Curated shelf
IT Umorismo
Browse IT Umorismo as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Èl Sgner Pirein
Antonio Fiacchi
Èl Sgner Pirein
"Èl Sgner Pirein" by Antonio Fiacchi is a fictional work created in the late 19th century. This book serves as a collection of selected writings featuring the character Mr. Pirein Sbolenfi, an amusing and comical figure navigating the complexities of modern life, particularly in Bologna. The narrative seems to delve into themes of humor, the human condition, and societal challenges through a series of comic misadventures and social critiques. The opening of "Èl Sgner Pirein" introduces us to the character of Pirein, who is depicted as an everyday man dealing with the trivialities and absurdities of life. In a whimsical tone, he recounts a series of humorous misadventures, including carrying a mysterious heavy package, only to discover it was a mix-up that led him on an embarrassing errand. Through his escapades, Pirein’s interactions with his family and fellow citizens paint a vibrant picture of life in Bologna, offering a satirical take on social norms and individual quirks, all while maintaining an engaging and lighthearted narrative style.
Prose (1880-1890)
Cesare Pascarella
Prose (1880-1890)
"Prose (1880-1890)" by Cesare Pascarella is a collection of essays and writings penned during the late 19th century. The work explores the lives and experiences of various artists and models, depicting the exuberance, struggles, and tragedies inherent in the pursuit of art and personal expression in the cultural milieu of Italy. The opening of the book introduces us to a crowded studio shared by artists living in a cramped attic beset by distractions, including a trombone-playing neighbor and the clang of a piano. The narrators, who are struggling artists, discuss the necessity of finding a suitable workspace, prompting them to explore different studios around Rome. They encounter a diverse mix of characters, including a melancholic painter contemplating a move to Naples and a group of eccentric artists with unique views on their craft. Through these interactions, Pascarella sets a humorous yet poignant tone that examines the precarious existence of artists and the relentless quest for artistic authenticity.
L'arte di far debiti
Antonio Ghislanzoni
L'arte di far debiti
"L'arte di far debiti" by Antonio Ghislanzoni is a satirical guide written in the late 19th century. The text presents the character Roboamo Puffista, a self-styled baron and master of living life off of credit, as he shares his insights and strategies for navigating the world of debt. The book's central theme revolves around the celebratory art of borrowing, especially from an increasingly debtor-focused society, and the protagonist aims to elevate the concept of being a "puffista" as a noble pursuit. The opening of the book introduces Roboamo Puffista, who finds himself on the brink of financial ruin, surrounded by overdue debts and creditors. He recounts his background and presents his mission: to share the art of incurring debt without remorse. Puffista humorously examines societal attitudes toward the wealthy and the poor while setting a tone rife with irony about the nature of credit and obligation. He posits that, in the future, the world will overwhelmingly consist of debtors, suggesting the ridiculousness of financial responsibility in a society that thrives on credit. Through his witty commentary, the beginnings of a philosophy emerge that champions the strategies of living lavishly without a tangible means to support such a lifestyle.
Libro segreto
Antonio Ghislanzoni
Libro segreto
"Libro Segreto" by Antonio Ghislanzoni is a theatrical work, likely a dramma per musica, written in the late 19th century. The narrative revolves around the tragic figure of Didone, the queen of Carthage, who is mourning the loss of her husband Sichèo and grappling with her emotions as she encounters Enea, the Trojan prince. The text combines elements of drama and comedy, exploring themes of love, duty, and the political tumult of forming a new nation, which is intertwined with the personal turmoil of its characters. The opening of "Libro Segreto" sets the stage with a funeral scene where Didone expresses her deep sorrow over her late husband Sichèo. As Didone mourns, the ministers engage in a politically charged dialogue filled with irony and sarcasm, highlighting the absurdities of their government. In the midst of Didone's grief, there is a sudden announcement regarding the arrival of Trojans, which piques her interest and complicates her emotional state. As her mood fluctuates—from despair to curiosity—Didone's character is fleshed out as both a grieving widow and a woman caught in the promising possibility of new love, particularly with Enea. This interplay of personal sorrow and political intrigue builds a captivating backdrop for the unfolding story.
Ciarle e macchiette
Luigi Arnaldo Vassallo
Ciarle e macchiette
"Ciarle e macchiette" by Luigi Arnaldo Vassallo is a collection of humorous stories written in the early 20th century. The text captures various social interactions and mishaps among the upper-class society in Italy, particularly focusing on romantic entanglements and the follies of both love and social expectations. The characters include a mix of nobility and common citizens, often highlighting their humorous and ridiculous traits as they navigate relationships and societal norms. The opening of the book introduces readers to several characters at a social gathering, discussing various personal matters and public health concerns amid a humorous backdrop. The Marchese Alfonso Orlandi attempts to maintain his social grace while dealing with unexpected situations, including a potential scandal involving the Contessa Emilia and her romantic interest, Eugenio Jung. As the conversation unfolds, a comedic tone arises, revealing character dynamics and setting the stage for complications that arise from their flirtations and societal roles. The interplay among the characters serves as a prelude to the humorous and satirical exploration of human relationships that the collection promises.
I mattoidi al primo concorso pel monumento in Roma a Vittorio Emanuele
Carlo Dossi
I mattoidi al primo concorso pel monumento in Roma a Vittorio Emanuele
"I mattoidi al primo concorso pel monumento in Roma a Vittorio Emanuele" by Carlo Dossi is an ironic critical essay published in 1884. When Italy held an open competition to design a monument for King Vittorio Emanuele II in Rome, 239 participants submitted proposals. Dossi witnessed the process and created a scathing yet humorous commentary on the bizarre, impractical, and absurd designs submitted by amateur architects. His "gallery of horrors" ridicules projects featuring unstable columns, misguided pyramids, and monuments doubling as bridges or public baths, while praising rare serious submissions.
Libro serio
Antonio Ghislanzoni
Libro serio
"Libro serio" by Antonio Ghislanzoni is a literary work likely written in the late 19th century. The text appears to explore themes related to literature and music, emphasizing a playful contrast between the types of books people seek out, particularly focusing on the concept of "serious" literature versus more popular or entertaining genres. The work seems to nod to the notion of societal preferences in reading and the cultural dynamics surrounding artistic expression. The opening of "Libro serio" features a dialogue between an editor and the author, reflecting on the commercial success of two previous works, "Libro proibito" and "Libro allegro." While those works are received with enthusiasm, there is skepticism regarding the potential success of "Libro serio," which the editor predicts will have dismal sales due to its serious nature. This exchange sets the stage for a critique of public taste and appeals to a broader exploration within the literary scene, inviting readers to consider the existence and reception of literature that does not cater to the mainstream. The dialogue establishes a humorous yet poignant reflection on the nature of artistic ambition and societal values.
Libro proibito
Antonio Ghislanzoni
Libro proibito
"Libro proibito" by Antonio Ghislanzoni is a satirical collection of poetry written in the late 19th century. The work delves into societal norms, politics, and morality, exploring themes of hypocrisy and human vice through sharp wit and humor. The collection, structured around epigrams, presents a voice that seems both critical and self-aware, as it grapples with the complications of literary expression in a changing world. The opening of "Libro proibito" introduces the author’s paradoxical stance on writing and the nature of his work. Ghislanzoni presents a preface filled with self-deprecating humor, openly questioning the value of his verses while simultaneously lamenting their publication. He asserts that the content may be immoral or unappealing, aimed at exposing societal flaws rather than delighting the refined reader. This candid admission sets the tone for the collection, which promises sharp critiques of political figures, societal expectations, and literary fashions, all while engaging readers with a blend of cynicism and irony.
Libro bizzarro
Antonio Ghislanzoni
Libro bizzarro
"Libro bizzarro" by Antonio Ghislanzoni is a novel written in the late 19th century. The story is set on the fictional island of Micomar, where unusual customs and a unique approach to marriage and society contrast sharply with European norms. The book introduces readers to the protagonist and the peculiarities of this island's culture, involving characters such as Gal-di-fuoco and the local merchant De-Tonnalli, among others. At the start of the novel, we are introduced to the island of Micomar, known for its remarkable beauty and distinctive cultural practices. The narrative describes the protagonist's arrival in Carina, the capital, where he is to stay with De-Tonnalli. The townsfolk's customs around marriage are explored, revealing that marriage is obligatory and reflects the community's vigorous morals and practices. The young Gal-di-fuoco, soon to undertake a "giro di nozze," is depicted as both eager and naive, and his interactions with local women set the stage for the exploration of love, courtship, and the comedic misunderstandings that ensue in their unique society.
Libro allegro
Antonio Ghislanzoni
Libro allegro
"Libro allegro" by Antonio Ghislanzoni is a fictional narrative produced in the late 19th century. This humorous work introduces readers to an array of characters in various amusing scenarios, including anthropomorphized animals and social commentary. The book seems to blend lighthearted storytelling with reflections on human nature, focusing on themes of love, companionship, and perhaps, the folly of social conventions. At the start of the narrative, the author addresses the audience, stating that this work is dedicated to the "good jovial ones of the old days" rather than the serious generation of young people. The tale begins with two chickens, Sperongiallo and Nasella, who were raised together and develop an innocent, platonic love. Their touching yet humorous correspondence reveals their struggles after being sold at a market, highlighting both their affection for one another and the comical trials they face in a world dominated by humans. The playful tone is set with various letters exchanged between the two, delineating their experiences and sentiments in a manner that promises to entertain and amuse the reader.