Subject
American drama -- 19th century Books
Best books
Thomas S. (Thomas Stewart) Denison
Lively plays for live people
"Lively Plays for Live People" by Thomas S. Denison is a collection of plays, likely written in the late 19th century, featuring a variety of comedic and farcical works. The text outlines several plays, indicating a focus on humor and social commentary through the lens of varied comedic scenarios, such as those involving twins and eccentric characters in curious predicaments. The beginning of the book presents the first play, "Topp's Twins," which follows the character Cadwalader Topp, an irascible oyster dealer with a quirky penchant for adopting twins due to his family's tradition. Amidst a flurry of misunderstandings and comical interactions with various characters, including a cheeky traveling salesman and the assertive Mrs. Twiggs-Knott, Topp's desire for twins sets off a humorous chain of events. The narrative cleverly intertwines the themes of love, rivalry, and societal expectations, suggesting an entertaining read filled with lively dialogue and situational comedy.
Bret Harte
Two Men of Sandy Bar: A Drama
"Two Men of Sandy Bar: A Drama" by Bret Harte is a theatrical play written in the late 19th century. The story revolves around themes of identity, redemption, and conflicting values, centered around a cast of memorable characters in the American West, particularly focusing on a man named Sandy Morton and his connection to his father and societal expectations. At the start of the play, we are introduced to the Rancho of Don Jose Castro where a lively discourse among the characters hints at underlying tensions and romantic entanglements. In this opening scene, Sandy Morton, who is masquerading as "Diego," interacts with various characters, including the scheming Dona Jovita and her strict father, Don Jose, who is suspicious of his daughter's clandestine affections. As Sandy attempts to navigate his dual identity while simultaneously trying to ensure Jovita's romantic pursuits, the plot unfolds with humorous missteps and dramatic revelations, setting the stage for a complicated relationship between social class, personal integrity, and the pursuit of happiness amidst familial legacies.
William Dean Howells
The Albany Depot : a Farce
"The Albany Depot: A Farce" by William Dean Howells is a comedic play written in the early 1890s. The story takes place in a waiting room at a train depot in Boston and primarily revolves around the misunderstandings and misadventures of various characters. The likely topic of the book focuses on social interactions, relationships, and the humor found in everyday situations as the characters navigate their personal dilemmas. The narrative centers on Mr. Edward Roberts, who is left in charge of meeting a new cook, engaged by his wife, Agnes. Unbeknownst to him, he has never seen the cook before, leading to a series of humorous misunderstandings when he mistakenly approaches the wrong woman in the depot. As Mr. Roberts interacts with his friend Willis Campbell and the irate husband of the woman he mistakenly addresses, the tension and absurdity build. The chaotic exchanges showcase how simple tasks can snowball into more complex situations filled with comedy, ultimately leading to the arrival of the cook and a resolution amidst the humorous chaos.
William Dean Howells
The Garotters
"The Garotters" by William Dean Howells is a comedic novel written in the late 19th century. It explores the themes of mistaken identity and social morality in the context of a robbery and the ensuing chaos that follows. The story revolves around the character of Mr. Roberts, who believes he has been robbed, only to realize he mistakenly took the watch of another man, Mr. Bemis. The plot begins with Mr. Roberts being accosted by an individual in a dark spot in the park, prompting him to pursue and tackle the supposed thief, leading to an ironic twist when he later discovers that the watch he recovered was not his own. The narrative humorously unfolds as Roberts navigates the complexities of his assault on Bemis, revealing themes of honor, societal expectations, and the absurdity of human behavior. His wife, Agnes, and their circle of friends react with a mix of concern, pride, and disbelief at the unfolding events. The novel culminates in a dinner party where the truth of the situation is slowly unraveled, providing both comedic relief and a moral reflection on the consequences of violence and misunderstanding among gentlefolk in society.
William Dean Howells
The Sleeping-Car: A Farce
"The Sleeping-Car: A Farce" by William Dean Howells is a play first published in 1883. Set entirely aboard a railway sleeping car over 24 hours, the comedy follows Mrs. Roberts as she travels to Boston with her baby and aunt to meet her husband and brother. Late-night confusion erupts when unexpected passengers board the train, leading to mistaken identities and comical confrontations among sleepy travelers in cramped quarters. This minor work demonstrates Howells' characteristic literary realism through its humorous examination of social interactions.
William Dean Howells
The Parlor Car
"The Parlor Car" by William Dean Howells is a comedic farce set in a parlor car on the New York Central Railroad during the early 20th century. The play explores themes of misunderstandings and romantic entanglements, centering on a confrontation between two characters, Lucy Galbraith and Allen Richards, who are caught in an emotional turmoil regarding their broken engagement. It reflects the social dynamics and relational complexities of the time, making it an insightful piece on romantic relationships. The story unfolds in a parlor car where Lucy, distressed after a recent breakup, encounters her former fiancé, Allen, who is equally bewildered by their abrupt separation. Their dialogue reveals their conflicting emotions as they navigate the remnants of their relationship while dealing with a moment of crisis as the car becomes uncoupled from the rest of the train. This leads to a comedic mix of misunderstandings, vulnerability, and ultimately a rekindling of their feelings. As they confront their past grievances, the duo reflects on their love, leading to a humorous yet touching resolution where their misadventures allow them to mend their relationship, demonstrating both the ridiculousness and resilience of love.
George M. (George Melville) Baker
Seeing the Elephant
"Seeing the Elephant" by George M. Baker is a comedic play written in the early 1870s. This theatrical work revolves around the humorous consequences of a farmer's drunken antics at an auction where he inadvertently bids on an elephant, leading to chaos in his household and community. The play reflects the lively and comedic style of American theater during its time, highlighting themes of alcohol consumption, familial obligations, and humorous misunderstandings. The story centers on Silas Somerby, a farmer with a penchant for drink, who stumbles into a series of comedic misadventures after accidentally bidding on an elephant while intoxicated. As he grapples with the fallout of his drunken behavior, Silas faces demands for damages from angry neighbors whose properties his so-called elephant has destroyed. Throughout the play, Silas's family members, including his wife Rachel and son Johnny, react with disbelief and exasperation as they contend with the repercussions of his decisions. The situation is lightheartedly resolved when Harry, a friend who is in love with Silas's daughter Sally, proposes a plan to help Silas reclaim control over his life by promising to marry Sally if Silas gives up drinking. The play concludes with a blend of laughter and moral lesson, as Silas promises to reform and navigate his responsibilities more wisely.
William Dean Howells
The Elevator
"The Elevator" by William Dean Howells is a farce that showcases the dynamics of social interactions during a Christmas dinner in an apartment hotel setting, written in the early 20th century. The play unfolds against the backdrop of a delayed familial gathering, with the main characters anxiously awaiting the arrival of Mrs. Roberts’s Aunt Mary, only to find themselves embroiled in a series of humorous misadventures revolving around the hotel’s elevator. The situations provoke themes of social norms, relationships, and the discomforts of urban living, highlighting a blend of comedy and the mild absurdities of life. In this light-hearted play, the story is propelled by the anxiety of Mrs. Roberts and her husband, Mr. Roberts, as they prepare for a Christmas dinner that becomes a comedic event due to a series of delays. As guests, including Dr. Lawton, Mrs. Miller, and a host of others arrive, it quickly becomes apparent that several key attendees, including Aunt Mary, are stuck in the very elevator meant to transport them. The various characters display a mix of impatience, humor, and absurdity as they navigate their unconventional predicament, including attempts to communicate and devise a plan for rescue. Ultimately, the play culminates in the successful and humorous release of the trapped guests, reinforcing notions of human connection amidst chaos while blending witty dialogue with comical scenarios that reflect the social mores of the time.
W. F. Chapman
April Fools: A farce in one act for three male characters
"April Fools: A farce in one act for three male characters" by W. F. Chapman is a theatrical play written in the late 19th century. This one-act farce focuses on the humorous misunderstandings surrounding a mix-up involving a letter regarding an engagement and a horse for sale. The work explores themes of deception and mistaken identities through playful dialogue and comedic situations, making it a lighthearted piece meant for entertainment. The play centers around Mr. Peter Dunnbrowne, who is eager to marry off his daughter Fanny, and finds himself entangled in a series of misunderstandings with two other men—Mr. James Smith, who believes he's there to buy a horse named Fanny, and Mr. Joseph Smith, an undertaker who has mistakenly received a letter about Fanny's supposed death. As the characters interact, they unravel the confusion, which ultimately stems from a practical joke related to April Fools' Day. The situation escalates into a comedic revelation that showcases the absurdities of communication gone awry, leaving the audience amused by the clever intertwining of their intentions and the chaos that ensues.
E. F. (Elizabeth Fries) Ellet
Poems, translated and original
"Poems, translated and original" by E. F. Ellet is a collection of poetry written in the early 19th century. This anthology features a blend of original works and translations, showcasing themes of nature, love, death, and the human experience across various poetic styles. The collection contains works inspired by famous poets as well as those reflecting personal sentiment, highlighting the emotional depth and artistic expression of the era. At the start of the collection, the author offers a preface explaining that many poems have been published in periodicals and are compiled here with permission. The first piece, "The Sepulchres," explores the themes of mortality, memory, and artistic legacy, questioning what endures beyond death. It reflects a deep reverence for those who have passed and the connection between love and remembrance, setting a tone of earnest reflection for the subsequent poems. The opening sections immediately engage readers with both translated and original works that evoke nostalgia, beauty, and contemplation of existence.
George M. (George Melville) Baker
The Duchess of Dublin: A Farce
"The Duchess of Dublin: A Farce" by George M. Baker is a comedic play written in the early 1870s, likely during the Victorian era. This farce revolves around amusing misunderstandings and the pursuit of social status, showcasing themes of identity and deception in a lighthearted manner. The narrative primarily involves characters manipulating a situation to elevate the reputation of a newly practicing doctor by falsely presenting a local milliner as a high-ranking noblewoman. In the story, Dr. Adam Aconite struggles to establish his medical practice in a village resistant to trusting a newcomer. With the help of his friends, a scheme is devised to promote him by claiming that "The Duchess of Dublin" is under his care; this duchess is, in reality, Maggie Mullen, a local girl with no real noble ties. As word spreads, a flurry of patients, including wealthy and curious townsfolk, flock to the doctor, each believing they are in the presence of true nobility. The mix-ups and antics that ensue create a series of humorous moments as the characters navigate their relationships and the consequences of the ruse, ultimately leading to a playful exploration of ambition, love, and societal perceptions.
Louisa May Alcott
Comic Tragedies Written by 'Jo' and 'Meg' and Acted by The 'Little Women'
"Comic Tragedies" by Louisa May Alcott and Anna Bronson Alcott Pratt is a collection of whimsical yet melodramatic plays likely written in the late 19th century. The book showcases the imaginative pursuits of Jo and Meg, fictionalized characters based on the authors themselves, as they indulge in writing and performing plays in their youth. Through their theatrical endeavors, it highlights themes of friendship, creativity, and romanticized notions of love and tragedy. At the start of "Comic Tragedies," we are introduced to the backdrop of the Alcott sisters' childhood, which is filled with the excitement of staging their own dramas in a garret. Jo, with her penchant for dark and dramatic roles, takes on the villains and ghosts, while Meg favors romantic leads. The sisters, along with their friends, ingeniously transform their limited resources into elaborate performances full of passion and laughter. As they navigate the challenges of amateur theatre, their works are a blend of comedy and tragedy, reflecting their innocence and youthful aspirations. The narrative sets the stage for an exploration of both their artistic inclinations and the bonds that define their experiences.
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