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Dürer, Albrecht, 1471-1528 Books
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F. W. (Frederick William) Fairholt
Rambles of an archæologist among old books and in old places : $b Being papers on art, in relation to archæology, painting, art-decoration, and art-manufacture
"Rambles of an Archæologist Among Old Books and in Old Places" by Frederick William Fairholt is a collection of art-related essays written in the late 19th century. This work explores the intersections of archaeology, painting, and decorative arts, intertwining historical insights with aesthetic evaluations. Fairholt, being an accomplished archaeologist and author, delves into the historical significance of various artistic forms, making this book appealing to both art enthusiasts and scholars alike. The opening of the book sets the stage for an exploration of the evolution of artistic styles through historical epochs, notably discussing the transition from classical Roman art to medieval expressions and ultimately to the Renaissance. Fairholt introduces the reader to the impacts of ancient artwork on later periods, emphasizing the complexities and adaptations of styles as culture and context evolved. He also hints at the rich anecdotal history surrounding various art forms that will be the focus of subsequent chapters, promising a narrative that combines scholarly discourse with captivating stories.
H. (Hermann) Knackfuss
Dürer
"Dürer" by H. Knackfuß is a historical account written in the late 19th century. The text serves as a monograph dedicated to the life and works of the renowned German artist Albrecht Dürer, exploring his artistic journey and contributions to the art world during the Renaissance. With numerous illustrations of Dürer's paintings, woodcuts, and engravings, the work aims to celebrate and dissect the impact of his artistry on the development of German painting. The opening of the work sets the stage by introducing Albrecht Dürer as a pivotal figure in 16th-century German art. It begins with details of his early life in Nuremberg and the influences that shaped his artistic ambitions, highlighting his initial training as a goldsmith before transitioning to painting. Key moments in Dürer's development, including his apprenticeship under Michael Wolgemut and his subsequent travels across Europe, are discussed, laying a foundation for his later masterpieces. The text portrays Dürer’s deep commitment to nature, his quest for beauty, and his innovative techniques, foreshadowing the comprehensive exploration of his artistic contributions that follows.
T. Sturge (Thomas Sturge) Moore
Albert Dürer
"Albert Dürer" by T. Sturge Moore is a historical account written in the early 20th century. The book presents an exploration of the life and significance of the renowned artist Albrecht Dürer, offering insights into his background, artistic contributions, and the intellectual and cultural milieu of his time. It aims to appreciate Dürer’s greatness not just through his works, but in relation to broader artistic and philosophical ideas. The opening of the book includes a preface and the first chapter, which establishes the context of Dürer's life and work. Moore acknowledges the influence of the late Arthur Strong on the project and outlines his intention to provide a thoughtful appreciation rather than exhaustive research. In the first chapter, he introduces the concept of "proportion," indicating its importance in understanding Dürer’s art, while also discussing the broader themes of reason, cultural values, and the interaction of art and religion. The narrative reflects a deep contemplation of how Dürer's works embody a harmonious relationship between beauty and technical skill, setting the tone for a comprehensive examination of the artist's legacy as the book unfolds.
M. F. (Moses Foster) Sweetser
Dürer Artist-Biographies
"Dürer" by M. F. Sweetser is a historical account likely written in the late 19th century. The book focuses on the life and work of Albert Dürer, one of the most significant artists of the German Renaissance, who is celebrated for his fantastic paintings and engravings as well as his profound contributions to art theory. Sweetser seeks to provide a comprehensive yet accessible biography that highlights not only the artist's renowned works but also contextualizes them within the broader artistic and cultural movements of his time. At the start of the volume, the author introduces Nuremberg as a vibrant hub of culture and commerce during Dürer's formative years. It describes Dürer's family background, his early artistic education under Michael Wohlgemuth, and the characteristics of the city that shaped his career, including its flourishing art scene and the innovations of local craftsmen. Sweetser emphasizes the socio-economic dynamics of Nuremberg, enriching the reader’s understanding of how these elements influenced Dürer's development and the eventual emergence of his unique style in a period marked by the onset of the Reformation and the quest for new artistic expressions.
Frank Jewett Mather
The Mentor: Two Early German Painters, Dürer and Holbein, Vol. 1, Num. 48, Serial No. 48
"The Mentor: Two Early German Painters, Dürer and Holbein, Vol. 1, Num. 48,…" by Frank Jewett Mather, Jr. is a scholarly art history publication likely written in the early 20th century. This book provides an exploration of two prominent figures in the German Renaissance art movement, Albrecht Dürer and Hans Holbein, elucidating their contributions to the world of painting and engraving. Mather, as a professor of art and archaeology, brings a knowledgeable perspective to the examination of their lives and works. The content of the book systematically details Dürer's and Holbein's artistic journeys, describing Dürer's early life in Nuremberg, his mastery in engravings, and the philosophical depth of his portraiture. It contrasts this with Holbein's career, which flourished in both Basel and London, highlighting his innate talent for capturing character and life in a more approachable style. Mather highlights key works by both artists, illustrating their respective techniques and thematic preoccupations, and contextualizing their contributions against the backdrop of the Renaissance cultural movement. The book serves not only as a guide to their notable pieces but also as an insightful commentary on how their works reflect the values and ideas of their time.
Bernhard Hausmann
Albrecht Dürer's Kupferstiche, Radirungen, Holzschnitte und Zeichnungen : $b unter besonderer Berücksichtigung der dazu verwandten Papiere und deren Wasserzeichen
"Albrecht Dürer's Kupferstiche, Radirungen, Holzschnitte und Zeichnungen" is a detailed study of the prints and related works of the artist Albrecht Dürer, written during the mid-19th century. The book meticulously analyzes Dürer's copper engravings, etchings, woodcuts, and drawings, while also delving into the types of paper and watermarks associated with his work. It serves as a critical resource for art historians and collectors alike, highlighting the significance of paper characteristics in determining the authenticity and chronology of Dürer's prints. The opening of this comprehensive examination begins with a preface that discusses the increasing attention given to the study of paper types and watermarks in the context of 15th-century prints, a focus that has been less emphasized for Dürer's works until now. The author, Oberbaurath B. Hausmann, reflects on his extensive research over several years, detailing travels to various collections to support his findings. He emphasizes how understanding the paper used in Dürer’s prints can provide insights into their dating and value, thereby enhancing appreciation for the artist’s legacy. This scholarly work aims not only to present Dürer's artistic contributions but also to correct misconceptions about them based on their physical characteristics.
Herbert Furst
Dürer
"Dürer" by Herbert E. A. Furst is an art biography written in the early 20th century that explores the life and works of the renowned German painter Albrecht Dürer. The book delves into Dürer's significance in the art world during the Northern Renaissance, providing insight into his creative processes, influences, and the thematic concerns reflected in his works. Furst's narrative presents Dürer as a multidimensional figure—a craftsman, thinker, and moralist—whose art was heavily influenced by the socio-political and religious contexts of his time. He emphasizes Dürer’s struggle for recognition and financial success while highlighting his dedication to capturing the human condition, faith, and emotion in his pieces. The book further critiques Dürer’s blending of realism with the fantastical, suggesting that his appeal lies not in the mere beauty of his creations, but in the depth of thought and intention behind them. Through the portraits, engravings, and altarpieces, Furst positions Dürer as a pivotal figure who sought to convey profound truths about existence, sorrow, and faith through his meticulously crafted art.
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