Subject
Islamic architecture -- Spain Books
Best books
Albert Frederick Calvert
The Alhambra being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration
"The Alhambra" by Albert Frederick Calvert is a historical account written in the early 20th century. The work serves as a comprehensive exploration of the Alhambra, a palace and fortress complex in Granada, Spain, detailing its architectural significance and the historical context of the Arabian conquest of the Iberian Peninsula. The book aims to provide readers with an illustrated souvenir of the Alhambra, showcasing its artistic brilliance and the legacy of Moorish culture in Spain. The opening of "The Alhambra" sets the scene with a Spanish rhyme praising both Seville and Granada. It introduces the book's purpose, revealing the author's intention to create a succinct and visually appealing record of the Alhambra's history and artistry for tourists and enthusiasts alike. Calvert discusses his difficulties in sourcing high-quality illustrations, ultimately relying on both his own photography and contributions from various artists and historians. He emphasizes the merging of visual beauty and historical depth, capturing the allure and enchantment of the Alhambra as a premier symbol of Moorish architecture and culture.
Rafael Contreras
Estudio descriptivo de los monumentos árabes de Granada, Sevilla y Córdoba ó sea La Alhambra, el Alcázar y la Gran Mezquita de Occidente
"Estudio descriptivo de los monumentos árabes de Granada, Sevilla y Córdoba" by Rafael Contreras is a historical account written in the late 19th century. This work focuses on the architectural and artistic significance of key Islamic monuments in Spain, particularly the Alhambra, the Alcázar, and the Great Mosque of Córdoba. The text aims to present a comprehensive overview of these structures, exploring their history, cultural context, and aesthetic qualities. The opening of the book sets the stage for an in-depth investigation into the rich heritage of these Arab monuments, emphasizing the author's extensive personal experience in restoring the Alhambra. Contreras reflects on the historical importance of these structures, noting their unique architectural features and the challenges of accurately transcribing their names from Arabic to Spanish. He outlines his intention to compile findings from decades of observations into a cohesive narrative that respects both the artistic and historical aspects while acknowledging the complex cultural exchanges that defined this period in Spain's history, particularly during the Muslim conquests and their subsequent influence on Spanish art and architecture.
Recently surfaced classics