Subject
Clothing and dress -- Great Britain Books
Best books
Talbot Hughes
Dress design $b: an account of costume for artists & dressmakers
"Dress Design: An Account of Costume for Artists & Dressmakers" by Talbot Hughes is a technical handbook written in the early 20th century. This work serves as a comprehensive guide that explores the evolution of historical costume, providing practical insights and illustrations beneficial to both artists and dressmakers. The book discusses various styles of dress through the ages, offering suggestions for modern dressmakers while acknowledging historical influences. The opening of the book introduces its aims and the significance of costume design as an essential craft that combines artistry and technical skill. The author emphasizes the importance of understanding the principles that govern the development of costume, such as freshness, fit, and the interplay of design and craftsmanship. Moreover, Hughes mentions his extensive research, including insights drawn from his collection of historical garments and patterns, which are included to assist readers in their design endeavors. The introduction sets a tone of appreciation for costume history while proposing a blend of traditional craftsmanship with modern practices.
Dion Clayton Calthrop
English Costume
"English Costume" by Dion Clayton Calthrop is a historical account written in the early 20th century. The work provides an in-depth examination of the evolution of civilian clothing in England, beginning from the time of the Norman Conquest through various historical periods. Focusing on how clothing reflects societal changes and individual identity, it meticulously traces the transition of styles, materials, and cultural influences over time. The opening of "English Costume" sets the stage for a comprehensive exploration of fashion history, with the author emphasizing the integral role clothing plays in shaping a person's identity and reflecting social norms and values. Calthrop introduces the idea that fashion is intertwined with significant historical figures and events, illustrating this connection through anecdotes about notable garments from various reigns. He establishes an organized historical timeline, pairing illustrations with textual descriptions that detail the changes in men’s and women’s attire from the Norman Conquest (1066) onwards, all while asserting the importance of understanding the clothes of one's own people to fully grasp their history. The opening effectively frames the book as a unique resource that links fashion to historical narratives in a way that is both accessible and engaging.
Recently surfaced classics