Subject
Engravers Books
Best books
Unknown
Prints and their makers: essays on engravers and etchers old and modern
"Prints and their Makers: Essays on Engravers and Etchers Old and Modern" edited by Fitzroy Carrington is a collection of essays focused on the art of printmaking, written in the early 20th century. This work delves into the historical significance and artistic contributions of various engravers and etchers, spanning from the Renaissance to modern times. Through multiple essays, it explores an array of artists, techniques, and the evolution of printmaking as an art form, inviting readers to appreciate the craftsmanship behind prints. The opening of the collection sets the tone with a preface from the editor, Fitzroy Carrington, who states that the essays are meant to be personal reflections from authors who share their profound love and knowledge of prints and their makers. It introduces the reader to the broad scope of the subject, beginning with key figures such as Albrecht Dürer and other influential engravers from Italy and beyond. The opening emphasizes the changing perceptions of prints over time and their growing appreciation among collectors and scholars, hinting at the rich narratives and artistic achievements that will unfold in the subsequent essays.
Emil H. (Emil Heinrich) Richter
Prints: A Brief Review of Their Technique and History
"Prints: A Brief Review of Their Technique and History" by Emil H. Richter is a scholarly work that provides an overview of the methods and historical development of printmaking techniques. Written in the early 20th century, it aims to introduce a broad audience to the types of prints and the significance of their production, enriching the reader's understanding of the graphic arts. The book discusses key processes such as woodcut, engraving, and lithography, while highlighting their evolution over the centuries. The opening of this work sets the stage by establishing the unfamiliarity many people have with the art of printmaking, despite its omnipresence in daily life. Richter begins by defining what constitutes a print and outlining the three main categories of printmaking processes: relief, intaglio, and planographic. He emphasizes the need for understanding how prints are created, encouraging readers to appreciate the nuances of these techniques. The author intends for this text to inspire curiosity and further study among those interested in the art form, positioning prints not merely as art objects but as vital expressions of cultural and historical significance.
Recently surfaced classics