Curated shelf
Photography
Browse Photography as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
The Evolution of Photography With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
John Werge
The Evolution of Photography With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
"The Evolution of Photography" by John Werge is a historical account written in the late 19th century. This work traces the development of photography from its inception to its established practices by compiling discoveries, inventions, and personal experiences over a span of forty years. The book aims to provide a comprehensive overview of the significant milestones in photography's evolution while making the topic accessible and engaging to its readers. The opening of the book introduces readers to the context in which photography emerged, highlighting the scientific and experimental foundations laid down by early alchemists and chemists. Werge emphasizes that no previous history of photography has engaged with the subject in a reminiscence format and indicates his intention to chronologically organize the discoveries and advancements in this field. He touches on key figures and processes, illustrating the slow journey to permanent image capture through light's interaction with chemical compounds, leading to the groundbreaking works of pioneers like Thomas Wedgwood and Joseph Nicéphore Niépce, before eventually moving towards the art's commercialization. Overall, it sets the stage for a detailed exploration of photography's rich and complex history.
The Pencil of Nature
William Henry Fox Talbot
The Pencil of Nature
"The Pencil of Nature" by William Henry Fox Talbot is a scientific publication written in the mid-19th century, specifically during the Victorian era. The book is recognized as one of the first attempts to systematically present the art of photography, highlighting its potential and significance in capturing images founded purely on the principles of light and chemical processes, without the need for artistic interpretation. It serves as an exploration of the nascent field of photography and exhibits the foundational techniques of photogenic drawing, which Talbot pioneered. In this groundbreaking work, Talbot introduces various examples of early photographic images, including detailed descriptions of each plate that showcases objects, scenes, and landscapes captured through his innovative processes. The book contains a collection of illustrations that demonstrate the capabilities and challenges of early photography, such as capturing delicate lace, botanical subjects, and architectural views, along with technical reflections on the effectiveness of different chemical treatments. Throughout, Talbot emphasizes the potential for photography to document reality and innovate artistic expression, positioning it as a revolutionary medium for communication and preservation in the visual arts.
The History and Practice of the Art of Photography
Henry Hunt Snelling
The History and Practice of the Art of Photography
"The History and Practice of the Art of Photography" by Henry Hunt Snelling is a historical and instructional publication written in the mid-19th century. The book explores the methods, techniques, and history underpinning early photographic practices, particularly focusing on the Daguerreotype process and related technologies. It is intended to provide aspiring photographers and Daguerreotypists with comprehensive instructions on successfully practicing this groundbreaking art form. At the start of the book, Snelling expresses the need for a practical guide that addresses the deficiencies of existing English works on photography, particularly for beginners. He introduces the origins and evolution of the art of photography, discussing various key figures and inventions that led to its development. The opening chapters set the foundation for understanding the complex interplay of chemistry and artistry in photography, providing insights into both the historical context of its invention and practical advice for aspiring practitioners looking to delve into the art form.
The Barnet Book of Photography: A Collection of Practical Articles
Various
The Barnet Book of Photography: A Collection of Practical Articles
"The Barnet Book of Photography: A Collection of Practical Articles" by various authors is a collection of practical articles on photography written in the late 19th century. This work aims to instruct and guide both amateur and professional photographers, particularly focusing on essential processes and techniques. The book covers diverse topics related to photography, including Alpine photography, negative making, and lens usage among others, catering to beginners who are seeking to improve their skills. The opening portion of the compilation begins with a preface, outlining the purpose of the book: to provide informative articles on practical photographic processes. It establishes the book's intent as a valuable resource aimed at helping photographers enhance their craft. The first article discussed is on "Alpine Photography," where the author reflects on the unique challenges faced while capturing images in the alpine environment. The writer shares insights regarding camera equipment suitable for mountain excursions and offers practical tips on achieving optimal photographic results amidst the demanding conditions typically experienced in such majestic yet harsh settings. Through practical advice, the introduction sets the tone for an informative guide that promises to cater to the needs of photographers at varying skill levels.
American Hand Book of the Daguerreotype
S. D. (Samuel Dwight) Humphrey
American Hand Book of the Daguerreotype
"American Hand Book of the Daguerreotype" by S. D. Humphrey is a scientific publication written during the mid-19th century. The book serves as a practical manual for amateurs and professionals in the emerging field of photography, particularly focusing on the daguerreotype process, a pioneering photographic technique of the time. The opening portion of the book establishes its intent to provide detailed and reliable methods for mastering the art of daguerreotype photography. Humphrey emphasizes the importance of precise procedures, such as properly polishing and coating the daguerreotype plate, and he provides intricate instructions for each step of the process. The initial chapters outline crucial techniques like buffing the plate, developing images using mercury vapors, and maintaining chemical balance, which are essential for achieving successful photographic results. Furthermore, the author introduces the reader to necessary chemicals, equipment, and precautionary measures, setting the stage for a comprehensive guide aimed at enhancing skills in this complex and delicate art form.
Photography in the Studio and in the Field A Practical Manual Designed as a Companion Alike to the Professional and the Amateur Photographer
Edward M. Estabrooke
Photography in the Studio and in the Field A Practical Manual Designed as a Companion Alike to the Professional and the Amateur Photographer
"Photography in the Studio and in the Field" by Edward M. Estabrooke is a practical manual designed for both professional and amateur photographers, written in the late 19th century. This comprehensive guide covers a variety of photographic processes, including both the collodion method and the more modern gelatine bromide dry plates. It aims to provide readers with the necessary knowledge to successfully take and develop photographs, making it a valuable resource in the burgeoning field of photography. At the start of the manual, the author discusses the significant advancements in photographic techniques, particularly the introduction of the gelatine bromide dry plate, which improved upon the collodion process previously in use. Estabrooke emphasizes the importance of these developments for amateurs and professionals alike, promising that by studying this handbook, readers can quickly learn to capture and develop images effectively. He outlines specific procedures for preparing glass plates and detailing the necessary materials and processes, illustrating a step-by-step approach to mastering the art of photography.
Pictorial Photography in America 1922
Pictorial Photographers of America
Pictorial Photography in America 1922
"Pictorial Photography in America 1922" by Pictorial Photographers of America is a collection of visual art and commentary on photography written in the early 20th century. The book showcases the evolving medium of photography during this period, highlighting its artistic potential and significance. It brings together various works from different photographers, promoting a vision of photography as an art form that transcends mere mechanics. The content reflects the efforts of the Pictorial Photographers of America to elevate photography's status in the art world. The book features selections from nearly a thousand prints submitted for jury consideration, emphasizing aesthetic merit and the sincerity of each artist's vision. With contributions from various photographers across the United States, it provides a glimpse into the creative and technical advancements in photography. The discussions in the book address themes such as artistic integrity, the role of exhibitions, and the communal efforts to advance photographic art, encouraging both established and emerging artists to explore and expand their craft.
Pictorial Photography in America 1920
Pictorial Photographers of America
Pictorial Photography in America 1920
"Pictorial Photography in America 1920" by Pictorial Photographers of America is a collection of photographic works and discussions regarding the art of pictorial photography, likely written in the early 20th century. This volume reflects the evolving perspective on photography as a legitimate form of artistic expression, showcasing contributions from various regions across the United States. The book aims to elevate the appreciation of pictorial photography, emphasizing its potential to convey personal impressions of nature and human life. The content of the book is structured around various contributions from American photographers, featuring illustrations of their works alongside essays detailing the development of pictorial photography in different states. Topics include the impact of historical events such as the war on artistic endeavors, the establishment of camera clubs aiming to foster artistic growth, and the unique characteristics of pictorial art in regions like New Jersey, Maine, Massachusetts, and the West. Prominent photographers share their insights and experiences, contributing to a cohesive narrative that highlights the vibrancy and dynamism of pictorial photography in America during this period. The book serves as both a showcase of artistic talent and an educational resource for aspiring and established photographers, advocating for a greater understanding of photography as a vital art form.
Bromide Printing and Enlarging A Practical Guide to the Making of Bromide Prints by Contact and Bromide Enlarging by Daylight and Artificial Light, With the Toning of Bromide Prints and Enlargements
John A. Tennant
Bromide Printing and Enlarging A Practical Guide to the Making of Bromide Prints by Contact and Bromide Enlarging by Daylight and Artificial Light, With the Toning of Bromide Prints and Enlargements
"Bromide Printing and Enlarging" by John A. Tennant is a practical guide to photographic techniques written in the early 20th century. This instructional text explores the processes of creating bromide prints through contact methods and enlarging techniques using both daylight and artificial light. It offers detailed information on various materials, methods, and considerations for successfully producing prints from negatives, making it a valuable resource for amateur and professional photographers alike. The opening of the book provides an introduction to bromide paper, explaining its composition and advantages for photographic printing. Tennant discusses the characteristics of different types of bromide paper and how to select the appropriate kind for various photographic needs. He emphasizes the practical applications of bromide paper, particularly its versatility and ease of use for producing quality prints. The text sets the stage for subsequent chapters that delve into more technical aspects of printing and enlarging techniques.
Photographic Amusements, Ninth Edition Including A Description of a Number of Novel Effects Obtainable with the Camera
Walter E. Woodbury
Photographic Amusements, Ninth Edition Including A Description of a Number of Novel Effects Obtainable with the Camera
"Photographic Amusements, Ninth Edition" by Walter E. Woodbury is a scientific publication written in the late 19th century. The work explores novelty photographic techniques and curious effects achievable with a camera, catering to both amateur photographers and those interested in creative photographic experiments. As the title suggests, it serves as a guide to fun and inventive uses of photography beyond standard practices. The opening of the book establishes that it is not an instructional manual for mastering photography but rather a collection of entertaining and unusual photographic tricks. The introduction outlines that the author aims to showcase innovative photographic effects, with an emphasis on creativity and experimentation rather than technical detail. The text details various methods, including using mirrors to create multiple images and techniques for producing unique portraits, such as "statuette portraits" and "spirit photography," all of which set the stage for an exploration of the whimsical possibilities within the realm of photography.
Photographic Reproduction Processes
Peter C. Duchochois
Photographic Reproduction Processes
"Photographic Reproduction Processes" by Peter C. Duchochois is a practical treatise on various photographic techniques and methods written in the late 19th century. The book explores processes for making photographic prints without using silver salts, describing multiple procedures including cyanotype, uranotype, and others. It serves as a comprehensive guide for photographers and artists who are interested in understanding and applying these techniques in their work. The opening of the text provides a broad overview of ten different photographic processes, emphasizing the significance of chemical reactions pertaining to light exposure and the materials used. It highlights the foundational principles laid out by notable figures like Sir John Herschel and Mr. C. J. Burnett regarding the use of iron and uranium salts. Additionally, the introduction discusses the necessary preparations and outcomes, such as the stunning blue prints produced by the cyanotype process, while also giving practical details on implementation. It sets the stage for what promises to be an insightful examination of historical photographic practices.
Pictorial Photography in America 1921
Pictorial Photographers of America
Pictorial Photography in America 1921
"Pictorial Photography in America 1921" by Pictorial Photographers of America is a collection of photographic works and insights into the art of photography, produced in the early 20th century. This publication highlights the evolving techniques and aesthetic principles of pictorial photography, a movement that emphasizes artistic expression over mere mechanical reproduction. The book serves as both a showcase of visually striking photographs and a forum for discussion about the theory and practice of photography during this vibrant period. The book is organized into sections that include essays from prominent figures in photography, details on the methods employed by various artists, and a selection of photographic illustrations from contributors across the United States. Notable sections discuss the relationship between photography and fine arts, advancements in photographic techniques, and the promotion of public interest in pictorial photography through exhibitions. It encapsulates the efforts made by the Pictorial Photographers of America to elevate the appreciation of photography as a serious art form, while introducing various photographic works that showcase a blend of technical skill and artistic vision.
The Art and Practice of Silver Printing
H. P. (Henry Peach) Robinson
The Art and Practice of Silver Printing
"The Art and Practice of Silver Printing" by H. P. Robinson and Capt. Abney is a comprehensive guide on the techniques and principles of photographic printing, likely written in the late 19th century. The book delves into the specifics of silver printing, emphasizing its unique qualities of beauty and the methods to enhance the permanence of the results. It serves as a manual for photographers seeking to master the art, providing detailed instructions on various related processes. At the start of the book, the authors introduce silver printing and its enduring appeal despite the rise of newer photographic methods. They assert the importance of understanding the theoretical foundations of the process, making a case for the beauty of silver prints over other forms of photographic art. The opening chapters outline key preliminary experiments that establish the basis for silver printing and discuss the preparation of albumenized paper, ultimately setting the stage for detailed procedures on sensitizing and printing photographs effectively. The authors advocate for a thoughtful approach to each step, ensuring that readers grasp the significance of theory alongside practical application.
Photogravure
Henry R. Blaney
Photogravure
"Photogravure" by Henry R. Blaney is a detailed scientific publication written in the late 19th century. The book serves as a comprehensive guide to the photogravure process, detailing the technical aspects and practical instructions necessary for both amateurs and professionals involved in photography and printmaking. It likely covers various processes involved in creating photogravures, an art that merges photography with printmaking to produce high-quality images. At the start of the work, the introduction outlines the historical context and evolution of photogravure, referencing early techniques and notable figures in the field. It explains the significance of key components such as negatives, transparencies, and the use of copper plates in the process. The initial chapters delve into the requirements for producing quality negatives, including methods for reversal and preparation, before transitioning into the more intricate steps of preparing and using sensitized carbon tissue to create printed images. The mingling of technical descriptions and historical notes sets the stage for a thorough exploration of the craft of photogravure.
Kodaks and Kodak Supplies, 1914
Canadian Kodak Company
Kodaks and Kodak Supplies, 1914
"Kodaks and Kodak Supplies, 1914" by the Canadian Kodak Company is a catalog detailing photographic equipment and supplies written in the early 20th century. This publication primarily serves as a marketing and informational resource for Kodak cameras, films, and accessories while also providing educational content for amateur photographers. The likely topic of the book includes various Kodak products, technical specifications, and the company's vision to simplify photography for everyone. The opening of the catalog presents the Kodak brand's commitment to making photography accessible and enjoyable for the average person, detailing the enhanced features of their cameras and supplies. It highlights the idea that photography should be simple, with decades of innovation leading to improved equipment and user-friendly instructions. The text discusses new initiatives such as the magazine "Kodakery," aimed at helping beginners take better photographs, emphasizing Kodak's dedication to customer support and education in the art of photography.
Premo Cameras, 1914
Canadian Kodak Company
Premo Cameras, 1914
"Premo Cameras, 1914" by the Canadian Kodak Company is a comprehensive guide and catalog for photography enthusiasts written in the early 20th century. The text discusses various camera models and accessories, highlighting their specifications, ease of use, and suitability for both amateur and professional photographers. The main focus of this work is to present the Premo line of cameras and their features, emphasizing their reliability and quality. The opening of the publication serves as an introduction to the Premo camera offerings for tourists and amateur photographers. It outlines the convenience of the Premo Film Pack system, which simplifies the process of loading and operating cameras, while also detailing the range of available camera models—ranging from entry-level options to high-end devices. The text engages the reader with the benefits of choosing Premo, such as portability, quality optics, and affordable pricing, making it clear that these cameras cater to a wide audience interested in capturing moments with ease and quality.
Making Your Camera Pay
Frederick C. Davis
Making Your Camera Pay
"Making Your Camera Pay" by Frederick C. Davis is a practical guide on how to monetize photography, written in the early 20th century. The book, likely composed in the 1920s, focuses on providing insights for amateur photographers on how to successfully sell their work to various publications. It details the types of photographs that are in demand, how to market them effectively, and covers the necessary tools and techniques to improve one's photography skills. In this comprehensive manual, Davis emphasizes the importance of understanding market needs and developing a "nose for news" to recognize captivating photographic opportunities. The book outlines various subjects suitable for photography, such as local events, human interest, and commercial demands. Davis also provides essential advice on camera equipment, the preparation and presentation of photographs for publication, and practical tips for shipping prints. Throughout, he offers encouragement, stressing that while success in photography requires effort and persistence, the potential for profit and fulfillment is substantial for those who are willing to work hard and learn.
Nouveau moyen de préparer la couche sensible des plaques destinées à recevoir les images photographiques Lettre à M. Arago
Louis Jacques Mandé Daguerre
Nouveau moyen de préparer la couche sensible des plaques destinées à recevoir les images photographiques Lettre à M. Arago
"Nouveau moyen de préparer la couche sensible des plaques destinées à recevoir les images photographiques" by M. Daguerre is a scientific publication written in the mid-19th century. This work documents a technique developed for preparing photographic plates using a novel method that enhances their sensitivity to light, marking an important advancement in the early field of photography. The book provides a detailed methodology for preparing the plates, emphasizing the use of various metals and chemical substances to create a more effective photosensitive layer. Daguerre discusses the importance of manipulating these materials to achieve better tonal reproduction and overall image quality. He outlines a two-part preparation process involving careful cooling and heating of materials, ensuring consistency in the results that can be achieved. Through meticulous experimentation, Daguerre aims to elevate the art of capturing images, demonstrating a deeper understanding of the chemical processes involved in photography during this pioneering era.