Subject
Great Exhibition (1851 : London, England) Books
Best books
Charles Babbage
The exposition of 1851 : $b or, Views of the industry, the science, and the government, of England
"The exposition of 1851: or, Views of the industry, the science, and the government, of England" by Charles Babbage is a political and economic treatise written in the mid-19th century. Centered on the Great Exhibition, it analyzes how industry, science, and public institutions should be organized and judged, arguing for free exchange, competition, and transparent pricing. The work critiques official management and party politics, proposes practical rules for exhibitions, and ranges from trade theory and scientific organization to the author’s own Calculating Engines. The opening of the work defends the author’s frank, personal approach in a combative preface, attacks party tactics and governmental small-mindedness, and notes prior advice he gave on the Exhibition’s site and on publishing prices. Babbage then distinguishes universal from general principles, stresses the power of small, repeated causes, and models careful analysis through a simple shovel-and-barrow example. He argues that trade benefits all sides (illustrated by English soles and French uppers), extends the case to multilateral exchange, and links public benefit to secular, practical education. He surveys scientific societies and the British Association’s evolution (including the birth of the Statistical Society), criticizes missed chances to let science lead the Exhibition, and recounts the event’s origin, opposition in fashionable quarters, and the limitations of a commission chaired by a prince. Practical proposals follow: how to price admission, track attendance with turnstiles, improve access, and even move visitors on elevated cars; he defines the Exhibition’s purpose (free interchange), clarifies consumer/producer/middle-man interests, sets boundaries between industrial and fine art (e.g., lace vs. sculpture), assesses site choices, praises Paxton’s Crystal Palace, and begins a sustained case for posting prices—backed by retail anecdotes and the evolution from markets to brokers—to ensure fair competition and help visitors decide what to buy.
John Stoughton
The Palace of Glass and the Gathering of the People: A Book for the Exhibition
"The Palace of Glass and the Gathering of the People: A Book for the Exhibition" by Rev. John Stoughton is a reflective work likely written in the mid-19th century. The book explores the Great Exhibition of 1851, considering its cultural significance and the artistic, social, and technological achievements of mankind as displayed in the Crystal Palace. This work blends historical commentary with philosophical musings, suggesting deep connections between past and present civilizations. The opening of the book sets the stage for a rich discussion on the nature of human progress, starting with references to Geoffrey Chaucer, reflecting on the poet's imaginary visions of a glass palace, which foreshadows the real-life construction of the Crystal Palace for the Exhibition. Stoughton establishes a thematic link between Chaucer’s dream-like visions and the realities of 19th-century industrial progress, highlighting that every great achievement first emerged as a dream. The text emphasizes the moral and spiritual implications of the event, proposing that the collective effort of mankind, showcased through the exhibition of artistic and industrial works, serves a higher purpose in the quest for universal harmony and advancement.
Thomas Binney
The Royal Exchange and the Palace of Industry; or, The Possible Future of Europe and the World
"The Royal Exchange AND THE PALACE OF INDUSTRY; or, The Possible Future of Europe and the World" by Rev. Thomas Binney is a religious treatise written in the mid-19th century. This work explores the intersection of faith, commerce, and social progress, proposing a vision for a more unified global society centered around divine truths. Binney reflects on the significance of the Royal Exchange and the forthcoming Great Exhibition of All Nations, arguing for the essential unity of all people under the sovereignty of God. The opening of the work vividly recounts the historical event of the Royal Exchange in London being engulfed in flames, prompting a deep reflection on its cultural and spiritual significance. Binney establishes the Royal Exchange as a gathering place for commerce and trade, where people from all nations convene. He connects this to the inscription, "The Earth is the Lord’s, and the fulness thereof," emphasizing God’s ownership of the world and the moral responsibilities that come with it. Binney articulates his intention to link this declaration with an exploration of worship, character, and the prophetic vision of future harmony and cooperation among nations, suggesting that such acknowledgment could lead to social and political advancement across Europe and the world.
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