Subject

Italian fiction -- 19th century Books

Best books

Gabriele D'Annunzio

L'Innocente

"L'Innocente" by Gabriele D'Annunzio is a novel written in 1892. It follows Tullio Hermil, a wealthy man whose constant infidelities have destroyed his marriage to the devoted Giuliana. When her near-fatal illness awakens his love, he realizes too late what he has lost. As Tullio desperately tries to reclaim their bond, a devastating secret emerges that will test the limits of forgiveness and plunge him into darkness. A psychological exploration of guilt, obsession, and moral collapse.

Giovanni Visconti Venosta

Il curato d'Orobio : $b racconto

No description available.

Parmenio Bettòli

Terremoto : $b storia del secolo XVI

"Terremoto: Storia del secolo XVI" by Parmenio Bettòli is a historical narrative written in the late 19th century. The book opens with a vivid depiction of the enthusiasm and crowd in the city of Parma as the arrival of Pope Paul III is imminent. Set in the context of 16th-century Italy, the story unfolds amidst political intrigues and familial rivalries, featuring key characters such as the young soldier Neruccio Nerucci and the mysterious Pellegrino, both of whom are drawn into the tumultuous events surrounding the Pope's visit. The opening of the work describes the hustle and bustle of Parma's streets as citizens gather to celebrate the arrival of the Pope. The reader is introduced to a diverse cast of characters, including Nobles, clergy, and common folk, all excited by the occasion. Amidst the chaos, two distinct individuals emerge: Neruccio, a soldier marked by a sense of curiosity, and Pellegrino, a foreign antiquarian with a mysterious past. Their interactions hint at deeper conflicts as tensions brew between the noble families of Camia and Nicelli, setting the stage for a dramatic tale of vengeance and political maneuvering. As the narrative progresses, the stage is set for Neruccio's destiny intertwining with these historic events and escalating tensions.

Pietro Thouar

Racconti popolari

"Racconti popolari" by Pietro Thouar is a collection of short stories written in the late 19th century. This work focuses on the social aspects of life within Italian society, particularly through the lens of the struggles and virtues of the common people. The narrative intertwines the lives of ordinary characters, illustrating themes of morality, community, and resilience against socioeconomic hardships. The opening of "Racconti popolari" introduces us to Maestro Cecco, a widowed mason involved in moving his belongings as he prepares to leave a neighborhood in turmoil. This chaos reflects the larger issues faced by the lower class, depicted through vivid scenes of struggling families during a move, evoking both sympathy and communal solidarity. The text also hints at Cecco's family dynamics, specifically the aspirations of his daughter, Anna, and her potential suitor, Cintio, providing a glimpse into their hopes and the societal expectations surrounding love and marriage. As the story unfolds, we learn about the characters’ interactions amidst their challenges, emphasizing a rich tapestry of emotions, virtues, and inevitable hardships faced by the Italian populace of that era.

Giovanni Visconti Venosta

Novelle

"Novelle" by Giovanni Visconti Venosta is a collection of stories written in the late 19th century. The work emphasizes the importance of modern literature that reflects contemporary society and its values, aiming to educate and correct societal flaws through relatable narratives that capture everyday life. The stories are likely infused with humor and poignant lessons, featuring characters that readers may readily recognize from their own lives. At the start of "Novelle," the narrator, Alberto, reflects on two unpleasant memories from his childhood involving a curate's sister and her injured pet bird, which serve as the backdrop for broader themes of disobedience and consequence. He recounts the sister's passionate affection for the bird, illustrating his young self's fascination with its misfortunes. As Alberto grows up, he recalls this youthful episode in relation to his own rebellious spirit, paralleling the journey out of childhood naivety towards a more complicated adulthood filled with challenges. This introduction sets the stage for a narrative steeped in personal recollection and societal critique, hinting at the introspective journey that will follow.

Edmondo De Amicis

La Carrozza di tutti

"La Carrozza di tutti" by Edmondo De Amicis is a novel written in the late 19th century. The narrative explores social interactions and observations among diverse classes of people using the public transport of a tram as a microcosm of society. The main character, who appears to be a keen observer of human nature, reflects on the relationships and contrasts he witnesses among the passengers. At the start of the story, set in January 1896, the narrator recounts a ride on a tram in Turin, reflecting on the social dynamics and encounters within this shared space. He notices a mix of passengers, from well-dressed individuals to a humble farmer and a poor girl, all interacting without the usual class separations. This inspires him to consider writing a book about these characters, leading him to focus on an impoverished couple he frequently observes together, who share a silent yet deep connection. Throughout his observations, he notes various quirks of passengers, interactions influenced by social status, and the lively atmosphere of the tram, ultimately culminating in a realization that the tram serves as a unique reflection of society itself.

Francesco Dall'Ongaro

Racconti

"Racconti" by Francesco Dall'Ongaro is a collection of short stories written in the late 19th century. The stories encompass various themes, drawing from folklore, history, and the human experience, likely exploring the intricacies of love, social dynamics, and moral dilemmas. The opening narrative, titled "La Donna Bianca dei Collalto," hints at an intertwining of personal and historical narratives, where characters grapple with the legacies of past families and legends. The beginning of "Racconti" introduces the story of the White Lady of Collalto, a ghostly figure tied to a tragic family legacy. The narrator sets out on a journey from Conegliano to Collalto, eager to investigate the legends surrounding this apparition. Along the way, he meets Franceschi, the chronicler of the Collalto family, who provides insight into the stories and historical context that enshroud the White Lady. The backstory reveals a tangled web of love, jealousy, and betrayal involving the Count Tolberto, his unkind wife Aica, and the beautiful damsel Bianca, who is mysteriously linked to their fates. Aica's jealousy ultimately leads to tragedy for Bianca, setting the stage for the haunting that the residents believe to forewarn significant events for the Collalto family.

Caterina Percoto

Racconti

"Racconti" by Caterina Percoto is a collection of short stories written in the mid-19th century. This work delves into the lives, struggles, and emotions of various characters, exploring themes of love, family, and the realities of rural life in Italy during that period. It emphasizes the significance of personal experience and connection to one's roots. The opening of the book introduces us to Giacomo, a young man on his way back to his hometown after three years of absence. As he travels, he contemplates his return with a mix of joy and anxiety, particularly regarding his love for Rosa, a girl he left behind. The narrative captures his emotional journey as he navigates through memories of his past, relationships with family members, and preparations for the upcoming celebrations in the village, all while creating a vivid picture of the natural beauty surrounding him. This beginning sets the tone for a poignant exploration of human connections and the impact of life's choices.

Enrico Castelnuovo

Racconti e bozzetti

"Racconti e bozzetti" by Enrico Castelnuovo is a collection of short stories likely written in the late 19th century. The book includes multiple narratives that explore various themes and circumstances, reflecting on the complexities of human relationships and societal norms during its time. The stories delve into the lives of characters navigating the challenges of their environments, evoking a sense of empathy and introspection. The opening of the collection introduces the reader to the story titled "Un Signore Possibile," featuring Count Alberto, a young nobleman who inherits a vast estate and feels an obligation to improve the lives of his tenants. As he takes possession of his lands, he discovers the dire conditions of his agricultural workers and their lack of education. Determined and motivated by his belief that the wealthy have a responsibility to uplift the less fortunate, Count Alberto embarks on a journey to implement reforms. He initiates changes by increasing wages, investing in education, and fostering better agricultural practices, despite facing resistance from traditionalists unaccustomed to such innovations. Through his efforts, the narrative sets up themes of social responsibility, progress, and the conflicts that arise when challenging established norms.

Antonio Ghislanzoni

Racconti politici

"Racconti Politici" by Antonio Ghislanzoni is a collection of political narratives written in the late 19th century. The stories delve into the passionate sentiments surrounding Italy’s struggle for national unity during the tumultuous years leading up to and following the wars of independence. The narratives introduce several characters, including Don Remondo, a priest troubled by loss and duty, and Gregorio, an innkeeper whose family experiences are intertwined with the broader struggles of Italian volunteers fighting against Austrian rule. At the start of the work, the setting is a small village in Val di Intelvi, where the local priest reads about the unfolding war efforts, fostering a sense of urgency and patriotism among the villagers. Together with an elderly innkeeper and his family, they engage in discussions about joining Garibaldi's forces, revealing their diverse motivations—ranging from deep-rooted resentment against foreign oppression to the romantic allure of heroism. As their conversations unfold, themes of duty and sacrifice emerge, foreshadowing the intricate interplay of personal and collective narratives that will shape the characters’ destinies amidst the political upheaval in Italy.

Anton Giulio Barrili

Tizio Caio Sempronio: Storia mezzo romana

"Tizio Caio Sempronio: Storia mezzo romana" by Anton Giulio Barrili is a historical novel written during the late 19th century. The story centers around Tizio Caio Sempronio, a wealthy and handsome Roman knight who exemplifies the values of his time. The narrative unfolds in ancient Rome, illustrating the complexities of social relationships, politics, and the lifestyle of the aristocracy as it explores themes of friendship, love, and the contrasts within Roman society. At the start of the novel, the introduction sets the stage in ancient Rome around 703 years after the founding of the city, under the consuls Servio Sulpicio Rufo and Marco Claudio Marcello. We meet the charming protagonist, Tizio Caio Sempronio, a notable figure within the equestrian class, who enjoys the admiration of women and the friendship of influential men like Caesar and Catilina. Barrili intricately describes his opulent home, showcasing the architecture and decor of Roman life, and sets a tone of celebration as Tizio prepares to host a lavish banquet for friends, with a focus on the cultural practices and social customs of the time. As discussions unfold over dinner, themes of love and companionship begin to emerge, notably through Tizio’s relationships with the beautiful women in attendance and his friend, the aspiring poet Cinzio Numeriano, who is grappling with his feelings for a woman named Delia.

Salvatore Farina

Amore ha cent'occhi

"Amore ha cent'occhi" by Salvatore Farina is a novel written in the late 19th century. The story introduces us to a range of colorful characters involved in tangled relationships and transactions, particularly focusing on the enigmatic figure of Count Cosimo and the sensitive servant Ambrogio. Through humor and poignant moments, the narrative reveals interactions that hint at deeper emotional currents surrounding love, loss, and societal expectations. The opening of the novel sets a lively stage, featuring Ambrogio, who is anxious as he navigates the eccentric behavior of Mr. Cilecca while attending to Count Cosimo, who is visibly distressed. Amid trivial conversations about antiques and porcelain, tension mounts as the themes of impending loss and the commercialization of human relationships surface. The scene shifts as a delicate young woman, Countess Beatrice, enters, igniting a whirlwind of emotions and unresolved dynamics between the characters. These initial moments sketch a comedic yet emotionally layered tableau that hints at the complexities of love and the human condition, setting the tone for the intricacies that unfold throughout the novel.

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