Subject
Engraving -- Collectors and collecting Books
Best books
George Somes Layard
Suppressed Plates, Wood-engravings, &c. Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
"Suppressed Plates, Wood-engravings, &c." by George Somes Layard is a historical account written in the early 20th century. This work delves into the fascinating world of suppressed book illustrations that have intrigued book collectors and bibliophiles alike. Layard examines the allure and significance of these rare illustrations, as well as their histories, often touching on the societal and artistic contexts that led to their suppression. The opening of the text introduces the reader to the concept of suppressed illustrations in books, expressing their irresistible appeal to collectors who seek to acquire both beautiful and historically significant items. Layard contrasts the motivations of genuine collectors with those of individuals who may seek rarities merely for status. He emphasizes that the book will not serve as a catalog of indecent illustrations but aims to provide an authoritative overview of notable suppressed works, including significant examples that have come to light during his years of obsessive collecting. With a blend of humor and earnestness, the author sets the stage for a detailed exploration of the intricate relationships between authors, illustrators, and the sometimes contentious realm of book publishing.
Frederick Wedmore
Fine prints
"Fine Prints" by Sir Frederick Wedmore is a guide to the art and practice of print collecting, written in the early 20th century. The book delves into the world of fine prints, discussing their beauty, historical significance, and the techniques of notable artists. It caters to both novice and advanced collectors, emphasizing the joy and educational value that come from the pursuit of collecting these artistic treasures. At the start of "Fine Prints," the author reflects on the rich tapestry of print collecting and its appeal, highlighting the thoughtful engagement it encourages with the world of art. Wedmore introduces the characteristics that define fine impressions, underscores the importance of condition and rarity, and sets the stage for exploring various artists and styles—such as etching, line engraving, and mezzotint. He outlines the rewards of becoming a specialist and the pleasure derived from nurturing an appreciation for art through print collecting, providing an insightful foundation for the chapters to come.
Recently surfaced classics