Subject
Illustrated books -- Bibliography Books
Best books
Alfred W. (Alfred William) Pollard
Fine Books
"Fine Books" by Alfred W. Pollard is a reference work written in the early 20th century. The book serves as a comprehensive survey of the history of fine printing and book illustration, detailing the evolution of book collecting from the inception of the printed book to the modern day. It covers significant periods and figures in the development of printed literature, making it a valuable resource for bibliophiles and collectors. At the start of the volume, the author introduces the topic of book collecting, referencing its ancient roots during the later Roman Empire and the evolution of collecting practices throughout the Middle Ages. Pollard highlights how book collecting transformed with the advent of printing, leading to new dynamics in ownership and dissemination of knowledge. He discusses prominent collectors such as Jean Grolier and Thomas Wotton, and reflects on the shifting ideals around book ownership—from private libraries intended for personal use to public collections aimed at benefiting scholars and society. The opening sets the stage for a deeper exploration of fine books, their artistic merit, and their historical significance.
Walter Crane
Of the Decorative Illustration of Books Old and New 3rd ed.
"Of the Decorative Illustration of Books Old and New" by Walter Crane is a scholarly examination of the evolution and artistic principles of book decoration and illustration, written in the late 19th century. This work explores the historical and contemporary types of decorative design in books, touching upon the significance of both illuminated manuscripts and printed illustrations. The text aims to illustrate the pivotal connection between art and literature while also analyzing the transformation of book design through various historic periods. The opening of the book introduces Crane's intention to articulate the relationship between design, art, and the written word, suggesting that all forms of art are intertwined with human thought and history. He reflects on how book illustrations serve as a lens through which to view the cultural and social nuances of different eras. Crane notes that while the decorative aspect may dominate some periods, the role of the illustrator is increasingly recognized over time. He underscores the importance of personal experience and historical context in understanding the evolution of book decoration, setting the stage for an in-depth exploration of this artistic domain throughout the subsequent chapters.
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