Subject
French drama -- Translations into Finnish Books
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Théodore Barrière
Enon rahat : $b Huvinäytelmä 3:ssa näytöksessä
Translation of Holst's Danish adaptation of: L'héritage de Monsieur Plumet.
Eugène Scribe
Ulos ikkunasta : $b Huvinäytelmä 1:ssä näytöksessä
"Ulos ikkunasta: Huvinäytelmä 1:ssä näytöksessä" by Augustin Scribe is a theatrical play likely written in the late 19th century. This drama focuses on complex relationships intertwined with themes of love, misunderstandings, and the dynamics of marriage, primarily centering on the characters Raoul, his wife Gabrielle, and their family members. At the start of the play, we are introduced to the character d'Havrecourt, who is engaged in a conversation that hints at the troubles surrounding his nephew Raoul's marriage to Gabrielle. The atmosphere reveals tension and the aftermath of a recent conflict, with Raoul indicating profound unhappiness in his domestic life. The opening also presents Jeanne, a character who seems to navigate the social dynamics of the household, and touches on themes of communication as she delivers a letter, indicating underlying issues in Raoul's relationship with Gabrielle. As the characters intertwine, the audience is drawn into the unfolding drama, foreshadowing the complexity of emotions and societal expectations that will be explored throughout the play.
Jean-François-Alfred Bayard
Ei savua ilman tulta
"Ei savua ilman tulta" by Jean-François-Alfred Bayard is a theatrical play written in the early 20th century. The narrative revolves around the themes of jealousy, love, and the complexities of marital relationships. The plot unfolds in a modestly decorated room, focusing on the interactions between the main characters, particularly Gaston and his wife, Marie, as they navigate the tumultuous waters of trust and suspicion in their relationship. The story centers on Gaston, a bank clerk, who becomes increasingly suspicious of his wife Marie after he perceives her deception regarding her whereabouts. Marie, on the other hand, has a secret: she enjoys smoking cigars, an act she hides from her husband due to his disdain for tobacco. As the tension rises, misunderstandings and accusations escalate, leading to a dramatic confrontation that ultimately reveals the complexities of their love and the misunderstandings that can arise in personal relationships. The play combines humor and drama to explore the theme that "there is no smoke without fire," aptly showcasing how jealousy and insecurities can cloud judgment and fuel conflicts between spouses.
Victor Hugo
Lucrezia Borgia: Murhenäytelmä
"Lucrezia Borgia: Murhenäytelmä" by Victor Hugo is a drama written in 1833, loosely based on the life of Lucrezia Borgia. When a young knight named Gennaro unknowingly encounters the infamous Lucrezia at a masked ball, he becomes entangled in a deadly web of vengeance, poison, and family secrets. As insults lead to murder plots and forbidden love collides with brutal revenge, a devastating truth waits to be revealed—one that will forever change everything Gennaro believes about honor, hatred, and his mysterious mother.
Erckmann-Chatrian
Puolan juutalainen
"Puolan juutalainen" by Erckmann-Chatrian is a novel written in the late 19th century. The story begins on Christmas Eve in an Alsatian tavern and revolves around the lives of the local villagers, particularly focusing on the characters Mathis, the mayor, and the young couple, Christian and Annette. The initial chapters introduce themes of community, love, and the dynamics of socio-economic relationships in a small village, peppered with elements of humor and social observation. At the start of the novel, the scene is set in the tavern, where various village characters come together to celebrate Christmas Eve. Catherine, the mayor’s wife, converses with Heinrich, a forest ranger, about mundane tasks, their discussions revealing their personalities and the local customs surrounding the holiday. As the narrative progresses, hints of a past tragedy involving a Polish Jew emerge, which foreshadows deeper themes such as justice and social prejudice that intertwine with the lively interactions of the characters. The opening serves to establish the setting and relationships, creating a contrast between the festive atmosphere and the ominous undertones related to the mystery from the past.
Maurice Maeterlinck
Sininen lintu: Satunäytelmä
"Sininen lintu: Satunäytelmä" by Maurice Maeterlinck is a play written in the early 20th century. The narrative follows the journey of two children, Tiltil and Mitil, as they embark on a quest to find the elusive Blue Bird, a symbol of happiness. Their adventure opens up themes of longing, discovery, and the pursuit of joy against a whimsical backdrop of enchanting characters and mystical settings. The opening of the play introduces the modest home of the woodcutter, where Tiltil and Mitil sleep soundly. As the scene unfolds, their mother prepares to wake them for Christmas, although their excitement is tempered by the belief that they will not receive gifts this year. Their conversation reveals childhood innocence and curiosity about the world around them. Suddenly, a mysterious figure, the Fairy Berylune, enters and asks for the Blue Bird, stating that she needs it for her sick daughter. This encounter sets the stage for the children's adventure, igniting their desire to seek happiness and explore beyond their simple lives.
Eugène Scribe
Ensimmäinen rakkaus: Komedia yhdessä näytöksessä
"Ensimmäinen rakkaus: Komedia yhdessä näytöksessä" by Eugène Scribe is a comedic stage play written during the 19th century. The work centers around themes of first love, familial relationships, and societal expectations, displaying the emotional turmoil faced by its characters in a light-hearted manner typical of the era. The story follows young Emeli, who is caught in a dilemma between her promise to her childhood love, Kaarlo, and the impending marriage negotiations her father, Morli, has begun with another suitor named Ahola. As the plot unfolds, misunderstandings and hidden identities add to the comedic tension, leading to a series of revelations about loyalty, love, and personal freedom. Emeli's steadfast devotion to Kaarlo is tested when he unexpectedly re-enters her life, leading to a confrontation over their past promises. Ultimately, the play highlights the struggles between individual desires and familial duties, wrapped in humor and engaging dialogue.
Jules Moinaux
Molemmat kuurot: Ilveily yhdessä näytöksessä
"Molemmat kuurot: Ilveily yhdessä näytöksessä" by Jules Moinaux is a comedic play written in the late 19th century. The narrative centers around the theme of communication barriers, specifically focusing on the lives of two deaf characters and the humorous situations that arise from their inability to hear. This exploration of misunderstandings and social interactions speaks to the broader human experience of connection and the challenges that can inhibit it. The play unfolds in a domestic setting where the character Tarkia, who has been deaf for three years, is oblivious to the romantic tensions between his daughter Engla and a young man named Arvid. Engla longs for companionship, but Tarkia has been rejecting all marriage proposals for her, having his own ideal of a son-in-law. In a series of humorous miscommunications, Arvid pretends to be deaf to win Tarkia's approval. As the story progresses, both Tarkia and Arvid struggle with their identities and perceptions, leading to laughter and chaos. Ultimately, the twist occurs when Tarkia unexpectedly regains his hearing, revealing the deeper threads of love and acceptance as he learns of his daughter's true feelings for Arvid. The play cleverly intertwines comedy and romance, showcasing the importance of understanding in relationships.
Abraham Dreyfus
Rajuilma: Huvinäytelmä yhdessä näytöksessä
"Rajuilma: Huvinäytelmä yhdessä näytöksessä" by Abraham Dreyfus is a one-act play written in the late 19th century. This dramatic work centers around the tumultuous relationships and emotional struggles within a marriage, tackling themes of trust, infidelity, and the complexities of domestic life. In the play, a husband and wife engage in a heated dialogue that reveals the wife's anxieties about her husband's late return home. She suspects him of infidelity, which leads to a series of confrontations filled with sarcasm and emotion. The husband is initially silent and evasive, encapsulating his indifference and the power dynamics in their relationship. As the argument escalates, the wife's frustrations and suspicions come to the forefront, underscored by her longing for affection and acknowledgment. Eventually, a gift given for her name day shifts the atmosphere, leading to a moment of tenderness that underscores the precarious balance of love and suspicion. The work captures a snapshot of their married life, revealing both vulnerability and the potential for reconciliation amidst strife.
Anonymous
Pietar Patelin eli Sukkela asianajaja: Ilveilys kolmessa näytöksessä
"Pietar Patelin eli Sukkela asianajaja: Ilveilys kolmessa näytöksessä" by Anonymous is a comedic play written in the mid-19th century. This humorous work revolves around themes of deception and social status, showcasing the absurdity of the legal world and the dynamics of relationships in a small community. The narrative likely reflects the societal norms and values of the era, with a focus on the misadventures of its protagonist, Pietar Patelin, a shrewd lawyer. The story unfolds through a series of misunderstandings and clever maneuverings led by the titular character, Pietar Patelin. Initially struggling with his financial situation and desperate to improve his appearance, Patelin concocts a series of schemes to convince others of his affluence. As the plot progresses, he becomes entangled in various subplots, including a conflict with a local farmer, Wilhelm, over stolen sheep and a prospective marriage between Wilhelm's son and Patelin's daughter. Ultimately, the story combines elements of farce and wit, utilizing clever wordplay and absurd situations to explore themes of honesty, societal expectations, and the lengths individuals will go to in pursuit of social acceptance and love.
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