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Garibaldi, Giuseppe, 1807-1882 -- Fiction Books

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Alberto Mario

La camicia rossa Episodi - Terza edizione riveduta e corretta

"La Camicia Rossa" by Alberto Mario is a historical novel written in the late 19th century. The story is set against the backdrop of the Italian unification, focusing on the character of Giuseppe Garibaldi, a prominent figure in the liberation of Southern Italy. The book explores themes of patriotism, bravery, and the struggles faced by those fighting for freedom, featuring Garibaldi's interactions with various characters who support his cause. At the start of the narrative, the reader is introduced to the historical period of Garibaldi's campaigns as he navigates the complexities of leadership and the camaraderie of his soldiers, particularly during his time in Sicily. The scenes depict lively interactions between Garibaldi and local populations, alongside humorous yet telling anecdotes about the soldiers he leads, emphasizing their youth and inexperience. The opening sets a vivid stage, hinting at the rich emotional and historical tapestry that will unfold throughout the novel as it captures both the exhilaration of military engagements and the personal stories woven into the larger narrative of Italian unification.

Giuseppe Guerzoni

Memorie d'un disertore, vol. 3/3 : $b storia d'una famiglia di patriotti

"Memorie d'un disertore, vol. 3/3 : storia d'una famiglia di patriotti" by Guerzoni is a historical novel written in the late 19th century. Set amid the Piedmontese ferment of revolution, it follows a family of patriots swept into student uprisings, military mutinies, and the court’s intrigues around Carlo Alberto’s hesitation. The narrative centers on ardent young conspirators like Giorgio Santafiori, Ernesto Gastone, and Pietro Muschietti, counterpoised with the calculating Salomone Arena and the magistrate Tacchini. Expect action, political maneuvering, and stark moral choices about loyalty, love, and sacrifice. The opening of the novel moves from the bloody repression of students in Turin to the first sparks of revolt: Alessandria rises, while Ferrero attempts a daring but understrength sortie near Porta Nuova, saved only when Ernesto shoots down a royal colonel who tries to sway the troops. Inside the Turin Citadel, Gambini and Giorgio seize the initiative by overpowering the commander Des Geneis, hoisting tricolors and rallying the garrison, which pushes the wavering Carlo Alberto to proclaim a constitution after Muschietti confronts him at gunpoint. The scene then shifts to a provincial town where the ruthless Sindaco Salomone Arena begs help for his arrested son and strikes a sordid bargain with Tacchini: his daughter Giusta’s hand in marriage in exchange for acquittal and safe-conduct. Arena intercepts letters, reveals that Giorgio too has been imprisoned, and, under family pressure, Giusta consents in principle while seeking proof. A brief historical interlude sketches the revolution’s weaknesses and the court’s countermoves, before returning to Giorgio on sentry duty overhearing the prince’s midnight soliloquy, torn between revolutionary promises and dynastic loyalty.

Giuseppe Guerzoni

Memorie d'un disertore, vol. 1/3 : $b storia d'una famiglia di patriotti

"Memorie d'un disertore, vol. 1/3: storia d'una famiglia di patriotti" by Guerzoni is a historical novel written in the late 19th century. It presents a sweeping family chronicle centered on the seafarer Battista Santafiori, a figure inspired by Garibaldi’s spirit, whose life intersects with the American, Haitian, and French revolutions. The narrative explores ideals of liberty, abolition, and civic duty while following the fortunes and faults of a family of “patriots.” This first volume focuses on the father’s odyssey and the moral legacy he tries to instill in his children. The opening of the narrative begins with a preface recounting the book’s composition at Caprera and the loss and reconstruction of parts of the manuscript, then declares Battista Santafiori the living embodiment of humane courage learned at sea. We meet him as a Genoese boy, “Baciccia/Murena,” who becomes a master mariner, reforms his friend Livio (the son of Captain Gordiglia) after rescuing him from a brawl, and builds fortune only to spend it generously. He rejects the slave trade, founds an enlightened plantation in Virginia where he frees and fairly employs Black workers, debates with George Washington, and fights for the American cause as a privateer and blockade runner. Summoned by the Haitian uprising, he saves Livio’s widow Rosalia and her child from the “terror nero,” later marrying her and settling near Nice, where his philanthropy grows as his faith in Napoleonic “glory” wanes; the family expands (including stepson Michele), finances strain, and Battista returns to the sea. The section closes by contrasting Battista’s moral rigor with Michele’s vanity and idleness: sent to school in Genoa, the youth is dazzled by imperial pageantry and falls into the orbit of a calculating seductress—setting the stage for future trouble.

Giuseppe Guerzoni

Memorie d'un disertore, vol. 2/3 : $b storia d'una famiglia di patriotti

"Memorie d'un disertore, vol. 2/3 : storia d'una famiglia di patriotti" by Guerzoni is a historical novel written in the late 19th century. Set in the Restoration era, it follows the Santafiori family—especially the young Giorgio—as grief, conscription, a forbidden love, and the stirrings of patriotic conspiracy pit them against local power and a hostile order. The focus is a family saga of Italian patriots where personal loyalties collide with duty and resistance. The opening of the novel moves from a graveside encounter—where Giorgio and Giusta confess their love and pledge fidelity—into the tense village ritual of conscription, where Giorgio draws the dreaded first number. At home, his mother Rosalia and sister Livia reel from the news, and the family seeks strength before the father’s portrait. A secret nighttime meeting at Giusta’s window turns violent when her domineering father springs a trap: Giorgio is lightly wounded by shot, while Giusta is locked away; only the family’s heroic mastiff “Leone” carries their urgent letters between them. Finding among his late father Battista’s papers a lucid call to join the Carboneria, Giorgio resolves to seek initiation and act for Italy; he leaves under a pretext and the section closes with him on the road toward Turin, troubled but determined.

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