Subject
Dramatic criticism Books
Best books
Frederick Wedmore
On books and arts
"On Books and Arts" by Sir Frederick Wedmore is a collection of critical essays written in the late 19th century. The book compiles Wedmore's contributions to various reviews and periodicals, primarily focusing on literary and artistic topics, including discussions on prominent authors and artists of his time. Readers can expect an exploration of the essence and intricacies of the short story format, as well as reflections on significant figures like Balzac, George Eliot, and their contributions to literature and art. The opening of the collection sets the stage for a deep dive into the art of storytelling, particularly the short story, and challenges preconceived notions about its nature. Wedmore contrasts the perceived simplicity of the short story with its sophisticated demands on both writers and readers. He suggests that it is mistakenly undervalued compared to novels and highlights the artistic freedom it offers, encouraging readers to appreciate its unique qualities. As the introduction unfolds, Wedmore poses questions regarding the nature of storytelling, emphasizing the short story's distinctiveness and depth, all while engaging with various literary traditions and contemporary practices.
George Jean Nathan
The Critic and the Drama
"The Critic and the Drama" by George Jean Nathan is a critical examination of the arts of drama and criticism that was written in the early 20th century. This work delves deeply into the nature of both criticism and drama, emphasizing the artistic relationship between the two. Nathan tackles the complexities and nuances of how art is created and received, positioning drama as a vital and evolving form that reflects society's collective consciousness. The opening of the book presents Nathan's thoughts on the nature of criticism as an art form in its own right. He asserts that criticism is not merely about judgment but also about illuminating the deeper meanings and struggles inherent in artistic expression. Nathan employs rich and metaphorical language to describe art as a partnership between the artist and the critic, each contributing to a greater understanding of beauty and emotional truth. He argues that while art may be a deliberate exaggeration of reality, criticism is essential for making sense of that artistry, ultimately serving as an important mediator between the two.
Richard Burton
How to See a Play
"How to See a Play" by Richard Burton is a guidebook on theatrical appreciation written in the early 20th century. The author aims to educate theater-goers on the significance and art of plays, helping them make informed decisions about which productions to attend and enhancing their overall experience. Throughout the book, he emphasizes the importance of a discerning audience in fostering better theater. The opening of the book introduces its primary objective, which is to equip audience members with the knowledge they need to appreciate theater as an art form. Burton discusses the theatrical experience as a unique form of storytelling that relies on dialogue, action, and visual elements. He highlights the role of the audience in demanding high-quality plays and stresses the need for viewers to engage actively with what they are watching, ensuring that they understand the artistic value of performances. By understanding the fundamentals of drama and the collaborative efforts between playwrights and actors, the spectator can gain a deeper appreciation of the theater.
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