Curated shelf
IT Teatro in versi
Browse IT Teatro in versi as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Le tragedie, gl'inni sacri e le odi di Alessandro Manzoni
Alessandro Manzoni
Le tragedie, gl'inni sacri e le odi di Alessandro Manzoni
"Le tragedie, gl'inni sacri e le odi di Alessandro Manzoni" by Alessandro Manzoni is a collection of tragedies, sacred hymns, and odes written in the early 19th century. This work compiles the author's poetic output during a vibrant period of Italian literature, showcasing themes that invoke both the sacred and the dramatic. Manzoni is a celebrated figure in Italian romanticism, and his attention to moral and philosophical issues permeates his writing. The opening of the collection introduces the context of Manzoni's work, detailing the various stages and significant milestones in his poetic career. It reflects on his earlier efforts, such as the "Carme in morte dell'Imbonati" and the "Urania," revealing the poet's evolution from imitation to original expression. Furthermore, it sets a historical backdrop that influenced his writing, touching upon personal experiences, including his conversion and affiliations with significant cultural figures of his time. The early chapters suggest a deep introspection and a journey toward spiritual and artistic maturity, paving the way for the profound themes explored in the subsequent hymns and tragedies.
Amadis of Gaul, an opera As it is perform'd at the King's Theatre in the Hay-market
Nicola Francesco Haym
Amadis of Gaul, an opera As it is perform'd at the King's Theatre in the Hay-market
"Amadis of Gaul, an opera by Nicola Francesco Haym" is a musical drama written during the early 18th century. This opera reinterprets themes from medieval chivalric romances, focusing on the titular hero, Amadis, who is caught in a web of love and rivalry. The narrative unfolds in a fantastical world filled with enchantments, showcasing the intersection of love, honor, and betrayal. The story revolves around Amadis, who is deeply in love with Oriana, the daughter of a king. However, his affections are complicated by the enchantress Melissa, who also loves him and hatches plots to keep him away from Oriana, using magic and manipulation. Throughout the opera, rivalries intensify, particularly between Amadis and Dardanus, the Prince of Thrace, who seeks Oriana’s love as well. Melissa's attempts to hinder Amadis lead to dramatic confrontations, and the story navigates themes of loyalty and sacrifice. Ultimately, the characters are faced with choices that test their love and honor, leading to a resolution shaped by magical forces and heartfelt emotions. The opera concludes with the eventual union of Amadis and Oriana, symbolizing the triumph of love over adversity.
Nerone: commedia in cinque atti ed in versi, con prologo e note storiche
Pietro Cossa
Nerone: commedia in cinque atti ed in versi, con prologo e note storiche
"Nerone: commedia in cinque atti ed in versi, con prologo e note storiche" by Pietro Cossa is a theatrical play written in the late 19th century. The work presents a comedic interpretation of the infamous Roman Emperor Nero, focusing on his character as an artist rather than a ruthless ruler. It aims to explore the complexities and contradictions of Nero's personality against the backdrop of his artistic pursuits and the political turmoil of his time. The opening of the play introduces us to Nero, depicted as a hedonistic figure more concerned with art, games, and entertainment than the governance of the Roman Empire. The prologue features the buffoon Menecrate, who sets the tone for the play, suggesting that this rendition of Nero is dramatically different from traditional portrayals. We see Nero engaged in light-hearted exchanges with his companions, showcasing his whimsical nature, even as hints of political discontent swirl around him. Characters such as Cluvio Rufo and Menecrate enter to discuss the state of the Senate and Nero’s financial troubles, hinting at the instability of his reign. The audience is drawn into a world where art and pleasure are prioritized, but the undercurrents of impending chaos raise questions about the sustainability of Nero's indulgent lifestyle.
Tristano e l'ombra: Commedia romantica in tre atti
Alessandro de Stefani
Tristano e l'ombra: Commedia romantica in tre atti
"Tristano e l'ombra: Commedia romantica in tre atti" by Alessandro de Stefani is a romantic comedy written in the early 20th century. The story unfolds in a fantastical realm ruled by King Languis and features characters such as the titular Tristano, Isotta Biancamano, and a cast of intriguing figures including brigands and mystics. The play explores themes of love, sacrifice, and personal freedom amidst a backdrop of political intrigue and emotional turmoil. At the start of the narrative, we are introduced to a mystical seashore where Hubbo, a mysterious figure, encounters Tristano, who hides his face for unknown reasons. Their conversation hints at deep emotions and a sense of foreboding, especially as Tristano expresses his willingness to join Hubbo in the shadows. Shortly after, Isotta and a warrior named Arden arrive to seek Hubbo’s wisdom concerning the ailing King Languis. As they navigate through secrets and impending danger, brigands unexpectedly invade, capturing Isotta and intensifying the drama. The characters' interactions set the stage for a compelling exploration of love and despair that will unfold throughout the acts.
I Bianchi e i Neri: Dramma
Francesco Domenico Guerrazzi
I Bianchi e i Neri: Dramma
"I Bianchi e i Neri: Dramma" by Francesco Domenico Guerrazzi is a historical drama written in the mid-19th century. The play is set in the context of the historical conflict between two factions, the Bianchi and Neri, in Pistoia, Italy, a division that rooted deeply into social and familial rivalries. The narrative centers around the tumultuous interactions and vendettas between the characters Gualfredi and Lemmo, as well as their respective families, highlighting the themes of love, revenge, and the inescapable consequences of their blood feuds. At the start of the drama, the audience is introduced to Geri and Manente, discussing the dark and tumultuous future of the world, hinting at their own troubled fates. The atmosphere of despair is palpable, setting the stage for the unfolding tragedy. Following this, a tragic love story between Dore and Bianca begins to take shape, further complicated by familial expectations and historical animosities. As the plot thickens, Dore reflects on the heavy burdens of his lineage, while Bianca expresses her deep feelings, oblivious to the chaos and bloodshed surrounding their families. By establishing such intense emotional undertones and myriad conflicts, the opening portion of the drama foreshadows the tragic outcomes that will inevitably arise from these deep-seated rivalries.
Nabuco
Ferdinando Fontana
Nabuco
"Nabuco" by Ferdinando Fontana is a dramatic poem written in the late 19th century. The work is structured as a tragedy centering around the figure of Nebuchadnezzar, the mighty king of Babylon, who experiences the pitfalls of pride and madness. The poem appears to explore themes of power, ambition, and the consequences of warfare, reflecting a broader critique against militarism and the costs of conflict. The opening of "Nabuco" introduces the historical context of Nebuchadnezzar's reign, vividly recounting his conquests, including twice besieging Jerusalem. The text conveys the king's hubris and how it ultimately leads to his downfall, where he becomes insane and lives in the wilderness. The prologue sets up a cultural and political commentary that critiques the formation of large armies and the consequent societal paralysis, inviting readers to reflect on the true nature of civilization and the necessity for peace. Characters such as Daìra and Argiasp are introduced, hinting at personal conflicts and deeper narratives intertwined with the overarching themes of the poem.
Opera nova amorosa, vol. 2 Traggedia
Napolitano Notturno
Opera nova amorosa, vol. 2 Traggedia
"Opera nova amorosa, vol. 2" by Napolitano Notturno is a tragicomic play composed in verse during the early 16th century. This work is characterized by its exploration of romantic themes, particularly centered on the intricate dynamics of love, desire, and the human condition. With a range of characters, the narrative delves into the emotional turmoil and societal expectations surrounding romantic relationships, especially emphasizing the vulnerabilities of women in matters of love. The play unfolds with the character of Chyreresis, who reveals her dreams while grappling with the torment of unrequited love and societal pressures. The themes of longing and despair are poignantly expressed through dialogues between Chyreresis and her suitors, Nobile and Rustico, each illustrating different responses to love and rejection. Ruled by their desires and misunderstandings, the characters navigate through a series of emotional conflicts, ultimately leading Chyreresis to contemplate her fate in the face of love’s complexities. The tragedy is darkened by themes of betrayal and the lamentation of lost opportunities, reinforcing the notion that love can often come at a painful price.
Agide
Vittorio Alfieri
Agide
"Agide" by Vittorio Alfieri is a tragic play written in the late 18th century. The story centers around Agide, a character inspired by Agis IV of Sparta, whose noble intentions of restoring equality and virtue to Sparta come into conflict with personal vendettas and political intrigue. As the play unfolds, themes of power, betrayal, and the pursuit of justice emerge against the backdrop of Spartan society. At the start of the play, the dedication indicates Alfieri’s intention to honor King Carlo Primo of England, with Agide's fate being likened to that of an unjustly deposed monarch. The opening scene presents a tense political landscape where Leonida, the rival to Agide, is in a vulnerable position, fearing the rise of Agide among the populace who view him as a liberator. Characters such as Agesistrata and Anfare discuss the dire implications of Agide's resurgence, foreshadowing the conflict between differing values of power and the state. As the narrative progresses into the first act, the stage is set for a confrontation that is deeply rooted in the characters’ relationships, loyalties, and broader societal struggles, ultimately hinting at the tragic consequences rooted in both ambition and noble intentions.
Ottavia
Vittorio Alfieri
Ottavia
"Ottavia" by Vittorio Alfieri is a tragic play written in the late 18th century. The play explores themes of love, power, and betrayal in the context of Ancient Rome, focusing on the turbulent relationship between Emperor Nero and his wife Ottavia, as well as the political intrigues surrounding their lives. The narrative unfolds in the regality of Nero's court, revealing a story laden with emotional turmoil and dark machinations. Ottavia, the estranged wife of Nero, returns to Rome after being exiled, igniting the tensions between her and Poppea, Nero's new lover. Amidst a backdrop of political unrest and public opinion, Nero grapples with his feelings for both women while Seneca, his advisor, warns him of the potential consequences of his actions. As the civil unrest grows, Nero's tyrannical and impulsive nature leads to tragic consequences, culminating in a fierce culmination of betrayal and sacrifice. The play ultimately examines themes of innocence lost and the ruthless pursuit of power, highlighting Alfieri's deep understanding of human emotions and the complexities of moral dilemmas in political power struggles.
Opera nova amorosa, vol. 3 Comedia nova
Napolitano Notturno
Opera nova amorosa, vol. 3 Comedia nova
"Opera nova amorosa, vol. 3" by Napolitano Notturno is a comedic play written in the early 17th century. The work introduces a cast of lively characters navigating themes of love, fortune, and social status in a comedic setting. Central figures include Scaltra, a clever servant, and Orio, a wealthy gentleman, alongside other characters who contribute to the intricate web of relationships and misunderstandings that drive the story. The opening of the play establishes a vibrant world filled with witty banter and engaging dialogue. Minerva introduces the play, indicating that it will explore the cleverness of love and the struggles for power and wealth among its characters. As the first act unfolds, Scaltra converses with Provida, hinting at their aspirations and challenges, while Orio expresses his desires related to love, underscoring the humor and intrigue that will likely develop as their stories interweave. The lively exchanges and the comedic elements set the stage for a plot rich in romantic entanglements, misunderstandings, and the pursuit of social mobility.
Sofonisba
Vittorio Alfieri
Sofonisba
"Sofonisba" by Vittorio Alfieri is a historical tragedy set in 203 BCE during the Second Punic War. The play centers on Sofonisba, daughter of a Carthaginian king, caught between two rival North African rulers who both love her—her husband Siface and his enemy Massinissa. When Roman general Scipio captures them, Sofonisba faces the ultimate choice: become a Roman war prize or maintain her freedom through death. Pride, loyalty, and conflicting allegiances drive this classical tale toward its inevitable conclusion.
I tre tiranni Commedie del Cinquecento
Agostino Ricchi
I tre tiranni Commedie del Cinquecento
"I tre tiranni" by Agostino Ricchi is a comedic play likely written in the early 17th century. The narrative unfolds amidst a backdrop of love and deception, focusing on the romantic entanglements and misadventures of several characters, including the lovesick Girifalco and the scheming Pilastrino. The play explores themes of desire, intrigue, and the follies of love, using characters to illustrate the impacts of fortune, love, and wealth. The beginning of the play introduces us to Girifalco, an elderly man lamenting his life and the trials of love, as he expresses his frustrations and desires regarding Lucia, the object of his affection. Pilastrino, a witty parasite, attempts to lighten Girifalco's mood by teasing him about his situation while simultaneously highlighting the absurdities of love and aging. The prologue, delivered by Mercurio, establishes the comedic tone and foreshadows the conflict among the titular three tyrants: Love, Fortune, and Gold, which are essential to the unfolding story. The characters are soon joined by a mix of servants and other nobles, setting the stage for comedic misunderstandings and dramatic encounters.