Subject
Heraldry -- Great Britain Books
Best books
Arthur Charles Fox-Davies
A Complete Guide to Heraldry
"A Complete Guide to Heraldry" by Arthur Charles Fox-Davies is a comprehensive reference work on the science of heraldry written in the early 20th century. This publication delves into the history, laws, and practices associated with coats of arms, including their origins, symbolism, and the functions of heralds. The guide is not merely historical but emphasizes the continuing relevance and application of heraldry in the modern era. The opening of the book establishes an overview of armory and its distinctions from heraldry, explaining that armory concerns the symbolic imagery on heraldic devices while heraldry encompasses broader ceremonial and genealogical facets. Fox-Davies critiques the misconceptions surrounding armory, arguing that it is not a stagnant field confined to the past but a living discipline adapting to contemporary contexts. He asserts that while ancient practices influence it, the rules governing armory must evolve with societal changes, setting the stage for a thorough exploration of heraldic principles and their modern implications.
Evelyn Philip Shirley
The Noble and Gentle Men of England or, notes touching the arms and descents of the ancient knightly and gentle houses of England, arranged in their respective counties.
"The Noble and Gentle Men of England" by Evelyn Philip Shirley is a historical account written in the mid-19th century. The work aims to chronicle the arms and genealogies of ancient knightly and gentle families in England, arranged by their respective counties. It particularly focuses on those families that had established themselves before the 16th century, offering insights into the social structure and lineage of England's aristocracy. The opening of the text sets the stage for the author's exploration of England's noble families, outlining his methodology and the limitations he imposed on his investigation. Shirley discusses the criteria for inclusion, emphasizing the importance of direct male descent and the historical ties to the land. He acknowledges the challenges of genealogy, such as distinguishing between ancient and more recent claims to lineages. The introduction also references various sources from county histories and manuscripts, indicating a rigorous approach to documenting the legacy of aristocratic families. These early details lay a foundation for the detailed genealogies that will follow in the subsequent chapters.
Charles Boutell
The Handbook to English Heraldry
"The Handbook to English Heraldry" by Charles Boutell is a comprehensive guide on the subject of heraldry, written in the early 20th century. The book serves as an introduction to the principles, history, and art of English heraldry, making it suitable for both students new to the topic and those with a casual interest. Boutell outlines the significance of heraldry in English history and its practical applications, as well as the language and techniques involved in interpreting and creating armorial designs. At the start of the volume, the author expresses his intent to educate readers on the essentials of English heraldry, emphasizing its historical importance and relevance in modern times. He describes heraldry as a symbolical language, rich in tradition and meanings. The opening chapters explore its origins, popular uses, and connection to significant moments in English history, such as the Crusades. Boutell also highlights the distinction between various heraldic elements, such as coats-of-arms, shields, and insignias, preparing readers for a deeper dive into the structure and artistry of heraldic compositions that follow in the text.
John Vinycomb
Fictitious & Symbolic Creatures in Art With Special Reference to Their Use in British Heraldry
"Fictitious & Symbolic Creatures in Art" by John Vinycomb is a scholarly work that focuses on the depiction of imaginary and symbolic beings in British heraldry, written in the early 20th century. The book examines creatures whose existence is only imaginatively conceived, such as chimeras and dragons, and their significance in the context of heraldic symbolism. Vinycomb intends to illuminate these fantastical entities primarily as they appear in heraldic art, analyzing their shapes and meanings derived from a rich tradition of myth and legend. The opening of the book establishes Vinycomb's intent to explore symbolic creatures' prominence in art and heraldry, acknowledging how these beings have shaped human imagination and historical representation. He discusses how earlier writings and myths shaped sensational perceptions of these creatures, causing difficulties for contemporary artists in depicting them accurately. The author reflects on the historical significance of these symbols and their transformation over time, recognizing the vital role they play not only in heraldry but in the collective consciousness influenced by fears, values, and cultural narratives throughout the ages.
Cyril Davenport
English Heraldic Book-stamps
"English Heraldic Book-stamps" by Cyril Davenport is a historical account written in the early 20th century. The book explores the fascinating world of heraldic book-stamps, detailing coats-of-arms and crests that adorn bookbindings across England, Scotland, and Ireland, with a focus on their historical significance and identification. The opening of the book sets the stage for an exhaustive examination of heraldic stamps, emphasizing that the material presented is just a collection of what exists, with suggestions of the vast number yet to be discovered. Davenport expresses a desire to document these symbols better, noting that little attention has previously been given to English heraldry in this context compared to French counterparts. He outlines the historical roots of heraldry, touching upon its military origins and the evolution of coats-of-arms on books from the late 15th century onward, establishing a foundation for the detailed descriptions and illustrations to follow in the subsequent chapters.
G. W. (George William) Eve
Heraldry as art: An account of its development and practice, chiefly in England
"Heraldry as Art: An Account of its Development and Practice, Chiefly in England" by G. W. Eve is a historical account written in the early 20th century. This work delves into the principles and artistic aspects of heraldry, highlighting its ornamental and historical significance, particularly in England. It aims to provide both artists and those interested in the subject with helpful insights and methods for understanding and creating heraldic designs. At the start of the book, the author outlines the intention behind the text, emphasizing the need to present the essential principles of heraldic art simply and effectively. Eve touches on the origins of heraldry, linking it to ancient practices of symbolism that emerged with mankind's desire to express qualities through natural forms. He explores how heraldry became systematized around the 11th century and flourished until the 16th century, setting the stage for a deeper examination of its usage, symbolism, and techniques in subsequent chapters. The opening illustrates the interplay between heraldry, personal identity, and its evolution in both martial and decorative contexts.
W. H. St. John (William Henry St. John) Hope
Heraldry for Craftsmen & Designers
"Heraldry for Craftsmen & Designers" by Sir W. H. St. John Hope is a technical handbook written in the early 20th century. This work focuses on the principles, practices, and applications of heraldry, specifically aimed at designers and craftspeople who wish to incorporate heraldic concepts into their own artistic endeavors. The book aims to demystify heraldic art, making it accessible and relevant for modern applications. The opening of the book sets the stage for a comprehensive exploration of heraldry, identifying its common misunderstandings among artists and craftsmen. Sir W. H. St. John Hope expresses concern over the disconnection between artistic representation and the historical roots of heraldry, which often leads to inaccuracies in modern interpretations. He stresses the importance of understanding the original principles and applications of heraldry to enhance both artistic creation and craftsmanship. The discussion emphasizes the need for designers to use historical sources of inspiration to inform their work, thereby promoting a better appreciation and application of heraldic art in contemporary practices.
Recently surfaced classics