Subject
Character sketches -- Early works to 1800 Books
Best books
Jean de La Bruyère
The "Characters" of Jean de La Bruyère
"The 'Characters' of Jean de La Bruyère" by Jean de La Bruyère is a collection of moral and social reflections written in the late 17th century. The work examines human nature and the follies of society, presenting a series of character sketches that criticize and illuminate the social norms and behaviors of the time. La Bruyère himself is highlighted as a keen observer and critic of the human condition, drawing on his experiences within the court and social circles of his era. At the start of "Characters," the introduction offers insight into La Bruyère's perspective on morality, literature, and society. It makes clear that while he does not aim to create maxims, his work is a detailed observation of the humankind's passions and vices. He states that his characters are composites drawn from various individuals, allowing for a broader commentary on human nature rather than merely painting specific portraits. This section sets the tone for an exploration of societal behavior at the end of the 17th century, where La Bruyère's nuanced critique addresses the superficiality of human interactions and the consequences of pride and Vanity amidst the backdrop of Louis XIV's courtly life.
Theophrastus
The Characters of Theophrastus A Translation, with Introduction
"The Characters of Theophrastus" by Theophrastus is a collection of character sketches written in ancient Greece during the late 4th century BC. This work is often recognized as one of the earliest studies of human character types, describing various moral and social defects observed in individuals of his time. Theophrastus, a pupil of Aristotle, provides a unique window into both the personalities prevalent in Athenian society and the timeless qualities of human nature that are still relevant today. The book consists of thirty brief but incisive portraits, each highlighting a different flawed character, from "The Flatterer" to "The Coward," and "The Boor" to "The Avaricious Man." Theophrastus employs a straightforward and vivid style to showcase these character types, often emphasizing their behaviors in everyday situations. Instead of delving into complex narratives or moral judgments, he illustrates how these archetypes manifest in society and interact with others. Consequently, these sketches serve not only as observations but also as a reflection of the human condition, showcasing the absurdities and follies that people continue to exhibit in all cultures and eras.
Jean de La Bruyère
Les caractères
"Les caractères" by Jean de La Bruyère is a collection of observations published in 1688. Working for seventeen years, La Bruyère crafted 420 remarks in the form of maxims, reflections, and portraits depicting French society and court life. Presented as a continuation of ancient Greek philosopher Theophrastus's work, the collection grew through nine editions to over 1,100 observations by 1694. La Bruyère sketched the social and cultural flaws of his time, balancing instruction with entertainment through varied literary forms and brilliant style.
Roger L'Estrange
Selections from the Observator (1681-1687)
"Selections from the Observator" by Sir Roger L'Estrange is a collection of political writings that captures the essence of late 17th-century journalism. Written during the Restoration period, it serves as a reflection of the turbulent political climate in England and showcases L'Estrange's role as a staunch Royalist and critic of dissent. The work primarily addresses the political controversies of its time, particularly the issues surrounding the Whigs, Dissenters, and the aftereffects of the Popish Plot. The opening of the text introduces the reader to the context and objectives of the "Observator." L'Estrange presents himself as the author who aims to clarify the misinformation and malignity spread by various factions in society, particularly targeting Dissenters and opponents of the monarchy. The dialogue format used allows for an engaging exploration of conflicting opinions and fosters a satirical discussion of contemporary issues such as religion, governance, and civil unrest. Through this structure, L'Estrange not only seeks to defend the monarchy but also to engage the public in a discourse that probes the sincerity and motives behind political opposition in his era.
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