters express their feelings and expectations regarding their suitors, Cotys and Spitridate, revealing underlying tensions and desires as political motives intertwine with personal affections. This sets the stage for the unfolding drama, as both love and duty will play crucial roles in the decisions that the characters will face.
Œuvres de P. Corneille, Tome 03
Pierre Corneille
Œuvres de P. Corneille, Tome 03
"Œuvres de P. Corneille, Tome 03" by Pierre Corneille is a collection of dramatic works written in the early 17th century. This volume features some of Corneille's renowned plays, including his famous tragedy "Le Cid." The text explores themes of honor, love, and the complexity of human relationships, presenting characters such as Rodrigue and Chimène, whose passionate and tumultuous interactions serve as a central focus. The opening of this volume provides insight into the background and significance of "Le Cid," recounting its creation and the impact it had upon its release. The narrative begins with a commentary on the influence of M. de Chalon, who encouraged Corneille to explore Spanish subjects for dramatization. It details Corneille's initial studies and inspirations taken from Spanish literature, leading to the crafting of a masterpiece that garnered widespread acclaim and sparked debate about its adherence to the rules of drama. The piece gained immense popularity at the court and in Paris, despite facing criticism from contemporaries, highlighting both its dramatic merits and the controversies surrounding its stylistic choices.
Théâtre 1 La Princesse Maleine (1890) - L'Intruse (1890) - Les Aveugles (1891)
Maurice Maeterlinck
Théâtre 1 La Princesse Maleine (1890) - L'Intruse (1890) - Les Aveugles (1891)
"Théâtre 1" by Maurice Maeterlinck is a collection of dramatic works written in the late 19th century. This volume features three plays: "La Princesse Maleine," "L'Intruse," and "Les Aveugles." The central themes explore the intricacies of human emotions, the presence of unseen forces, and the darker aspects of existence, capturing the essence of tragic destinies often intertwined with elements of fate and despair. The beginning of "La Princesse Maleine" sets the stage in a royal environment fraught with tension and foreboding. Characters such as Prince Hjalmar and the eponymous Princess Maleine are introduced amidst signs of impending doom, highlighted by ominous omens like comets and falling stars. Initial dialogues depict the anxiety surrounding Maleine's upcoming marriage, the secrets that haunt the royal family, and the unsettling atmosphere that permeates the castle. As the story unfolds, Maleine's character emerges as fragile yet resolute, caught in the turmoil of love and ominous prophecy, while Hjalmar grapples with his fate amidst familial and socio-political strife. The tone is steeped in a haunting mystique, suggesting that love may not conquer all in this complex and darkly poetic narrative.
Ruy Blas: Drame
Victor Hugo
Ruy Blas: Drame
"Ruy Blas: Drame" by Victor Hugo is a five-act verse drama written in 1838. Set in late seventeenth-century Spain, it tells the story of Ruy Blas, a valet who secretly loves the Queen. His master, a disgraced nobleman seeking revenge against the Queen, forces Ruy Blas to pose as a nobleman and win her heart. As Ruy Blas rises to become Prime Minister and earns the Queen's love, he remains trapped by his true identity and his master's sinister plot.
Faust [première partie]
Johann Wolfgang von Goethe
Faust [première partie]
"Faust [première partie]" by Johann Wolfgang von Goethe is a tragedy published in 1808. The aging scholar Heinrich Faust, dissatisfied with the limits of knowledge and unable to enjoy life's fullness, makes a wager with the devil Mephistopheles. In exchange for his soul, Mephisto promises to free Faust from discontent through constant diversion. Transformed into a young man, Faust is led into a passionate affair with the innocent Margarete, setting in motion events that bring devastating consequences to all involved.
Histoire Anecdotique de l'Ancien Théâtre en France, Tome Second Théâtre-Français, Opéra, Opéra-Comique, Théâtre-Italien, Vaudeville, Théâtres forains, etc...
Albert Du Casse
Histoire Anecdotique de l'Ancien Théâtre en France, Tome Second Théâtre-Français, Opéra, Opéra-Comique, Théâtre-Italien, Vaudeville, Théâtres forains, etc...
"Histoire Anecdotique de l'Ancien Théâtre en France, Tome Second" by Albert Du Casse is a historical account written in the mid-19th century. This work primarily discusses the evolution of French theater, particularly focusing on the dramatic arts from ancient times to the pre-Molière period. It examines various playwrights, genres, and the cultural context surrounding early French comedy and tragedy, providing a comprehensive look at the theatrical landscape of the time. The opening of the book sets the stage for an exploration of comedic traditions in France before the arrival of Molière, emphasizing the importance of comedy as a means of moral critique through humor and ridicule. The text reflects on the gradual development of comedic forms, showcasing prominent early playwrights and their works, while also highlighting the societal norms that influenced their creation. The narrative discusses comedic characteristics, such as the "comédie de caractère" and "comédie d'intrigue," intertwined with anecdotes about the authors and their contributions, setting a detailed historical context for the reader.
Le Roi s'amuse
Victor Hugo
Le Roi s'amuse
"Le Roi s'amuse" by Victor Hugo is a French play in five acts written in 1832. It follows Triboulet, a hunchbacked court jester who serves the womanizing King Francis I while secretly protecting his innocent daughter Blanche from the corruption he witnesses daily. When vengeful courtiers abduct Blanche, believing her to be Triboulet's mistress, the jester's carefully guarded world collapses. His quest for revenge through a hired assassin leads to devastating consequences, as a nobleman's curse haunts both king and jester alike.
Le Mariage forcé
Molière
Le Mariage forcé
"Le Mariage forcé" by Molière is a comédie-ballet first performed in 1664. Sganarelle, a wealthy fifty-three-year-old man, decides to marry the young and beautiful Dorimène. Despite warnings from his friend and confusing advice from philosophers and fortune-tellers, he pursues the match. But when he overhears Dorimène confessing her mercenary motives to her lover, Sganarelle tries to escape the engagement—only to find himself trapped by her brother's threats and violence into an unwanted marriage.
Œuvres de P. Corneille, Tome 06
Pierre Corneille
Œuvres de P. Corneille, Tome 06
"Œuvres de P. Corneille, Tome 06" by Pierre Corneille is a collection of dramatic works written during the 17th century. This volume specifically presents the tragedy "Pertharite, Roi des Lombards," which deals with themes of power, betrayal, and familial conflict. The play centers around the character of Pertharite, the titular king, whose struggles against the tyranny of his brother Gundebert and an adversarial nobleman, Grimoald, create a rich backdrop for examining loyalty and ambition. The opening of "Pertharite, Roi des Lombards" sets the stage for a world where political intrigues and personal vendettas collide. It begins with a discourse between Rodelinde, the wife of Pertharite, and Unulphe, as they discuss the fallout from Pertharite's defeat and his subsequent exile. Rodelinde's fierce determination to uphold the honor of her husband contrasts with the political machinations of those around her, including Grimoald's ambitions and her own conflicted emotions about power and loyalty. As she navigates her grief and anger, the complex relationships between the characters hint at the larger themes of vengeance, love, and the consequences of ambition that will unfold throughout the play.
L'Étourdi ou les contre-temps
Molière
L'Étourdi ou les contre-temps
"L'Étourdi ou les contre-temps" by Molière is a five-act comedy first performed in 1655. When young aristocrat Lelio falls for Celia, a woman enslaved by a miserly old man, his clever servant Mascarille devises scheme after elaborate scheme to help him. But there's one problem: Lelio himself keeps accidentally sabotaging every plan. Through disguises, fake deaths, and stolen purses, this farcical tale of romantic pursuit shows what happens when good intentions clash with spectacular incompetence.
Henri III et sa Cour
Alexandre Dumas
Henri III et sa Cour
"Henri III et sa Cour" by Alexandre Dumas is a play first performed in 1829. Set at the court of King Henri III of France in July 1578, the drama unfolds over two days of political intrigue and dangerous passion. Catherine de Médicis manipulates her weak son while plotting against her rivals, the Duke of Guise and Count Saint-Mégrin. When a secret love affair is exposed, jealousy and vengeance drive the characters toward a deadly confrontation that will shatter lives in the treacherous world of the French court.
La Folle Journée ou le Mariage de Figaro
Pierre Augustin Caron de Beaumarchais
La Folle Journée ou le Mariage de Figaro
"La Folle Journée ou le Mariage de Figaro" by Pierre Augustin Caron de Beaumarchais is a five-act comedy written in 1778 and first publicly performed in 1784 after years of censorship. On the morning of Figaro's wedding to Suzanne, the servant discovers his master, Count Almaviva, wants to reinstate an abolished feudal right. What follows is a frenzied day of schemes, disguises, and cascading surprises. The play's bold critique of aristocratic privilege made it a controversial precursor to the French Revolution.
Loges et coulisses
Jules Huret
Loges et coulisses
"Loges et coulisses" by Jules Huret is a biographical account written in the early 20th century. The work focuses on the life and early career of Gabrielle Réju, later known as the famous actress Réjane, detailing her experiences growing up in Paris and her pursuit of a career in acting. The narrative reflects her formative years in the theater world, illustrating key moments that shaped her aspirations and artistic sensibilities. At the start of "Loges et coulisses," the author presents an engaging glimpse into Gabrielle Réju's childhood, highlighting her deep connection to the theatrical environment she grew up in. The opening describes her early experiences at the Ambigu theater, where her mother worked, and the vivid memories of the performances and actors she admired. As her father's untimely death leaves her mother struggling to make ends meet, Gabrielle begins to navigate her own destiny, demonstrating a fierce desire to become an actress. The opening effectively sets the stage for her remarkable journey in the world of theater, filled with aspirations, challenges, and the prospect of eventual success.
Antoine et Cléopâtre
William Shakespeare
Antoine et Cléopâtre
"Antoine et Cléopâtre" by William Shakespeare is a tragedy first performed around 1607. The play follows the passionate relationship between Roman triumvir Mark Antony and Egypt's Queen Cleopatra, set against the backdrop of political conflict and war. As Antony neglects his duties for love, tensions rise with fellow triumvir Octavius Caesar. The story alternates between sensual Alexandria and austere Rome, building toward the catastrophic Battle of Actium. Shakespeare crafts a complex portrait of love, power, and loyalty that defies simple classification.
Le Vaisseau fantôme (Der Fliegende Holländer)
Richard Wagner
Le Vaisseau fantôme (Der Fliegende Holländer)
"Le Vaisseau fantôme (Der Fliegende Holländer)" by Richard Wagner is an opera composed in 1841 and premiered in 1843. A ghostly captain is condemned to sail the seas eternally until redeemed by a woman's love. Inspired by Heinrich Heine's retelling of a maritime legend, Wagner encountered the story during a harrowing sea voyage through a Norwegian fjord. The opera marks a transition in Wagner's style, introducing themes of wandering, sacrifice, and redemption that would define his later works.
Le père humilié: Drame en quatre actes
Paul Claudel
Le père humilié: Drame en quatre actes
"Le père humilié: Drame en quatre actes" by Paul Claudel is a dramatic work written in the early 20th century. The play is set in Rome during the years 1869 to 1871 and revolves around complex themes of love, identity, and familial dynamics. The narrative centers on the character of Pensée, a blind young woman who grapples with her feelings towards two brothers, Orian and Orso de Homodarmes, against the backdrop of societal expectations and political upheaval. The opening of "Le père humilié" introduces us to a beautifully described scene in the gardens of the Villa Wronsky during the celebration of Saint Pie. As various characters gather, we are drawn into the poignant relationship between Pensée and her mother, Sichel, where Pensée expresses her awareness of beauty despite her blindness. The dialogue captures her internal struggles and rich emotional landscape as she interacts with Orian. The scene unfolds amidst the lively social backdrop, hinting at deeper intrigues and connections that will develop in the play, particularly surrounding familial loyalty and the nature of love in a shifting political landscape.
La dernière nuit de Don Juan: poème dramatique en deux parties et un prologue
Edmond Rostand
La dernière nuit de Don Juan: poème dramatique en deux parties et un prologue
"La dernière nuit de Don Juan: poème dramatique en deux parties et un prologue" by Edmond Rostand is a dramatic poem written in the early 20th century. The work revisits the legendary character of Don Juan, exploring themes of seduction, morality, and consequence. The narrative unfolds during a critical night where Don Juan grapples with his past actions and the entities that seek his soul. The opening of the piece introduces us to Don Juan descending an ominous stairway, accompanied by the statue of the Commander, reflecting on his past conquests as he is pursued by darker ideals. His witty banter with Sganarelle, his servant, establishes his irreverent charm and ingrained willingness to defy authority. A pact with the devil and the notion of accountability for his actions loom large as the characters lead us into a whirlwind of memories, foreshadowing a transformation in Don Juan’s character amidst encounters with spectral figures from his past. This initial setup promises a poetic exploration of regret and the inevitable consequences of a life lived recklessly.
Les Précieuses ridicules
Molière
Les Précieuses ridicules
"Les Précieuses ridicules" by Molière is a one-act comedy first performed in 1659. Two young provincial women, Magdelon and Cathos, reject their suitors as unrefined and dream of romantic adventures like those in fashionable novels. The scorned suitors devise a cunning revenge: they send their valets, disguised as aristocrats, to woo the pretentious young women. What follows is a sharp satire of affectation and social climbing that became Molière's first published work and launched a new literary fashion.
Bataille de dames
Eugène Scribe
Bataille de dames
"Bataille de dames" by Eugène Scribe and Ernest Legouvé is a comedy written in the mid-19th century, specifically around the 1850s. This theatrical work revolves around the lives and romantic entanglements of its characters, particularly focusing on the noblewomen and men entangled in political intrigue and personal affections against a backdrop of post-Napoleonic France. The opening of "Bataille de dames" introduces us to a lavish summer salon in a château where the Countess d’Autreval and her niece Léonie de la Villegontier are engaged in animated dialogue. They discuss letters and news, revealing a tension between social expectations and personal desires. We learn that Léonie is initially annoyed by Charles, the family servant, who surprises her with his apparent intelligence and charm. This scene hints at the complicated dynamics of class and love, setting the tone for the ensuing romantic conflicts, especially as characters such as Henri, a political fugitive, and Gustave de Grignon, a young court official, become involved in their lives, ultimately culminating in personal and social challenges intertwined with the period's political tensions.
Etudes sur Aristophane
Emile Deschanel
Etudes sur Aristophane
"Études sur Aristophane" by Émile Deschanel is a scholarly analysis written in the late 19th century. The text delves into the works of the ancient Greek playwright Aristophanes, emphasizing his contributions to the evolution of comedy and exploring the socio-political context in which his works were produced. The author approaches Aristophanes with a critical view, reflecting on the themes of freedom, humor, and morality within Athenian society. At the start of the work, the author sets the stage for a detailed examination of Aristophanes, discussing the cultural and political significance of his comedies in the context of Athenian democracy. Deschanel introduces Aristophanes not only as a playwright but as a social commentator, highlighting how his characters often serve as caricatures of contemporary political figures and societal norms. The opening also discusses the foundational aspects of Athenian theatre, establishing how the works of Aristophanes were integral to public life and discourse, often addressing serious topics through humor and satire.
Sganarelle, ou le Cocu imaginaire
Molière
Sganarelle, ou le Cocu imaginaire
"Sganarelle, ou le Cocu imaginaire" by Molière is a one-act comedy in verse first performed in 1660. When Sganarelle tries to help a fainting young woman, a dropped portrait sets off a chain reaction of jealous assumptions and comic misunderstandings. Each character becomes convinced of different romantic betrayals—none of which are true. This farcical tale of hasty conclusions became Molière's most frequently performed play during his lifetime, delighting audiences with its warning about believing what we think we see.
Titus Andronicus
William Shakespeare
Titus Andronicus
"Titus Andronicus" by William Shakespeare is a tragedy written between 1588 and 1593. Roman general Titus returns from war with Gothic prisoners, including Queen Tamora, whom the new emperor takes as his wife. When Titus sacrifices Tamora's son, she vows revenge from her position of power. What follows is a brutal cycle of vengeance involving murder, mutilation, and unspeakable acts of cruelty. This early Shakespeare work explores the darkest depths of human violence and retribution in ancient Rome.
Esther
Jean Racine
Esther
"Esther" by Jean Racine is a play written in 1689. Based on the biblical Book of Esther, it tells the story of the Jewish queen who must navigate the Persian court to save her people. Originally performed by young noblewomen at an educational institute, this three-act drama was commissioned for moral instruction but captivated the French king and his court with its grace and modesty.