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IT Teatro dialettale
Browse IT Teatro dialettale as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
'A vilanza (la bilancia); Cappiddazzu paga tuttu Teatro dialettale siciliano, volume settimo
Nino Martoglio
'A vilanza (la bilancia); Cappiddazzu paga tuttu Teatro dialettale siciliano, volume settimo
"'A vilanza (la bilancia); Cappiddazzu paga tuttu" by Martoglio and Pirandello is a dramatic work written in the early 20th century. This text falls within the genre of dialectal theater and explores the intricacies of social and personal relationships in a Sicilian context. The title suggests themes of balance and justice, hinting at conflicts that challenge moral and ethical boundaries. The play unfolds in three acts, featuring characters caught in a web of love, betrayal, and societal expectations. Saru Mazza, an agronomist, faces challenges with his wife Anna, who is ensnared in a tumultuous relationship with Oraziu Pardu, an aggressive and manipulative figure. The action escalates as tensions rise between Saru and Oraziu, culminating in a tragic confrontation driven by jealousy and desperation. The interplay between personal desires and societal norms drives the characters toward a fateful climax, revealing the complexities of love and honor within a tightly-knit community. The work poignantly captures the emotional turmoil of its characters while challenging the audience to reflect on the nature of justice and retribution.
Cappidazzu paga tuttu Teatro dialettale siciliano volume settimo
Nino Martoglio
Cappidazzu paga tuttu Teatro dialettale siciliano volume settimo
"Cappidazzu Paga Tutti" by Nino Martoglio and Luigi Pirandello is a three-act comedy written in the early 20th century. This work unfolds through a series of lively interactions among a colorful cast of characters, primarily revolving around Don Nzulu Ventura and his family, touching on themes of love, marriage, and social dynamics within a Sicilian context. The story promises a mix of humor, cultural commentary, and rich character portrayals that invite readers to delve into the Sicilian dialect theatre. At the start of the play, the scene is set in Don Nzulu's modestly furnished living room, where he is disturbed from his slumber by his servant, Brasi, and two women, Donna Pràzzita and Rachilina. Their conversation hints at a tension around family matters and the subject of marriage, with Don Nzulu sheepishly acknowledging that he is contemplating finding a wife. Various exchanges reveal the characters' personalities and their opinions on suitable matches for Nzulu, which directly leads to a comedic buildup of misunderstandings and romantic entanglements, setting the stage for the unfolding drama and humor in the subsequent acts. The opening establishes a vibrant sense of Sicilian life, full of familial bonds and social expectations.
Assunta Spina: In due atti
Salvatore Di Giacomo
Assunta Spina: In due atti
"Assunta Spina: In due atti" by Salvatore Di Giacomo is a drama written in 1909, based on his 1888 novella. The play follows Assunta Spina, a laundry owner whose beauty attracts dangerous attention. When her possessive lover Michele scars her face and is imprisoned, Assunta strikes a desperate bargain with a court clerk to secure visits. Her choice sets in motion a tragic chain of events involving betrayal, passion, and violence that will force her to make an ultimate sacrifice.
'O voto: Scene popolari napoletane in tre atti
Salvatore Di Giacomo
'O voto: Scene popolari napoletane in tre atti
"'O VOTO: Scene popolari napoletane in tre atti" by Salvatore Di Giacomo is a dramatic play written in the early 20th century. This work unfolds in Naples and captures the everyday lives and emotions of its characters within the context of local culture and beliefs. The main character appears to be Vito Amante, a tintore (dyer), who faces a significant life event that sets the community abuzz. The opening of the play establishes a bustling Neapolitan piazzetta outside Vito's dye shop, filled with curious onlookers eagerly discussing recent events. As Vito is carried out, weak and disoriented, suspicions arise regarding his health. The neighborhood is steeped in intrigue as Vito, in a moment of distress, inadvertently makes a significant "voto" (vow) to marry a woman who is deemed "malamente" (undesirable), igniting surprise and concern among the gathered crowd. The interactions between Vito, his mother, and the other townsfolk introduce themes of familial duty, societal expectations, and the complexities of personal vows, setting the scene for escalating tensions and emotional turmoil.
A «San Francisco» : Un atto
Salvatore Di Giacomo
A «San Francisco» : Un atto
"A «San Francisco» : Un atto" by Salvatore Di Giacomo is a one-act play likely written in the early 20th century. The drama unfolds in a prison setting, specifically within the walls of a Naples jail around the 1850s. The play explores themes of honor, betrayal, and the harsh realities of prison life, presenting a vivid reflection of the societal and emotional struggles faced by the characters. The storyline revolves around various prisoners, including Giovanni Arcietto and Peppe Pazzia, who engage in conversations filled with tales of their pasts and their relationships with women. The tension escalates through the revelation of a crime of passion involving Don Giovanni, who confesses to killing a woman named Ndriana out of jealousy. As the narrative progresses, the mix of camaraderie and rivalry among the inmates culminates in a tragic confrontation, leading to Peppe's brutal demise at the hands of Don Giovanni. The play concludes on a somber note, with the haunting song from the distant prison echoing the themes of loss and despair.