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Farces Books
Best books
Thomas S. (Thomas Stewart) Denison
Lively plays for live people
"Lively Plays for Live People" by Thomas S. Denison is a collection of plays, likely written in the late 19th century, featuring a variety of comedic and farcical works. The text outlines several plays, indicating a focus on humor and social commentary through the lens of varied comedic scenarios, such as those involving twins and eccentric characters in curious predicaments. The beginning of the book presents the first play, "Topp's Twins," which follows the character Cadwalader Topp, an irascible oyster dealer with a quirky penchant for adopting twins due to his family's tradition. Amidst a flurry of misunderstandings and comical interactions with various characters, including a cheeky traveling salesman and the assertive Mrs. Twiggs-Knott, Topp's desire for twins sets off a humorous chain of events. The narrative cleverly intertwines the themes of love, rivalry, and societal expectations, suggesting an entertaining read filled with lively dialogue and situational comedy.
John Maddison Morton
Comediettas and Farces
"Comediettas and Farces" by John Maddison Morton is a collection of comedic plays written in the late 19th century. The work features a range of light-hearted theatrical pieces, including witty dialogues and humorous situations designed for private performances, appealing to amateur dramatics and enthusiasts of British farce. The opening focuses on one play, "Box and Cox," featuring two main characters, John Box and James Cox, who unwittingly share the same room while going about their respective lives as a printer and a hatter. The beginning of the collection introduces "Box and Cox," a farce that brings forth the comedic misadventures of two characters who occupy the same room at different times, unaware of each other's presence. The action unfolds as Mrs. Bouncer, the landlord, cleverly manages their separate lives. Box and Cox's humorous interactions revolve around misunderstandings regarding their living situation, each believing they alone have rights to the accommodations. The stage is set for a clash of personalities, misunderstandings, and lunch-time chaos, blending clever banter with the humorous consequences of double occupancy, which promises a delightful experience for readers and theater enthusiasts alike.
Booth Tarkington
The Trysting Place: A Farce in One Act
"The Trysting Place: A Farce in One Act" by Booth Tarkington is a comedic play written in the early 20th century. This theatrical piece is set in a country hotel and revolves around themes of love, mistaken identities, and the complexities of interpersonal relationships. Tarkington's work, known for its social commentary and wit, presents a humorous exploration of romance and societal expectations. The play unfolds in a secluded hotel lounge, where Mrs. Curtis, a widow, finds herself at the center of attention from Lancelot Briggs, a young man infatuated with her. Throughout the act, Lancelot grapples with his feelings and the obstacles posed by his family, while Mrs. Curtis acts coyly, encouraging him to dance with younger women. The situation becomes more complicated with the arrival of Lancelot's mother and sister, alongside Mrs. Curtis’ secret rendezvous with another man. Amidst misunderstandings and comedic chaos, the characters navigate their romantic entanglements, leading to unexpected revelations and humorous tensions. The play captures the innocence of youth and the complexity of adult relationships in a light-hearted manner.
Tristan Bernard
French without a master : $b A farce in one act
"French without a master: A farce in one act" by Tristan Bernard is a comedic play written in the early 20th century. This work exemplifies Bernard's signature style, combining humor with social commentary, as it explores the amusing confusion resulting from language barriers in a hotel setting. It features characters from different backgrounds and highlights the whimsical situations and misunderstandings that arise in cross-cultural interactions. The play centers around Gerald Forsyth and Séraphine Chanoine-Malherbe, a young couple eloping in London. When Séraphine's father arrives at the hotel looking for his daughter, he encounters various misunderstandings exacerbated by the presence of a bumbling interpreter, Percy, who is supposed to assist him but does not speak French. As the story progresses, the situation becomes more chaotic, leading to humorous exchanges and mistaken identities until the truth is revealed. Ultimately, the farce captures the essence of miscommunication and the often comical nature of human relationships.
Frank Dumont
The Quiet Hotel: A Farcical Sketch in One Act
"The Quiet Hotel: A Farcical Sketch in One Act" by Frank Dumont is a comedic play written in the early 20th century. This one-act farce centers around a quirky country hotel run by a single staff member, Susan, and a colored porter named Rubber-Neck, who has aspirations of becoming an actor. The work encapsulates the challenges and humorous misadventures that arise when an actress, Miss Calcium, arrives seeking rest yet inadvertently disrupts the tranquility of the hotel with her theatrical ambitions. In the story, Miss Calcium arrives at the “very quiet” hotel, only to encounter the eccentric staff and their humorous interactions. Susan, who essentially runs the whole hotel, and the oblivious Rubber-Neck, engage in a comedic dialogue that reveals their lack of hotel management experience and a shared desire to be involved in theatrical performance. As Miss Calcium attempts to teach them about acting, chaos ensues, culminating in absurd scenarios such as a staged rescue from an imaginary train. The humor lies in the characters’ misunderstandings and aspirations, leading to the creation of their makeshift theater performance, aptly named the Calcium Comedy Company. This lighthearted sketch serves not only as entertainment but also as a satire on the theatrical world and the dreams of its characters.
John Maddison Morton
Betsy Baker! or, Too Attentive by Half; A Farce, in One Act
"Betsy Baker! or, Too Attentive by Half; A Farce, in One Act" by John Maddison Morton is a comedic play written in the mid-19th century. The work falls under the category of farce, a theatrical genre characterized by exaggerated and improbable situations. Through its lighthearted and humorous nature, the play explores themes of love, jealousy, and the complexities of marital relationships, particularly focusing on the dynamics between husbands and wives. The plot revolves around Mr. Marmaduke Mouser, who is overly attentive to his wife, Mrs. Anastasia Mouser, to the point of suffocation. Their cousin, Mr. Crummy, realizes that this excessive affection is causing distress to Mrs. Mouser and devises a scheme to ignite her jealousy by suggesting that Mr. Mouser should fall in love with the laundress, Betsy Baker. As the farce unfolds, misunderstandings ensue, leading to a comical chase involving multiple characters. Meanwhile, Betsy becomes entangled in the plot, but as the comedy progresses, she asserts her own desires, ultimately revealing the absurdity of Crummy's plan. The play concludes with a humorous resolution that highlights the importance of balance in relationships and ends in a light-hearted manner as characters come together to celebrate their newfound understanding.
Cornelius Shea
Look out for paint: A farce comedy in three acts
"Look Out For Paint: A Farce Comedy in Three Acts" by Cornelius Shea is a humorous play, likely penned in the early 20th century. This comedic work features a cast of characters revolving around the misadventures of a city boarder on a farm and explores themes of mistaken identities and romantic entanglements. The play is set in the relatively recent past, specifically during its time of writing, to engage with contemporary societal norms. The storyline unfolds at "High Up Farm," where Hiram Rodney runs the family farm and prepares for summer boarders. A comedic mix arises with the arrival of various characters, including Hiram's daughter Helen and a city girl named Hattie Renwick, who has come hoping to find a husband. Complications ensue when an artist, Percy Heartache, and a tramp, Trotwell Roamer, get entangled in the farce as Hattie mistakenly believes she has a romantic connection with Percy through correspondence. As characters evince misunderstandings and comedic twists, the climax reveals a series of humorous pursuits that lead to an unexpected resolution, capturing the playful essence of farce while commenting on love and social dynamics.
Elizabeth Hughes
Women for votes
"Women for Votes" by Elizabeth Hughes is a farce written in the early 20th century. This theatrical work explores the dynamics and challenges surrounding the women’s suffrage movement, particularly through the lives of the Tilsbury family as they navigate societal expectations and their personal relationships. The narrative likely delves into the humorous and sometimes absurd situations that arise from the quest for women's voting rights in a male-dominated society. At the start of the play, the drawing room of the Tilsbury household sets the stage for the interactions between Mrs. Josephine Tilsbury and her friend Mrs. Imogene Brown, as they discuss the recent women's suffrage meeting. The characters are introduced, each bringing their own perspective to the subject of women gaining the vote. Mrs. Tilsbury desires to engage with the movement for her stepdaughter Mildred's benefit, and their conversation reveals tensions between personal aspirations and societal pressures. Meanwhile, humorous dialogues highlight the differing opinions on suffrage, featuring characters like the cynical Mr. Becker, who argues against women's involvement in voting, and the spirited Mildred, who aspires to make a difference. Throughout this opening portion, comedic elements intertwine with serious discussions about gender equality, underscoring the complexities of the women's suffrage movement.
Isaac Bickerstaff
The spoil'd child: A farce, in two acts, as performed at the Theatre Royal, Drury Lane
"The spoil'd child: A farce, in two acts, as performed at the Theatre Royal, Drury Lane" is a comedic play authored by W. Powell, published in the early 19th century. This farce employs humor to explore themes of child misbehavior and parental responsibility, showcasing the folly and indulgence of parents toward their mischievous son. Through a light-hearted narrative and engaging dialogue, it delves into the implications of spoiling children and the importance of discipline. The plot centers on Little Pickle, a notorious brat whose antics bring chaos to his family's home. His father, Old Pickle, struggles to manage his son’s mischievous behavior, which includes pranks that lead to disaster, such as roasting the family parrot instead of a pheasant for dinner. Little Pickle’s antics are met with exasperation from his aunt, Miss Pickle, who suggests measures to correct his behavior, including the deceitful idea of making him believe he was swopped at birth with a poor child. As the story unfolds, humorous misunderstandings and the interactions between characters create a charming reflection on childhood, family dynamics, and the balance between love and discipline. Ultimately, the play concludes with reconciliation and a heartwarming message about acceptance and forgiveness in parenting.
Arthur L. (Arthur Lewis) Brown
The cinnamon heart : $b A mediæval candy scrape in 3 acts
"The Cinnamon Heart: A Mediæval Candy Scrape in 3 Acts" by Arthur L. Brown and Howard Hoppin is a whimsical theatrical work, likely written in the late 19th century. The piece features a range of colorful characters, including the candy-adoring Princess Caramella and her father, King Nougat I, as they navigate the challenges posed by her suitors and the zany antics of a quirky professor and chemists. The book presents a satirical and humorous exploration of courtship and sweetness against a backdrop of medieval charm. The opening of the story establishes a bustling castle courtyard where suitors, armed with guitars, gather to serenade Princess Caramella, expressing their love and desperation for her hand. Amidst their antics, the King emerges with his humorous take on royalty while revealing the financial undercurrents of courtship. As Caramella’s heart is revealed to be more enamored with candy than suitors, the scene is set for a playful examination of love, duty, and the eccentricities of candy-making chemistry that will unfold throughout the acts.
John Maddison Morton
Waiting for an Omnibus in the Lowther Arcade on a Rainy Day: A Farce, in One Act
"Waiting for an Omnibus in the Lowther Arcade on a Rainy Day: A Farce, in One…" by John Maddison Morton is a comedic play written in the mid-19th century, likely during the Victorian era. This one-act farce centers on the humorous events that unfold as various characters, caught in a rainstorm, find themselves waiting in the Lowther Arcade. With a mix of social observations and witty dialogue, the play explores themes of romance, commerce, and the absurdities of human behavior in everyday situations. The storyline introduces us to John Horatio O'Walker, who is about to get married to Fanny, but finds himself in a mix of comedic complications involving money, letters from a past love, and other characters who add to the chaos of the day. As O'Walker learns that his financial advisor, Dibbs, might abscond with his money, he rushes to reclaim it, all while navigating misunderstandings with his intended bride, her mother, and an assortment of quirky acquaintances. The play captures the bustling atmosphere of London life and the comedic elements of misunderstanding, mistaken identity, and the social pressures of marriage, all culminating in a series of humorous resolutions among the characters.
George P. Seiler
At Hotel On-de-Blink : $b An entertainment in two parts
"At Hotel On-de-Blink: An entertainment in two parts" by George P. Seiler is a comedic play published during the early 20th century. The work features an assortment of engaging characters and humorous situations revolving around the daily operations of a quirky hotel. The play likely utilizes slapstick humor and witty dialogue in its exploration of character interactions and comedic misunderstandings inherent in hotel life. The plot unfolds in the lobby of the eponymous hotel, where various eccentric characters, including the bewildered proprietor Hans Seitz and his daughter Gretch, engage in a series of humorous dialogues and situations with colorful patrons such as the "lost dago" Antonio and the "knight of the road," Samp L. Case. As guests check in and misunderstandings arise, various comedic antics ensue, including misplaced identities and a disguised nobleman visiting incognito. The dialogue is peppered with puns and character-driven humor, encapsulating the spirit of early 20th-century farcical entertainment, with songs interspersed throughout the acts to enhance the light-hearted atmosphere.
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