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PT Teatro
Browse PT Teatro as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
Frei Luiz de Sousa
João Batista da Silva Leitão de Almeida Garrett Almeida Garrett
Frei Luiz de Sousa
"Frei Luiz de Sousa" by Almeida Garrett is a drama written in 1843. Set in seventeenth-century Portugal, it tells the story of Manuel de Sousa Coutinho and his wife Madalena, whose marriage faces devastating consequences when Madalena's first husband—long believed dead in battle—unexpectedly returns. Their daughter Maria, an innocent young woman suffering from tuberculosis, becomes caught in the tragic unraveling of her parents' lives as social conventions and religious doctrine collide with human love and devotion.
Hamlet: Drama em cinco Actos
William Shakespeare
Hamlet: Drama em cinco Actos
"Hamlet: Drama em cinco Actos" by William Shakespeare is a tragedy written between 1599 and 1601. Prince Hamlet seeks revenge against his uncle Claudius, who murdered Hamlet's father to seize the throne and marry Hamlet's mother. When a ghost resembling the dead king reveals the truth, Hamlet vows vengeance but struggles with uncertainty and feigned madness. As he stages a play to confirm his uncle's guilt, the court descends into a web of deception, spying, and mounting tension.
O Assassino de Macario: Comedia em tres actos
Camilo Castelo Branco
O Assassino de Macario: Comedia em tres actos
"O Assassino de Macario: Comedia em tres actos" by Camilo Castelo Branco is a comedic play written in the late 19th century. The story centers around Barnabé, a father who is trying to deal with his headstrong daughter Itelvina's romantic entanglements, particularly her desire to marry Macario. The plot unfolds through a series of humorous dialogues and situations that reveal family dynamics and the challenges of love and consent in a societal context." The opening of this comedic play introduces us to Barnabé, who is preoccupied with his daughter Itelvina's unusual behavior and her desire to marry Macario, a man he disapproves of. Through witty exchanges with his servant Sebastiana, we learn about Barnabé's past, his daughter's fiery temperament, and their complicated family dynamics. Itelvina enters with a fiery attitude, having recently slapped a man who insulted her, showing her strong will. As the scene progresses, the audience sees Barnabé struggle with his daughter’s wishes against societal pressures, setting the stage for a tale of love, rebellion, and humor, all wrapped within the context of early 20th-century Portuguese culture.
A Morgadinha de Val-D'Amores/Entre a Flauta e a Viola Theatro Comico de Camillo Castello Branco
Camilo Castelo Branco
A Morgadinha de Val-D'Amores/Entre a Flauta e a Viola Theatro Comico de Camillo Castello Branco
"A Morgadinha de Val-D'Amores/Entre a Flauta e a Viola" by Camilo Castelo Branco is a theatrical comedy written in the late 19th century. The narrative centers on D. Joanna Cogominho, the Morgadinha, and her complex romantic entanglement with Frederico Arthur da Costa, a scrivener, amidst the class distinctions and societal expectations of their time. This story likely explores themes of love, class conflict, and societal roles, as Joanna challenges her noble lineage and seeks happiness in love rather than status. The opening of the work introduces the vibrant setting of the story, including a range of lively characters and a rich tapestry of interactions that hint at a festive local culture. Frederico, the main male character, is depicted as a man torn between his aspirations and the societal boundary that separates him from Joanna. As he reveals his histrionic ambitions and disdain for social hierarchies through his inner monologue, he creates a dichotomy with the grounded, traditional expectations of marriage that Joanna's father, Pantaleão, embodies. The initial act sets the stage for romantic uncertainty and societal critique, suggesting a humorous yet poignant exploration of love and class struggle.
O condemnado, drama em tres actos e quatro quadros; Seguido do drama em um acto, Como os anjos se vingam
Camilo Castelo Branco
O condemnado, drama em tres actos e quatro quadros; Seguido do drama em um acto, Como os anjos se vingam
"O Condenado" by Camilo Castelo Branco is a play written in the late 19th century. This drama unfolds through three acts and four scenes, delving into themes of betrayal, infidelity, and the emotional turmoil of its characters, particularly revolving around the tragic relationship between the main characters, including the Viscount de Vasconcellos and his wife, D. Eugenia. The opening portion of the play establishes a tense atmosphere in the lavish but chaotic home of the Vasconcellos family. The scene begins with two servants discussing their lives and the nature of their work, providing a contrast to the wealth and social status of their masters. As the Viscount enters, he reveals his deep sorrow and discontent with societal events, particularly a forthcoming ball that stirs painful memories. The tension builds when Rodrigo, the Viscount’s son, appears with Pedro Gavião Aranha, a friend from America, indicating a backdrop of relationships steeped in complex emotions. The dialogue hints at past traumas involving betrayal and social expectations, setting the stage for a rich exploration of human emotions and moral dilemmas as the story progresses.
Petronio Peça livremente extrahida do romance Quo Vadis de Henryk Sienkiewicz
Marcelino Mesquita
Petronio Peça livremente extrahida do romance Quo Vadis de Henryk Sienkiewicz
"Petronio" by Marcelino Mesquita is a dramatic piece inspired by Henryk Sienkiewicz's novel "Quo Vadis," written in the early 20th century. The play delves into the lives of prominent characters in ancient Rome, centering around Petronius, a satirical poet and advisor to Emperor Nero. The story unfolds amid political intrigue, love, and the clash of cultures, highlighting the character dynamics primarily between Petronius, the consul Marcus Vinicius, and Lygia, a Christian girl caught in tumultuous circumstances. At the start of the play, we are introduced to Petronius' household, where he engages in witty banter with his companion Marcus Vinicius. The opening scenes establish the setting of Roman high society, filled with lavishness and power struggles. Vinicius reveals his deep infatuation for Lygia, a woman of noble birth and Christian faith, which sets the stage for conflict as he seeks Petronius’ assistance to win her over. The interplay of these characters introduces themes of love, honor, and the societal norms of the time, laying a rich groundwork for the unfolding drama and Vinicius' desperate quest to claim Lygia amidst the dangers posed by the decadent and ruthless Emperor Nero.
Judas: Romance lirico em quatro jornadas
Augusto de Lacerda
Judas: Romance lirico em quatro jornadas
"Judas: Romance lirico em quatro jornadas" by Augusto de Lacerda is a lyrical romance written in the early 20th century. This work delves into the life and inner turmoil of Judas Iscariot, exploring themes of betrayal, morality, and the conflict between desire and duty. Through the eyes of Judas, we encounter a critical moment in biblical history, intertwined with personal struggles and the complexity of human emotions. The opening of this lyrical romance introduces a vivid portrayal of Bethany, where Judas and other significant characters gather. The scene is set on a serene spring evening, as the characters discuss the looming threats surrounding their leader, Jesus. The dialogue reveals Judas’s internal conflict—his feelings of resentment and desire juxtaposed against the inherent good he recognizes in Jesus. As he grapples with his emotions and thoughts about betrayal and loyalty, the narrative foreshadows his eventual actions amidst rising tensions between the Jewish rulers and the followers of Jesus. This opening portion effectively establishes a rich, emotional landscape, inviting the reader to reflect on themes of faith, love, and betrayal.
Effeitos do Hypnotismo
A. Armando
Effeitos do Hypnotismo
"Effeitos do Hypnotismo" by A. Armando is an original comedy in one act that was first performed at the Theatro Recreativo da Lapa in the late 19th century, specifically in April 1890. This humorous play explores the themes of hypnotism and its effects on interpersonal relationships, particularly between fathers and daughters. The story unfolds in a domestic setting in contemporary Lisbon, reflecting societal norms of the time while incorporating elements of farce. The plot centers around Venceslau das Neves, who is obsessed with hypnotism after attending a session and desires to use it to manipulate his daughter Elvira's marital choices. Elvira, meanwhile, is in love with Anacleto, a poor pharmacy assistant, rather than her father's chosen suitor, the wealthy but dull Felisberto. A series of comedic misunderstandings arises as Venceslau attempts to facilitate a hypnotic demonstration, leading to chaotic and humorous situations. Ultimately, the ruse culminates in Elvira's awakening from a faux hypnosis set up to thwart her father's plans, resulting in a resolution that favors true love over societal expectations. The play cleverly critiques the use of hypnotism as a metaphor for control and highlights the struggles of personal choice against familial obligation.
Octavia: Tragedia em 5 Actos
Vittorio Alfieri
Octavia: Tragedia em 5 Actos
"Octavia: Tragedia em 5 Actos" by Vittorio Alfieri is a dramatic play written in the 18th century, specifically in the late 1700s. This tragedy unfolds the turmoil of Octavia, the daughter of Emperor Claudius, as she faces betrayal, political intrigue, and injustices surrounding her marriage to Nero. The narrative centers around themes of love, power dynamics, and the tragic consequences of ambition and cruelty in ancient Rome. The play follows Octavia, who is unjustly repudiated and exiled by her husband Nero, driven by his infatuation with Poppea. With her return to Rome, Octavia hopes for redemption but is met with condemnation and accusations of infidelity, leading to her tragic fate. Amidst the court's treachery and the volatile emotions of those involved, she struggles to maintain her dignity and innocence. Ultimately, Octavia's tragic demise is sealed by the manipulations of Nero and the political landscape, highlighting the destructive nature of power and desire in a cruel world.
Maldita felicidade : $b comédia original em um acto
Alexandre da Costa
Maldita felicidade : $b comédia original em um acto
"Maldita Felicidade" by Alexandre da Costa is a one-act comedy that was first performed by the Gervasio Lobato Dramatic Group in Lisbon during the late 19th century. The play explores themes of marital relationships and misunderstandings, particularly focusing on the concept of happiness and its ironic consequences. It encapsulates the humorous yet poignant interactions among characters, revealing the complexities of love and fidelity. The storyline centers around Pinto Gallo, a man eagerly awaiting a promotion in the royal court while simultaneously dealing with issues of fidelity and family dynamics. His wife, Engracia, grows suspicious of his affections, believing him to have committed infidelity with a character named D. Felicidade, who she mistakenly thinks is a real person. As the plot unfolds, misunderstandings arise among Pinto Gallo, his wife, their sons Fernando and Carlos, and the tailor Carneiro Real, leading to confounded romantic entanglements. Ultimately, the comedic chaos resolves in a celebration of familial ties and a humorous twist on the true definition of happiness.
Nova Castro: tragedia
João Baptista Gomes Júnior
Nova Castro: tragedia
"NOVA CASTRO: tragedia" by João Baptista Gomes Júnior is a tragic play written in the early 19th century. The narrative revolves around the complex relationship between D. Pedro, the Prince of Portugal, and D. Ignez de Castro, as they navigate the tumultuous political and emotional landscapes influenced by D. Affonso IV, D. Pedro’s father. Central themes of love, duty, and the devastating impacts of tyranny and political intrigue emerge as the characters confront their fates. The opening of the play introduces Ignez, who is portrayed in a state of torment and despair, haunted by her past actions and the implications they carry for her future. She expresses anguish over the ghostly visage of Constança, a rival, and grapples with the fear of her own fate clashing against her love for D. Pedro. As the scene unfolds, Elvira, Ignez's confidante, attempts to soothe her, emphasizing the importance of maintaining Indez's strength for the sake of her children and husband. D. Pedro’s arrival sparks a discussion about the duties that gravitate between love and royal obligations, setting the stage for the tragic events that will unfold as they attempt to balance their desires with harsh societal expectations.
A Traviata: Operetta buffa em 1 acto em verso
Nicolau T. Leroy
A Traviata: Operetta buffa em 1 acto em verso
"A Traviata: Operetta buffa em 1 acto em verso" by Nicolau T. Leroy is a comedic operetta written in the late 19th century. This work combines elements of humor and romance within a single act, centering around a group of characters that engage in lively interactions surrounding themes of love and social expectations. The operetta features music by Giuseppe Verdi, known for its vibrant and expressive compositions, which enhances the dramatic and comedic elements of the narrative. The story unfolds in a lavish salon where the main character, Traviata, arrives to the delight of the guests, who anticipate her charming presence. As the evening progresses, various characters, including the timid Alfredo and the concerned Germano, become entangled in a series of humorous misunderstandings and romantic challenges. Alfredo's naive admiration for Traviata contrasts with Germano's protective instincts, leading to a playful confrontation that explores themes of youthful innocence and societal pressures. The operetta concludes with a light-hearted twist, showcasing the whimsical nature of love and the folly of extreme reactions, ultimately leaving the audience in a celebratory mood.
Pranto de Maria Parda Porque vio as ruas de Lisboa com tão poucos ramos nas tavernas, e o vinho tão caro e ella não podia passar sem elle
Gil Vicente
Pranto de Maria Parda Porque vio as ruas de Lisboa com tão poucos ramos nas tavernas, e o vinho tão caro e ella não podia passar sem elle
"Pranto de Maria Parda" by Gil Vicente is a satirical play written during the early 16th century. The book reflects on the social customs and issues related to alcohol consumption in Portugal, particularly in the context of taverns and the lives of the common people in Lisbon. It is structured around the lamentations of the titular character, Maria Parda, expressing her despair over the scarcity of wine and the changes in the city. The play features Maria Parda as she mourns the loss of the vibrancy of Lisbon's taverns and the high prices of wine that leave her and her companions in dismay. Through her humorous yet poignant verses, Maria engages in conversations with various characters, revealing the struggles of the poor and their reliance on alcohol for pleasure amidst economic hardship. The narrative serves as a critique of the societal issues of the time, intertwining themes of desperation, camaraderie, and the bittersweet nature of life in a bustling urban environment, while also offering a glimpse into the cultural values surrounding drinking in 16th-century Portugal.
Os Primeiros Amores de Bocage Comedia em Cinco Actos
José da Silva Mendes Leal
Os Primeiros Amores de Bocage Comedia em Cinco Actos
"Os Primeiros Amores de Bocage" by José da Silva Mendes Leal is a comedy in five acts written in the mid-19th century. The work explores the early years and formative experiences of the celebrated Portuguese poet Manuel Maria Barbosa de Bocage, emphasizing his youthful loves and passions. Through this lens, the play captures the essence of Bocage’s character and the societal dynamics of his time. The opening of the comedy introduces the premise of Bocage's youthful experiences, particularly focusing on his early romantic entanglements. It hints at the poet's complex nature and artistic inclinations while presenting the characters that populate his world, including influential figures from his life and society. The blend of humor and drama sets the stage for a narrative that intertwines Bocage’s poetry with the motivations and actions of those around him, promising an exploration of emotional depth and societal critique through the lens of romance and youthful aspiration.
O Jardim da Pierrette
José de Almada Negreiros
O Jardim da Pierrette
"O Jardim da Pierrette" by José de Almada Negreiros is a theatrical ballet written in the early 20th century. This enchanting piece captures the whimsical and romantic escapades of its characters, primarily focusing on Pierrot, Pierrette, and their companions, against the backdrop of a vibrant garden. The work delves into themes of love, longing, and the playful dynamics of relationships. The story unfolds as Pierrot expresses his despair over not seeing Pierrette, prompting him to find solace in a garden. From his concealed spot, he attempts to catch her attention with stones and flowers. As the playful interactions between Pierrot, Pierrette, and the mischievous Arlequina and Arlequim occur, misunderstandings and gentle rivalries ensue. Ultimately, after a mix of comic antics and heartfelt exchanges, the characters find reconciliation and joy, culminating in a night of celebration and dance. The narrative weaves together elements of comedy and romance, encapsulating the innocence and passion of youthful love.
A virtude laureada Drama Recitado no Theatro do Salitre
Manuel Maria Barbosa du Bocage
A virtude laureada Drama Recitado no Theatro do Salitre
"A virtude laureada" by Manuel Maria Barbosa du Bocage is a dramatic composition likely written in the early 19th century. This work, presented as a play, explores themes of virtue, knowledge, and the societal issues that arise from ignorance and vice. It is set against a backdrop that interweaves various personifications, such as Science, Indigence, and Libertinism, reflecting on human morals and the state of society. The play unfolds in a single act, featuring characters that embody different aspects of societal virtues and vices. It begins with Science lamenting the plight of those who seek knowledge in a world plagued by ignorance and selfishness. The dialogue transitions into a confrontation with Indigence, who shares its struggles against the backdrop of societal apathy. As the story progresses, the appearance of Libertinism introduces a chaotic element, challenging the virtues the protagonists strive to uphold. Ultimately, the narrative emphasizes the importance of virtue in overcoming the darkness of vice and ignorance, culminating in a depiction of a just society where benevolence and honor prevail, thus sending a powerful moral message to its audience.
Surpreza Entre-acto original
Miguel J. T. Mascarenhas
Surpreza Entre-acto original
"Surpreza" by Miguel J. T. Mascarenhas is a drama written in the early 1870s. The play centers around themes of love, sacrifice, and fate, exploring the lives of its characters who navigate challenging social circumstances. The narrative unfolds in a modest setting, capturing the essence of life in that time period. The storyline revolves around Laura, a seamstress, who struggles to provide for her younger brother Arthur after the death of their mother. Her life takes a pivotal turn with the arrival of Alfredo, a kind-hearted lieutenant who becomes her protector. As their relationship deepens, a surprising revelation unfolds when João, a soldier, confronts Laura and reveals he is her long-lost father. This unexpected reunion sets off a dramatic chain of events filled with emotional turmoil, culminating in a heartfelt resolution as love triumphs over adversity, and the bond between father and daughter is restored.
Á hora do crime phantasia dramatica em 1 acto a proposito do assassinato do General Prim
Francisco Luís Coutinho de Miranda
Á hora do crime phantasia dramatica em 1 acto a proposito do assassinato do General Prim
"Á hora do crime" by Francisco Luís Coutinho de Miranda is a dramatic fantasy in one act, written in the early 1870s. This play revolves around the assassination of General Prim, exploring themes of political intrigue, morality, and the struggle for democracy in Spain. The narrative is set against a backdrop of historical events, reflecting the tumultuous political climate of the time and the author's personal inclination towards revolutionary ideas. The story unfolds in the home of D. Ramon in Madrid on the night of Prim's assassination. Characters engage in intense discussions about loyalty, political ideologies, and the implications of republicanism versus monarchy. Izabel, the daughter of D. Ramon and fiancée of Martinez, expresses her deep fears regarding the potential dangers faced by her loved ones amidst the political unrest. As the plot progresses, news of a violent attack on General Prim shocks the characters, revealing the complex layers of loyalty and treachery that define their relationships. Ultimately, the play serves as a poignant commentary on the nature of political power and the sacrifices made in the name of freedom, reflecting the author's fervent commitment to democracy and social justice.
Uma scena conjugal Comedia—lever de rideau
Luís Couceiro
Uma scena conjugal Comedia—lever de rideau
"Uma scena conjugal" by Luís Couceiro is a comedic play written in the early 20th century. The work explores the complexities of love and marriage through the interactions of its main characters, Carlos and Bertha. This play deftly addresses themes of infidelity, romantic ideals, and the reality of conjugal life, serving as both entertainment and reflection on societal expectations of marriage. The story unfolds in a dialogue-driven format between Carlos and Bertha, highlighting their contrasting views on love and relationships. Carlos, engrossed in his work, finds himself pulled into a conversation with Bertha, who teases out confessions about their pasts. She reveals that she once had a passionate love life filled with adventures, which incites jealousy and confusion in Carlos. As they navigate their feelings, Bertha's revelations challenge the sanctity and understanding of their marriage, leading to a moment of reckoning where both characters must confront their emotions and commitment to one another. Ultimately, the play culminates in a humorous yet poignant resolution as the couple reaffirms their love and vows to move beyond past grievances.
Theatro de João d'Andrade Corvo - I O Alliciador - O Astrologo
João de Andrade Corvo
Theatro de João d'Andrade Corvo - I O Alliciador - O Astrologo
"Theatro de João d'Andrade Corvo - I" by João de Andrade Corvo is a dramatic work written in the mid-19th century. This play, titled "O Alliciador," unfolds in three acts and focuses on a cast of characters dealing with themes of ambition, social class, and the pursuit of happiness in the challenging context of life on the island of Madeira. The narrative likely centers around the character Luiz do Campanario, who aspires for a better life and struggles with the implications of emigration and the elusive definition of success. The opening of the drama introduces Luiz do Campanario and Antonio Prudente discussing their difficult lives amidst the backdrop of societal issues. Luiz expresses his grief about his impoverished situation and the burden of having a sick mother. Meanwhile, the characters reminisce about the past and reflect on their current predicaments, touching on themes of hope and the accompanying fear of leaving one’s homeland. Joanninha, the daughter of Antonio, is established as a key figure intertwined in these relationships, particularly with Luiz, who harbors feelings for her. The dialogue foreshadows conflicts arising from socioeconomic struggles and personal desires, setting the stage for deeper explorations of love, sacrifice, and the pursuit of fortunes as the narrative unfolds.