Subject
Danish drama -- Translations into Finnish Books
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Henrik Hertz
Kuningas René'n tytär : $b Lyrillinen drama yhdessä näytöksessä
"Kuningas René'n tytär: Lyrillinen drama yhdessä näytöksessä" by Henrik Hertz is a Danish verse drama written in 1845. This fictional tale reimagines the early life of Yolande of Lorraine as a beautiful blind princess who lives sheltered in a garden paradise, unaware of her condition or royal identity. When Count Tristan arrives for an arranged marriage, he unknowingly falls in love with his own betrothed. The play explores themes of sight, awakening, and love as the princess approaches her sixteenth birthday and a promised cure.
Ludvig Holberg
Talonpoika satimessa: Kolminäytöksinen huvinäytelmä
"Talonpoika satimessa: Kolminäytöksinen huvinäytelmä" by Ludvig Holberg is a comedic play written in the early 18th century. The work offers a satirical glimpse into social hierarchies and human folly through the antics of its characters. It likely addresses themes of deception, identity, and the challenges faced by individuals navigating societal expectations. The story centers around a simple peasant boy, who inadvertently finds himself mistaken for a wealthy paladin through the manipulations of Leerbeutel, a debt-ridden gentleman. In a series of humorous situations, Leerbeutel and his servant Pernilla attempt to rescue themselves from financial ruin by creating a charade that allows them to deceive others into believing the peasant boy is a high-ranking nobleman. As the plot unfolds, various characters, including city merchants and local authorities, get drawn into the web of lies, leading to a chaotic climax where the true identities are revealed. Ultimately, the play critiques societal pretensions and the ease with which people can be misled based on appearances and status.
Ludvig Holberg
Valtioviisas kannunvalaja: Viisinäytöksinen komedia
"Valtioviisas kannunvalaja: Viisinäytöksinen komedia" by Ludvig Holberg is a comedic play written in the early 18th century. The story revolves around Herman Bremeniläinen, a cannon maker who has aspirations of becoming a member of the political elite in his town. The play explores themes of ambition, social status, and the comedic struggles of its characters, particularly in their interactions regarding courtship and political aspirations. At the start of the play, we are introduced to Antonius, a wheelwright who nervously prepares to ask Herman for his daughter Engelke's hand in marriage. Despite his reluctance and fears of rejection, he is determined to express his feelings directly. Meanwhile, Herman is depicted as overly ambitious and consumed with thoughts of ascending the political ladder, believing that studying political texts and aspiring to higher positions will elevate his status beyond that of a mere craftsman. The comical dynamics among the characters, particularly in their attempts to navigate social interactions and the absurdity of Herman's aspirations, set the tone for the unfolding comedic elements of the play.
C. (Christian) Hostrup
Eeva: Näytelmä neljässä näytöksessä
"Eeva: Näytelmä neljässä näytöksessä" by C. Hostrup is a play written in the late 19th century. The story focuses on a family at Sallinggaard in Jylland, Denmark, particularly the dynamics between Eeva, her husband Rönnow, and their son Harald, amid the political ambitions of Rönnow and the impact of local elections. The unfolding drama explores themes of marital relations, societal expectations, and personal aspirations. At the start of the play, we meet Eeva and her son Harald as they engage in conversation about family matters and Rönnow's involvement in local politics. Eeva expresses concern over Rönnow's aspirations to become a candidate for the position of a parliamentary representative, especially given the political rivalry with Knudsen, a familiar family friend and rival candidate. The opening sets the stage for a detailed exploration of Eeva's perspectives on parenting and marital dynamics, juxtaposed against Rönnow's ambitions and the societal pressures they face in the election process. The interactions highlight the tension between individual desires and familial responsibilities, indicating a complex emotional landscape that will likely evolve throughout the play.
Ludvig Holberg
Anttonius Putronius eli Antto Puuronen: Ilveilys viidessä näytelmässä
"Anttonius Putronius eli Antto Puuronen: Ilveilys viidessä näytelmässä" by Ludvig Holberg is a comedic play written in the early 18th century. The work is a satire that explores themes of education, arrogance, and the clash between intellectualism and common sense, primarily through the character of Anttonius Putronius, who embodies an overzealous scholar's hubris. The opening of the play introduces various characters, including the protagonist, Anttonius Putronius, and his family, who await his return home from studies in Helsinki. The initial scenes depict the confusion and comical misunderstandings surrounding Putronius's scholarly achievements, particularly his struggles with Latin, and how his family grapples with the implications of his newfound knowledge. Amidst humorous exchanges with figures like the Kanttori (the village cantor) and his father Sipri, the audience witnesses the relationship between academia and rural life, setting a comedic foundation for Putronius's character development and the unfolding conflicts surrounding his intellectual pretensions.
Ludvig Holberg
Mestari Gert eli Lörpöttelevä parturi: Huvinäytelmä 1:ssä näytöksessä
"Mestari Gert eli Lörpöttelevä parturi: Huvinäytelmä 1:ssä näytöksessä" by Holberg is a theatrical comedy written in the early 18th century. This work showcases the humorous and often absurd aspects of social interactions, particularly focusing on love and courtship. With its rich characters and witty dialogues, the play reflects the cultural dynamics of its time, exploring themes of romance, societal expectations, and individual folly. The plot centers around Mestari Gert, a talkative barber and surgeon, who is in love with Leonora, the daughter of an apothecary. However, despite being urged by his mother to propose, Gert's propensity for excessive chatter constantly derails his attempts at romance. Meanwhile, other suitors and the apothecary’s familial expectations further complicate Gert’s chances, leading to comedic misunderstandings and conflicts. Ultimately, Gert’s failure to properly communicate his intentions results in him losing Leonora to another suitor, highlighting the play's critique of communication and the often trivial standards society places on romantic success.
Peter Nansen
Hääilta: Huvinäytelmä yhdessä näytöksessä
"Hääilta: Huvinäytelmä yhdessä näytöksessä" by Peter Nansen is a one-act play written in the early 20th century. This charming comedic work focuses on the newlywed couple, Johan and Klara, as they navigate the nuances of their first night together in their new home, filled with humor and gentle misunderstandings. The play captures the essence of early marital life and the accompanying romantic tensions. The storyline revolves around Johan and Klara's wedding night, where they attempt to enjoy their privacy while being interrupted by their well-meaning servant, Maria. The couple's playful banter reveals their affection for each other alongside their inexperience in marriage, as they grapple with the expectations that come with it. Their conversations oscillate between flirtation and frustration, accentuated by Maria's persistent, yet amusing, interruptions related to traditional customs, specifically the insistence on having tea. Ultimately, the couple's light-hearted exchanges and the servant's interruptions create a humorous exploration of love, intimacy, and the challenges of merging lives together.
C. (Christian) Hostrup
Seikkailu jalkamatkalla: Viisinäytöksinen laulunäytelmä
"Seikkailu jalkamatkalla: Viisinäytöksinen laulunäytelmä" by C. Hostrup is a five-act musical play written in the early 20th century. The narrative centers around a variety of characters set in Lahdenpohja, including the main character Santtu, a runaway convict, who interacts with others from various walks of life, such as the land steward Vuorinen and his family. The play likely explores themes of adventure, societal roles, and perhaps the quest for redemption or belonging. At the start of the play, we encounter Santtu, who is hiding in the forest after escaping from prison. He is struggling with hunger and contemplating his next move while engaging in a conversation with Manu, a local peasant. Their dialogue delves into Santtu's circumstances, including his plans to escape to America. Meanwhile, the scene shifts briefly to Merisaari and Airio, two students who are traveling and discussing their observations and experiences in the countryside. The opening sets the tone for a mix of humor and tension as various characters prepare for the unfolding events in their intertwined lives.
C. (Christian) Hostrup
Maantien varrella: Huvinäytelmä neljässä näytöksessä
"Maantien varrella: Huvinäytelmä neljässä näytöksessä" by C. Hostrup is a dramatic play written in the late 19th century. The story follows a range of characters in a rural setting, particularly focusing on the interactions and situations faced by Risto, a recently escaped convict trying to navigate his precarious circumstances. This narrative explores themes of desperation, morality, and societal judgment as characters confront their pasts and aspirations. The opening of the play introduces several key characters, including Risto Marttinen, who is on the run after escaping from prison, and Matti, a peasant who discusses survival and the difficulties faced by Risto. Their dialogue reveals a sense of camaraderie mixed with tension, as Risto's criminal activities and Matti's unease intertwine. As the scenes unfold, we also meet Stenfors, the former clerk, and other locals, setting the stage for a wider exploration of relationships and societal norms. The atmosphere builds with a combination of humor and gravity, indicating the complexities of life on the margins of society in Western Finland.
Ludvig Holberg
Araapilainen pulveri: Yksinäytöksinen huvinäytelmä
"Araapilainen pulveri: Yksinäytöksinen huvinäytelmä" by Ludvig Holberg is a comedic play likely written in the early 18th century. This one-act farce showcases themes of deception, ambition, and the folly of greed, as it follows characters who delve into the quixotic pursuit of turning base metals into gold through fraudulent means. The storyline revolves primarily around Kettuliini, a con artist posing as a master alchemist, who convinces the gullible Polidor that he can teach him the secret art of gold-making. The play explores the interactions between Kettuliini, his accomplice Andreas, and Polidor, as well as various other characters who become embroiled in Kettuliini's schemes. As the plot unfolds, Kettuliini cleverly manipulates Polidor into believing in a fictitious "araapialainen pulveri" (Arabian powder) that supposedly holds the key to wealth. Ultimately, the comedic tension escalates as the truth of Kettuliini's trickery is revealed, culminating in a farcical exploration of human folly and the consequences of blind ambition.
Ludvig Holberg
Don Ranudo de Colibrados eli Köyhyys ja Ylpeys: Komedia viidessä näytöksessä
"Don Ranudo de Colibrados eli Köyhyys ja Ylpeys: Komedia viidessä näytöksessä" by Ludvig Holberg is a comedic play written in the late 17th century. The narrative unfolds primarily in a small town in Spain, addressing themes of social status, pride, and the contrast between wealth and nobility. The main characters include Don Ranudo, his wife Donna Olympia, their daughter Maria, and Gontsalo, a nobleman in love with Maria, illustrating the intersection of love and social expectations. The opening of the play introduces us to Gontsalo discussing his love for Donna Maria, the daughter of Don Ranudo. Despite the family's proud status stemming from an illustrious lineage, they are currently facing poverty, which Gontsalo believes the family might eventually acknowledge, particularly when they can no longer sustain their pride. This conversation reveals the tension between social standing and personal feelings, as Gontsalo is determined to pursue Maria regardless of her family's disdain for his lower status. The scene sets the stage for an exploration of the consequences of pride and the struggles of love amid societal constraints.
Unknown
Katsokaa peiliin!: Yksinäytöksinen huvinäytelmä
"Katsokaa peiliin!: Yksinäytöksinen huvinäytelmä" by J. L. Heiberg and K. J. Gummerus is a one-act comedy written during the mid-19th century. This humorous play delves into the themes of love, jealousy, and the complexities of marital relationships, centered around the characters of a husband, wife, and their respective worries about fidelity and societal expectations. The playwrights employ wit and irony to explore the dynamics between the characters. The story revolves around a husband who is anxious about the possibility of his wife being unfaithful. He fears that due to her youth and beauty, she might be swayed by the charms of a young lieutenant who is about to leave town. As he grapples with these insecurities, he enlists the help of his uncle in a desperate attempt to prevent any encounters between his wife and the lieutenant. Meanwhile, the wife is humorously caught in the midst of her own desires and the restrictions placed upon her by her husband's jealousy, ultimately leading to a comedic climax that reveals the folly of their suspicions and the importance of communication and trust in their relationship. Through clever dialogue, the play captures the essence of human emotions and the absurdities of societal norms.
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