Subject
Architecture, Greek Books
Best books
Harry Douglas
Some old masters of Greek architecture
"Some Old Masters of Greek Architecture" by Harry Douglas is a historical account written in the late 19th century. This work aims to shed light on the often-overlooked architects of ancient Greece, exploring their contributions and the lasting impact of their designs on the field of architecture. Douglas seeks to revive the names and stories of these geniuses who shaped the architectural standards that continue to be admired and emulated in modern times. The opening of this work introduces the author’s motivation to delve into the obscured history of Greek architects, highlighting a significant gap in the general awareness of their identities and achievements. Douglas emphasizes the importance of architecture as an art form that intertwines functionality and aesthetics. He critiques the tendency of historians to forget or overlook the names of architects in favor of artists from other domains, such as painting and sculpture. By mentioning specific examples and historical references, he sets the stage for a deeper exploration of notable Greek architects, including a list of eighty-two figures he aims to discuss throughout the volume.
Owen Jones
An Apology for the Colouring of the Greek Court in the Crystal Palace
"An Apology for the Colouring of the Greek Court in the Crystal Palace" by Owen Jones is an artistic exploration published in the mid-19th century, specifically during the Victorian era. The book presents a detailed argument for the polychromy of Greek architecture, asserting that ancient Greek monuments were originally bright and colorful rather than the stark white they appear today. Owen Jones embarks on an investigation into the historical and artistic significance of color in ancient Greek structures, aiming to dismantle prevailing prejudices about the aesthetic principles of classical art. The content delves deeply into the evidence supporting the idea that Greek architecture, specifically within the context of the Crystal Palace, should be understood as a complex of colors and designs. Jones discusses the findings of several authorities in the field, including G. H. Lewes, and compiles arguments from various historical texts, proposing that the ancient Greeks employed a rich palette in their artistic expressions. The book emphasizes the need to recognize that color played an essential role in the original perception and functionality of sculptures, stressing that much of their beauty relied on painted details that have been lost over time. It ultimately advocates for a reinterpretation of Greek monuments as vibrant and fluid, challenging readers to reconsider their assumptions about classical art and its legacy.
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