Subject
Art, Portuguese Books
Best books
António de Lemos
Notas d'arte
"Notas d'arte" by António de Lemos is a collection of art critiques and reflections written in the early 20th century. Through detailed observations and personal impressions, the author discusses various exhibitions and artworks, highlighting the evolution of art in Portugal, the significance of artists, and the changing public perceptions of artistic expressions. The work serves as a commentary on the artistic landscape and the societal influences that shape it. At the start of "Notas d'arte," the editor's note addresses typographical errors in the text, leading into the author's introductory observations on how art reflects the customs of a society, citing philosopher Taine. Lemos subsequently critiques an exhibition organized by the Instituto de Estudos e Conferências, sharing his impressions of numerous artworks on display, ranging from paintings to sculptures. He admires the skills of artists like Malhoa and Silva Porto, noting their contributions to Portuguese art, while also expressing disappointment in critics lacking artistic understanding. The opening sets the tone for a reflective exploration of artistic merit and the evolving art scene in early 20th century Portugal.
Ramalho Ortigão
O culto da arte em Portugal
"O culto da arte em Portugal" by Ramalho Ortigão is a historical account written in the late 19th century. The work explores the cultural and artistic heritage of Portugal, critically examining the state of its architectural monuments and the societal attitudes towards art during his time. It likely delves into themes of restoration, national pride, and the relationship between art and history, as well as the decline of traditional craftsmanship. The opening portion of the text sets a reflective tone as the author discusses the rich artistic history of Portugal, particularly during the Renaissance and Medieval periods. He details the monumental works—cathedrals, palaces, and public buildings—constructed as expressions of faith and national identity. However, he expresses concern over the neglect and degradation of these works in contemporary society, lamenting the lack of appreciation for cultural heritage and professionalism in restoration practices. Ortigão critiques both the indifferent attitudes of the authorities and the failures in executing restoration efforts, emphasizing the need for a return to a sense of patriotic solidarity and respect for the country's artistic legacy.
Recently surfaced classics