Subject
Beaumont, Francis, 1584-1616 Books
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Charles Mills Gayley
Francis Beaumont: Dramatist A Portrait, with Some Account of His Circle, Elizabethan and Jacobean, And of His Association with John Fletcher
"Francis Beaumont: Dramatist" by Charles Mills Gayley is a scholarly account written in the early 20th century. The book explores the life, works, and influence of the esteemed Elizabethan dramatist Francis Beaumont, alongside his close collaborator John Fletcher. The author seeks to illuminate Beaumont's contributions to drama in relation to his contemporaries, particularly Shakespeare, while also detailing his historical context and personal connections. At the start of this comprehensive study, Gayley introduces Beaumont as a significant figure in the Elizabethan and Jacobean drama scene, often overshadowed by Shakespeare. Gayley emphasizes the intertwined careers of Beaumont and Fletcher, dubbing them the "twin literary heroes" of their time, and articulates his goal to distinctly portray Beaumont's unique artistic personality. The opening chapters highlight Beaumont's lineage, early life, and familial ties, establishing the foundation for understanding how his background and social connections shaped his literary endeavors. Additionally, Gayley lays the groundwork for Beaumont's eventual collaboration with Fletcher, underscoring the significance of their joint contributions to the theatrical landscape of their era.
Samuel Taylor Coleridge
Shakespeare, Ben Jonson, Beaumont and Fletcher
"Shakespeare, Ben Jonson, Beaumont and Fletcher" by Samuel Taylor Coleridge is a critical examination of the works of these renowned playwrights, written in the late 19th century. This literary work provides detailed notes and lectures analyzing the drama, poetic elements, and characterizations within their plays, focusing particularly on Shakespeare's contributions to the theatrical landscape. Coleridge delves into the intricacies of poetry and drama, exploring the significance of these authors in the evolution of literary expression. The opening of Coleridge’s work lays a foundation for understanding the essence of poetry and its distinctions from other forms of writing, such as science and prose. It begins with a definition of poetry that highlights its role in evoking pleasure and emotional resonance. Furthermore, Coleridge reflects on the characteristics of Greek drama and its evolution into the more complex forms found in Shakespeare's works. He discusses the rich interplay between tragic and comic elements and emphasizes the necessity of audience engagement in drama, setting the stage for deeper analyses of individual plays from Shakespeare and his contemporaries.
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