Subject

Islamic decoration and ornament -- Spain Books

Best books

Albert Frederick Calvert

Moorish Remains in Spain

"Moorish Remains in Spain" by Albert Frederick Calvert is a historical account likely written in the early 20th century. The book delves into the impact of the Arabian conquest of the Iberian Peninsula, with a keen focus on the architectural and decorative contributions of the Moors in significant cities like Cordova, Seville, and Toledo. It captures the essence of Moorish artistry and its historical significance in shaping Spain's cultural landscape. The opening of the volume introduces the author's dedication to King Alfonso XIII, reflecting the immense interest in Moorish monuments in Spain. It outlines the author's journey of discovery, revealing a broader array of Moorish architecture and art beyond the well-known Alhambra. Calvert emphasizes the historical narrative of the Moors in Spain, discussing their initial conquest, the establishment of their rule, and their lasting contributions that remain visible today. He expresses a desire to transport readers through visual representations, presenting a vivid tapestry of the Moorish influence that shaped not only the architectural heritage but also the cultural identity of Spain.

Albert Frederick Calvert

The Alhambra
 being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration

"The Alhambra" by Albert Frederick Calvert is a historical account written in the early 20th century. The work serves as a comprehensive exploration of the Alhambra, a palace and fortress complex in Granada, Spain, detailing its architectural significance and the historical context of the Arabian conquest of the Iberian Peninsula. The book aims to provide readers with an illustrated souvenir of the Alhambra, showcasing its artistic brilliance and the legacy of Moorish culture in Spain. The opening of "The Alhambra" sets the scene with a Spanish rhyme praising both Seville and Granada. It introduces the book's purpose, revealing the author's intention to create a succinct and visually appealing record of the Alhambra's history and artistry for tourists and enthusiasts alike. Calvert discusses his difficulties in sourcing high-quality illustrations, ultimately relying on both his own photography and contributions from various artists and historians. He emphasizes the merging of visual beauty and historical depth, capturing the allure and enchantment of the Alhambra as a premier symbol of Moorish architecture and culture.

Recently surfaced classics