Subject
Iroquois Indians -- Folklore Books
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Erminnie A. (Erminnie Adele) Smith
Myths of the Iroquois. (1883 N 02 / 1880-1881 (pages 47-116))
"Myths of the Iroquois" by Erminnie A. Smith is a collection of indigenous myths and folklore written in the late 19th century. The book delves into the rich tapestry of Iroquois mythology, exploring their gods, supernatural beings, and traditional narratives that convey their cultural heritage. It aims to preserve the stories that form the backbone of Iroquois identity and spirituality as they intersect with the natural world. The opening of the work begins with an exploration of the Iroquois pantheon, highlighting gods like Hi-nun, the Thunder God, who plays a protective role against formidable creatures of legend. Smith discusses the complexity of Iroquois spirituality, which encompasses a multitude of deities and natural forces revered for their influence over life. She also introduces the concept of mythical transformations, such as the contrasting roles of the benevolent West Wind and the destructive North Wind. These themes set the stage for a deeper understanding of the narratives that follow, which elaborate on the origins of sacred rituals, moral lessons, and explanations of natural phenomena, all integral to the Iroquois way of life.
Mabel Powers
Stories the Iroquois Tell Their Children
"Stories the Iroquois Tell Their Children" by Mabel Powers is a collection of traditional tales written in the early 20th century. The book gathers various Iroquois stories designed not just to entertain but also to impart life lessons, cultural values, and the natural world's intricacies, reflecting a time-honored storytelling tradition. This collection includes narratives that illustrate the origins of certain animals, natural phenomena, and the relationship between humans and nature, showcasing characters like "the Little People," animals, and Iroquois children. At the start of the book, the author shares insights on the cultural importance of storytelling among the Iroquois, revealing the voices of the elders who once narrated these tales by the fire. The opening sections introduce how these stories were passed down from generation to generation, emphasizing their purpose: to teach children about goodness, bravery, and kindness. Powers also describes her journey into Iroquois culture, through which she earned the title "Yeh Sen Noh Wehs" or "the one who carries and tells the stories." The subsequent narratives delve into the Little People, the laws of storytelling among the Iroquois, and the expression of gratitude, weaving together lessons about life, community, and respect for nature.
Unknown
The Legends of the Iroquois
"The Legends of the Iroquois" by William Walker Canfield is a collection of Indigenous folklore written in the early 20th century. This work compiles stories told by "The Cornplanter," a Seneca chief, reflecting the rich oral traditions and mythologies of the Iroquois Confederacy. The collection not only seeks to entertain but also aims to preserve the cultural narratives that have shaped the Iroquois identity, offering insights into their values, beliefs, and relationship with nature. At the start of the text, the author discusses the significance and preservation of Indian legends, emphasizing the lack of written history among Indigenous peoples prior to European contact. The tales are presented as sacred traditions, passed down through generations, and deeply revered by the descendants of those who initially told them. The opening segment sets the stage for a series of legends, including narratives about the creation of corn, winter, and various animal origins, alongside the formative journeys of characters like Cornplanter himself. The portrayal of these legends aims to evoke an appreciation for the beauty and depth of the Iroquois culture, portraying their world as interconnected with nature and imbued with spirituality.
David Cusick
David Cusick's Sketches of Ancient History of the Six Nations Comprising First—A Tale of the Foundation of the Great Island, (Now North America), The Two Infants Born, and the Creation of the Universe. Second—A Real Account of the Early Settlers of north America, and Their Dissensions. Third—Origin of the Kingdom of the Five Nations, Which Was Called a Long House: the Wars, Fierce Animals, &c.
"David Cusick's Sketches of Ancient History of the Six Nations" by David Cusick is a mytho-historical narrative first published between 1826 and 1827. This groundbreaking work records Iroquois history from a Native American perspective, blending creation myths with historical accounts across three parts. Beginning with a cosmic origin story of twin brothers—one good, one evil—battling over creation itself, the narrative journeys through millennia of giant warriors, serpents, and tribal conflicts. Cusick chronicles how separate tribes were guided to form the confederacy of the Long House, preserving oral traditions in an age when such knowledge faced extinction.
Owahyah
Birch Bark Legends of Niagara
"Birch Bark Legends of Niagara" by Owahyah is a collection of traditional stories founded on the legends of the Iroquois, or Six Nations, likely written in the late 19th century. This book explores themes of spirituality, nature, and the cultural practices of Indigenous peoples, particularly how they interpret natural phenomena such as Niagara Falls. It conveys the deep connection the Iroquois had with their lands and the significance of storytelling in preserving their history and culture. The narrative centers around the legend of the Lunar Bow, which illuminates the waterfall by moonlight and delves into the customs surrounding sacrifice to the Great Spirit. The story follows characters such as the young Chief Grey Eagle and the Sachem's daughter, the Gentle Fawn, as they navigate the challenges posed by rival warriors, notably Black Snake. Themes of loyalty, love, and the struggles between good and evil intertwine as Grey Eagle seeks to secure his place as a leader while also protecting those he loves. The tale ultimately culminates in a poignant act of sacrifice that reverberates through the community, highlighting the conflicts between tradition and the desires of the young.
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