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Du Maurier, George, 1834-1896 Books

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Henry James

Partial Portraits

"Partial Portraits" by Henry James is a collection of literary criticism published in 1888. This influential work gathers James's essays on major English, American, and European writers, exploring their unique artistic visions and techniques. The centerpiece is "The Art of Fiction," James's landmark argument for complete creative freedom in narrative writing. Through penetrating analyses of authors like George Eliot, Maupassant, and Turgenev, James champions each writer's distinctive perspective while establishing fiction's place among the fine arts. His elegant criticism reveals how different novelists view life through their own creative windows.

T. Martin Wood

George Du Maurier, the Satirist of the Victorians

"George Du Maurier, the Satirist of the Victorians" by T. Martin Wood is a historical account written during the early 20th century. The book aims to provide a comprehensive exploration of the life and artistic accomplishments of George Du Maurier, particularly focusing on his role as a satirist through his illustrations and writings in the Victorian era. It reflects on his artistic influence, the social dynamics of the time, and how he mirrored Victorian society in his work. The opening of this work introduces the premise of exploring Du Maurier’s contributions to Victorian satire through his drawings and writings, primarily as featured in the magazine "Punch". It discusses the artist’s perspective on social norms and transformations during his time, illustrating how he commented on the evolving role of class and civility in society. The text highlights Du Maurier’s skill in depicting social interactions and the essence of drawing-room life, emphasizing the interplay between humor and critique in his art. The author sets the stage for analyzing Du Maurier’s artistic style and legacy, underlining both the depth and charm of his engagement with the complexities of Victorian culture.

Felix Moscheles

In Bohemia with Du Maurier: The First of a Series of Reminiscences

"In Bohemia with Du Maurier: The First of a Series of Reminiscences" by Felix Moscheles is a collection of memoirs written during the late 19th century. The book offers a glimpse into the artistic and social life of Antwerp and beyond during the 1850s, focusing on Moscheles' experiences and friendships, especially with the renowned caricaturist George du Maurier. Through a mix of reflections and anecdotes, it captures the bohemian spirit of the time and the dynamics of Moscheles' friendships with fellow artists and musicians. The opening of the book sets a nostalgic tone as Moscheles reflects on the losses and changes in his life, particularly following the passing of du Maurier, whom he affectionately remembers as a lively and lovable companion. Moscheles recounts their early days at the Antwerp Academy, highlighting their camaraderie and artistic pursuits. The narrative creates a vivid picture of their youthful exuberance and creativity, characterized by mutual support and artistic development. The accounts shared in this portion are filled with both humor and introspection, setting the stage for a deeper exploration of Moscheles and du Maurier's shared bohemian adventures as well as the cultural context of their time.

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