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One Act Plays
Browse One Act Plays as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Plays
Susan Glaspell
Plays
"Plays by Susan Glaspell" is a collection of dramatic works written during the early 20th century, featuring notable titles such as "Trifles," "The Outside," and "The Verge." The plays often explore themes of gender roles, societal expectations, and human psychology, showcasing the nuanced struggles of women in a male-dominated world. Through rich character development, Glaspell highlights the emotional landscapes of her protagonists, inviting contemplation about the nature of truth and justice. At the start of "Trifles," the scene is set in a disordered farmhouse kitchen, where a group of men, including the county attorney and sheriff, arrive to investigate the murder of John Wright, a domineering husband. Meanwhile, the wives of the men, Mrs. Hale and Mrs. Peters, enter slowly and begin to observe the seemingly trivial details of the kitchen. While the men dismiss these as unimportant, the women uncover clues about the deceased and the potential motive for murder, particularly through their empathy for Mrs. Wright's situation. This initial exploration of domestic space lays the groundwork for a powerful commentary on the often-overlooked significance of women's experiences and insights.
Riders to the Sea
J. M. (John Millington) Synge
Riders to the Sea
"Riders to the Sea" by J. M. Synge is a one-act tragedy first performed in 1904. Set on the Aran Islands off the Irish coast, the play depicts a family's hopeless struggle against the relentless cruelty of the sea. Maurya, a grief-stricken mother who has already lost her husband and five sons to drowning, faces the unbearable possibility of losing her last remaining son. Written in the poetic dialect of rural Ireland, this work explores themes of fate, tradition, and acceptance in the face of inevitable loss.
Plays by Anton Chekhov, Second Series
Anton Pavlovich Chekhov
Plays by Anton Chekhov, Second Series
"Plays by Anton Chekhov, Second Series" by Anton Pavlovich Chekhov is a collection of dramatic works created during the late 19th century, showcasing the unique style and depth of one of Russia's most celebrated playwrights. This volume includes several notable plays such as "The Bear," "The Proposal," and "The Cherry Orchard," among others. The overarching themes of his works often revolve around the complexities of human relationships, social issues, and the often absurd nature of everyday life, providing insights into the characters' struggles and desires. The opening portion of the collection features a detailed introduction by the translator, Julius West, who discusses the significance of Chekhov's contributions to theatre. It outlines Chekhov's evolution as a playwright, highlighting how his early works laid the foundation for the deep psychological character studies and subtle humor found in his later plays. In particular, the introduction mentions the dramatic study "On the High Road," where characters like Tihon, a bar proprietor, and Bortsov, a troubled landowner, navigate themes of despair and addiction within a tense atmosphere. It sets the stage for the exploration of complex character dynamics, paving the way for the exploration of social issues and human emotional depth that Chekhov is renowned for.
The Hairy Ape
Eugene O'Neill
The Hairy Ape
"The Hairy Ape" by Eugene O'Neill is a play written in the early 20th century that delves into themes of identity, class struggle, and the search for belonging. Centered around the character Robert Smith, known as "Yank," the narrative explores the life of coal stokers aboard a transatlantic liner, juxtaposed against the opulence of the upper class, which is epitomized by the character Mildred Douglas. As Yank grapples with his identity and feeling of alienation, the play offers a critical examination of the human condition and societal divisions. The opening of the play introduces us to the stokehole of the ship, where Yank and his fellow workers live and work in squalor and camaraderie. The scene is filled with chaotic energy, underscoring the oppressive environment and the men’s need to drown their despair in alcohol and bravado. Yank emerges as a powerful figure among the stokers, consumed by pride in his physical strength as he sees himself as essential to the ship’s operation. The scene unveils the stark contrast between Yank’s raw, animalistic vigor and the disdainful barrier represented by Mildred, who later observes the firemen and recoils in horror at Yank’s brute appearance. This encounter sets in motion Yank's journey of existential questioning as he strives to assert his place in a world that seems to reject him.
The Birds
Aristophanes
The Birds
"The Birds" by Aristophanes is a comedy performed in 414 BC at the City Dionysia in Athens. Two Athenians, fed up with city life, convince the birds to build a magnificent city in the sky and reclaim their ancient status as the original gods. Led by the clever Pisthetaerus, the birds prepare to challenge the Olympian gods themselves. What follows is a fantastical tale of ambition, transformation, and cosmic power struggles, filled with colorful avian characters and surprising visitors.
The Post Office
Rabindranath Tagore
The Post Office
"The Post Office" by Rabindranath Tagore is a play written in 1912. It follows Amal, a child confined to his adoptive uncle's home by an incurable disease. From the courtyard, Amal talks to passers-by and dreams about distant places. When a new post office is built nearby, he imagines receiving a letter from the King. The play explores themes of freedom and imagination through the eyes of a homebound child facing mortality.
Plays: the Father; Countess Julie; the Outlaw; the Stronger
August Strindberg
Plays: the Father; Countess Julie; the Outlaw; the Stronger
"Plays: The Father; Countess Julie; The Outlaw; The Stronger" by August Strindberg is a collection of influential plays written during the late 19th century. The anthology highlights Strindberg's prowess in dramatic techniques, particularly showcasing the tumultuous dynamics of gender and power through complex relationships and moral conflicts. Each play delves into themes of identity, family ties, and societal expectations, with notable characters such as the Captain in "The Father," who grapples with fears regarding paternity and sanity. The beginning of "The Father" introduces us to the Captain, a troubled military figure engaged in conversations with his wife, Laura, and others about the welfare of their daughter, Bertha. The scene is marked by tensions stemming from Laura’s influence in their family dynamics and the Captain's struggles with doubt about his authority and familial role. As the Captain reveals his disdain for the overwhelming female presence in his home, the dialogue evolves into a deeper exploration of loyalty, truth, and the psychological pressures faced by both parents. The play sets a compelling stage for conflict and intrigue, suggesting a passionate examination of existential themes as the characters confront their personal demons and societal constraints.
Chitra, a Play in One Act
Rabindranath Tagore
Chitra, a Play in One Act
"Chitra, a Play in One Act" by Rabindranath Tagore is a one-act play first published in English in 1913. Drawing from the Mahabharata, it tells the story of Chitrangada, a warrior princess raised as a boy who falls in love with the hero Arjuna. Desperate to win his heart despite his vow of celibacy, she asks the gods for perfect beauty. But when Arjuna falls for her transformed appearance, Chitra must confront whether love built on illusion can ever become real.
The Dark Lady of the Sonnets
Bernard Shaw
The Dark Lady of the Sonnets
"The Dark Lady of the Sonnets" by George Bernard Shaw is a short comedy written in 1910. The play imagines William Shakespeare waiting at Whitehall Palace for a secret meeting with his mysterious lover. Instead, he accidentally encounters Queen Elizabeth I and seizes the opportunity to pitch an ambitious idea: the creation of a national theatre. Shaw wrote this witty one-act play as part of a real campaign to establish a Shakespeare National Theatre by 1916, blending historical figures with literary mystery and theatrical ambition.
Swan Song
Anton Pavlovich Chekhov
Swan Song
"Swan Song" by Anton Pavlovich Chekhov is a one-act play written during the late 19th century, specifically in the transitional period of Russian literature. This poignant work delves into themes of aging, loneliness, and the existential weight of a life spent in the pursuit of artistic acclaim, encapsulating the struggles of an aging actor coming to terms with his past and his mortality. Chekhov, celebrated for his insight into the human condition, weaves a narrative that portrays the melancholy yet humorous reality of a life spent on stage. The play centers around Vasili Svetlovidoff, a 68-year-old comedian who finds himself alone in an empty theater after a performance dedicated to him. As he reflects on his life, he is consumed by feelings of regret and nostalgia, recalling his youthful exuberance and past artistic successes. Joined by Nikita Ivanitch, an old prompter, Svetlovidoff's melancholic musings shift between moments of revelry and despair, revealing his isolation and the fleeting nature of fame. Through their interactions, the play contrasts the vibrancy of the actor's once-celebrated talent with the stark realities of aging and forgotten glory, ultimately leaving audiences to ponder life's transitory nature and the quest for meaningful connections amidst the ravages of time.
In the Shadow of the Glen
J. M. (John Millington) Synge
In the Shadow of the Glen
"In the Shadow of the Glen" by J. M. Synge is a one-act play first performed in 1903. In an isolated cottage in County Wicklow, a tramp seeking shelter discovers a young wife tending her elderly husband's corpse. But when the dead man suddenly springs to life, revealing his death as a calculated test, long-buried truths about loneliness and marriage emerge. Faced with stark choices, Nora must decide between security and freedom in the wild Irish landscape.
Peace
Aristophanes
Peace
"Peace" by Aristophanes is an Athenian Old Comedy written in 421 BC. A middle-aged Athenian flies to heaven on a giant dung beetle to rescue Peace from imprisonment and end the Peloponnesian War. His mission earns farmers' gratitude while bankrupting war profiteers. The play celebrates an idyllic return to countryside life with joyous anticipation, yet tempers optimism with bitter acknowledgment of lost opportunities. Through wildly absurd action and savage satire, Aristophanes lampoons politicians who profited from war.
Aria da Capo
Edna St. Vincent Millay
Aria da Capo
"Aria da Capo" by Edna St. Vincent Millay is a play in one act written in the early 20th century. This theatrical work presents a whimsical yet poignant narrative that delves into themes of love, the intricacies of relationships, and the contrast between tragedy and farce. Set within a colorful and metaphorical framework, it intertwines elements of both comedy and seriousness, presenting a unique commentary on human emotions and societal expectations. The story unfolds in a two-part structure, beginning with the main characters, Pierrot and Columbine, engaged in a seemingly trivial dining conversation filled with humor and banter. Their light-hearted interaction is interrupted by Cothurnus, a figure representing the weight of tragedy, who attempts to integrate a more serious tone. Meanwhile, shepherds Thyrsis and Corydon illustrate their own narrative of conflict and disillusionment as they quarrel over imaginary boundaries between themselves and their sheep. The play juxtaposes these two dialogues, ultimately leading to a tragic conclusion where misunderstandings and jealousy culminate in violent circumstances, only to be ignored and transformed back into farce by Pierrot and Columbine. This cyclical structure emphasizes the absurdity of life, a reflection on the human condition wrapped in humor and sorrow.
Plays by August Strindberg: Creditors. Pariah.
August Strindberg
Plays by August Strindberg: Creditors. Pariah.
"Plays by August Strindberg: Creditors. Pariah." by August Strindberg is a collection of one-act plays written in 1888–1889. In "Pariah," two men trapped in a farmhouse during a storm engage in a psychological battle over guilt and atonement. Both harbor criminal pasts—one a murderer who escaped justice, the other a forger who served time. As their stories unfold, the tension escalates into a dangerous contest of wills, where mental prowess proves mightier than physical threat in this Darwinian struggle for survival.
Becket and other plays
Alfred Tennyson Tennyson
Becket and other plays
"Becket and Other Plays" by Alfred Lord Tennyson is a collection of dramatic works written during the late 19th century. The central play, "Becket," explores the tumultuous relationship between Thomas Becket, the Chancellor of England who later becomes the Archbishop of Canterbury, and King Henry II, illustrating the conflict between church authority and royal power. The opening of "Becket" sets the stage in a castle in Normandy, where King Henry II and Becket engage in a philosophical game of chess interspersed with discussions about power, love, and loyalty. As the dialogue unfolds, it becomes clear that Becket grapples with his dual loyalties to the king and the church. The scene establishes the tension between the two central characters, foreshadowing the conflicts that will arise as Becket contemplates the responsibilities of his newfound role following the death of Archbishop Theobald. The strong presence of relationships and the interplay of political and personal motives form a significant backdrop to the story that is about to develop.
First Plays
A. A. (Alan Alexander) Milne
First Plays
"First Plays" by A. A. Milne is a collection of five theatrical works created in the early 20th century, specifically during the years surrounding World War I. These plays, while offering a variety of comedic scenarios, reflect the author's experiences and sentiments shaped by the socio-political landscape of the time. The works include "Wurzel-Flummery," "The Lucky One," "The Boy Comes Home," "Belinda," and "The Red Feathers," showcasing a blend of drama and wit in the characters' interpersonal conflicts and societal interactions. The beginning of "First Plays" presents an introduction by A. A. Milne, who elaborates on the context of the plays' creation during wartime and explains his personal journey from soldier to playwright. Specifically, he recounts how he, initially hesitant about pursuing this artistic venture, found the time and inspiration to write while serving in the army. The opening play, "Wurzel-Flummery," introduces us to Robert Crawshaw, an M.P. who discovers he has inherited a significant fortune under the peculiar condition that he changes his name to "Wurzel-Flummery." This comedic premise sets the stage for discussions on identity, pride, and public perception, all of which hint at the broader themes explored throughout the collection.
How He Lied to Her Husband
Bernard Shaw
How He Lied to Her Husband
"How He Lied to Her Husband" by Bernard Shaw is a one-act comedy play written in 1904. Created in just four days as a response to the success of his earlier work "Candida," this satirical farce follows a tangled situation involving a poet, his muse, and her husband. When compromising love poems go missing, panic ensues—but the confrontation takes an unexpected turn that subverts romantic assumptions. Shaw transforms a hackneyed theatrical framework into sharp commentary on marriage, vanity, and melodramatic conventions.
The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons
Ernest Christopher Dowson
The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons
"The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons" by Dowson is a collection of poetry and prose works, created during the late 19th century. This volume features a rich blend of Dowson's lyrical expressions, exploring themes of love, longing, and existential reflection, alongside a memoir that gives insight into his troubled yet passionate life. The collection presents the essence of Dowson’s poetic voice, filled with melancholy beauty, a fascination with youth, and the transient nature of love. The opening of this work introduces readers to the life and context of Ernest Dowson as portrayed in the memoir by Arthur Symons. It reflects on Dowson's legacy, highlighting his struggles with health and a yearning for connection, while also detailing his artistic journey, including his involvement with the Rhymers’ Club and his relationships. Symons paints a portrait of a sensitive man whose genius is intertwined with a perpetual search for love and beauty, often at odds with the heartaches resulting from unfulfilled desires. The memoir serves as a poignant prelude to the poems, offering a glimpse into the emotional landscape that informed Dowson's writing.
King Arthur's Socks and Other Village Plays
Floyd Dell
King Arthur's Socks and Other Village Plays
"King Arthur's Socks and Other Village Plays" by Floyd Dell is a collection of plays written in the early 20th century, likely during the 1910s. The various plays included in this compilation explore themes of love, human nature, and relationships, often with humorous or satirical elements, and draw inspiration from the bohemian atmosphere of Greenwich Village where they were originally performed. The opening of this collection introduces a short morality play titled "Human Nature." In this piece, two celestial figures discuss the peculiarities of human behavior while observing a couple on Earth who are in a passionate embrace, defying their own admonitions. This sets the stage for the subsequent plays, which feature diverse characters in comedic and dramatic scenarios, including a reimagining of the biblical story of Joseph, a romantic exploration of young lovers, and the interactions between other intriguing characters, all framed within the context of the author's keen observations on society and human dynamics.
Augustus Does His Bit: A True-to-Life Farce
Bernard Shaw
Augustus Does His Bit: A True-to-Life Farce
"Augustus Does His Bit: A True-to-Life Farce" by Bernard Shaw is a one-act play written in 1916. Set during World War I, this comedy follows the pompous Lord Augustus Highcastle as he faces off against a cunning female spy. When a glamorous woman arrives seeking an important military document, Augustus must prove he cannot be easily duped. Through flattery and deception, the encounter tests whether aristocratic pride can match clever manipulation in matters of wartime espionage.
Miss Civilization: A Comedy in One Act
Richard Harding Davis
Miss Civilization: A Comedy in One Act
"Miss Civilization: A Comedy in One Act" by Richard Harding Davis is a play that falls under the category of comedic drama, written during the early 20th century. The play centers around an attempted burglary during the night after Christmas in the country house of the Gardner family, highlighting themes of civility versus criminality in a humorous and engaging setting. The storyline follows Alice Gardner, who is home with her ill mother when three burglars attempt to break in. Alice, displaying both bravery and wit, engages with the intruders—"Uncle" Joseph Hatch, "Brick" Meakin, and Harry Hayes—in a comical interaction that turns the table on them. Instead of reacting with fear, Alice invites the burglars to partake in a late-night supper and challenges their life choices, emphasizing the value of civilization over criminal acts. As the tension builds, the arrival of law enforcement provides a resolution, with Alice fainting from the stress of the ordeal. The play cleverly intertwines humor with social commentary, showcasing the resilience of its protagonist against the backdrop of lawlessness.
Washington Square Plays
Lewis Beach
Washington Square Plays
"WASHINGTON SQUARE PLAYS" by Beach, Gerstenberg, Goodman, and Moeller is a collection of one-act plays published in the early 20th century, specifically designed for the Washington Square Players, an amateur theater group. The book includes four distinct plays, each showcasing the talented and innovative spirit of the contributors, with themes that range from the personal struggles of individuals to satirical examinations of societal norms. The opening of this collection begins with a detailed introduction that discusses the evolution and significance of the one-act play in American theater, emphasizing the Washington Square Players' mission to innovate and provide diverse theatrical experiences. Following the introduction, the first play, "The Clod," presents the story of a fraught encounter between a Northern soldier and a Southern woman, set against the backdrop of the Civil War. Themes of fear, survival, and moral complexity emerge as the soldier seeks refuge from pursuing forces, while the woman grapples with her loyalty and the burden of maintaining her farmers’ home. The dramatic tension builds as external pressures escalate, revealing profound emotional depths and social critiques in this captivating opening scenario.
The Little Man: A Farcical Morality in Three Scenes
John Galsworthy
The Little Man: A Farcical Morality in Three Scenes
"The Little Man: A Farcical Morality in Three Scenes" by John Galsworthy is a short play that falls within the genre of drama, likely written in the early 20th century. The story revolves around social themes and moral dilemmas, examining human nature and the concept of duty towards others, particularly in the context of class and altruism. Through a comedic lens, Galsworthy addresses profound moral questions and critiques societal behaviors. The play takes place in three scenes, primarily involving a diverse group of characters at an Austrian railway station. At the center of the story is the titular Little Man, who finds himself in a rather absurd situation after accidentally taking a baby from its mother. Throughout the interactions with the other travelers—an American, an English couple, a German, and a Dutch boy—the Little Man grapples with themes of responsibility, selflessness, and the social implications of class distinctions. The characters engage in humorous yet thought-provoking discussions that highlight their attitudes towards duty and brotherhood, culminating in a moment of crisis when the Little Man must defend his actions to an official and a policeman. Ultimately, the play wraps up with a comedic yet uplifting resolution that emphasizes kindness and the intrinsic value of humanity.
The Inca of Perusalem: An Almost Historical Comedietta
Bernard Shaw
The Inca of Perusalem: An Almost Historical Comedietta
"The Inca of Perusalem: An Almost Historical Comedietta" by Bernard Shaw is a comic one-act play written in 1915 during World War I. What begins as a fairytale about a fantastical "Inca" reveals itself as a satirical portrait of Kaiser Wilhelm II. Through disguises and deceptions, a clever woman named Ermyntrude confronts the vain ruler, mocking his artistic pretensions and his country's disastrous war. Shaw's daring comedy ridiculed Germany's leader while the conflict still raged.
The Harlequinade: An Excursion
Dion Clayton Calthrop
The Harlequinade: An Excursion
"The Harlequinade: An Excursion" by Dion Clayton Calthrop and Harley Granville-Barker is a whimsical and creative theatre piece composed in the early 20th century, specifically around the time of World War I. It's a unique hybrid that defies traditional categorization, existing somewhere between a play, a performance script, and an artistic exploration of Harlequin and his companions. The book delves into the themes of love, the essence of theatre, and the transformation of gods into actors, framed through a playful narrative delivered by a young girl named Alice and her uncle. The story follows Alice as she introduces various characters from the Harlequinade, such as Harlequin, Columbine, Clown, and Pantaloon, who represent souls navigating the challenges of love and life. Through Alice's lively storytelling and her uncle's grounding presence, the narrative explores the journey of these characters as they encounter themes of desire, disappointment, and the pursuit of joy amid a changing world. Not only does it entertain with playful dialogue and humorous antics, but it also reflects on the significance of art, love, and identity across various epochs. The text oscillates between different theatrical styles, ultimately emphasizing the timeless relevance of humor and human connection in the face of adversity.
The First and the Last: A Drama in Three Scenes
John Galsworthy
The First and the Last: A Drama in Three Scenes
"The First and the Last: A Drama in Three Scenes" by John Galsworthy is a play that falls within the genre of drama, written in the early 20th century. This poignant piece explores themes of morality, familial obligation, and the weight of past decisions through the lives of its central characters. Set against the backdrop of a tragic incident involving the loss of life and its consequences, the narrative encapsulates the struggles of the human condition in a rapidly changing society. The play primarily follows two brothers, Keith and Larry Darrant, with Larry embroiled in a murder case after an altercation with a man who had previously abused a young Polish woman named Wanda. As the story unfolds, Keith, a King's Counsel, grapples with the implications of his brother's actions, seeking to protect their family name while trying to find a way out for Larry. Wanda, deeply in love with Larry, adds to the emotional tension as she yearns for a future with him despite the looming threats posed by his past. The narrative shifts through emotions of despair, love, sacrifice, and the ultimate consequences of choices made in heated moments, culminating in a tragic finale that forces the characters to confront their fates.
Plays by August Strindberg, Second series
August Strindberg
Plays by August Strindberg, Second series
"Plays by August Strindberg, Second Series" by August Strindberg is a collection of dramatic works written during the late 19th century. This series includes plays that explore complex themes of morality, relationships, and societal challenges, featuring notable characters such as Maurice, a playwright, and Jeanne, his mistress, as they navigate the intricacies of love, ambition, and ethical dilemmas in the backdrop of Paris. At the start of the works, particularly in "There Are Crimes and Crimes," we meet Maurice and Jeanne as they wait in a cemetery, revealing the emotional tensions surrounding their relationship and the impending success or failure of Maurice's latest play. Their daughter, Marion, plays a significant role in the emotional landscape, highlighting parental responsibilities and the undercurrents of guilt that plague Maurice. The opening scenes set the stage for a deeper exploration of themes concerning the fragility of happiness, the weight of expectations, and the often harsh judgments of society that will unfold as the narrative progresses. As characters grapple with their destinies, they are drawn into a whirlwind of events entwined with existential themes and moral quandaries.
Four Short Plays
John Galsworthy
Four Short Plays
"Four Short Plays by John Galsworthy" is a collection of theatrical works written in the early 20th century. This book features plays that explore human relationships, societal norms, and moral dilemmas, which were prevalent themes during that time period. The collection includes distinct pieces that reflect Galsworthy's sharp observations of life and character, often infused with wit and irony. The plays included—“Hall-Marked,” “Defeat,” “The Sun,” and “Punch and Go”—each present a unique setting and cast of characters that grapple with emotional and ethical conflicts. For example, in “Hall-Marked,” the characters engage in a humorous yet poignant exploration of societal expectations and personal values, while “Defeat” depicts the complex emotions surrounding love and loneliness during wartime. In “The Sun,” the interplay of personal loyalty and its challenges is highlighted, and “Punch and Go” reflects the tensions between artistic integrity and commercial demands within the theatre. Together, these short plays offer a rich tapestry of human experience, showcasing Galsworthy's keen insight into the struggles people face in their lives.
The Atlantic Book of Modern Plays
Unknown
The Atlantic Book of Modern Plays
"The Atlantic Book of Modern Plays" by Sterling Andrus Leonard is a collection of one-act plays written in the early 20th century. This anthology presents various modern works, reflecting the emerging trends in contemporary theatre and the shifting dynamics in storytelling during its time. The book focuses on the themes and styles of modern drama, providing insight into the characters and conflicts that define this genre. At the start of the book, the foreword introduces the evolution of play-writing and the increasing favor of the one-act play among the reading public, especially in educational settings. The editor expresses concern about the quality of modern dramas being introduced in schools and emphasizes the importance of teaching only those works that possess enduring literary merit. The opening portion also lays the groundwork for the anthology with an overview of the plays included, highlighting their thematic richness and the diverse issues they touch upon, setting the stage for the reader's exploration of the dramatic works to follow.
Press Cuttings
Bernard Shaw
Press Cuttings
"Press Cuttings" by Bernard Shaw is a farcical comedy written in 1909. Set on April Fool's Day 1912, the play imagines Britain under martial law due to suffragette protests. When the Prime Minister disguises himself as a suffragette to reach the War Office, chaos ensues. Through absurd arguments from anti-suffrage leaders and incompetent military officials, Shaw ridicules opponents of women's voting rights without directly stating his pro-feminist views. The play was initially censored for satirizing real politicians.
The Pretentious Young Ladies
Molière
The Pretentious Young Ladies
"The Pretentious Young Ladies" by Molière is a one-act satire written in 1659. Two provincial young women come to Paris seeking refined love and wit. When they reject eligible suitors as unrefined, the scorned men plot revenge by having their valets pose as sophisticated gentlemen. The naïve women fall for the disguised servants, leading to public humiliation. This biting comedy of manners satirizes the précieuses—ultra-witty ladies obsessed with elaborate conversation and artificial refinement—and brought Molière's company to prominence in Paris.
The Countess of Escarbagnas
Molière
The Countess of Escarbagnas
"The Countess of Escarbagnas" by Molière is a comedic play written in the late 17th century, specifically during the French Classical period. This work embodies the themes of social status and romantic entanglements, while also providing a satirical look at provincial society and the desire for nobility. Molière explores the folly and pretensions of characters who aspire to a higher social standing, reflecting on the cultural values of the time. The story revolves around the Countess of Escarbagnas, who, influenced by her recent visit to Paris, enthusiastically adopts a mindset reflecting the airs and graces of high society. Her excessive pride draws the attention of several suitors, including the Viscount and Mr. Thibaudier, a tax collector who believes he has a chance at her heart. As their comedic pursuits and jealousies unfold, the Countess' absurd behavior and relentless pursuit of status create humorous situations, culminating in romantic resolutions. Ultimately, the play critiques social pretensions while highlighting the sincerity of genuine emotions amidst the grandiosity of character façades.
St. Patrick's Day; Or, The Scheming Lieutenant: A Farce in One Act
Richard Brinsley Sheridan
St. Patrick's Day; Or, The Scheming Lieutenant: A Farce in One Act
"St. Patrick's Day; Or, The Scheming Lieutenant: A Farce in One Act" by Richard Brinsley Sheridan is a play first performed in 1775. Lieutenant O'Connor loves Lauretta, but her jealous father Justice Credulous keeps them apart. With help from the sentimental Dr. Rosy, O'Connor devises elaborate disguises to outwit the obstinate Justice and win his beloved. Through mistaken identities and comic deceptions, the scheming lieutenant pursues his romantic goal in this lighthearted farce of love, trickery, and domestic chaos.
Overruled
Bernard Shaw
Overruled
"Overruled" by Bernard Shaw is a comic one-act play written in 1912. Two married couples find themselves in an awkward predicament when they discover their romantic entanglements overlap at the same hotel. As passions and principles collide, each character holds different views about love, desire, and morality. Through witty dialogue and uncomfortable revelations, they must negotiate what kind of relationships they can accept—if any arrangement will satisfy everyone involved.
Sganarelle, or, the Self-Deceived Husband
Molière
Sganarelle, or, the Self-Deceived Husband
"Sganarelle, or, the Self-Deceived Husband" by Molière is a one-act comedy in verse first performed in 1660. When Sganarelle helps a fainting young woman and a miniature portrait changes hands, a farcical chain of jealous misunderstandings erupts. Husband suspects wife, wife suspects husband, and young lovers fear betrayal—all based on false assumptions. This farce of hasty conclusions became Molière's most frequently performed play during his lifetime, warning audiences that even seeing everything doesn't mean believing the truth.
Six Short Plays
John Galsworthy
Six Short Plays
"Six Short Plays" by John Galsworthy is a collection of theatrical works crafted in the early 20th century. This compilation delves into a variety of human experiences and social dynamics, exploring themes of morality, the complexities of relationships, and societal expectations through different characters and settings. Each play encapsulates intense emotions and thought-provoking dialogues that reflect Galsworthy's keen insight into human nature. The opening portion of the first play, "The First and The Last," introduces us to brothers Keith and Larry Darrant. In a tense atmosphere, Larry confesses to Keith that he has accidentally killed a man during a struggle while defending a woman he loves, Wanda. The scene unfolds with a swirl of anxious dialogue as Larry grapples with guilt and panic, seeking guidance from Keith, who is on the brink of a legal career and is drawn into a moral quandary. Simultaneously supportive and incredulous, Keith's reactions set the tone for a dramatic conflict that revolves around loyalty, love, and the consequences of one's actions, laying the groundwork for further exploration of these themes in the ensuing drama.
Die Juden Ein Lustspiel in einem Aufzuge verfertiget im Jahre 1749.
Gotthold Ephraim Lessing
Die Juden Ein Lustspiel in einem Aufzuge verfertiget im Jahre 1749.
"Die Juden" by Gotthold Ephraim Lessing is a comedic play written in the 18th century, specifically during the Enlightenment period. This work explores themes of prejudice, social perception, and the dichotomy between appearances and reality through humor and character interactions. Lessing uses satire to critique societal attitudes towards Jews in his time. The play follows a group of characters, including a traveling gentleman, his servant Christoph, and a baron, who engage in discussions filled with misunderstandings and comedic situations regarding a robbery involving supposed Jewish thieves. The protagonist confronts the prejudices of the other characters while unwittingly revealing his own identity. As the plot unfolds, misunderstandings about identity and morality lead to a climax where the stereotypes and biases against Jews are challenged. Ultimately, the play calls for greater empathy and understanding between different cultures, blending humor with a thoughtful critique of social norms.
Echoes of the War
J. M. (James Matthew) Barrie
Echoes of the War
"Echoes of the War" by J. M. Barrie is a fictional work written during the late 1910s, around the time of World War I. The narrative centers around the lives of working-class women, particularly an elderly charwoman named Mrs. Dowey, and her interactions with her friends as they discuss the war and the challenges faced at home. Through humor and poignant moments, the book explores themes of resilience, community, and the impact of war on everyday life. The opening of "Echoes of the War" introduces us to a lively tea party hosted by Mrs. Dowey, a charming character who is both a charwoman and a notorious criminal. Alongside her friends, Mrs. Twymley and Mrs. Mickleham, they engage in spirited discussions about the war and their sons serving at the front. A stranger arrives, Mr. Willings, bearing news that Mrs. Dowey's son, Kenneth, has returned on leave, sparking a mix of excitement and anxiety within her. This setup not only highlights the camaraderie among women in wartime but also hints at Mrs. Dowey's hidden past, setting the stage for a deeper exploration of identity and familial connections as the plot unfolds.
One Day More: A Play In One Act
Joseph Conrad
One Day More: A Play In One Act
"One Day More: A Play In One Act" by Joseph Conrad is a one-act play likely written in the early 20th century. The narrative unfolds in a small sea port setting and revolves around the complexities of familial relationships, hope, and social isolation as it explores the life of Captain Hagberd, who is anxiously awaiting the return of his long-lost son, Harry. The play captures the themes of yearning and madness through the lives of its characters—particularly the interplay between the hope of reunion and the stark realities of life. The plot centers around Captain Hagberd's obsessive anticipation of his son's return after years of estrangement. He is portrayed as a man so consumed by this hope that it blinds him to the realities around him. Meanwhile, Bessie Carvil, who interacts with Captain Hagberd, navigates her own struggles in caring for her blind father, Josiah. As the story unfolds, Harry Hagberd arrives but is initially unaware of the weight his father's expectations hold. Trapped in a web of misunderstandings and unrecognized affection, Bessie's growing connection with Harry complicates matters. The play culminates in a tragic realization for Bessie and Hagberd, raising poignant questions about hope, responsibility, and the emotional toll of waiting for something that may never come.
Second Plays
A. A. (Alan Alexander) Milne
Second Plays
"Second Plays" by A.A. Milne is a collection of theatrical works written in the early 20th century. The book showcases Milne's skill in playwriting, featuring charming narratives that blend humor with insightful observations on human relationships and society. The collection includes the children's play "Make-Believe," among others, illustrating themes of imagination, family, and adventure. The opening of the collection begins with an introduction where Milne shares his experiences and thoughts on the art of playwriting, poking fun at critics and the theater world. He sets the stage for "Make-Believe," a children's play that unfolds in the Hubbard family's lively playroom where young Rosemary decides to write a play for Christmas. As she explores her imagination, her interactions with James, the butler, and her lively ideas about involving the entire Hubbard family in her performance lead to a collision of fun and make-believe. The whimsical tone invites readers into a world where creativity and childhood innocence reign.
War Brides: A Play in One Act
Marion Craig Wentworth
War Brides: A Play in One Act
"War Brides: A Play in One Act" by Marion Craig Wentworth is a dramatic play written in the early 20th century, specifically around the time of World War I. This one-act play explores the emotional and social implications of war on women, particularly focusing on the concept of "war brides," women who marry soldiers as an act of patriotism. The narrative unfolds in a war-ridden country, reflecting the tension and sacrifices made during this tumultuous period. The play centers on Amelia, a young woman faced with the societal pressures to marry a soldier, Hans Hoffman, while grappling with her desire to serve as a nurse at the front. Her sister, Hedwig, vehemently opposes the idea of becoming a "war bride" and voices her strong objections against the war's brutalities. The characters navigate their fears and hopes as they confront the loss of family members, the expectations placed upon them by society, and the reality of war's consequences. Hedwig's ultimate tragic decision highlights the struggle between duty to one’s country and the fundamental desire for love, peace, and self-determination, culminating in a powerful statement on the feminine experience during wartime.
The Jewel Merchants: A Comedy in One Act
James Branch Cabell
The Jewel Merchants: A Comedy in One Act
"The Jewel Merchants: A Comedy in One Act" by James Branch Cabell is a play written in the early 20th century, likely during the 1920s. This comedic work, designed for theatrical performance, tackles themes of love, ambition, and moral ambiguity set against the backdrop of Renaissance Tuscany. The play highlights the era's complex views on ethics and the casual attitudes toward crime, reflecting a time when societal norms regarding virtue and vice were radically different from modern standards. The narrative centers around Graciosa, the daughter of a jewel merchant, and her entanglements with Guido, a jewel merchant himself, and Alessandro de Medici, the Duke of Florence. The play begins with a romantic undertone as Graciosa and Guido exchange playful banter about love and the nature of their social status. However, the introduction of Duke Alessandro complicates matters. The Duke's playful but sinister nature leads to tension, as he expresses interest in Graciosa while manipulating the dynamics of power and love. Ultimately, a clash occurs between Guido and the Duke, leading to betrayal and moral dilemmas. Through witty dialogue and satirical exploration of these themes, the play examines the societal constraints placed on individuals, particularly women, in matters of love and marriage while intertwining humor and intrigue.
Why the Chimes Rang: A Play in One Act
Elizabeth A. (Elizabeth Apthorp) McFadden
Why the Chimes Rang: A Play in One Act
"Why the Chimes Rang: A Play in One Act" by Elizabeth Apthorp McFadden is a theatrical adaptation of a story by Raymond MacDonald Alden, set likely during the early 20th century. This play revolves around themes of selflessness, charity, and the spirit of Christmas, portraying how true gifts come from the heart rather than material wealth. The setting features a humble peasant's hut, which contrasts with the grandeur of the nearby cathedral town where significant events transpire. The narrative follows Holger and Steen, two peasant boys eagerly anticipating the Christmas service at the cathedral, a place of great significance associated with a miraculous event known as the ringing of the chimes. However, when their parents are unable to take them, Holger decides to stay behind to care for an old woman seeking refuge in their home. As the boys' uncle Bertel departs for the service, Holger's unwavering compassion leads him to prioritize the old woman's needs over his own desire to attend the festivities. The climax centers on Holger's simple yet profound gift of two pennies he wishes to offer to the Christ-child, ultimately resulting in the long-awaited chimes ringing out, signifying the acceptance of true love and selflessness where it counts the most. The play eloquently conveys the lesson that genuine kindness and charity hold the greatest value.
The reckoning : $b a play in one act
Percival Wilde
The reckoning : $b a play in one act
"The Reckoning: A Play in One Act" by Percival Wilde is a one-act play written in the early 20th century. The story is set in a barber shop and revolves around a tense encounter between a barber and his customer. Thematically, the play grapples with issues of accountability, morality, and the psychological consequences of one's past actions. In this gripping play, the barber, Kilburn, is confronted with a customer, John, whom he has been following for twelve years after a traumatic event involving Kilburn's daughter, Jennie. Kilburn seizes the opportunity to exact a reckoning from John, who is now at his mercy while getting shaved. The barber highlights John's betrayal and abandonment of Jennie, who has since died. As the barber prepares to take violent action, the situation escalates with John pleading for his life and desperately trying to convince Kilburn to let him go. In a twist, it is revealed that John is not as pressed for time as he claimed, as the meeting he feared missing does not start until later. The play concludes with Kilburn's act of mercy, leaving John alive but emotionally broken, thus exploring the themes of revenge and the fragility of life.
Angels and Ministers, and Other Victorian Plays
Laurence Housman
Angels and Ministers, and Other Victorian Plays
"Angels and Ministers, and Other Victorian Plays" by Laurence Housman is a collection of plays written during the late 19th century, specifically centering around the Victorian era. The opening portion introduces us to characters that explore themes of politics, personal relationships, and societal norms of that historical period, with particular emphasis on the interactions of notable figures like Queen Victoria and her Prime Minister, Lord Beaconsfield. The opening of the volume establishes a reflective and somewhat nostalgic tone towards the Victorian age. It begins with an intimate scene featuring Queen Victoria as she interacts with her favorite servant, John Brown, and discusses her awaiting ministerial visitor while navigating the complexities of her role as a woman within a patriarchal society. The dialogue reveals her thoughts on politics and relationships with her ministers, particularly Lord Beaconsfield. The scene finely contrasts the formality of royal life with the more personal and humorous exchanges that reveal character depth and societal critiques, setting the stage for the unfolding dramas that will further explore the Victorian landscape.
Makers of Madness A Play in One Act and Three Scenes
Hermann Hagedorn
Makers of Madness A Play in One Act and Three Scenes
"Makers of Madness" by Hermann Hagedorn is a one-act play written during the early 20th century. This dramatic work explores themes of power, war, and the moral dilemmas faced by leaders who must decide whether to pursue peace or war for their nation. Set against a backdrop of escalating tensions between two fictional factions, the play scrutinizes the nature of authority and the consequences of decision-making in a volatile political climate. The narrative unfolds primarily in the court of a fictional king and his ministers, who grapple with the prospect of war against the Republic. The fears and ambitions of the King clash with the aggressive desires of his ministers, particularly the Prime Minister and the Chief of Staff. As negotiations unfold, the King's attempt at diplomacy is met with resistance from his advisors, who view conflict as a means of preserving national honor. Tensions build rapidly, and the ultimate decision to proceed with war is made despite the King's fervent opposition and moral qualms, encapsulating the madness and complexity of political maneuvering during crisis moments.
The noble lord : $b a comedy in one act
Percival Wilde
The noble lord : $b a comedy in one act
"The Noble Lord: A Comedy in One Act" by Percival Wilde is a theatrical play written during the early 20th century. This piece belongs to the comedy genre and its likely topic revolves around misunderstandings and romantic entanglements in an amusing and lighthearted scenario. The setting is a secluded spot in the woods near a summer hotel, providing a picturesque backdrop for the unfolding drama. The play centers on an Englishman, who rescues a young woman from drowning in a lake. After her dramatic rescue, a mix-up occurs as she believes he is her mother due to her confusion from the incident. The comedic tension rises as the two characters flirt while navigating the unexpected revelation that he is not the noble lord she assumes him to be, but rather his valet. The woman is initially enamored with her supposed hero, while the man enjoys the playful antics of their miscommunication. As the play progresses, their flirtation becomes more complex, culminating in a humorous exchange that highlights class distinctions and romantic possibilities. The entrance of another character, the valet's friend, foreshadows further comedic developments, leaving room for the imagination as to what might transpire next.
Duty, and Other Irish Comedies
Seumas O'Brien
Duty, and Other Irish Comedies
"Duty and Other Irish Comedies" by Seumas O'Brien is a collection of comedic plays written in the early 20th century. This anthology features one-act comedies that explore various aspects of Irish life and society, focusing on the interactions between unique characters, particularly highlighting themes of law enforcement, duty, and social challenges in a rural setting. The beginning of "Duty" introduces us to a back kitchen in a rural Irish public house, where characters Micus Goggin and Padna Sweeney enjoy a pint of porter while discussing the oppressive nature of local police regulations. As they lament over drunkenness and the unfairness of the law, Mrs. Cotter, the publican, expresses her concern about losing her license due to potential police visits. Their lighthearted banter is interrupted by the arrival of Head Constable Mulligan and Sergeant Dooley, revealing underlying tensions between law enforcement and the townsfolk. The humorous yet poignant exchanges set the stage for a comedic exploration of social order and personal freedoms, highlighting O'Brien's satirical reflection on the Irish societal structure during the era.