Subject
English fiction -- 20th century -- History and criticism Books
Best books
Virginia Woolf
Mr. Bennett and Mrs. Brown
"Mr. Bennett and Mrs. Brown" by Virginia Woolf is an essay published in 1924 that explores the arrival of modernism in literature. Written as a rebuttal to critic Arnold Bennett's dismissal of her work, Woolf argues that human character fundamentally changed around 1910, requiring writers to evolve their methods. She challenges Bennett's notion of "reality" in fiction, contrasting traditional Edwardian approaches with new Georgian sensibilities. Through the imagined figure of Mrs. Brown, Woolf defends modernist writing as impressionistic truth-telling for a transformed world.
Arthur St. John Adcock
Gods of Modern Grub Street: Impressions of Contemporary Authors
"Gods of Modern Grub Street: Impressions of Contemporary Authors" by A. St. John Adcock is a collection of literary impressions written in the early 20th century. The book provides insights into various contemporary authors of the time, including figures like Thomas Hardy, Hilaire Belloc, and Arnold Bennett, shedding light on their contributions and stylistic nuances. Adcock's work serves not only as an examination of these writers but also as a commentary on the literary landscape of the period. The opening of the book sets the tone for an exploration of literary figures, beginning with an analysis of Thomas Hardy. Adcock reflects on Hardy's evolution from a novelist to a respected poet, emphasizing his deep connection to the rural English landscape and the complex philosophies that underpin his works. Adcock discusses Hardy's major achievements and the criticisms he faced, particularly regarding his more controversial themes in novels like "Tess of the D'Urbervilles" and "Jude the Obscure". Through this examination, Adcock captures the significance of Hardy's contributions to literature and offers a glimpse into the broader contexts of contemporary literary conversations.
Walter Lionel George
A Novelist on Novels
"A Novelist on Novels" by Walter Lionel George is a literary critique written in the early 20th century. This reflective work examines the state of the modern novel and the perceptions of authors in society. The book delves into the roles and responsibilities of novelists, emphasizing the significance of the novel as a medium that captures the essence of human experience and thought. The opening of the text sets the tone for George's contemplative exploration of the novelist's position in the literary landscape. He begins with a discussion of a conversation he had with a well-established author, revealing a tension between critics and contemporaries in the literary world. George critiques both the general public’s dismissive view of novelists as worthless and society’s ignorance of literature’s broader impact. He argues that while the novel may not be deemed "useful," it is vital in reflecting the human condition, shaping society, and igniting change. Through this preliminary discourse, the author invites the reader to consider the complexities and contradictions surrounding literary creation and appreciation.
R. Brimley (Reginald Brimley) Johnson
Moral Poison in Modern Fiction
"Moral Poison in Modern Fiction" by R. Brimley Johnson is a critical examination of contemporary literature, written in the early 20th century, likely during the interwar period. The book addresses the moral implications of modern fiction, focusing on how popular novels and dramas influence societal values and individual morality. Johnson argues that many current narratives promote destructive ideologies regarding love, sex, and human relationships, leading to what he describes as "moral poison." In this thought-provoking work, Johnson critiques various authors and genres that he believes contribute to a declining moral standard. He articulates concerns about the portrayal of sexual freedom and the impact of war on youth, suggesting that unchecked desires and the glorification of transient passions lead to a loss of true love and depth in relationships. Through a series of essays, he reflects on the consequences of literature that prioritizes sensationalism and physical expression over emotional integrity and genuine connection. Johnson ultimately calls for a reevaluation of the narratives we consume, arguing for literature that upholds traditional values of loyalty, respect, and self-control.
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