Subject
Glass painting and staining Books
Best books
Lewis F. (Lewis Foreman) Day
Windows: A Book About Stained & Painted Glass
"Windows: A Book About Stained & Painted Glass" by Lewis F. Day is an instructional work on the art and technique of stained and painted glass, written in the late 19th century. Aimed at individuals with varying knowledge levels—from complete novices to experienced artisans—the book explores the craftsmanship and design principles behind stained glass windows from the medieval period to the Renaissance. Day's dedication to the subject reflects his extensive experience working with stained glass, providing insights into its artistic and practical aspects. The opening of this work introduces the author's background and sets the stage for a deeper exploration of stained glass craftsmanship and design. Day emphasizes the importance of both workmanship and artistic expression, tracing the evolution of glass-making techniques from ancient times to the 17th century. He outlines the book's structure, which includes tracing craftsmanship and design, while also addressing stylistic considerations. The author draws parallels between stained glass and other art forms, such as poetry and jewelry, to highlight the significance of perspective in appreciating the medium, inviting readers to view stained glass not just as decorative pieces but as art that enrichens its environment.
Christopher Whall
Stained Glass Work: A text-book for students and workers in glass
"Stained Glass Work: A text-book for students and workers in glass" by C. W. Whall is a practical guide in the art and craft of stained glass, likely written in the early 20th century. This text serves both students and artisans seeking to deepen their understanding of stained glass techniques, materials, and design principles. The book delves into the processes involved in creating stained glass windows, from cutting and painting to firing and installation. The opening of the work introduces fundamental concepts and tools related to stained glass production. Whall emphasizes the difference between colored glass and painted glass, outlining the basics of working with glass, including the importance of using the right techniques for cutting and assembling pieces with lead. He also touches on the significance of craftsmanship, urging a balance of artistic design with practical skill—a theme that indicates the broader aim of the book to elevate the standards of workmanship in the stained glass craft.
William Frederic Faber
Stained Glass Windows: An Essay: With a Report to the Vestry on Stained Glass Windows for Grace Church Lockport New York
"Stained Glass Windows: An Essay: With a Report to the Vestry on Stained Glass…" by William Frederic Faber is a scholarly publication written in the early 20th century. This book primarily focuses on the artistic and architectural significance of stained glass windows used in churches, particularly as viewed in the context of Grace Church in Lockport, New York. It engages in a detailed discourse on the aesthetic, historical, and spiritual roles that stained glass windows play in enhancing church architecture. The book details Faber's reflections and recommendations regarding the design and implementation of stained glass windows in Grace Church. He argues for a thoughtful and cohesive approach to adding these windows, emphasizing the importance of maintaining architectural integrity and historical context. The report suggests specific biblical figures and stories for the windows, advocating for a unified narrative that educates worshippers through visual art while honoring the church's design. Faber highlights the need for education in the appreciation and selection of stained glass, cautioning against impulsive decisions driven by trends or financial capabilities rather than artistic merit and spiritual worth.
Robert Anning Bell
A Lecture on Stained Glass
"A Lecture on Stained Glass" by Robert Anning Bell is a scholarly examination of the art and craft of stained glass, delivered in the early 20th century, specifically in 1922. This lecture, presented at The Royal College of Art, explores the history, techniques, and modern tendencies in the practice of stained glass artistry. Bell not only discusses the evolution of stained glass from its early medieval roots to contemporary practices but also emphasizes its spiritual and decorative significance within Christian architecture. In the lecture, Bell presents a detailed overview of stained glass, discussing its materials and the historical context of its use in religious settings. He explicates the processes involved in creating stained glass, from the selection of colored glass to the techniques of painting and leading. Bell notes the importance of communal work in stained glass creation and underscores the balance between artistic expression and craft. He also highlights modern tendencies, such as the shift toward stronger colors and bolder design, while lamenting some lost traditions that once enriched the art form. Overall, the lecture serves as both an educational resource and a passionate call for a deeper appreciation of stained glass as a unique and expressive medium.
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