Subject
Ibsen, Henrik, 1828-1906 Books
Best books
Edmund Gosse
Henrik Ibsen
"Hans Christian Andersen" by Edmund Gosse is a biographical account written in the early 20th century. The book explores the life and works of the renowned Danish author and fairy tale writer Hans Christian Andersen, delving into his upbringing, literary career, and the personal experiences that shaped his storytelling. Gosse aims to provide a comprehensive understanding of Andersen's significance in literature and the complexities of his character. The opening of the book presents the groundwork for understanding Andersen's early life, detailing his humble beginnings in Odense, Denmark. It describes his family background, highlighting his father's aspirations and his mother's struggles, setting a tone of contrast between Andersen's rich imagination and the stark realities of his childhood. Gosse emphasizes key moments from Andersen's formative years that fostered his desire to write, including his early encounters with the arts and literature, which are pivotal in shaping his future as a storyteller. The narrative gives insight into Andersen's challenges and aspirations while laying the foundation for a deeper exploration of his literary achievements throughout the book.
Havelock Ellis
The New Spirit Third Edition
"The New Spirit" by Havelock Ellis is a scholarly work written in the late 19th century. This thought-provoking text explores the evolution of human thought and culture, emphasizing the transformative forces within literature and individual genius that reflect the spirit of the times. Ellis analyzes notable figures such as Diderot, Heine, Whitman, Ibsen, and Tolstoy, providing insights into their contributions to modern thought and how they embody the cultural shifts of the period. At the start of the publication, Ellis presents a preface discussing the intent behind the work, framing it as a personal exploration of the "new spirit" that defines contemporary life. He expresses a desire to understand the emotional and intellectual currents of his time, ultimately aiming to unite diverse literary influences into a cohesive narrative. The opening sets the stage for deeper analysis of selected figures, hinting at how their collective legacies mark a significant departure from past ideologies and contribute to ongoing societal transformations.
André Suarès
Trois hommes: Pascal, Ibsen, Dostoïevski
"Trois hommes: Pascal, Ibsen, Dostoïevski" by André Suarès is a philosophical exploration written in the early 20th century. The text delves into the thoughts and lives of three influential figures—Pascal, Ibsen, and Dostoïevski—examining their contributions to literature, philosophy, and the human condition. The narrative seems to be reflective and analytical, engaging with profound themes such as existentialism, faith, morality, and the struggles of the human spirit. The opening of the work introduces us to M. de Séipse, who, disturbed by the tumult and calumny of Paris, seeks solace in the countryside, specifically the historic site of Port-Royal. This serene setting serves as a backdrop as M. de Séipse grapples with the discord between personal conviction and the chaotic world around him. Amidst this introspection, he engages with the legacy of Pascal, contemplating the dissonance between human power and fatality, as well as the sacrifices of the jansenists. Suarès’s writing beautifully evokes themes of solitude and contemplation, establishing a reflective tone that invites readers to explore the intricate relationships between faith, existence, and the burden of self-knowledge.
Ossip Lourié
La philosophie sociale dans le theatre d'Ibsen
"La philosophie sociale dans le théâtre d'Ibsen" by Ossip Lourié is a scholarly work written in the late 19th century. This book aims to explore the social philosophy embedded within the plays of Henrik Ibsen, emphasizing that Ibsen’s works serve as philosophical essays focusing on vital human issues rather than traditional dramatic narratives. The author intends to uncover the interplay of individual psyche and societal norms as reflected in Ibsen's characters. At the start of the work, Lourié presents an introduction outlining his intent to analyze Ibsen's theater not as mere dramatizations but as rich philosophical discourses that evoke profound thought. He discusses Ibsen's approach to theater, highlighting the secondary role of action and the dominance of thematic conflicts, particularly exploring the moral and psychological dilemmas faced by the characters. Lourié argues that Ibsen's plays challenge societal conventions and urge audiences to engage deeply with the ethical implications and philosophical questions posed through the characters' struggles and interactions.
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