Subject
Cibber, Colley, 1671-1757 Books
Best books
Colley Cibber
An Apology for the Life of Mr. Colley Cibber, Volume 2 (of 2) Written by Himself. A New Edition with Notes and Supplement
"An Apology for the Life of Mr. Colley Cibber, Volume 2 (of 2)" by Colley Cibber is an autobiographical treatise written in the early 18th century. This work serves as both a memoir and a reflective account of the author’s experiences in the English theatre, particularly focusing on its practices, challenges, and evolving nature during his career. Cibber, himself a playwright and actor, recounts his journey, details interactions with notable figures in theatre, and sheds light on the management of theatrical companies. The opening of this second volume presents a vivid exploration of the theatre scene in Cibber's time, as he discusses the restructuring of actors and plays within various theatres, particularly the Hay-Market and Drury-Lane. He describes the dynamics of actor management, competition, and audience reception, highlighting how financial pressures influence theatrical quality and organization. Cibber expresses concerns over the evolving standards and the patronage of the stage, capturing both the enthusiasm and the turmoil that characterized his career in theatre.
Colley Cibber
An Apology for the Life of Mr. Colley Cibber, Volume 1 (of 2) Written by Himself. A New Edition with Notes and Supplement
"An Apology for the Life of Mr. Colley Cibber, Volume 1 (of 2)" by Colley Cibber is an autobiographical work written in the early 18th century. This engaging text provides a candid look into the life of Cibber, a prominent actor and playwright of his time, exploring the social, political, and theatrical landscapes that shaped his experiences. Through his account, Cibber aims to defend his reputation and provide insights into the world of theater during a formative period in English drama. The opening of the work introduces Colley Cibber's motivations for writing his autobiography, emphasizing his desire to transparently present his life to the public rather than leave it to the interpretations of others. He reflects on his past follies and how they contributed to his happiness, challenging the notion that wisdom is the ultimate pursuit. Cibber sets the stage for a narrative that seeks to provide an authentic look at not only his personal life but also the broader context of theatrical history in which he played a key role. The beginning hints at a blend of humor, self-reflection, and critical examination of societal norms surrounding the stage and its performers.
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