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Hinduism
Browse Hinduism as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Autobiography of a Yogi
Paramahansa Yogananda
Autobiography of a Yogi
"Autobiography of a Yogi" by Paramahansa Yogananda is a spiritual autobiography published in 1946. It chronicles Yogananda's journey from childhood in India through his search for his guru, his establishment of Kriya Yoga meditation teachings, and his travels to America where he lectured and founded the Self-Realization Fellowship. The book introduces Eastern spiritual wisdom and methods of God-realization to Western readers, featuring encounters with saints, scientists, and spiritual figures across two continents. Designated one of the most important spiritual books of the twentieth century, it has sold millions of copies worldwide.
The Song Celestial; Or, Bhagavad-Gîtâ (from the Mahâbhârata) Being a discourse between Arjuna, Prince of India, and the Supreme Being under the form of Krishna
Unknown
The Song Celestial; Or, Bhagavad-Gîtâ (from the Mahâbhârata) Being a discourse between Arjuna, Prince of India, and the Supreme Being under the form of Krishna
"The Song Celestial; Or, Bhagavad-Gîtâ (from the Mahâbhârata)" by Sir Edwin Arnold is a poetic translation published in 1885. This English rendering of the ancient Sanskrit text presents a dialogue between Krishna, an incarnation of the Divine, and Prince Arjuna. Krishna instructs Arjuna on duty and liberation through right action as they face an eternal battle between right and wrong, wisdom and ignorance. This translation profoundly influenced Mahatma Gandhi, who called it the best English version he encountered.
Hinduism and Buddhism, An Historical Sketch, Vol. 3
Charles Eliot
Hinduism and Buddhism, An Historical Sketch, Vol. 3
"Hinduism and Buddhism, An Historical Sketch, Vol. 3" by Charles Eliot is a historical account likely written in the early 20th century. The book examines the expansion of Indian influence through Buddhism across Eastern Asia, detailing how this influence permeated various cultures, such as those in Ceylon, Burma, Japan, and China. It offers insights into the relationship between Hinduism and Buddhism and their impacts on the regions they touched. At the start of the volume, Eliot introduces the overarching theme of Indian influence outside of India, with a specific focus on the spread of Buddhism. He outlines the diffusion of religious, artistic, and cultural elements from India to various countries, highlighting the peaceful yet profound impacts on civilizations in regions like Ceylon and South-East Asia. The text reflects on historical events and missionary activities that facilitated this spread and discusses the reciprocal cultural exchanges, emphasizing that while India imparted its cultural legacy, the influence from the Far East in return remained limited.
The Yoga Sutras of Patanjali: The Book of the Spiritual Man
Patañjali
The Yoga Sutras of Patanjali: The Book of the Spiritual Man
"The Yoga Sutras of Patanjali: The Book of the Spiritual Man" by Patañjali is a compilation of Sanskrit aphorisms compiled in the early centuries CE. Drawing from ancient traditions including Samkhya, Buddhism, and older yoga practices, this foundational text systematizes the path to spiritual liberation through concentrated awareness. The work outlines the famous eight-limbed practice—including posture, breath control, and meditation—leading toward samadhi, a state where the mind becomes still and pure consciousness can be discerned from the material world.
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Vana Parva, Part 1
Unknown
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Vana Parva, Part 1
"The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose" by Kisari Mohan Ganguli is an epic text originally composed in Sanskrit, most likely during ancient Indian times, around the early centuries of the common era. This foundational work of Indian literature intricately portrays the dynamics of the Kuru dynasty, particularly focusing on the conflict between the Pandavas and the Kauravas, which leads to the great war of Kurukshetra. The narrative weaves through themes of duty, righteousness, and the consequences of moral decisions, covering the trials and tribulations faced by both families. The opening portion introduces the aftermath of a fateful dice game, where Yudhishthira and his brothers, the Pandavas, face humiliation and are forced into exile. The narrative flows through the chaos and despair of their departure from Hastinapura, highlighting the sorrow of the citizens who lament their absence. As the Pandavas journey into the forest, Yudhishthira, showcasing his nobility, urges his followers to remain in Hastinapura to support their loved ones there. This segment sets the stage for their struggles in exile, introducing motifs of loyalty, friendship, and the impact of fate, while also foreshadowing the inevitable confrontations that await them in their quest to reclaim their rightful place.
Hinduism and Buddhism, An Historical Sketch, Vol. 2
Charles Eliot
Hinduism and Buddhism, An Historical Sketch, Vol. 2
"Hinduism and Buddhism, An Historical Sketch, Vol. 2" by Charles Eliot is a historical account written in the early 20th century. The work delves into the major branches of Buddhism, particularly the Mahayana, and its key features, figures, and doctrines. Eliot explores the relationship between Mahayana Buddhism and its historical context, especially its evolution and impact within India and beyond. The opening of this volume sets the stage for a detailed examination of the Mahayana tradition. Eliot begins by outlining the Mahayana's significance as a movement within Buddhism, contrasting it with the Hinayana sect. He emphasizes the broad appeal of Mahayana, highlighting its philosophical depth, emotional resonance, and communal ethos, which distinguishes it from the more ascetic Hinayana. The chapter provides insights into the distinguishing features of Mahayana, including its worship of Bodhisattvas, the notion of salvation through altruism and faith, and its development of new scriptures and metaphysical doctrines, thus outlining the trajectory of this influential Buddhist school.
Hinduism and Buddhism, An Historical Sketch, Vol. 1
Charles Eliot
Hinduism and Buddhism, An Historical Sketch, Vol. 1
"Hinduism and Buddhism, An Historical Sketch, Vol. 1" by Charles Eliot is a historical account written in the early 20th century. The work aims to provide a comprehensive overview of the development and influence of Hinduism and Buddhism throughout history, focusing particularly on their origins, evolution, and impact across Eastern Asia. Eliot's scholarly approach seeks to explore the intricacies and interconnections between these two major religions. The opening of the work sets the stage for an extensive exploration of the evolving landscape of Indian religion, outlining the complexities and challenges inherent in tracing the histories of Hinduism and Buddhism. Eliot acknowledges the enormity of the task, highlighting the difficulty in articulating a cohesive narrative due to the vast temporal and geographic expanse of both religions. He introduces his intent to investigate not only the historical development of these faiths but also their intertwined trajectories, particularly as they spread beyond India's borders and adapted to local cultures. The initial chapters establish foundational points about the nature of these religions and their philosophies, laying the groundwork for the detailed analyses that follow in subsequent sections of the book.
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Adi Parva
Unknown
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Adi Parva
"The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose" by Kisari Mohan Ganguli is an epic narrative that combines mythology, philosophy, and ancient Indian culture, with its translation completed during the late 19th century. This monumental work, regarded as one of the two major Sanskrit epics of ancient Indian literature, encapsulates the story of the Kurukshetra War and the fates of the Kaurava and Pandava princes, with an emphasis on profound moral and ethical dilemmas. The opening of "The Mahabharata" introduces the context and highlights the significance of the epic within Hindu tradition. It begins with Sauti, who is surrounded by sages, recounting the key themes and stories of the epic as passed down by the sage Vyasa. Sauti sets the stage for the retelling of these sacred tales, which include the birth of key characters, divine interventions, and the conflicts that arise between the royal families of the Kauravas and Pandavas. The initial chapters establish a reflective tone on themes of duty, morality, and the cyclical nature of life and death, foreshadowing the epic's intricate exploration of these subjects.
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Virata Parva
Unknown
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Virata Parva
"The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose" by Kisari Mohan Ganguli is an epic narrative written during the late 19th century. This monumental work recounts the intricate tales of the Kurukshetra War and the fates of the Kaurava and Pandava princes, exploring themes of duty, righteousness, and the moral dilemmas faced by its characters. The particular focus here is on the Pandavas during their thirteenth year of exile, where they must live secretly in the kingdom of Matsya to avoid detection by their enemies. At the start of this portion, we meet the Pandavas, who are devising their plan to live inconspicuously in the city of Virata after twelve years of exile. Yudhishthira suggests they take on different roles to hide their identities, with each brother, including Draupadi, presenting themselves in specific capacities: Yudhishthira as a Brahmana skilled in dice, Bhima as a cook, Arjuna disguised as a female dance instructor, and the twins Nakula and Sahadeva taking care of the horses and kine, respectively. This section sets the stage for an engaging exploration of their new lives, challenges, and the themes of identity and survival in the context of their ongoing feud with the Kauravas. As their time in disguise progresses, each character grapples with internal struggles and the threat of being discovered, reflecting the complexities of their circumstances.
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Vana Parva, Part 2
Unknown
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Vana Parva, Part 2
"The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose" by Kisari Mohan Ganguli is an epic narrative written in the late 19th century. This monumental work is part of one of the most important texts in Indian literature and culture, detailing the great Indian epic, the Mahabharata, which encompasses themes of duty, righteousness, and the complexities of human nature. The text follows the tale of the Pandava brothers, focusing on their struggles, triumphs, and the diverse characters they encounter, particularly Bhimasena, also known as Bhima, who plays a central role in the unfolding drama. The opening portion of this section introduces Bhima as he embarks on a journey through a mystical forest filled with various creatures. His immense physical strength is showcased as he encounters and confronts ferocious beasts, highlights his prowess in combat, and reveals his playful nature as he becomes enamored with the beauty of nature. The narrative also brings in the character of Hanuman, Bhima’s brother, a mighty monkey who obstructs Bhima's path to protect him, leading to a dialogue that emphasizes moral and philosophical underpinnings of strength, humility, and the duties of a warrior. This opening invites readers into a rich tapestry of heroic feats, existential questions, and the revered landscape of the Mahabharata’s intricate storytelling.
The Vedanta-Sutras with the Commentary by Sankaracarya Sacred Books of the East, Volume 1
Unknown
The Vedanta-Sutras with the Commentary by Sankaracarya Sacred Books of the East, Volume 1
"The Vedanta-Sutras with the Commentary by Sankaracarya" translated by George Thibaut is a philosophical text written in the late 19th century. This work consists of an essential compilation of the Vedanta teachings, accompanied by the authoritative commentary from Sankaracarya, a pivotal figure in Indian philosophy. It addresses fundamental concepts regarding the nature of reality, Brahman, and the self, presenting a deep inquiry into the relationship between individual souls and the absolute. The opening of this text outlines the significance of various Brahmanical works that must accompany the understanding of the Vedas, particularly focusing on the systems of Mimamsa—specifically the Purva and Uttara Mimamsa—that systematize Vedic knowledge. It sets the stage for discussing how the Vedanta-Sutras provide a coherent interpretation of the Upanishads, which explore profound philosophical teachings related to Brahman. The introduction emphasizes the necessity of commentary for comprehending these texts, hinting at the depth and complexity of Sankaracarya's philosophical discourse that will unfold in the following chapters.
The Loves of Krishna in Indian Painting and Poetry
W. G. (William George) Archer
The Loves of Krishna in Indian Painting and Poetry
"The Loves of Krishna in Indian Painting and Poetry" by W. G. Archer is a scholarly work exploring the representation of the Hindu god Krishna through various artistic and poetic traditions, likely written during the mid-20th century. The book delves into the rich tapestry of Indian culture, focusing on the themes of romantic love, devotion, and the symbolic meanings embedded in both paintings and literary texts centered around Krishna's life and loves, particularly his interactions with Radha and the cowgirls. The opening of the work introduces the reader to the distinctive nature of Indian painting in relation to romantic themes, contrasting it with Mughal art. Archer outlines the nuances within these paintings, emphasizing how everyday elements in nature serve as metaphors for love and longing. He also highlights the complexity of understanding these artworks without a grasp of the accompanying poetry and narratives, as they often hold deeper meanings tied to Krishna's divine and playful character. Archer's intent is to elucidate Krishna’s multifaceted identity and significance in Indian spirituality and culture, preparing the reader for a detailed exploration of his themes in both visual and written art.
An Introduction to Yoga
Annie Besant
An Introduction to Yoga
"An Introduction to Yoga" by Annie Besant is a book published in 1908. Based on four lectures delivered at the Theosophical Society's anniversary in India, this work aims to introduce Western audiences to yoga's philosophy and practice. Besant explores yoga as both spiritual path and systematic science, examining different Hindu schools of thought, states of consciousness, and practical methods for integrating yoga into daily life. The lectures blend traditional Indian wisdom with Theosophical perspectives, addressing topics from enlightenment to managing pain and pleasure.
A History of Indian Philosophy, Volume 1
Surendranath Dasgupta
A History of Indian Philosophy, Volume 1
"A History of Indian Philosophy, Volume 1" by Surendranath Dasgupta is a scholarly account of Indian philosophical thought, first published in the early 20th century. This work delves into the evolution and significance of Indian philosophy, tracing its roots from the Vedic texts through systems such as Buddhism, Jainism, and the six orthodox schools of Hindu philosophy. The author argues that the essence of Indian culture and its enduring unity can be found in philosophical discourse, rather than through political or historical events. The opening of the volume sets a foundational tone, emphasizing the richness and complexity of Indian philosophical traditions. Dasgupta discusses the challenges of studying Indian philosophy, particularly the difficulties posed by translation and the unique technical terminology involved. He highlights the contributions of various systems while also acknowledging that a comprehensive history and understanding of Indian philosophies are still lacking. The text asserts the importance of engaging with original sources and providing contextual clarity, which is pivotal for both lay readers and scholars interested in the deeper aspects of Indian thought. The preface establishes a clear purpose: to illuminate the often-overlooked significance of Indian philosophy and its problems, offering a guide to those who seek to understand its unique contributions to global philosophical discourse.
Hindu Tales from the Sanskrit
Unknown
Hindu Tales from the Sanskrit
"Hindu Tales from the Sanskrit" by N. D'Anvers and Siddha Mohana Mitra is a collection of traditional stories drawing on the rich tapestry of Hindu mythology and folklore, dating back to the early 20th century. This anthology features narratives that captivate young readers while imparting moral lessons and cultural values deeply rooted in Hindu philosophy. Among the central characters introduced is Subha Datta, a woodcutter whose life changes dramatically when he encounters fairies and comes across a magical pitcher that can fulfill his desires. The opening of the book establishes the context with an introductory note outlining the significance of these tales in Hindu culture and their role in moral and personal development for children. It begins with "The Magic Pitcher," introducing Subha Datta as a loving father who, in pursuit of better resources for his family, becomes entangled with fairies who tempt him with promises of ease and abundance but lead him to internal conflict regarding his true responsibilities. As he grapples with his newfound life of luxury away from his family, the themes of temptation, responsibility, and the consequences of selfishness begin to unfold, setting the stage for the lessons he will ultimately need to confront.
Nala and Damayanti and Other Poems
Henry Hart Milman
Nala and Damayanti and Other Poems
"Nala and Damayanti and Other Poems" by Henry Hart Milman is a collection of narrative poems translated from Sanskrit, crafted in the 19th century. The central theme unfolds the poignant tale of Nala, a king beset by misfortune, and his devoted wife Damayanti, whose love and loyalty face trials from divine and earthly forces alike. The work provides insights into Indian mythology, intertwining the magnificent lifestyles of legendary characters with deep emotional currents. At the start of this collection, Milman outlines the tale of Nala, the mighty king of Nishadha, and his beloved Damayanti. The opening chapters depict their backgrounds and the blossoming of their love, stirringly illustrated through a meeting facilitated by celestial swans who praise Nala’s virtues to Damayanti. As the couple's fate intertwines, the narrative prepares for the challenges they will soon encounter, with themes of love, sacrifice, and the capricious nature of fortune already beginning to emerge, setting the stage for their epic journey.
The Vedanta-Sutras with the Commentary by Ramanuja Sacred Books of the East, Volume 48
Unknown
The Vedanta-Sutras with the Commentary by Ramanuja Sacred Books of the East, Volume 48
"The Vedanta-Sutras with the Commentary by Ramanuja" by G. Thibaut and Ramanuja is a philosophical commentary written between 1017–1137. Ramanuja interprets ancient Hindu texts to present his Vishishtadvaita philosophy, describing three categories of reality: God, soul, and matter. He refutes Shankara's Advaita Vedanta, particularly the theory of maya, while developing principles of devotion as paths to liberation. The work establishes fundamental relationships between body and soul through scriptural interpretation.
Hindu literature : Comprising The Book of good counsels, Nala and Damayanti, The Ramayana, and Sakoontala
Toru Dutt
Hindu literature : Comprising The Book of good counsels, Nala and Damayanti, The Ramayana, and Sakoontala
"Hindu Literature: Comprising The Book of Good Counsels, Nala and Damayanti, The Rámáyana, and Sakoontalá" by Epiphanius Wilson is a collection of ancient Indian fables, epic tales, and philosophical narratives likely compiled in the late 19th century. This anthology features famous stories such as "Nala and Damayanti" and selections from the "Rámáyana," with an overarching theme that explores wisdom, morality, and the human experience against a backdrop of mythological context and cultural heritage. The opening of the collection begins with "The Book of Good Counsels," specifically a preface by the translator describing the significance of the original Sanskrit text, the "Hitopadesa," which includes various stories and maxims aimed at imparting wisdom and ethical teaching. The story begins in the city of Pataliputra, where King Sudarsana worries about his sons' lack of wisdom. This leads him to seek the assistance of the sage Vishnu-Sarman, who agrees to teach the princes through engaging tales. The first tale within introduces themes of friendship and caution through the adventures of animals, emphasizing the importance of wise counsel and the consequences of deceit and folly.
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Sabha Parva
Unknown
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Sabha Parva
"The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose" by Kisari Mohan Ganguli is an epic narrative and historical account written during the late 19th century. The text serves as a prose translation of the original Sanskrit Mahabharata, a foundational work of Indian literature that revolves around the themes of duty, righteousness, and the complex moral dilemmas faced by its characters. It encompasses the legendary tale of the Kurukshetra War and the fates of the Kaurava and Pandava princes, focusing particularly on heroic characters like Arjuna and Krishna, who are central to the unfolding events. The opening of the text introduces the majestic setting of the court of King Yudhishthira and the construction of a magnificent assembly hall (Sabha) by the artist Maya for the Pandavas, as instructed by Krishna. Filled with celestial beauty and grandeur, this palace represents not only physical beauty but also the significance of justice and righteousness that underpins Yudhishthira’s reign. The narrative unfolds with Krishna's interactions, emphasizing themes of gratitude and the responsibilities of kingship as Maya expresses his desire to repay his debt to Arjuna by building a splendid palace. We are also introduced to the familial bonds and deep respect amongst the Pandavas and their allies, setting the stage for the ethical and emotional complexities that will arise throughout the epic.
The Hindu-Yogi Science of Breath
William Walker Atkinson
The Hindu-Yogi Science of Breath
"The Hindu-Yogi Science of Breath" by William Walker Atkinson is a comprehensive guide on the principles of breath control and its implications for physical, mental, and spiritual development, written during the early 20th century. This work delves into the ancient practice of Yoga, specifically focusing on the art and philosophy of breathing, outlining exercises and theories that connect breath with vitality, health, and inner peace. The opening of the book introduces readers to the misconceptions that Western students may have about Yogis and their teachings, emphasizing the vast and intricate Yogi tradition that extends beyond superficial characterizations. Atkinson begins by outlining the significance of breath in relation to life, asserting that proper breathing is crucial for maintaining health and energy. He proceeds to set the stage for the detailed exploration of the Science of Breath, portraying it as a bridge between Eastern and Western philosophies. This introduction aims to clarify the misconceptions surrounding Yoga, encouraging readers to adopt these ancient techniques for their well-being, while appreciating the depth and practicality of Yogi knowledge.
Tales from the Hindu Dramatists
R. N. Dutta
Tales from the Hindu Dramatists
"Tales from the Hindu Dramatists" by R. N. Dutta is a collection of stories derived from classical Hindu dramas, likely written in the early 20th century. The work encapsulates various narratives from significant epics and texts like the Ramayana and Mahabharata, tailored for a younger audience to spark interest in India's rich cultural heritage and theatrical tradition. This compilation aims to engage readers with tales filled with love, valor, and moral dilemmas, adapting the stories for educational purposes. The opening of this collection introduces the tale of "Sakuntala or The Lost Ring," where the story begins with King Dushyanta, who encounters the beautiful maiden Sakuntala in the forest while on a hunting expedition. Their instant, heavy mutual attraction leads to a romantic union, celebrated in the form of a Gandharva marriage, and the exchange of a ring as a token of recognition. However, complications arise due to a curse from a visiting sage when Sakuntala subsequently forgets her husband. As the tale unfolds, it touches on themes of love, loss, and fate, ultimately leading to the king's journey to reconcile with Sakuntala and embrace their long-lost bond, a narrative filled with emotional depth and cultural significance.
A Series of Lessons in Raja Yoga
William Walker Atkinson
A Series of Lessons in Raja Yoga
"A Series of Lessons in Raja Yoga" by Yogi Ramacharaka is a philosophical and spiritual guide written in the early 20th century. This work delves into the principles of Raja Yoga, a discipline focusing on the mental and spiritual development of the individual through meditation and self-awareness. The book aims to enlighten readers about the nature of the self, emphasizing the importance of recognizing oneself as a true center of consciousness and power, separate from one's physical existence. The opening of the text introduces the foundational ideas in Raja Yoga, focusing on the concept of "I" as the essence of a person's identity. It explains the steps a candidate must undertake to awaken this consciousness and highlights the need for a deep understanding of one's true self. The text discusses the relationship between the mind and the "I," clarifying that while the mind serves as an instrument, it is distinct from the real self. Additionally, the beginning lays the groundwork for upcoming lessons that will explore deeper dimensions of self-realization and the interconnectedness of all life, urging students to meditate on these principles as they embark on their spiritual journey.
A Series of Lessons in Gnani Yoga: The Yoga of Wisdom
William Walker Atkinson
A Series of Lessons in Gnani Yoga: The Yoga of Wisdom
"A Series of Lessons in Gnani Yoga: The Yoga of Wisdom" by William Walker Atkinson is an instructional philosophical text likely written in the late 19th century. This work explores profound spiritual concepts, particularly focusing on the nature of consciousness, the Absolute, and the essence of existence from the perspective of Gnani Yoga, which is characterized as the Yoga of Wisdom. The author presents a structured approach to understanding life and reality, encouraging readers to engage deeply with the thoughts and experiences shared. At the start of the book, the author introduces the fundamental concept of "The One," emphasizing the interconnectedness of all existence and asserting that there is a singular underlying reality to all phenomena. Readers are invited to explore various branches of yoga, including Hatha, Raja, Bhakti, and especially Gnani Yoga, which seeks to uncover the scientific and intellectual understanding of life. In this initial lesson, Atkinson sets the stage for a deeper examination of what constitutes reality, encouraging contemplation of profound philosophical questions regarding the nature of existence and spirituality, thus laying the groundwork for the lessons that follow.
Hindu gods and heroes : $b studies in the history of the religion of India
Lionel D. (Lionel David) Barnett
Hindu gods and heroes : $b studies in the history of the religion of India
"Hindu Gods and Heroes: Studies in the History of the Religion of India" by Lionel D. Barnett is a historical account written in the early 20th century. The book delves into the evolution of Hindu mythology and religion, focusing particularly on the Vedic age and the nature of its gods and heroic figures. It examines the origins, characteristics, and worship of prominent deities, as well as the religious practices and beliefs of the ancient Aryans. The opening of this work presents a vivid depiction of an Aryan village in the Eastern Punjab over three thousand years ago, outlining the simple yet complex life of its inhabitants. It contrasts the popular religion rooted in magic and spirits with the priestly rituals steeped in formality and structured worship in the Vedic tradition. Barnett discusses how the originally abstract deities stand in contrast to hero figures like Indra, exploring their attributes and roles in society. He thoughtfully critiques the development of these figures and their transformation from deities of nature into more personal gods, setting the stage for a broader investigation of Hindu theology and its historical context.
The Doctrine and Practice of Yoga Including the Practices and Exercises of Concentration, both Objective and Subjective, and Active and Passive Mentation, an Elucidation of Maya, Guru Worship, and the Worship of the Terrible, also the Mystery of Will-Force
A. P. Mukerji
The Doctrine and Practice of Yoga Including the Practices and Exercises of Concentration, both Objective and Subjective, and Active and Passive Mentation, an Elucidation of Maya, Guru Worship, and the Worship of the Terrible, also the Mystery of Will-Force
"The Doctrine and Practice of Yoga" by Swámi A. P. Mukerji is a philosophical guide on yoga and self-development written in the early 20th century. The text provides practical instructions on various aspects of yoga, concentration techniques, and the spiritual evolution of the individual, emphasizing the importance of the inner journey towards self-realization and understanding. At the start of the work, the author addresses students embarking on their study of yoga, emphasizing three key points: the conciseness and depth of the material, the need for patience in spiritual training, and the interconnectedness of these lessons with other related spiritual texts. The opening discusses the essential concept of concentration, contrasting objective concentration (focused on external goals and worldly achievements) with subjective concentration (turning the mind inward towards spiritual enlightenment). The author posits that true power and insight come from introspection, defining these two forms of concentration as critical in understanding spiritual principles and achieving mastery over one's mind. This section sets the stage for further exploration of techniques and practices that promote both mental and spiritual strength.
Le Râmâyana - tome premier Poème sanscrit de Valmiky
Valmiki
Le Râmâyana - tome premier Poème sanscrit de Valmiky
"Le Râmâyana - tome premier" by Valmiki is a Sanskrit epic composed between the 7th and 4th centuries BCE. This ancient Hindu text follows Prince Rama's fourteen-year exile to the forest, accompanied by his wife Sita and brother Lakshmana. Their journey takes a dramatic turn when Ravana, king of Lanka, kidnaps Sita, triggering a violent conflict. The epic explores the duties of relationships and portrays ideal characters, teaching lessons about virtue essential to both personal life and the formation of a just society.
Hindu Law and Judicature from the Dharma-Sástra of Yájnavalkya
Yajñavalkya
Hindu Law and Judicature from the Dharma-Sástra of Yájnavalkya
"Hindu Law and Judicature from the Dharma-Sástra of Yájnavalkya" by Yajñavalkya is a Sanskrit legal text composed between the 3rd and 5th century CE. Organized into three books covering customs, judicial process, and punishment, this systematic treatise presents theories on evidence, court structure, and legal procedure. Notable for its concise style and progressive views, it elevated documentary evidence above oral testimony and established hierarchical courts with clear appeal processes, profoundly influencing medieval India's judiciary practice more than earlier dharma texts.
Two old faiths : $b essays on the religions of the Hindus and the Mohammedans
J. Murray (John Murray) Mitchell
Two old faiths : $b essays on the religions of the Hindus and the Mohammedans
"Two Old Faiths: Essays on the Religions of the Hindus and the Mohammedans" by J. Murray Mitchell and Sir William Muir is a scholarly publication written in the late 19th century. This work presents a comparative study of Hinduism and Islam, exploring their historical development, core beliefs, and doctrines, ultimately delving into their contrasts with Christianity. The authors aim to provide a thorough understanding of these two religions, which shape a significant portion of the world’s spiritual landscape. The opening of the book begins by establishing the context of Hinduism, detailing its ancient roots and the evolution of its beliefs as documented in the Vedas. It discusses the complex layers of religious thought that have developed over the millennia and outlines the significance of understanding Hinduism to better appreciate its historical and cultural impact. The text emphasizes the necessity for a chronological study of Hinduism to unravel its intricate nature and contrasts early phases of the religion with the more complex forms that emerged later. By inviting readers to engage with the historical and philosophical aspects of Hinduism, the authors set the stage for a deeper exploration of how these themes will similarly apply to Islam in the later sections of the work.