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PT Política e Sociedade
Browse PT Política e Sociedade as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Bom-senso e bom-gosto carta ao excelentissimo senhor Antonio Feliciano de Castilho
Antero de Quental
Bom-senso e bom-gosto carta ao excelentissimo senhor Antonio Feliciano de Castilho
"Bom-senso e bom-gosto" by Antero de Quental is a philosophical treatise written in the mid-19th century. The book takes the form of a letter addressed to the renowned figure Antonio Feliciano de Castilho, expressing a critique of the literary scene and intellectual climate of Portugal at the time. It delves into themes of originality, independence of thought, and the moral responsibilities of writers and thinkers. In this work, Quental passionately defends the value of innovative ideas against the backdrop of a prevailing literary conservatism. He critiques the Coimbra literary school and argues that it stifles independent thought and creativity, valuing adherence to tradition over original expression. Quental asserts that true literature and philosophy should transcend the mundane and seek deeper truths, while condemning the superficiality of contemporary literary practices that prioritize fame and popularity over genuine insight. This letter serves not only as a defense of Quental's own position but also as a broader commentary on the nature of artistic and intellectual freedom, the importance of individual thought, and the necessity for literature to innovate and inspire.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1878-02/05)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1878-02/05)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1878-02/05)" by Ramalho Ortigão and Eça de Queirós is a monthly publication launched in 1871. This satirical chronicle dissects Portuguese society through biting criticism and irony, targeting partisan journalism, religious hypocrisy, women's social roles, and cultural decay. Born from censored intellectual conferences, it pioneered critical journalism in Portugal, offering sharp sociological observations of daily life—from markets to prisons, fishermen to theatre-goers—that captured a nation's moral and political degradation during the Regeneration period.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1877-05/06)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1877-05/06)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1877-05/06)" by Ramalho Ortigão and Eça de Queirós is a monthly publication first appearing in 1871. Born from censorship of the Casino Conferences, this satirical magazine offered biting social commentary on Portuguese society. The authors dissected partisan journalism, economic decay, religion, women's roles, and cultural degradation through ironic observation of markets, prisons, fishermen, and everyday life. These chronicles launched critical journalism in Portugal, presenting unflinching caricatures of a nation during its Regeneration period.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1882-06/07)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1882-06/07)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1882-06/07)" by Ramalho Ortigão and Eça de Queirós is a monthly publication series begun in 1871. These satirical chronicles offer a sharp-witted portrait of Portuguese society in the years after 1870, wielding humor and irony to critique politics, journalism, religion, social conventions, and romantic literature. The authors pioneered a new form of journalism centered on ideas and cultural criticism, creating what they termed an "admirable caricature" of their era with clarity, social consciousness, and pointed observation.
Bom-senso e bom-gosto Folhetim a proposito da carta que o senhor Anthero do Quental dirigiu ao senhor Antonio Feliciano de Castilho
Manuel Pinheiro Chagas
Bom-senso e bom-gosto Folhetim a proposito da carta que o senhor Anthero do Quental dirigiu ao senhor Antonio Feliciano de Castilho
"BOM-SENSO E BOM-GOSTO" by Manuel Pinheiro Chagas is a literary folhetim written in the mid-19th century. This work notably addresses a public letter by Anthero do Quental to Antonio Feliciano de Castilho, discussing a critical dispute regarding the literary styles of the time, specifically targeting the Coimbra School of poetry. The author employs sharp wit and sarcasm to critique both the artistic ideals and the style of contemporary poets, highlighting issues of originality and authenticity in literature. In the text, Pinheiro Chagas examines Quental’s defense of his ideals against criticism, dissecting various aspects of Coimbra's literary contributions and their perceived pretentiousness. He paints a vivid picture of the poetic landscape, illustrating a divide between poets who adhere to traditional forms versus those who innovate without substance. The narrative reflects a broader commentary on the conflict between romanticism and realism in Portuguese literature, while also emphasizing the need for genuine expression over affectation. Ultimately, the work stands as a defense of literary clarity and sincerity, celebrating authors who advocate for a more accessible and impactful form of poetry.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1882-11/12)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1882-11/12)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1882-11/12)" by Ramalho Ortigão and Eça de Queirós is a monthly publication that appeared from 1871 to 1882. This satirical chronicle caricatured Portuguese society through biting social and cultural criticism. Born from the censorship of revolutionary literary conferences, the magazine examined everything from partisan journalism and economic decay to religious hypocrisy and women's segregation. Its sharp observations of markets, prisons, fishermen, and theaters introduced Portugal to a new form of critical journalism that would influence later literary works.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-01/02)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-01/02)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-01/02)" by Ramalho Ortigão and Eça de Queirós is a monthly publication that first appeared in 1871. This Portuguese periodical presented biting caricatures of contemporary society through critical and ironic articles that satirized partisan journalism, economic decay, religious institutions, and social customs. Born from censored intellectual conferences, it pioneered a new form of journalism in Portugal—one focused on ideas and cultural criticism—offering sharp sociological observations of daily life that would influence Queirós's later novels.
Questão do Palheiro: Coimbrões e Lisboetas
Urbano Loureiro
Questão do Palheiro: Coimbrões e Lisboetas
"Questão do Palheiro: Coimbrões e Lisboetas" by Urbano Loureiro is a poetic work created during the mid-19th century. This book appears to be a satirical poem addressing the literary rivalry between Coimbra and Lisbon, capturing the cultural tensions and characteristics of both cities and their respective literary figures. Through humor and verse, it sheds light on societal dynamics and literary discourse of the time. In "Questão do Palheiro," Urbano Loureiro explores a contentious literary debate involving prominent poets such as Anthero de Quental and Júlio de Castilho. The poem opens with lively scenes of dissent, where characters express their opinions on literary styles and figures, leading to discussions that turn into humorous confrontations. With a variety of voices and perspectives, the narrative stitches together lively arguments and exchanges, revealing the complexities of literary reputation and the cultural rivalry between the Coimbra and Lisbon literati. Ultimately, it is a playful reflection on the nature of artistry, criticism, and the politics of literary acclaim, inviting readers to engage with the banter and rivalries of 19th-century Portuguese literature.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1878-01)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1878-01)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1878-01)" by Ramalho Ortigão and Eça de Queirós is a monthly publication first published in 1871. Born from censorship of intellectual conferences, this Portuguese periodical presents biting caricatures of contemporary society through satirical journalism. The authors critique partisan press, economic decline, religious hypocrisy, women's roles, and cultural degradation. Through observations of markets, prisons, fishermen, and families, they revolutionize Portuguese journalism with social commentary that captures daily life while launching ideas later developed in Queirós's novels.
Os Litteratos em Lisboa: Poemeto
A. Ferreira de Freitas
Os Litteratos em Lisboa: Poemeto
"Os Litteratos em Lisboa: Poemeto" by A. Ferreira de Freitas is a poetic work produced in the mid-19th century, around the 1860s. This book falls under the category of poetry, specifically reflecting on the literary scene in Lisbon. It captures the spirit of a vibrant gathering of literary figures and their aspirations, set against the backdrop of the cultural milieu of the time. The poem unfolds as a celebration of Lisbon's literary scene, where the narrator expresses a longing to engage with the "litt'ratos" or literary figures, invoking a muse to inspire him. As the narrative progresses, it explores themes of creativity, inspiration, and the struggles inherent in the artistic endeavor. The characters within the poem, including the narrator and his muse, navigate through a blend of humor and reflection, emphasizing their yearning for artistic recognition amidst a backdrop of societal expectations and literary critique. Ultimately, the poem serves as both a tribute to the literary community and a commentary on the nature of artistic ambition.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-10/11)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-10/11)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-10/11)" by Ramalho Ortigão and Eça de Queirós is a monthly publication first published in 1871. Born from the censorship of revolutionary literary conferences in Lisbon, this satirical chronicle dissected Portuguese society with biting irony and critical observation. The authors examined everything from partisan journalism to religious hypocrisy, from women's social roles to cultural decay, creating what became Portugal's first true work of critical journalism and social commentary.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes, (1877-08/09)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes, (1877-08/09)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes, (1877-08/09)" by Ramalho Ortigão and Eça de Queirós is a monthly publication first appearing in 1871. This satirical chronicle presents a biting caricature of Portuguese society, criticizing partisan journalism, the Catholic faith, women's social roles, and romantic literature. Born from censorship of the Casino Conferences, the publication represents an innovative form of journalism combining social commentary with literary criticism. The magazine offers vivid observations of daily Portuguese life—from markets to prisons—while exploring themes of cultural and political decay.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1883-06)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1883-06)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1883-06)" by Ramalho Ortigão and Eça de Queirós is a monthly publication that appeared from 1871 to 1882. This satirical chronicle presents a biting caricature of Portuguese society, critiquing everything from partisan journalism and religious hypocrisy to women's roles and political decay. Through ironic observations of markets, prisons, fishermen, and theaters, the authors revolutionized Portuguese journalism by combining social commentary with literary artistry, launching critical journalism in Portugal while providing vivid sociological snapshots of everyday life.
A Democracia Estudo sobre o governo representativo
Jaime de Magalhães Lima
A Democracia Estudo sobre o governo representativo
"A Democracia" by Jayme de Magalhães Lima is a political study on representative government written in the late 19th century. This work examines the state of democratic governance in a time marked by corruption and social upheaval, delving into the challenges faced by democratic institutions and their implications for society. The author critiques current democratic practices while contemplating the future of democracy itself, making it a significant text for those interested in political theory and history. At the start of the study, the author sets the stage for an urgent discussion of democratic governance, criticizing the prevailing disarray in representative systems. Lima references contemporary failures within parliamentary systems and the disconnect between government representatives and those they serve, particularly highlighting the plight of agricultural issues that have been ignored in legislative assemblies. He introduces key themes related to the instability and fragility of democratic structures, setting the tone for a deeper exploration of their challenges and potential futures throughout the rest of the text.
Anthero do Quental, e Ramalho Ortigão
Alvaro do Carvalhal
Anthero do Quental, e Ramalho Ortigão
"Anthero do Quental, e Ramalho Ortigão" by Alvaro do Carvalhal is a critical essay written in the mid-19th century. This book examines the literary contributions and characteristics of two prominent Portuguese writers, Anthero do Quental and Ramalho Ortigão, shedding light on their styles and the discussions surrounding their works. It serves as a commentary on literary criticism and the cultural context of the literary scene in Portugal during that era. In the text, Carvalhal presents contrasting views on Anthero do Quental and Ramalho Ortigão. He admires do Quental for his introspective and sincere approach to writing, viewing him as a virtuous voice amidst the superficiality of contemporary society. The author highlights do Quental's dedication to truth and moral integrity, contrasting it with Ortigão's more sardonic and critical style, which satirizes various figures in literary circles. Carvalhal contends that Ortigão's critiques, while sharp and engaging, can often slip into cynicism, overshadowing genuine literary appreciation. The discourse encapsulates the dynamic cultural landscape of 19th-century Portugal, illustrating the tensions between idealism and realism in literature.
As theocracias litterarias Relance sobre o estado actual da litteratura portugueza
Teófilo Braga
As theocracias litterarias Relance sobre o estado actual da litteratura portugueza
"As theocracias litterarias" by Teófilo Braga is a critical examination of Portuguese literature written during the mid-19th century. This literary work discusses the current state of Portuguese literature, addressing the decline of traditional literary authorities and the emergence of individual creativity and expression. Braga's text serves as a reflection on the aesthetics and values that shape literary production in his time. In this book, Braga critiques the established literary figures, such as the poet and critic Castilho, while advocating for a more authentic representation of art that eschews imitation and superficiality. He emphasizes the importance of truth and individual sentiment over adherence to outdated academic standards. Through his analysis, Braga contemplates the broader philosophical implications of art, including the relationship between beauty, nature, and human experience. He argues for a literature that is both meaningful and connected to the realities of modern life, positioning himself against what he perceives to be the "theocratical" dominance of literary elites. The text ultimately champions the values of the Romantic movement, calling for a genuine and heartfelt approach to literature that resonates with the human condition.
Viamos e não veremos alegoria moral, acompanhada de outras diversas maximas relativas a nossa liberdade constitucional
Anonymous
Viamos e não veremos alegoria moral, acompanhada de outras diversas maximas relativas a nossa liberdade constitucional
"Viamos e não veremos" by Anonymous is a moral allegory written in the early 19th century, likely around the time of the liberal revolutions influencing Europe, particularly the Portuguese liberal movement. This book explores themes of societal justice and individual rights in the context of constitutional freedom, offering a critical commentary on the political and military injustices prevalent in Portugal at the time. The text unfolds as a series of reflections and critiques, addressing various societal issues faced by soldiers, citizens, and workers in Portugal. It poignantly highlights the struggles of military personnel, emphasizing their lack of proper compensation and recognition despite their sacrifices. The author uses allegorical storytelling to illustrate the broader human condition, questioning the moral fiber of society and urging reform. Through vivid narratives, it exposes the harsh realities of those subjugated by systemic injustices, ultimately advocating for a more equitable distribution of rights and freedoms in a constitutional framework. The work serves both as a historical account and a philosophical discourse on the value of liberty and the inherent dignity of every individual.
Habitações Operarias
Teixeira Bastos
Habitações Operarias
"Habitações Operarias" by Teixeira Bastos is a socio-political treatise written in the late 19th century. This book examines the dire state of worker housing in urban Portugal, specifically focusing on Lisbon, and discusses broader social issues linked to inadequate living conditions for the working class. As part of the "Bibliotheca Popular de Orientação Socialista" series, it seeks to raise awareness about the need for reform in housing policies and practices. In the text, Bastos presents a thorough analysis of the deplorable housing conditions faced by workers in Lisbon. He describes overcrowded and unsanitary living environments, highlighting the social implications and health risks that arise due to such conditions. The author references various attempts at reform both in Portugal and other countries, advocating for government intervention and the role of society in creating affordable and hygienic accommodations for the lower classes. Ultimately, "Habitações Operarias" serves as a call to action, urging stakeholders—government, employers, and society at large—to prioritize the establishment of decent living conditions for the working population to improve their overall quality of life.
Portugal e Ilhas Adjacentes: Exposição Ethnografica Portugueza
Adolfo Coelho
Portugal e Ilhas Adjacentes: Exposição Ethnografica Portugueza
"Portugal e Ilhas Adjacentes: Exposição Ethnografica Portugueza" by Adolfo Coelho is an ethnographic study written in the late 19th century. The book serves as a comprehensive program for an ethnographic exhibition showcasing the material culture and traditional lifestyles of the Portuguese people and the adjacent islands. Coelho, who was the president of the Ethnic Sciences Section of the Geography Society, aims to explore various aspects of Portuguese culture, emphasizing the need for thorough documentation and understanding of the nation’s ethnography. The content of the book is structured around the proposal for an extensive exhibition, and it outlines the subjects that should be included to represent the Portuguese populace accurately. Coelho details specific types of artifacts and their significance, ranging from daily life objects, traditional clothing, agricultural tools, to food and music, alongside the geographical and historical context. He emphasizes the rich cultural heritage that must be displayed, documenting the agricultural practices, social structures, and spiritual beliefs of the people. The book is a call to action for a collective effort to preserve and showcase the unique characteristics that define the Portuguese identity and promote a deeper understanding of their cultural history.
Bom senso e bom gosto : resposta à carta que o sr. Antero de Quental dirigiu ao sr. Antonio Feliciano de Castilho Segunda edição augmentada e seguida de uma carta sabre o mesmo assumpto
Manuel Rousaddo
Bom senso e bom gosto : resposta à carta que o sr. Antero de Quental dirigiu ao sr. Antonio Feliciano de Castilho Segunda edição augmentada e seguida de uma carta sabre o mesmo assumpto
"BOM-SENSO E BOM-GOSTO: RESPOSTA À CARTA QUE O SR. ANTHERO DO QUENTAL DIRIGIU AO EX.mo SR. ANTONIO FELICIANO DE CASTILHO" by MANOEL ROUSSADO is a literary critique written in the mid-19th century. The book primarily addresses the intellectual and artistic debates of the time, particularly focusing on the clash between traditional and innovative literary styles in Portugal. It represents a key moment in Portuguese literature, as it responds to Anthero do Quental's criticisms of established norms, highlighting the evolving nature of artistic expression. The content of the book unfolds as a passionate defense of new literary ideas against conservative views represented by Castilho. Roussado expresses admiration for Quental's modern approach to poetry, emphasizing the liberation of thought from outdated conventions. Through a combination of eloquent prose and vivid metaphors, he argues for a future where literary expression transcends traditional boundaries, advocating for creativity and originality. The work includes references to contemporary poets and critiques their contributions alongside humorous anecdotes, ultimately positing that true literary greatness comes from breaking free of established norms.
A dissolução do regimen capitalista
Teixeira Bastos
A dissolução do regimen capitalista
"A dissolução do regimen capitalista" by Teixeira Bastos is a socialist treatise written during the late 19th century. This book examines the inherent injustices and structural issues within the capitalist system, proposing a critique of its viability and the social consequences it creates, particularly for the working class. The author discusses various examples, including the struggles of workers following industrial disasters and economic crises, to argue that capitalism is in a state of dissolution, giving way to emergent socialist movements. The content of the book navigates through socio-economic challenges faced during Bastos' time, detailing how the capitalist regime leads to the impoverishment and exploitation of workers, especially in the aftermath of industrial catastrophes. He cites specific instances of worker disenfranchisement and societal decay, highlighting the contrast between the flourishing of capitalist wealth and the degradation of the working class's living conditions. Bastos outlines a vision for societal transformation via socialism, driven by the unity and activism of the working class against the injustices of capitalism. His work serves as both a critique of existing structures and a call to action for the proletariat to pursue their rights and dignities through collective organization and reform.
Eco da Voz Portugueza por Terras de Santa Cruz
Antonio Feliciano de Castilho
Eco da Voz Portugueza por Terras de Santa Cruz
"Eco da Voz Portugueza por Terras de Santa Cruz" by Antonio Feliciano de Castilho is a heartfelt political and social commentary written in the mid-19th century. This book serves as a poignant reflection on the state of Portugal, echoing the sentiments of despair and longing for national pride during a period of turmoil. The author examines themes of loyalty, sacrifice, and the responsibilities of leadership, particularly addressing Portugal's monarchy and its relationship with the Portuguese people. In this book, Castilho personifies Portugal’s plight through impassioned verses directed at the monarchy, particularly the queen, critiquing the disconnection between the monarchy and its subjects. He laments the suffering endured by the Portuguese people amidst foreign domination and misrule, emphasizing the sacrifices made by common folk to protect their homeland. Castilho's exploration of the past glories of Portugal serves as both a reminder of its heritage and a call to action for the nation to reclaim its dignity and unity. He crafts a powerful narrative urging the queen to embrace her role as a true leader and to prioritize the welfare of her people over foreign influences, ultimately advocating for national resilience and self-determination.
Verdades amargas estudo politico dedicado às classes que pensam, que possuem e que trabalham
Cláudio José Nunes
Verdades amargas estudo politico dedicado às classes que pensam, que possuem e que trabalham
"Verdades amargas" by Cláudio José Nunes is a political essay written in the late 19th century. This work delves into the socio-political issues facing Portugal during a time of crisis, addressing the declining moral fabric of society, corruption, and the lack of genuine patriotism among its citizens. The essay serves as a call to consciousness and action for the Portuguese people, urging them to embrace responsibility in order to restore their nation. The opening of the essay sets a melancholic tone as it outlines the dire conditions of Portugal, which is depicted as suffering a slow decay. Nunes emphasizes the importance of moral integrity and public responsibility for a thriving democracy, lamenting that the nation's leaders and citizens alike have largely succumbed to apathy and self-interest. He reflects on the complexities of party politics, the lack of sincere public representation, and the dire need for a collective moral awakening to counteract the pervasive sense of decay. The author blatantly challenges readers to confront the uncomfortable truths about their society, positing that merely acknowledging problems is the first step toward healing and rejuvenation.
Castilho e Quental: Reflexões sobre a actual questão litteraria
Augusto Malheiro Dias
Castilho e Quental: Reflexões sobre a actual questão litteraria
"Castilho e Quental: Reflexões sobre a actual questão litteraria" by Malheiro Dias is a literary critique written during the mid-19th century. This book delves into the tensions between two prominent literary figures of the time, emphasizing their differing philosophies and contributions to Portuguese literature. It examines the conflict between the established poetic forms represented by Castilho and the innovative approach of Quental, situating their debate within the broader context of literary movements emerging in Europe. In this work, Malheiro Dias navigates through an intricate landscape of ideas, discussing the competition between the romantic and classical traditions within Portuguese poetry. He portrays Castilho as a meticulous craftsman focused on form and style, while Quental is depicted as a passionate innovator championing new ideas and ideals. The text reflects on the evolution of literature and culture in Portugal, critiquing the complacency of the past while advocating for the powerful role of imagination and progressive thought in shaping future literary expressions. Through rich metaphors and vivid imagery, Dias articulates the relentless pursuit of beauty and the complex dynamics of literary rivalry, ultimately calling for a synthesis of form and innovation in the artistic realm.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-03/04)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-03/04)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1873-03/04)" by Ramalho Ortigão and Eça de Queirós is a monthly publication first published in 1871. This satirical chronicle presents a biting caricature of Portuguese society, criticizing everything from partisan journalism to religious hypocrisy and romantic literature. Born from the censorship of controversial intellectual conferences, the publication introduced innovative critical journalism to Portugal, offering sharp sociological observations of daily life—from markets to prisons, fishermen to theatre-goers—that would later influence Queirós's novels.
O Primeiro de Maio
S. de Magalhães (Sebastião de Magalhães) Lima
O Primeiro de Maio
"O Primeiro de Maio" by S. de Magalhães Lima is a political and social treatise written in the late 19th century. The work addresses the significance of May Day as a day of labor protest, advocating for workers' rights and socialist principles. The narrative likely revolves around notable socialist figures and historical contexts surrounding the labor movement, highlighting themes of class struggle and solidarity among workers. At the start of the text, the author reflects on a poignant visit to Benoit Malon, a revered socialist thinker, during his illness. The opening describes the atmosphere surrounding Malon's sickroom, with references to his frail state and the dedicated care of his nurse, Estelle Husson. As the narrative unfolds, it reveals discussions held during a congress in Zurich, where the significance of May Day as a day of international labor solidarity is established, emphasizing the workers' struggle for an eight-hour workday and social justice. The author pays homage to various influential socialist figures, setting a tone of reverence and commitment to the ideals of socialism against the backdrop of a tumultuous socio-political landscape.
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1877-01/02)
Unknown
As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1877-01/02)
"As Farpas: Chronica Mensal da Politica, das Letras e dos Costumes (1877-01/02)" by Ramalho Ortigão and Eça de Queirós is a monthly publication that first appeared in 1871. Born from the censorship of controversial literary conferences, this sardonic magazine caricatured Portuguese society through biting social criticism and ironic commentary. The authors scrutinized everything from partisan journalism and religious hypocrisy to women's roles and economic decay, establishing a revolutionary form of cultural journalism in Portugal while documenting daily life with sharp, unsparing observation.
Paz e Arbitragem
S. de Magalhães (Sebastião de Magalhães) Lima
Paz e Arbitragem
"Paz e Arbitragem" by S. de Magalhães Lima is a political and philosophical treatise written during the late 19th century. This book discusses the critical movement for peace and international arbitration emerging at the time, contrasting the rapid industrial advancement with the growing power of militarism and warfare. Lima advocates for a rational and humanitarian approach to resolving international disputes through arbitration, arguing that war is a moral and social crime. In "Paz e Arbitragem," Lima emphasizes the detrimental effects of militarism on society and economics, presenting a historical analysis of various peace societies and their efforts to promote arbitration over conflict. He outlines numerous cases of arbitration in international relations, demonstrating its successes as a means of resolving disputes. The text calls for widespread public support for the peaceful resolution of conflicts and the eventual abolition of permanent armies. Lima's work is not just a plea for peace but a comprehensive framework for building a future based on justice, cooperation, and the moral grounding of international relations, encouraging readers to actively participate in the movement for a clearer understanding of peace.
O Federalismo
S. de Magalhães (Sebastião de Magalhães) Lima
O Federalismo
"O Federalismo" by S. de Magalhães Lima is a political treatise written in the late 19th century. This book delves into the principles and theories of federalism, arguing for its adoption as a more just and effective system of governance compared to centralized states. It focuses on the concept of maintaining autonomy for different states or regions while forming a cohesive governance structure that can accommodate diversity within a nation. In the text, Magalhães Lima posits that federalism is the ideal solution for the varied nationalities and cultural identities in Europe and specifically in the Iberian Peninsula. He explores historical examples, advocating for a system that preserves the autonomy of local governments while promoting mutual cooperation among them. The book critiques the failures of unification attempts and emphasizes the necessity for a federal approach to ensure both stability and representation. Ultimately, it envisions a future with a confederation of states that respects regional identities, aiming for democracy, equality, and peace across nations.
Manifesto da Serenissima Sra. Rainha de Hungria, e Bohemia, Arquiduqueza de Austria, &c. mandado publicar e divulgar pelas provincias, que França domina, fronteiras ao Imperio
Johann Daniel von Menzel
Manifesto da Serenissima Sra. Rainha de Hungria, e Bohemia, Arquiduqueza de Austria, &c. mandado publicar e divulgar pelas provincias, que França domina, fronteiras ao Imperio
"Manifesto da Serenissima Sra. Rainha de Hungria, e Bohemia, Arquiduqueza de…" by Joam Daniel de Mentzel is a historical document published in the early 18th century. The work serves as an official manifesto aimed at the provinces under French control during a time of military conflict involving the Austrian Crown. The book details the intentions of the Hungarian Queen to restore peace and stability in the regions affected by war while asserting her jurisdiction and authority. The manifesto outlines the Queen's triumphs in expelling enemy forces and emphasizes a compassionate approach toward the inhabitants of the provinces. It calls for residents to remain calm and comply with the royal directives, promising justice and clemency in return. However, it also communicates stern consequences for those who resist or engage in hostilities against her forces, detailing severe punishments for rebellion. Overall, the document reflects the political climate of the time, showcasing the interplay between authority, conflict, and the desire for peace amidst upheaval.
Constituição politica da Monarchia portugueza
Portugal
Constituição politica da Monarchia portugueza
"Constituição politica da Monarchia portugueza" by Portugal is a constitution approved in 1822. Portugal's first constitution, it attempted to end absolutism and establish constitutional monarchy. Inspired by Spanish and French constitutions, it enshrined individual rights, established national sovereignty through elected representatives, separated governmental powers, and reduced royal authority. Though progressive for its era, it excluded women and the illiterate from voting and maintained Catholicism as the sole religion. The constitution remained in force only briefly, yet profoundly shaped Portugal's democratic history.