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Dance Books
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The Dance
"The Dance" by Ivan Narodny is a comprehensive examination of the art of dance, written in the early 20th century. This volume, part of a larger series entitled "The Art of Music," explores the historical and cultural significance of dance across various civilizations, analyzing its evolution, practices, and the psychology behind it. The book sets out to celebrate the dance as an essential and enduring aspect of human expression, underscored by a rich tapestry of traditions and meanings. The opening of the work features an introduction by renowned ballerina Anna Pavlova, emphasizing the profound connection between dance, music, and the spiritual rhythm of life. It discusses how dancing has been integral to diverse cultures, from ancient Egypt to the modern era, often intertwined with religious practices and societal values. Early chapters introduce key concepts such as the psychology of dancing, highlighting the aesthetic and social motivations behind dance, as well as its primitive roots in human expression. The text sets a foundation for further exploration into historical dancing practices worldwide, signaling that the upcoming chapters will delve into specific cultural dances, their meanings, and their evolutionary significance.
Troy Kinney
The Dance: Its Place in Art and Life
"The Dance: Its Place in Art and Life" by Troy Kinney and Margaret West Kinney is a comprehensive examination of dance as an art form, likely written in the early 20th century. This work analyzes the history and evolution of dance from ancient civilizations through various cultural epochs, discussing its significance in artistic expression and social ritual. Focusing on diverse styles ranging from classical ballet to folk dances and the rituals of ancient religions, the authors aim to enhance appreciation of dance among readers regardless of their prior expertise. The opening portion of the book establishes the foundational role of dance in human culture, emphasizing its emotional expression and ritualistic significance throughout history. It traces the importance of dance from the rituals of ancient Egypt and Greece, detailing how it served as a form of communal expression and individual celebration tied closely to spiritual beliefs. By highlighting examples from biblical texts and classical philosophers like Plato, the authors illustrate the reverence for dance as both an artistic and communal activity, laying the groundwork for the deeper exploration of dance's place within various art forms to follow in later chapters.
Ned Wayburn
The Art of Stage Dancing The Story of a Beautiful and Profitable Profession
"The Art of Stage Dancing" by Ned Wayburn is a manual of stage craft written in the early 20th century. This work explores the art and profession of stage dancing, offering insights from Wayburn's extensive experience in theater, both as a dancer and a director. The book is likely aimed at aspiring dancers and includes a blend of historical context, practical methods, and inspirational anecdotes to engage readers who are passionate about dance and performance. The opening of the book begins with Wayburn addressing the reader with an enthusiastic greeting, emphasizing his intent to share insights into the world of stage dancing. He expresses gratitude towards students, teachers, and the audience alike, highlighting the significance of dance in bringing joy and beauty to life. Wayburn then humbly admits his inexperience as an author but reassures readers of the genuine passion and knowledge he shares about the art form. He outlines the various topics that will be covered, beginning with a historical overview of dance, emphasizing the evolution from primitive movements to modern stage performances, and setting the stage for a deeper exploration of techniques and training methods in the chapters to come.
Gilbert Seldes
The Seven Lively Arts
"The Seven Lively Arts" by Gilbert Seldes is a critical examination of various forms of American entertainment written in the early 20th century. The text explores how these lively arts, including vaudeville and film, were often dismissed by the cultural elite, yet they uniquely captured and reflected the spirit of their time. Through an affectionate lens, Seldes argues for their significance and artistic value, featuring noteworthy figures such as Charlie Chaplin. The opening of the book sets the tone for Seldes' exploration by addressing slapstick comedy and its place in American culture. He reflects on the origins and evolution of the Keystone comedies, emphasizing their distinctive charm and vitality despite critical neglect. Seldes acknowledges the influence of great comedic artists, particularly Mack Sennett and Chaplin, while critiquing the broader societal perceptions of comedy as a vulgar or unrefined art form. Through an insightful narrative, he positions slapstick and its creators within the larger artistic landscape of American culture, advocating for a deeper appreciation of the genre.
J. E. Crawford (John Ernest Crawford) Flitch
Modern dancing and dancers
"Modern Dancing and Dancers" by J. E. Crawford Flitch is a historical account written in the early 20th century. The book explores the evolution and significance of dance as an artistic expression, particularly focusing on the ballet and its renowned dancers throughout history. It assesses the shifts in societal attitudes towards dance and its role in cultural practices, shedding light on both celebrated and lesser-known figures in the dance world. At the start of the book, the author reflects on the historical perception of dance, emphasizing its cultural importance and how it has been viewed both as a serious art form and a frivolous pastime. The introduction outlines the contemporary renaissance in dance, hinting at various notable dancers who emerged during the early 20th century. The opening also notes the complexities of critiquing dance as an art form, touching on themes such as emotional expression and the relationship between the dancer and their craft, suggesting that the book will delve into the deeper meanings and nuances of dance in modern society.
Professor Wilkinson
Dancing Without an Instructor
"Dancing Without an Instructor" by Professor Wilkinson is an instructional guide to dancing techniques written in the early 20th century. This book serves as a practical manual, detailing various dance forms, etiquette, and positions essential for both beginners and those looking to refine their skills. The text emphasizes not only the steps to perform different dances but also the cultural importance and health benefits of dancing. The opening of the book introduces the reader to the importance of understanding basic dance etiquette and the evolution of dance styles. It suggests that whereas historical dances required knowledge of many forms, modern dancers might focus primarily on a few—namely the Waltz, Two-Step, and Lancers. The introduction highlights how dancing is a joyful, health-promoting activity that enhances physical and mental well-being, while also cautioning against its potential associations with less favorable contexts. Following the introduction, the author begins explaining the fundamental positions required to dance effectively, setting the groundwork for the elaborate instructions that follow throughout the guide.
Thomas A. Faulkner
From the Ball-Room to Hell
"From the Ball-Room to Hell" by Thomas A. Faulkner is a provocative work written in the early 1890s, during a time of significant moral questioning in American society. This critical text serves as a cautionary account that aims to unmask the perceived dangers and moral degradation associated with dancing and social entertainment. Faulkner draws upon his experiences as a former dancing master to argue against the influence of dance on the virtue of young women, warning that it leads to a life of shame and destruction. In this book, Faulkner presents a series of haunting narratives and observations about young women who lose their innocence in the world of ballroom dancing. Through detailed character studies of girls who begin their journey with excitement and end in despair, Faulkner illustrates the seductive nature of dance and its ability to awaken undesirable passions. He recounts stories of deception by men who frequent these social gatherings, luring innocent girls into compromising situations. Fearing for the souls of the young and vulnerable, Faulkner fervently calls on parents to protect their children from what he perceives as an insidious path leading to ruin. The text is a stark and uncompromising exploration of morality, with a strong emphasis on the impact that seemingly harmless social activities can have on a person's life.
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