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Indian textile fabrics -- North America Books
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Sixth annual report of the Bureau of ethnology. (1888 N 06 / 1884-1885)
"Sixth Annual Report of the Bureau of Ethnology" by J. W. Powell is a scientific publication written in the late 19th century. This comprehensive report details the Bureau's activities and findings regarding ethnological studies, primarily focusing on North American Indian tribes during the fiscal year 1884-1885. It covers various aspects such as field work, linguistic studies, archaeological explorations, and the publications produced, providing an in-depth analysis of the cultural, linguistic, and artistic practices of Native American peoples. The opening of the report includes a letter of transmittal, along with an introduction that outlines the Bureau's ongoing research efforts among North American Indians. It describes the systematic operations related to mound explorations, linguistic fieldwork, and cultural studies undertaken across different tribes. Moreover, specific details about various assistants and their contributions to the research are highlighted, indicating a collaborative effort in documenting the languages, traditions, and artifacts of Native Americans, all of which serve as an invaluable resource for anthropologists and historians.
William Henry Holmes
Prehistoric Textile Art of Eastern United States Thirteenth Annual Report of the Beaurau of American Ethnology to the Secretary of the Smithsonian Institution 1891-1892, Government Printing Office, Washington, 1896, pages 3-46
"Prehistoric Textile Art of Eastern United States" by William Henry Holmes is a scientific publication likely written in the late 19th century. This work explores the various textile arts practiced by indigenous peoples of the eastern United States, focusing on their materials, methods, and products derived from textile techniques. The book aims to elevate the understanding of textile artifacts and their significance within the broader context of North American archaeology. The opening of the text outlines the scope and purpose of the study, highlighting that it was commissioned alongside a report on Dr. Cyrus Thomas's explorations of mounds and remains from ancient cultures. It emphasizes the previously overlooked importance of textile artifacts in archaeological discussions and notes the parity of textile arts with pottery and metalwork in determining cultural status. This portion serves as a prelude to a detailed examination of various textile forms, including basketry, matting, and fabrics, relying on both archaeological findings and historical accounts to illuminate the artistry and techniques of the prehistoric inhabitants of the region.
William Henry Holmes
A Study of the Textile Art in Its Relation to the Development of Form and Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-'85, Government Printing Office, Washington, 1888, (pages 189-252)
"A Study of the Textile Art in Its Relation to the Development of Form and Ornament" by William H. Holmes is a scientific publication written in the late 19th century. This work comprehensively charts the history and evolution of textile art, exploring its intrinsic connection to form, function, and ornamentation. The text likely examines the development of textile techniques in relation to broader cultural and artistic movements, particularly within indigenous American artistry. At the start of the work, the author introduces textile art as one of the oldest forms of artistic expression, tracing its evolution from primitive times to contemporary practices. Holmes emphasizes the significance of function and construction in shaping both the aesthetic and practical aspects of woven fabrics. He outlines various methods of textile production, including weaving, plaiting, and netting, while discussing how aesthetic features evolved alongside functional demands. The opening establishes a framework for understanding how these artistic practices have influenced not only textiles themselves but also other forms of art and cultural expressions across time.
William Henry Holmes
Prehistoric Textile Fabrics Of The United States, Derived From Impressions On Pottery Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-82, Government Printing Office, Washington, 1884, pages 393-425
"Prehistoric Textile Fabrics Of The United States, Derived From Impressions On…" by William H. Holmes is a scientific publication written during the late 19th century. This work dives into the topic of textile fabrics used by ancient peoples from the United States, specifically those that can be analyzed through the impressions they left on pottery. It serves as an important contribution to the study of ethnology and archaeology, focusing on the methods and materials employed in textile production by prehistoric cultures. The book discusses various types of textile fabrics identified through meticulous research and analysis of pottery fragments. Holmes categorizes these fabrics into groups based on their weaving techniques and materials, showcasing a range of ancient textiles from diverse geographic locations across the U.S. He provides detailed illustrations and examinations of the fabrics, emphasizing their roles in both the practical aspects of pottery construction and aesthetic ornamentation. The work highlights the sophistication of textile techniques among prehistoric tribes, illustrating that these early artists used woven materials not only for functionality but also for decorative purposes, enriching our understanding of their cultural practices.
Mary Lois Kissell
Aboriginal American Weaving
"Aboriginal American Weaving" by Mary Lois Kissell is an informative study on the traditional weaving techniques of Indigenous peoples in North America, presented as a paper at the National Association of Cotton Manufacturers' meeting in the early 20th century. The book provides insights into the simple yet ingenious methods employed by native cultures, contrasting them with modern textile manufacturing. It likely covers a range of topics focusing on the materials used for weaving and the cultural significance of the crafted items. In the text, Kissell explores various weaving techniques, particularly those of tribes in regions like British Columbia and the southwestern United States. She details methods such as the use of cedar bark mats and intricate Chilkat blankets, highlighting the natural materials and unique techniques involved in their creation. Through detailed descriptions and illustrations, the book discusses the communal processes of weaving among Indigenous communities, the socio-cultural symbolism found in designs, and the environmental adaptations that influenced these ancient practices. Overall, it offers a rich examination of the artistry and cultural heritage present in Indigenous weaving traditions.
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