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Music
Browse Music as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
My Life — Volume 1
Richard Wagner
My Life — Volume 1
"My Life — Volume 1" by Richard Wagner is an autobiography written between 1865 and 1880, covering his life from birth in 1813 to 1864. Dictated to his mistress Cosima von Bülow at the request of King Ludwig II of Bavaria, Wagner recounts his tempestuous career, friendships, and controversies in surprisingly frank detail. Originally printed in limited editions for private circulation, the memoir sparked rumors due to its restricted availability. The work offers a racy, readable account of Wagner's development and the musical world of his era, though his subjective perspective reveals condescending views toward contemporaries and attacks on rival composers.
Encyclopaedia Britannica, 11th Edition, "Harmony" to "Heanor" Volume 13, Slice 1
Various
Encyclopaedia Britannica, 11th Edition, "Harmony" to "Heanor" Volume 13, Slice 1
"Encyclopaedia Britannica, 11th Edition, 'Harmony' to 'Heanor'" by Various Authors is a comprehensive reference work that focuses on various topics beginning with the letters H to He, produced as part of the esteemed Encyclopaedia Britannica in the early 20th century. This volume features scholarly articles on a breadth of subjects, including music theory, history, geography, and notable figures, providing detailed and informative insights. The section specifically on "Harmony" delves into the principles of musical structure and aesthetic theory, exploring how the concept has evolved and its significance in the grand context of musical art. The opening of this volume outlines the article on 'Harmony' discussing its foundational concepts and historical development. It explains the significance of harmony in music, describing how it serves as the framework for combining musical sounds into aesthetically pleasing forms. The text introduces various modes of harmony and tonality, examining both ancient and modern perspectives. It emphasizes the evolution from simple combinations of sounds to complex harmonic structures that shape our understanding of music today, while also hinting at the intricate relationship between musical notes, chords, and their emotional impacts.
Handbook to the Mennonite Hymnary
Lester Hostetler
Handbook to the Mennonite Hymnary
"Handbook to The Mennonite Hymnary" by Lester Hostetler is a detailed companion volume written in the mid-20th century. This publication serves to elucidate the origins of the words and music of the hymns found within the Mennonite Hymnary, aiming to enhance the understanding and appreciation of these spiritual songs. The handbook is dedicated to all who cherish the church's hymns and wish to sing them with spiritual depth and comprehension. The opening of the book introduces its purpose and significance, highlighting the commitment to enriching congregational singing. Hostetler expresses gratitude to various contributors who supported his research and acknowledges the collaborative nature of hymnology. The initial sections explain the history, structure, and themes of hymns as well as the guidance for both private and public worship settings. Readers are informed of the book's organization, which includes sections on worship themes, biblical content, musical accompaniment, and practical applications for family devotions and church services, indicating a comprehensive approach to preserving and promoting Mennonite hymnic tradition.
The Latin Hymn-writers and Their Hymns
Samuel Willoughby Duffield
The Latin Hymn-writers and Their Hymns
"The Latin Hymn-writers and Their Hymns" by Samuel Willoughby Duffield is a scholarly examination of Latin hymnody, written in the late 19th century. The work seeks to uncover the history, authorship, and significance of Latin hymns and their creators, progressing through key figures and themes in early Christian worship. The collection contains detailed studies of the contributions of notable hymn writers, as well as the development of hymn genre itself over centuries. The opening of the text introduces readers to the author's deep appreciation for both the history of Latin hymns and the poets who created them, beginning with an exploration of early Christian worship practices. It highlights the church's transition from Hebrew and Greek psalmody to Latin hymns, and discusses figures like Hilary of Poitiers, who is credited with significantly contributing to this evolution. The beginning emphasizes the significance of these hymns in Christian liturgical life, setting the groundwork for the detailed discussions and analyses that follow throughout the book.
The Story of Our Hymns
Ernest Edwin Ryden
The Story of Our Hymns
"The Story of Our Hymns" by Ernest Edwin Ryden is a historical account written in the early 20th century. This work delves into the origins of Christian hymns, tracing their evolution through various periods and examining the spiritual and cultural contexts in which they were created. The author aims to inspire a deeper appreciation for these sacred songs by uncovering the stories of their authors and the times they lived in." "The opening of the book establishes the significance of hymns within the Christian faith, comparing them to precious jewels that have enhanced worship throughout history. Ryden articulates that hymns reflect the spiritual journey of God’s people and highlights the first hymns sung by early Christians. The introduction outlines the methodical approach taken in the book, which organizes hymns chronologically to provide insights into the development of hymnody across different eras, from early Christian chants to significant figures like Martin Luther, who revitalized congregational singing during the Reformation."
A Complete History of Music for Schools, Clubs, and Private Reading
W. J. (Winton James) Baltzell
A Complete History of Music for Schools, Clubs, and Private Reading
"A Complete History of Music" by W. J. Baltzell is a historical account written in the early 20th century. The book provides a comprehensive examination of the evolution of music from its ancient roots to contemporary practices, aiming to educate readers about the key developments and figures that have shaped the art form. It is particularly tailored for schools, clubs, and individual study, making it a suitable resource for music enthusiasts and students alike. The opening of the book begins with a preface outlining the pedagogical framework for effectively teaching music history. Baltzell introduces a structured approach combining recitation and lecture methods, emphasizing the importance of understanding the progression of music as an art. He highlights critical principles of music such as melody and harmony, and the role of teaching materials in fostering an appreciation for the craft. Additionally, he notes the significance of studying composers' works in conjunction with their historical contexts, setting the stage for the lessons that will follow in the subsequent chapters. This establishes a foundation for the book’s exploration of various musical traditions and contributions across different cultures and eras.
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
"The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920" by Various is a collection of literary essays, poems, and articles edited during the early 20th century. It provides a platform for a variety of voices exploring contemporary literature, fine arts, music, and drama, reflecting on the cultural landscape of post-World War I Britain. The publication aims to bridge traditional literary criticism and original artistic expression, making it significant for readers interested in the evolution of literary discourse during this transformative period. The opening of the volume presents the editorial vision behind "The London Mercury," articulating its commitment to fostering literary culture amidst the challenges of the day. It discusses the necessity for a periodical that combines critical reviews, original works, and essays on the arts, aiming to uphold and promote the values of creativity and culture. It highlights this undertaking as an essential act of resilience and intellect, striving to clarify the role of literature and the arts in a society emerging from crisis. The editor emphasizes the need to maintain a robust literary tradition while embracing innovation, pointing towards a broader ambition to capture the rich conversation about art and literature of the time.
The Letters of Wolfgang Amadeus Mozart — Volume 01
Wolfgang Amadeus Mozart
The Letters of Wolfgang Amadeus Mozart — Volume 01
"The Letters of Wolfgang Amadeus Mozart — Volume 01" by Wolfgang Amadeus Mozart is a collection of personal correspondence written during the late 18th century. This volume compiles the letters of Mozart from 1769 to 1791, reflecting not just his thoughts on music, but also his life experiences, relationships, and the cultural landscape of his time. The letters provide an intimate glimpse into the psyche of one of classical music's most revered figures, showcasing his genius and the struggles he faced as both an artist and a person. At the start of this volume, the reader is introduced to Mozart's early life, particularly through detailed references to his childhood and his family dynamics, primarily featuring his correspondence with his father and sister. The opening portion highlights the joys and challenges of his upbringing, including the impact of his father's ambitions for his music career. We see a young Mozart travel through various cities, delighting in describing his encounters with art and music while expressing a playful spirit in his letters. His observations about people, places, and his own compositions create a lively narrative that captures both his personality and burgeoning talent, setting the stage for a deeper exploration of his letters throughout the rest of the collection.
The Complete Opera Book The Stories of the Operas, together with 400 of the Leading Airs and Motives in Musical Notation
Gustav Kobbé
The Complete Opera Book The Stories of the Operas, together with 400 of the Leading Airs and Motives in Musical Notation
"The Complete Opera Book" by Gustav Kobbé is a guide to operas first published posthumously in 1919. This comprehensive reference presents opera stories alongside musical notation of leading airs and motives. Covering works from Gluck to early twentieth-century composers, the book organizes operas by national schools and historical periods. Originally left unfinished at Kobbé's death, it was completed by editor Katharine Wright and expanded through numerous editions, becoming the definitive encyclopedic account of opera for generations of music lovers and record collectors.
The Violin Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
George Dubourg
The Violin Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
"The Violin" by George Dubourg is a comprehensive account of the violin, its history, notable players, and the evolution of its prominence within music, written in the mid-19th century. The work delves into the violin's origins, tracing its development from earlier string instruments, and explores the contributions of significant violinists who shaped its legacy over time. Readers can expect insights into well-known figures such as Corelli and Paganini, as well as discussions on the violin's construction and techniques that have inspired countless musicians. At the start of the book, the author outlines his intent to provide a thorough yet engaging overview of the violin. He begins with a discussion of the violin's early history, debunking various myths surrounding its origins while examining the various instruments that ultimately influenced its design and popularity. He presents a critical analysis of the "fiddle family," including the Epigonion and the Semicon, noting the historical significance and evolution of string instruments leading to what we recognize today as the modern violin. The opening sets the stage for a detailed exploration of the instrument's cultural impact and its artistic merit, inviting both beginners and aficionados alike to deepen their appreciation for this celebrated musical tool.
Life of Mozart, Vol. 1 (of 3)
Otto Jahn
Life of Mozart, Vol. 1 (of 3)
"Life of Mozart, Vol. 1 (of 3)" by Otto Jahn is a historical account written in the late 19th century. This biography delves deeply into the life of Wolfgang Amadeus Mozart, exploring his early years, familial influences, and the musical landscape of his time. The work aims to provide a thorough understanding of both the man and the artist, shedding light on the complexities of Mozart's character and his musical innovations. The opening of the book presents an overview of Wolfgang Amadeus Mozart's ancestry, highlighting the modest origins of his family in Augsburg and the significant role his father, Leopold Mozart, played in his education and musical development. We learn about Leopold's stern yet devoted character, his aspirations for his son, and how these shaped Wolfgang's early life. The narrative paints a picture of a dedicated family environment where music was paramount, setting the stage for the prodigious talent that would later define Mozart's legacy. The introductory chapters set a rich historical context, emphasizing the intricate interplay between Mozart's background and his artistic journey.
Frederick Chopin, as a Man and Musician — Complete
Frederick Niecks
Frederick Chopin, as a Man and Musician — Complete
"Frederick Chopin, as a Man and Musician — Complete" by Frederick Niecks is a biographical account published during the early 20th century. This extensive work delves into the life and artistry of the renowned Polish composer and pianist, Frederick Chopin, exploring not only his musical achievements but also the cultural and historical context of his life, particularly focusing on his time in France and his connection to his Polish roots. The opening of the biography lays a foundation for Niecks's approach to Chopin's life, capturing the intricacies of biographical writing and the challenge of presenting an artist's life objectively. Niecks discusses the sources he consulted, including previous biographies, personal letters, and testimonies from Chopin’s contemporaries. He highlights the uniqueness of Chopin's music, which is deeply embedded in his Polish heritage, and sets the stage for a broader exploration of Chopin's family background, early education, and formative years, indicating the significance of his upbringing and the influences that shaped his character as both a man and a musician.
The Lighter Classics in Music A Comprehensive Guide to Musical Masterworks in a Lighter Vein by 187 Composers
David Ewen
The Lighter Classics in Music A Comprehensive Guide to Musical Masterworks in a Lighter Vein by 187 Composers
"The Lighter Classics in Music" by David Ewen is a comprehensive guide to notable musical works characterized by their lighter themes, written in the early 1960s. This collection features an exploration of compositions by 187 different composers, spanning various genres and styles, aiming to make classical music more accessible and enjoyable. The book likely touches on the significance of these compositions and composers in the context of musical history, highlighting their contributions to lighter orchestral and vocal music. The opening of this work introduces several notable composers, beginning with Joseph Achron, who is known for his evocative "Hebrew Melody." This is followed by descriptions of other composers, such as Adolphe-Charles Adam, celebrated for his opéra-comique, and Richard Addinsell, famed for the melodious "Warsaw Concerto." Each segment provides insights into the lives and notable works of these composers, illustrating their impact and the enduring popularity of their lighter compositions in concert repertoires. The text also references the origins and themes of specific pieces, establishing a foundation for the exploration of lighter classical music throughout the remainder of the guide.
The art of music, Vol. 06 (of 14) : $b Choral and church music
Rossetter G. (Rossetter Gleason) Cole
The art of music, Vol. 06 (of 14) : $b Choral and church music
"The Art of Music, Vol. 06 (of 14): Choral and Church Music" by Rossetter G. Cole is a comprehensive historical survey and reference work written in the early 20th century. It examines the development of choral and church music from early Christian chant through medieval polyphony, the mass, motet, madrigal, cantata, and oratorio, up to then-contemporary practice, also treating the organ and national traditions. The focus is on musical forms, styles, and trends rather than on biographical portraiture, with analyses and classifications of a wide array of works. The opening of the volume sets its method and scope: Cole’s preface explains the need to condense a vast field, privileging the evolution of forms and styles over personalities, and acknowledging omissions (such as hymnology and some contemporaneous church topics) due to space. Frank Damrosch’s introduction frames choral singing as a communal art rooted in both church liturgy and folk-song, outlines its functions and types, and argues for disciplined leadership, singer training, and civic choruses as cultural assets. The first chapter then sketches early church music: the shift from congregational to clerical chant, the rise of the liturgical-musical alliance, and the codification and teaching of Gregorian chant (with Ambrose’s and Gregory’s roles), including sequences and tropes and their later pruning. It traces technical advances—neumes to staff notation, organum to discant to counterpoint (Hucbald, Guido, Franco)—and shows how secular song (troubadours, trouvères, minnesingers, mastersingers) and early forms like the chanson, frottola, and madrigal emerged alongside, highlighted by the English round “Sumer is icumen in.” The narrative closes by emphasizing how folk impulse and freedom in melody gradually influenced art-music, just as the next chapter turns to the polyphonic Netherland tradition.
The Violoncello and Its History
Wilhelm Joseph von Wasielewski
The Violoncello and Its History
"The Violoncello and Its History" by Wilhelm Joseph von Wasielewski is a historical account written in the late 19th century. The work delves into the origins, development, and significance of the violoncello, tracing its evolution from its precursor, the viola da gamba, as well as discussing its impact in the realm of classical music. This book will attract readers interested in music history, particularly those who appreciate string instruments. The opening of the book features the author's preface, in which he outlines his intent to present a comprehensive history of the violoncello and its literature. He emphasizes the importance of the viola da gamba as a foundational instrument that preceded the violoncello, which underpins the structure of the narrative. The author acknowledges the resources and contributions of notable figures in the field, indicating the historical research backbone of the text. The translator's preface adds context regarding the growing interest in musical education in England at the time, making a case for the relevance of the violoncello's history to both musicians and the general public.
Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847
Felix Mendelssohn-Bartholdy
Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847
"Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847" by Mendelssohn-Bartholdy is a collection of personal correspondence written during the early to mid-19th century. This compilation offers readers an intimate glimpse into the life, thoughts, and experiences of the renowned composer during a significant period of his career, reflecting both his professional challenges and personal reflections related to music, art, and relationships. The opening of this collection sets the tone for Mendelssohn's candid and thoughtful expressions, revealing his passion for music and the artistic process. In his letters, he discusses various topics, including his musical creations, the complexities of his social and artistic circles, and the emotional nuances tied to his work. His correspondence with colleagues, family members, and friends illustrates not only his dedication to composition but also his contemplations on the nature of music, the challenges faced in the theatrical world, and the joy he finds in his domestic life. These opening letters effectively establish a rich narrative that invites readers to explore the multifaceted life of a musical genius.
The Art of Ballet
Mark Edward Perugini
The Art of Ballet
"The Art of Ballet" by Mark Edward Perugini is a historical account written in the early 20th century. The book explores the evolution of the art of ballet, particularly in France and England, emphasizing its development and significance over the centuries. It aims to provide a rich narrative that highlights the key milestones and figures in ballet history, tracing its roots and transformations without attempting to cover every detail from every country. The opening of the text serves as an introduction and preface to the detailed exploration that follows. Perugini discusses the nature of ballet as an art form, addressing criticisms and misconceptions. He emphasizes the historical significance of ballet, acknowledging that it has existed for around two thousand years and has been a source of aesthetic pleasure across cultures. Perugini also sets the stage for the examination of ballet's elements—dancing, miming, music, and scenic effects—highlighting their intertwined histories and contributions to what is recognized as professional ballet today.
The Life of Ludwig van Beethoven, Volume III
Alexander Wheelock Thayer
The Life of Ludwig van Beethoven, Volume III
"The Life of Ludwig van Beethoven, Volume III" by Alexander Wheelock Thayer is a historical account written in the early 20th century. This volume explores the life of the renowned composer Ludwig van Beethoven during the years surrounding his guardianship over his nephew, Karl. It delves into Beethoven's personal struggles, creative projects, and the complexities of his relationships during this tumultuous period, highlighting the intersection of his professional achievements and personal challenges. The opening of this volume introduces readers to the context of Beethoven's life in 1819, focusing on the legal battles surrounding his nephew’s guardianship. It reveals Beethoven's emotional turmoil as he navigates familial conflicts, explores the challenges he faced in maintaining a productive environment for Karl's education, and highlights the impact of those struggles on his creative output. Throughout this narrative, Thayer employs various records, including Conversations Books, to provide a vivid and intimate portrait of Beethoven's life, revealing not just his genius as a composer, but also his vulnerabilities as a man grappling with personal and legal complexities.
The Life of Ludwig van Beethoven, Volume I
Alexander Wheelock Thayer
The Life of Ludwig van Beethoven, Volume I
"The Life of Ludwig van Beethoven, Volume I" by Alexander Wheelock Thayer is a historical account written in the early 20th century. This biography explores the life and contributions of the renowned composer Ludwig van Beethoven, including the political and musical context of his upbringing in Bonn and Vienna. It aims to present the true narrative of Beethoven's life, devoid of the romanticized myths that have tarnished his legacy. The opening of this detailed biography sets the stage for Beethoven's life by examining the historical backdrop of 18th-century Germany, particularly the impact of ecclesiastical rulers like the Electors of Cologne. Thayer delves into the socio-political climate of the region, tracing the roots of the Beethoven family and the musical culture in Bonn during Beethoven's birth. The narrative also highlights significant figures in Beethoven's early life and positions, showcasing the complexities of his upbringing amidst the powerful influences of the time, thus laying the groundwork for understanding Beethoven not just as a musician but as a man shaped by his environment and circumstances.
Principles of Orchestration, with Musical Examples Drawn from His Own Works
Nikolay Rimsky-Korsakov
Principles of Orchestration, with Musical Examples Drawn from His Own Works
"Principles of Orchestration, with Musical Examples Drawn from His Own Works" by Nikolay Rimsky-Korsakov is a treatise on orchestration written in the early 20th century. This work serves as a comprehensive examination of orchestral techniques, focusing on the principles of orchestrating music while providing insights from Rimsky-Korsakov’s own compositions to illustrate these concepts. The book targets students of music and composers seeking to understand the nuances and artistic considerations involved in orchestration. At the start of the work, the authoress lays out the motivation behind his treatise, emphasizing the need to express orchestration as an essential part of music composition. The opening chapters detail the structure and capabilities of various orchestral groups, beginning with stringed instruments, and introduce fundamental concepts related to melody and its orchestral execution. Rimsky-Korsakov offers practical guidance on how to create effective combinations of instruments, explore their tonal qualities, and understand their expressive capacities. Through his meticulous analysis, he aims to provide a framework that enables musicians to master the art of orchestration while reminding them that creativity in this domain cannot be taught in formulaic terms.
Cowboy Songs, and Other Frontier Ballads
Various
Cowboy Songs, and Other Frontier Ballads
"Cowboy Songs and Other Frontier Ballads" by Various is a collection of folk songs and ballads that captures the essence of American cowboy culture during the late 19th to early 20th century. This anthology reflects the life, struggles, and emotions of cowboys, detailing their adventures, heartaches, and the rugged landscape of the West. The songs illustrate the camaraderie among cowboys, their love for freedom, and the challenges they faced in their profession. The opening portion of the collection features an introduction that highlights the importance of preserving these ballads as a vital part of American folklore. It discusses the influence of the Anglo-Saxon ballad tradition in the Southwest and how these songs were created and passed down through oral recital among cowboys and other frontier folk. Notable themes include love, loss, the cowboy’s relationship with nature, and the rough lifestyle associated with cattle herding. Through the vivid imagery and emotional depth of the lyrics, readers gain insight into the unique spirit of the cowboy, who captivates through both his bravery and vulnerability.
Unwritten Literature of Hawaii: The Sacred Songs of the Hula
Nathaniel Bright Emerson
Unwritten Literature of Hawaii: The Sacred Songs of the Hula
"Unwritten Literature of Hawaii: The Sacred Songs of the Hula" by Nathaniel B. Emerson is an ethnographic work written in the early 20th century. This publication explores the deeply rooted cultural significance of hula dance and its associated sacred songs in Hawaiian society. The book serves as a collection of translations, notes, and accounts related to the hula, revealing its profound impact on the communal imagination and social life of the ancient Hawaiians. The opening of the work establishes the hula as a vital component of Hawaiian cultural expression, interweaving poetry, music, and dance in a manner that reflects the emotions and experiences of the people. Emerson conveys how hula served not just as entertainment but as a ritualistic practice steeped in religious significance and communal memory. He articulates the essence of hula, touching upon the relationships between the dancers, the spiritual dimensions of the performance, and the concept of storytelling through song, while highlighting the sacred aspects that elevate it beyond mere spectacle into a manifestation of cultural identity and heritage.
The Russian Opera
Rosa Newmarch
The Russian Opera
"The Russian Opera" by Rosa Newmarch is a historical account written in the early 20th century. The work broadly discusses the development and evolution of national opera in Russia, focusing on composers such as Glinka, Rimsky-Korsakov, and Tchaikovsky, among others. It seeks to illuminate the cultural and musical backdrop against which these operas were created, providing insights into the influences and challenges faced by Russian composers throughout history. The opening of the book establishes the groundwork for understanding the complex history of music in Russia, detailing how early primitive music of the Slavs evolved amidst oppression and repression from church authorities. Newmarch introduces key historical figures and cultural movements that shaped Russian music, tracing the roots from the primitive traditions to the establishment of national opera as a legitimate art form. This opening highlights the conflict between natural artistic impulse and authoritative repression, setting the stage for a deeper exploration of significant composers and their works in subsequent chapters.
Famous composers and their works, Vol. 2
Unknown
Famous composers and their works, Vol. 2
"Famous Composers and Their Works, Vol. 2" by Paine, Klauser, and Thomas is a historical musical account written in the early 20th century. This volume focuses specifically on the life and contributions of notable composers, revealing their artistic journeys and significant works, with an emphasis on Franz Joseph Haydn in the initial chapters. The opening of the work dives into the early life of Franz Joseph Haydn, detailing his humble beginnings in Rohrau, Austria, and his family's background. It discusses his early musical development, the influence of his parents, and significant figures like his cousin Johann Mathias Frankh, who recognized Haydn's talent and facilitated his education. As Haydn moves to Vienna at age eight to join the choir of St. Stephen's Cathedral, the introduction highlights his struggles and determination, setting the stage for his remarkable journey in music amidst adversity and the shaping of his future as a composer.
Famous composers and their works, Vol. 1
Unknown
Famous composers and their works, Vol. 1
"Famous Composers and Their Works, Vol. 1" by John Knowles Paine, Theodore Thomas, and Karl Klauser is a comprehensive historical account written in the early 20th century. The volume serves as a detailed guide to significant composers from the Netherlands school and beyond, including notable figures such as Orlando di Lasso and Josquin des Prés. It explores their contributions and the evolution of musical art during their times, emphasizing the impact they had on modern music. The opening of the book introduces Orlando di Lasso, highlighting his remarkable upbringing in Mons and the trajectory of his career, which led him to become a leading figure in the Netherlands school of composition. It details Lasso's education, early performances, and eventual rise to prominence as chapel-master in Munich, where he produced many influential works. The text outlines Lasso's prolific nature, technical innovations, and artistic relationships, setting the stage for the exploration of his music and legacy in subsequent sections of the volume.
The Complete Plays of Gilbert and Sullivan
Arthur Sullivan
The Complete Plays of Gilbert and Sullivan
"The Complete Plays of Gilbert and Sullivan" by Sir Arthur Sullivan and W. S. Gilbert is a collection of operas created in the late 19th century, encompassing a delightful array of comic operas which are renowned for their wit, clever lyrics, and intricate musical compositions. The opening portion introduces "The Gondoliers," highlighting its comedic and whimsical exploration of social themes, including class and monarchy, through the lives and interactions of gondoliers in Venice. At the start of "The Gondoliers," the scene is set in the picturesque Piazzetta of Venice, where groups of contadine (young maidens) are preparing bouquets for two distinguished gondoliers, Marco and Giuseppe. As the gondoliers arrive, both men are presented with floral tributes by the maidens enamored with them, creating a lively atmosphere filled with excitement. The narrative quickly unfolds into a series of lighthearted misadventures involving a mistaken identity regarding royal lineage, highlighting the tension between their humble lives and their unexpected royal duties. The characters’ playful banter, combined with Gilbert's sharp social commentary, sets the stage for a comedic exploration of love, duty, and the absurdities of class distinctions. The dynamic between the gondoliers and their potential brides encapsulates the humor and charm that are hallmarks of Gilbert and Sullivan's collaboration.
The art of music, Vol. 03 (of 14) : $b Modern music
Unknown
The art of music, Vol. 03 (of 14) : $b Modern music
"The Art of Music: Volume Three" is a historical account edited by Edward Burlingame Hill, written in the early 20th century. This volume is part of a comprehensive series that explores the development of music, focusing specifically on the modern period. It discusses key figures such as Berlioz, Chopin, and Wagner, examining their influence and the evolution of various musical styles in the late 19th and early 20th centuries. The opening of this volume lays the groundwork for an in-depth exploration of modern music, emphasizing the significance of transformational composers like Wagner and Liszt. It highlights the transition from the romantic movement, tracing how their innovations shaped the direction of contemporary classical music. The text also introduces notable composers representing various nationalistic styles, discussing their contributions to the orchestral, operatic, and chamber music landscapes.
The Life & Letters of Peter Ilich Tchaikovsky
Modest Chaikovskii
The Life & Letters of Peter Ilich Tchaikovsky
"The Life & Letters of Peter Ilich Tchaikovsky" by Modest Chaikovskii is a biographical account written in the early 20th century. The work is an exploration of the life and personal correspondence of the renowned Russian composer Peter Ilich Tchaikovsky. This biography delves into Tchaikovsky's character, family background, and artistic journey, revealing not just his musical achievements but also the intimate thoughts and feelings noted in his letters to friends and family. The opening of the book introduces Tchaikovsky's ironic attitude toward his noble lineage and his deep-rooted pride in his Russian heritage. Modeste Tchaikovsky provides an insight into the composer's early life, detailing his family's modest background and Tchaikovsky's early education. The narrative emphasizes his precocious abilities as a child, particularly in music, while also portraying the emotional struggles he faced, especially the profound impact of his mother’s absence from his life. It sets the stage for a deep understanding of not only Tchaikovsky's contributions to music but also the context of his life experiences that shaped his genius.
Songs of the West Folk Songs of Devon & Cornwall Collected from the Mouths of the People
S. (Sabine) Baring-Gould
Songs of the West Folk Songs of Devon & Cornwall Collected from the Mouths of the People
"Songs of the West" by S. Baring-Gould, F. W. Bussell, and H. Fleetwood Sheppard is a collection of folk songs from Devon and Cornwall, compiled during the late 19th century. This work draws from the oral traditions of the region, capturing the melodies and lyrics that reflect the cultural heritage of the rural populace. The collection not only serves as a testament to the musical history but also highlights the significance of the songs in the daily lives of the locals. The opening of "Songs of the West" introduces the preface and introduction, setting the stage for the folk songs that follow. The authors discuss their motivations for collecting these songs, emphasizing the urgency to preserve traditional folk music that was fading as community gatherings diminished. They recount various anecdotes about the singers they encountered during their travels, reflecting on the rich cultural landscape of Devon and Cornwall. The narratives illustrate the connection between folk songs and the daily life of the people, from the harvest celebrations to the intimate gatherings in local taverns. Through these stories and the anticipation of the songs to come, readers gain insight into the importance of folk music in maintaining the identity and traditions of the English countryside.
The Standard Cantatas: Their Stories, Their Music, and Their Composers A Handbook
George P. (George Putnam) Upton
The Standard Cantatas: Their Stories, Their Music, and Their Composers A Handbook
"The Standard Cantatas: Their Stories, Their Music, and Their Composers" by George P. Upton is a comprehensive handbook written in the late 19th century. This work serves as a guide to the cantata genre, including sketches of notable works and biographies of their composers, while also providing an analysis of the history and evolution of the cantata form. It aims to educate music enthusiasts—particularly those who are not trained musicians—about the significant contributions to this musical tradition. At the start of the book, Upton introduces the concept of the cantata, tracing its origins and development from early Italian music through to its various adaptations. He discusses the challenges of defining what constitutes a cantata due to its flexible nature and the wide range of compositions it encompasses. The opening sections highlight the contributions of key composers, including Bach, Berlioz, and Beethoven, offering insights into their notable works and the contexts from which they emerged, setting the stage for a detailed exploration of significant cantatas in the chapters that follow.
Hector Berlioz: A Romantic Tragedy
Herbert F. (Herbert Francis) Peyser
Hector Berlioz: A Romantic Tragedy
"Hector Berlioz: A Romantic Tragedy" by Herbert F. Peyser is a biography written in the mid-20th century that explores the life and struggles of the famed composer Hector Berlioz. The book delves into Berlioz's tumultuous experiences and conflicts, portraying him as a misunderstood genius whose contributions to music were significant yet often unrecognized during his lifetime. It examines the interplay between his artistic pursuits and personal challenges, including his romantic entanglements and familial pressures. The biography recounts key moments in Berlioz's life, from his early education in La Côte-Saint-André to his revelatory experiences in Paris that solidified his dedication to music over a career in medicine. It highlights his obsessive love for actress Henrietta Smithson, which inspired his groundbreaking work, the "Symphonie Fantastique." Peyser details the composer’s struggles to gain acceptance in the musical community, marked by a series of personal tragedies, failed productions, and the impact of his mother’s curse—a motif that follows him throughout his life. Ultimately, the book captures the essence of a man whose passionate commitment to his art led to both remarkable achievements and profound loneliness, painting a vivid portrait of a Romantic artist battling against the odds of societal and personal discontent.
Famous composers and their works, Vol. 3
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Famous composers and their works, Vol. 3
"Famous Composers and their Works, Vol. 3" edited by John Knowles Paine, Theodore Thomas, and Karl Klauser is a collection of biographical sketches focusing on notable composers and their music, written in the late 19th century. This volume delves into the lives and contributions of significant composers, providing insights into their artistic journeys and notable compositions. The book likely aims to celebrate the composers' legacies while educating readers about their works. The opening of the volume introduces Joseph Joachim Raff, detailing his early life, education, and struggles before he ultimately finds success in music. It recounts how Raff, despite a lack of formal training and financial challenges, pursued his passion for composition, gaining recognition through the support of established composers like Mendelssohn and Liszt. The narrative highlights key moments in Raff’s career, such as his significant works and collaborations, and sets the stage for a deeper exploration of his musical contributions throughout the rest of the book.
The Life of Ludwig van Beethoven, Volume II
Alexander Wheelock Thayer
The Life of Ludwig van Beethoven, Volume II
"The Life of Ludwig van Beethoven, Volume II" by Alexander Wheelock Thayer is a historical account written in the early 20th century. This biography delves into the life and works of the renowned composer Ludwig van Beethoven, focusing on his artistic journey, relationships, and the significant events that shaped his career during the early 1800s. The opening of the volume sets the scene in Vienna around the year 1803, detailing the artistic climate of the time, Beethoven's engagement at the Theater-an-der-Wien, and his first oratorio, "Christus am Ölberg." It describes the competition in the operatic world, particularly with the rise of Cherubini's works, and highlights Beethoven's collaboration with the notable violinist Bridgetower on the "Kreutzer" Sonata. The narrative unfolds the challenges and triumphs of Beethoven's early career, touching on his relationships with other musicians and his growing popularity while facing the struggles of increasing deafness.
How to sing [Meine Gesangskunst]
Lilli Lehmann
How to sing [Meine Gesangskunst]
"How to Sing [Meine Gesangskunst]" by Lilli Lehmann is a treatise on the art and science of singing, written in the late 19th century. Drawing from her extensive experience as an accomplished soprano, Lehmann aims to educate singers about the physiological and technical aspects of vocal production. The work strives to bridge the gap between scientific understanding and the sensations experienced during singing, making it a valuable resource for aspiring vocalists and singing instructors. At the start of the work, Lehmann expresses her purpose in writing: to clarify the complex sensations involved in singing and to dissect the physiological processes that govern them. She reflects on the evolution of singing education, lamenting the industrialization of singing instruction which prioritizes speed over mastery. Lehmann emphasizes the importance of thorough practice and deep understanding of vocal technique, sharing insights from her rich career in singing and teaching to guide her readers toward producing beautiful and powerful voices. This opening section sets the tone for her comprehensive exploration of various aspects of singing that follow.
How music grew, from prehistoric times to the present day
Marion Bauer
How music grew, from prehistoric times to the present day
"How Music Grew from Prehistoric Times to the Present Day" by Marion Bauer and Ethel Peyser is a historical account written in the early 20th century. The book explores the evolution of music, tracing its development from prehistoric times through various cultures and eras up to the contemporary period. It aims to provide an engaging and accessible introduction to the origins and growth of music across civilizations, making it suitable for readers of all ages. The opening of the book establishes a foundational understanding of music's birth, illustrating a time when early humans lacked language, formal structures, and civilization as we know it. It emphasizes the connection between music, dance, and the daily experiences of prehistoric peoples, suggesting that their initial expressions of music emerged as ritualistic acts to communicate with deities and convey emotions. The authors introduce the concept that movement and sound were essential to early music-making, setting the stage for further exploration of how these primitive practices evolved into the intricate musical systems of later cultures worldwide.
La Tétralogie de l'Anneau du Nibelung
Richard Wagner
La Tétralogie de l'Anneau du Nibelung
"La Tétralogie de l'Anneau du Nibelung" by Richard Wagner is a cycle of four epic music dramas composed between 1848 and 1874. Drawing from Germanic and Norse legends, the work follows struggles over a magic ring that grants world domination. The story spans three generations, involving gods, heroes, and mythical creatures, culminating in a final cataclysm. With approximately fifteen hours of music requiring a specially built theatre, Wagner created what many consider opera's most massive undertaking.
Little Journeys to the Homes of the Great - Volume 14 Little Journeys to the Homes of Great Musicians
Elbert Hubbard
Little Journeys to the Homes of the Great - Volume 14 Little Journeys to the Homes of Great Musicians
"Little Journeys to the Homes of the Great - Volume 14" by Elbert Hubbard is a historical account written in the early 20th century. This volume is a collection of biographical sketches that profiles notable composers, including Richard Wagner, Niccolo Paganini, and Frédéric Chopin, among others. The text aims to explore the lives and influences of these musical greats, offering an insightful look into their backgrounds, struggles, and artistic legacies. The opening of the book introduces Richard Wagner through a blend of narrative and exposition, detailing his upbringing and the difficult circumstances surrounding his family life. It discusses the influence of his mother and stepfather, Ludwig Geyer, who nurtured Wagner's early interests in music and literature. Through engaging anecdotes, the text conveys Wagner's evolution from a hesitant boy into a determined artist who defied societal norms. The narrative sets the stage for understanding how Wagner's personal experiences, including his tumultuous marriage and struggles for recognition, shaped his artistic expressions, which would ultimately resonate deeply with audiences around the world.
The art of music, Vol. 04 (of 14) : $b Music in America
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The art of music, Vol. 04 (of 14) : $b Music in America
"The Art of Music, Vol. 04 (of 14): Music in America" by Daniel Gregory Mason et al. is a historical account written in the early 20th century. This volume explores the evolution of music within the United States, dissecting its cultural heritage, influences, and development from past traditions, particularly European, to its distinct identity as it grows within the context of American democracy. The opening of the work presents a compelling perspective on the state of music in America, emphasizing the importance of understanding the past to appreciate the future of American music. It introduces key themes such as the struggle between appreciation of imported European traditions and the quest for a distinctive American sound influenced by diverse musical cultures, including indigenous music. The author conveys a sense of chaotic transition in the musical landscape, noting that while America has absorbed many influences, the nation's creative musical expression is just beginning to emerge, pointing towards a vibrant and dynamic future shaped by its diverse populace.
Beethoven's Letters 1790-1826, Volume 1
Ludwig van Beethoven
Beethoven's Letters 1790-1826, Volume 1
"Beethoven's Letters 1790-1826, Volume 1" by Ludwig van Beethoven is a collection of correspondence from one of the most renowned composers in Western music history, created in the late 18th to early 19th century. The letters provide an insightful glimpse into both the personal and artistic life of Beethoven, covering various periods of his life and highlighting his profound thoughts on music, friendship, and love. The opening portion of the work introduces us to several letters that showcase Beethoven's early years, touching on his relationships with patrons, friends, and family. For instance, he writes to the Elector of Cologne as a young boy, presenting his early musical endeavors with a mixture of pride and trepidation. Another poignant letter reveals his deep sense of loss following the death of his mother, showcasing vulnerability that contrasts with his later assertiveness as a composer. Overall, the initial letters set the stage for an exploration of the intimate emotions and multi-faceted character of a genius ensnared by the struggles of both his personal and professional life.
Spiritual Folk-Songs of Early America Two Hundred and Fifty Tunes and Texts, with an Introduction and Notes
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Spiritual Folk-Songs of Early America Two Hundred and Fifty Tunes and Texts, with an Introduction and Notes
"Spiritual Folk-Songs of Early America" by George Pullen Jackson is a scholarly collection of religious folk music that captures the spiritual traditions of early American communities. Written in the early 20th century, this work compiles two hundred and fifty tunes and texts, highlighting the evolution of folk music within the context of American spirituality. The book examines the interrelationship between traditional music and religious lyrics, showcasing how these songs were rooted in cultural heritage and oral tradition. The opening of the work introduces its key themes, discussing the historical context of spiritual folk-songs and how they have been preserved over centuries. It emphasizes the role of early American folk traditions, particularly in the Southern United States, where religious songs were often sung to folk tunes. The text provides insights into the origins of these songs, including their links to secular melodies, and outlines the classification of various song types, such as religious ballads and spiritual songs. Jackson reflects on the importance of these folk-hymns in understanding American culture and music, setting the stage for the collection of tunes and texts that follow.
Johann Sebastian Bach: His Life, Art, and Work
Johann Nikolaus Forkel
Johann Sebastian Bach: His Life, Art, and Work
"Johann Sebastian Bach: His Life, Art, and Work" by Johann Nikolaus Forkel is a biography published in 1802. It was the first biography of Johann Sebastian Bach published as a separate book. Forkel drew from Bach's obituary and information from the composer's sons, adding his own interpretations. The work focuses heavily on Bach's keyboard music while largely neglecting his Leipzig church compositions. Despite containing inaccuracies, this pioneering biography proved instrumental in introducing Bach to a broad public and influenced generations of later biographers.
Musical Myths and Facts, Volume 2 (of 2)
Carl Engel
Musical Myths and Facts, Volume 2 (of 2)
"Musical Myths and Facts, Volume 2" by Carl Engel is a collection of essays and anecdotes related to music, composed in the late 19th century. This volume dives into various musical traditions, myths, and historical accounts, focusing particularly on notable composers like Handel and the tales surrounding music's mystical and supernatural elements. The opening of the book primarily presents a detailed exploration of the early life and career of the eminent composer George Frederick Handel, specifically through the lens of Johann Mattheson, a contemporary musician who documented their interactions in Hamburg. Engel recounts Mattheson's observations with a critical eye, revealing his jealousy and the richness of Handel's journey from a law student to a successful composer. The text examines key moments, such as Handel's struggles and rivalries, set against the backdrop of their musical achievements and the dynamics of their friendship, making it clear that Engel intends to untangle fact from fiction in the realm of musical history.
The Dance
Unknown
The Dance
"The Dance" by Ivan Narodny is a comprehensive examination of the art of dance, written in the early 20th century. This volume, part of a larger series entitled "The Art of Music," explores the historical and cultural significance of dance across various civilizations, analyzing its evolution, practices, and the psychology behind it. The book sets out to celebrate the dance as an essential and enduring aspect of human expression, underscored by a rich tapestry of traditions and meanings. The opening of the work features an introduction by renowned ballerina Anna Pavlova, emphasizing the profound connection between dance, music, and the spiritual rhythm of life. It discusses how dancing has been integral to diverse cultures, from ancient Egypt to the modern era, often intertwined with religious practices and societal values. Early chapters introduce key concepts such as the psychology of dancing, highlighting the aesthetic and social motivations behind dance, as well as its primitive roots in human expression. The text sets a foundation for further exploration into historical dancing practices worldwide, signaling that the upcoming chapters will delve into specific cultural dances, their meanings, and their evolutionary significance.
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Arthur E. (Arthur Edwin) Gregory
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
"The Hymn-Book of the Modern Church: Brief Studies of Hymns and Hymn-Writers" by Arthur E. Gregory, D.D. is a scholarly examination of hymns and their authors written in the early 20th century. The text introduces the significance of hymns within Christian worship and explores their historical development and theological implications, offering insights into various hymn-writers and their contributions to the practice of contemporary hymnody. The opening of the book begins with a preface that outlines the author's intent to provide a structured approach to the study of English hymns, emphasizing the sources from which the Church draws its sacred songs. Gregory acknowledges the contributions of notable hymn-writers and discusses the limitations of his own work while expressing a desire for it to serve as a meaningful resource for future inquiries into hymnology. In the introduction, he establishes the essential nature of hymns, positing them as crucial vehicles for expressing the depth of faith and devotion, while addressing their evolution from biblical psalms to modern compositions. The portion sets the groundwork for examining what constitutes a "true hymn," aiming to engage readers in understanding not just how hymns are sung, but the profound emotional and theological significance they hold for individuals and the church as a whole.
Music: An Art and a Language
Walter Raymond Spalding
Music: An Art and a Language
"Music: An Art and a Language" by Walter Raymond Spalding is a scholarly publication written in the early 20th century. The work focuses on the appreciation of music, exploring its grammar and structure to foster a deeper understanding and love of the art form. It aims to guide readers in grasping music's complexities and its emotional and intellectual powers, encouraging active engagement rather than passive enjoyment. The opening portion of the book emphasizes the elusive nature of music, asserting that while it can provoke deep emotional responses, it resists definitive definitions. Spalding discusses important elements like rhythm and sound, highlighting that music functions as a language of emotional expression. The text suggests methods for listeners to develop their musical understanding, stressing the importance of familiarity and intellectual engagement with compositions to truly appreciate their richness and depth. Furthermore, the author provides insights into the foundational concepts of music, including musical grammar and the significance of overall structure, setting the stage for more detailed exploration in subsequent chapters.
The Street of Seven Stars
Mary Roberts Rinehart
The Street of Seven Stars
"The Street of Seven Stars" by Mary Roberts Rinehart is a novel written during the early 20th century. The story unfolds in an Austrian city, focusing on a group of American music students struggling to pursue their dreams while facing financial hardships and emotional challenges. The main character, Harmony Wells, is depicted as a talented young violinist grappling with the pressure of her aspirations and the daunting reality of her situation in a foreign land. At the start of the novel, the scene is set within an old house that evokes a sense of history and longing. Harmony is introduced as she navigates the loneliness and difficulties of her life as an aspiring musician, surrounded by friends who are also facing their own struggles. The opening describes her recent emotional turmoil, her dedication to her craft, and the camaraderie and mutual support among her peers, even as they contend with societal expectations, personal ambitions, and the lurking threats of loneliness and failure. As Harmony considers her future, she is propelled into a world where love, survival, and artistic integrity intertwine, setting the stage for a narrative rich in character exploration and emotional depth.
Monarchs of minstrelsy, from "Daddy" Rice to date
Edw. Le Roy (Edward Le Roy) Rice
Monarchs of minstrelsy, from "Daddy" Rice to date
"Monarchs of Minstrelsy, from 'Daddy' Rice to Date" by Edw. Le Roy Rice is a historical account written in the early 20th century. The book explores the evolution of minstrel shows, focusing on the significant figures and performers from the inception of this entertainment style to the present day of its writing. It delves into the lives and careers of celebrated performers while capturing the unique cultural narratives of the minstrel art form. The opening of the book sets the stage for an exploration of minstrelsy, questioning its relevance and survival amid changing societal views. It reflects on the notable artists who have passed away in recent years and highlights the contributions of both older and younger generations of performers. Through a combination of personal anecdotes and researched accounts, the author aims to preserve the legacy of these artists, emphasizing the significance of their stories in the broader context of American entertainment history.
The art of music, Vol. 07 (of 14) : $b Pianoforte and chamber music
Unknown
The art of music, Vol. 07 (of 14) : $b Pianoforte and chamber music
"The Art of Music, Volume 07 (of 14), Pianoforte and Chamber Music" by Daniel Gregory Mason is a comprehensive collection of information dedicated to music lovers and musicians, written in the early 20th century. This volume in particular focuses on the history, development, and intricacies of pianoforte and chamber music, detailing how great composers have adapted their techniques to this beloved instrument. The text likely serves as both an educational resource and a reflective exploration of the evolving art of music. The opening of this volume begins with the transcriber's notes explaining the formatting for the text, including how musical examples are represented in different formats. Following this is a preface that sets the stage for the content, with the editor stating that while a detailed history is not the aim, the chapters will reflect the contributions of masters to the art of pianoforte and chamber music through the ages. A particular emphasis is placed on composers like Beethoven and Chopin, and how they innovatively utilized the pianoforte and chamber formats to express a range of emotions and complexities in their work. The introduction further discusses chamber music's essence, highlighting its intimacy and the skill required for performance, marking it as a divine form of musical expression distinct from larger orchestral compositions.