Subject
Bacon, Francis, 1561-1626 -- Authorship Books
Best books
Appleton Morgan
The Shakespearean Myth: William Shakespeare and Circumstantial Evidence
"The Shakespearean Myth: William Shakespeare and Circumstantial Evidence" by Appleton Morgan is a historical account written in the late 19th century. The work delves into the controversies surrounding the authorship of the plays attributed to William Shakespeare, arguing that there are significant gaps in evidence regarding his role as their sole creator. Morgan explores the notion that the legacy of the Stratford-born playwright may not be as straightforward or singular as traditionally believed. The opening of the text establishes the premise that, while Shakespeare is celebrated as a literary genius, the circumstances of his life raise questions about whether he could have authored the works attributed to him. Morgan discusses the lack of contemporary documentation supporting Shakespeare's authorship and highlights contrasting accounts of his life, which portray him as a mere actor and theater manager rather than a profound author. He suggests that the evidence typically cited in favor of Shakespeare’s literary status is insufficient and challenges readers to reconsider the historical narrative surrounding such an iconic figure.
Andrew Lang
Shakespeare, Bacon, and the Great Unknown
"Shakespeare, Bacon, and the Great Unknown" by Andrew Lang is a scholarly work exploring the contentious debate surrounding the authorship of William Shakespeare's plays, written in the early 20th century. The text delves into theories that suggest Francis Bacon, or some other unknown individual, rather than the traditional Stratford man, authored the works attributed to Shakespeare. Lang's exploration addresses the divide between Baconians, who advocate for Bacon's authorship, and those who defend Shakespeare's legacy, highlighting various historical perspectives and arguments on both sides. The opening of this book establishes the context for a detailed inquiry into the long-standing controversy regarding Shakespeare's authorship. Lang presents the theories posited by his contemporaries, notably Mr. G. G. Greenwood, who categorically dismisses Shakespeare as the true author and seeks to propose an anonymous literary genius as a more plausible creator. Throughout the introduction and first chapter, Lang outlines the fundamental positions held by Baconians versus Stratfordians, revealing the lack of consensus even among the critics and literary scholars. As such, the beginning effectively sets the stage for further exploration of these debates throughout the rest of the text, offering readers a glimpse into the complicated interplay of evidence, speculation, and literary loyalty that surrounds one of history's most beloved playwrights.
Edwin Durning-Lawrence
The Shakespeare Myth
"The Shakespeare Myth" by Sir Edwin Durning-Lawrence is a critical examination of the traditional narrative surrounding William Shakespeare, written in the early 20th century. This book challenges the widely accepted authorship of Shakespeare's works, suggesting that they were actually penned by Francis Bacon, and delves into the historical and biographical inconsistencies pertaining to Shakespeare's life. It reflects the early 1900s cultural skepticism towards established literary canon and examines the implications of the authorship debate on the understanding of English literature. In this book, Durning-Lawrence meticulously dissects the evidence associated with Shakespeare, including his supposed signature, the publication of his plays, and the historical context of his life. He points out various discrepancies, such as the fact that only a handful of plays can be firmly attributed to Shakespeare during his lifetime, while many others emerged posthumously with significant alterations. Through an exploration of historical documents, scripts, and Bacon's own writings, he presents the argument that Shakespeare was not the prolific playwright and poet but rather a pseudonym used by Bacon to shield the true author from political and social scrutiny. The book is a unique contribution to literary criticism and raises profound questions about authorship, legacy, and the nature of literary genius.
E. W. (Edward Walter) Smithson
Baconian Essays
"Baconian Essays" by E. W. Smithson is a collection of essays written in the early 20th century. The book critically examines the authorship of the works attributed to William Shakespeare, presenting a case that argues Francis Bacon as the true author. This collection also includes contributions from notable figures like Sir George Greenwood, who adds his own essays and introduction to the discourse on literary identity. The beginning of "Baconian Essays" introduces the controversial debate surrounding the authenticity of Shakespeare's authorship, setting the stage for Smithson's arguments. It presents a range of perspectives, particularly highlighting the views of influential writers like Henry James, who questioned Shakespeare's legitimacy as the author of his celebrated works. Smithson challenges the conventional belief in the Stratford actor's authorship by proposing an alternative narrative that suggests literary deception was common in Shakespeare's time and that significant literary works were instead produced by Bacon under the guise of a pseudonym. This opening portion establishes an analytical tone that invites readers to reconsider widely held assumptions about one of literature's most iconic figures.
Kuno Fischer
Shakespeare und die Bacon-Mythen
"Shakespeare und die Bacon-Mythen" by Kuno Fischer is a scientific publication written in the late 19th century that delves into the contentious Bacon-Shakespeare authorship debate. The book examines the controversial theory that Francis Bacon, rather than William Shakespeare, was the true author of the renowned Shakespearean works. It seeks to demystify and debunk the myths surrounding this theory, engaging with various arguments put forth by its proponents while emphasizing the literary and historical significance of Shakespeare's own contributions. The opening of the work presents the context of Fischer's speech given at the German Shakespeare Society in Weimar, detailing his motivation to clarify misconceptions surrounding Shakespeare and the Bacon theory. He acknowledges the extensive literature that has accumulated on the subject, revealing how numerous advocates affirming Bacon's authorship have proliferated amidst their skeptics. Fischer sets the stage for his analysis by critiquing the rise of the so-called "Shakespeare myth" that paints Shakespeare as a mere crafted image without real literary merit, while simultaneously positioning Bacon as a concealed mastermind. The text introduces the overarching themes of the debate, including the lack of concrete evidence supporting the Bacon theory and the contrasting views of Shakespeare's artistic genius.
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