Subject
Engraving Books
Best books
George Somes Layard
Suppressed Plates, Wood-engravings, &c. Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
"Suppressed Plates, Wood-engravings, &c." by George Somes Layard is a historical account written in the early 20th century. This work delves into the fascinating world of suppressed book illustrations that have intrigued book collectors and bibliophiles alike. Layard examines the allure and significance of these rare illustrations, as well as their histories, often touching on the societal and artistic contexts that led to their suppression. The opening of the text introduces the reader to the concept of suppressed illustrations in books, expressing their irresistible appeal to collectors who seek to acquire both beautiful and historically significant items. Layard contrasts the motivations of genuine collectors with those of individuals who may seek rarities merely for status. He emphasizes that the book will not serve as a catalog of indecent illustrations but aims to provide an authoritative overview of notable suppressed works, including significant examples that have come to light during his years of obsessive collecting. With a blend of humor and earnestness, the author sets the stage for a detailed exploration of the intricate relationships between authors, illustrators, and the sometimes contentious realm of book publishing.
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Prints and their makers: essays on engravers and etchers old and modern
"Prints and their Makers: Essays on Engravers and Etchers Old and Modern" edited by Fitzroy Carrington is a collection of essays focused on the art of printmaking, written in the early 20th century. This work delves into the historical significance and artistic contributions of various engravers and etchers, spanning from the Renaissance to modern times. Through multiple essays, it explores an array of artists, techniques, and the evolution of printmaking as an art form, inviting readers to appreciate the craftsmanship behind prints. The opening of the collection sets the tone with a preface from the editor, Fitzroy Carrington, who states that the essays are meant to be personal reflections from authors who share their profound love and knowledge of prints and their makers. It introduces the reader to the broad scope of the subject, beginning with key figures such as Albrecht Dürer and other influential engravers from Italy and beyond. The opening emphasizes the changing perceptions of prints over time and their growing appreciation among collectors and scholars, hinting at the rich narratives and artistic achievements that will unfold in the subsequent essays.
John Ruskin
Ariadne Florentina: Six Lectures on Wood and Metal Engraving
"Ariadne Florentina: Six Lectures on Wood and Metal Engraving" by John Ruskin is a scholarly work that explores the disciplines of wood and metal engraving, likely written in the late 19th century. The text consists of a series of lectures delivered at the University of Oxford, detailing the intricacies, techniques, and historical significance of engraving as an art form. Ruskin aims to define engraving's unique qualities, its relationship to other art forms, and the broader cultural context in which it exists. The opening of this work introduces the author’s reflections on his role as a lecturer, emphasizing his commitment to teaching the fundamental principles of art and engraving. Ruskin candidly addresses the challenges he faces in his teaching journey, lamenting the limited attendance in his class but expressing a sincere desire to impart knowledge. He begins by explaining the essence of engraving, distinguishing its techniques from other artistic practices, and outlining a structured approach to understanding the art form. Through his thoughtful discourse, Ruskin aspires to elevate engraving by situating it within the broader narrative of artistic development and education, emphasizing its importance as a precursor to forms of architecture and sculpture.
Joseph Kirkbride
Engraving for Illustration: Historical and Practical Notes
"Engraving for Illustration: Historical and Practical Notes" by Joseph Kirkbride is a detailed examination of the art of engraving, written in the early 20th century. This publication serves as both a historical account and a practical guide, focusing on the evolution of various engraving techniques such as wood and metal engraving as well as etching and mezzotint. The book seeks to illuminate the distinctions between different forms of engraving and their artistic and commercial applications throughout history. In this comprehensive overview, Kirkbride explores the origins and development of engraving, tracing its roots from primitive incised drawings to sophisticated methods used in the early 1900s. The text discusses prominent engravers like Albert Durer and Thomas Bewick, detailing their influence on the craft, while also examining the tools and techniques that define engraving as an art form. Through its chapters, the book tackles themes like artistic expression versus commercial utility, the role of the engraver in interpreting the artist's vision, and the technical advancements in the field. Kirkbride's work emphasizes not only the craftsmanship involved in engraving but also its significance in the broader landscape of art and illustration.
Charles Sumner
The Best Portraits in Engraving
"The Best Portraits in Engraving" by Charles Sumner is a detailed exploration of the fine art of engraving, particularly focusing on the artistic merits of portrait engravings. Written in the late 19th century, this book highlights the historical significance of engraving as it relates to painting and the broader art world. The text likely serves as both an appreciation and critical analysis of notable portrait engravings, surveying the contributions of various artists through different eras. The book is structured around discussions of renowned engravers like Albert Dürer, Rembrandt, and Jean Morin, detailing their techniques and the artistic impact of their works. Sumner examines the evolution of portrait engraving, juxtaposing skillful representations of subjects with the inherent challenges of translating the human form into this medium. Moreover, he reflects on how engravings serve to immortalize the likenesses and contributions of significant figures across various fields, asserting that the best engravings transcend mere replication, becoming a vital part of artistic heritage.
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