Subject
Literature, Medieval Books
Best books
George Saintsbury
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
"A History of Criticism and Literary Taste in Europe" by George Saintsbury is a historical account written in the early 20th century. This comprehensive work aims to explore the evolution of literary criticism from its classical origins to the modern era, detailing the thoughts and contributions of notable literary figures. The book likely addresses key developments in literary taste and criticism, organized into multiple volumes. The opening of the work sets the stage for a thorough examination of literary criticism, emphasizing the importance of focusing on primary texts rather than secondary interpretations. Saintsbury introduces the concept of literary criticism as an essential evaluative function, one that seeks to determine the qualities that make literature effective and enjoyable. He outlines his intent to address this complex subject in a methodical manner, laying a foundation for subsequent chapters that will delve into Greek, Roman, and Medieval criticism, thereby framing the historical context of literary taste throughout Europe.
George Saintsbury
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
"A History of Criticism and Literary Taste in Europe From the Earliest Texts to the Present Day" by George Saintsbury is a historical account written in the early 20th century. This work examines the development of literary criticism and taste across Europe, exploring the influences and characteristics of criticism through various historical lenses, with a specific focus on English literature. The text likely addresses the evolution of critical thought and aesthetics, contesting the perceived superiority of foreign critical traditions. The opening of the book serves as a preface and introduction, in which Saintsbury outlines the intentions behind the volume and the importance of English criticism in the broader context of literary history. He addresses the tendency to undervalue English critics in comparison to their French and German counterparts, defending the significance and contributions of English literary criticism throughout various periods. Saintsbury indicates that he will explore the Renaissance period, starting with influential figures like Erasmus, while also highlighting the need for a more thorough appreciation of the English critical tradition. This sets the stage for an in-depth exploration of Renaissance criticism and its lasting impact.
George Saintsbury
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
"A History of Criticism and Literary Taste in Europe, from the Earliest Texts to the Present Day" by George Saintsbury is a historical account written in the early 20th century. The work explores the evolution of literary criticism and taste across Europe, documenting developments from the earliest texts to the 19th century. Saintsbury aims to provide a comprehensive overview of the critical landscape, arguing for the importance of modern literature alongside ancient works." "At the start of this comprehensive volume, the author introduces the scope of the discussion, focusing primarily on the 19th century while also referring to relevant earlier texts. Saintsbury stresses the significance of evaluating literature on its own merits rather than strictly adhering to the established norms of classical criticism. He outlines varying perspectives on criticism from notable authors and highlights the gradual shift towards appreciating modern literature, setting the stage for a deeper exploration of literary evolution and the critics influential in shaping contemporary taste."
Arturo Graf
Roma nella memoria e nelle immaginazioni del Medio Evo vol. II
"Roma nella memoria e nelle immaginazioni del Medio Evo vol. II" by Arturo Graf is a historical account written in the late 19th century. This volume explores how the city of Rome was remembered and imagined during the Middle Ages, particularly through various legends surrounding historical figures. The book discusses the interplay between history and mythology, focusing on pivotal characters like Emperor Trajan. At the start of the work, the focus is on the figure of Trajan as portrayed by Dante as a soul in paradise, despite his historical reputation as a persecutor of Christians. The opening delves into the contradiction between Trajan’s umbra and his treatment in medieval legend, exploring how his narrative evolved over time to emphasize his virtues, particularly his commitment to justice. The text presents an examination of Trajan's acts of benevolence and justice, particularly the well-known legend of his encounter with a widow seeking justice for her slain son, setting the stage for discussions on the synthesis of fact and fiction in the historical memory of Rome.
Wilhelm Wägner
Epics and Romances of the Middle Ages
"Epics and Romances of the Middle Ages" by Wilhelm Wägner is a collection of adaptations of legendary tales and heroic epics from the Teutonic Middle Ages, likely written in the late 19th century. The book compiles significant narratives from various cycles, including the Nibelung and Carolingian legends, alongside tales of King Arthur and the Round Table. It explores the stories of valor, conflict, and love through many characters, such as Siegfried, Gudrun, and King Rother, embodying the cultural heritage and historical truths of medieval European societies. The opening of the volume introduces a rich tapestry of legends that are both historical and fantastical. It begins with an explanation of the importance of legend in preserving the cultural identity, values, and beliefs of past ages. The narrative starts with the tale of Alboin and Rosamund, intertwining the themes of love, betrayal, and retribution influenced by the violent dynamics between the Langobards and Gepidæ tribes. This foundational story sets the stage for exploring the complexities of human relationships within an epic context, reflecting the archetypal struggles and heroic endeavors that characterize the entirety of the collection.
Arturo Graf
Roma nella memoria e nelle immaginazioni del Medio Evo vol. I
"Roma nella memoria e nelle immaginazioni del Medio Evo vol. I" by Arturo Graf is a scholarly work written in the late 19th century. The book explores the representation and significance of ancient Rome throughout the medieval period, particularly focusing on legends and imaginative narratives that reflect the cultural and historical memory of the city. It addresses how the memory of Rome influenced various aspects of medieval life, showcasing the city’s enduring legacy even in times of decline. The opening of the work presents a preface that sets the stage for Graf's exploration of the topic. The author discusses the rich legacy of legends surrounding ancient Rome and how they shaped perceptions during the Middle Ages. He emphasizes the importance of understanding these legends to grasp the spiritual and intellectual context of the era, arguing that they are integral to the history of Rome itself. Graf aims to contribute a new chapter to the existing historical discourse by shedding light on these imaginative forms, which, despite their fictional nature, reveal profound truths about the cultural attitudes and beliefs of the time.
Unknown
Legends and Satires from Mediæval Literature
"Legends and Satires from Mediæval Literature" by Martha Hale Shackford is a scholarly collection of translations prepared for college students studying English poetry from the fourteenth century, likely written in the early 20th century. It compiles various poems and narratives from medieval literature, including debates, visions, pious tales, and saints' lives, thus providing an engaging glimpse into the themes and styles of the time. The opening of the book introduces readers to its purpose, which is to make medieval literature more accessible through modern translations. Shackford provides a preface explaining the difficulty in obtaining authentic texts for study and justifies the selection of pieces that are illustrative of common literary types from Chaucer's era. Among the initial content are reflections on the nature of man's body and soul, drawing on allegorical imagery to convey spiritual and philosophical themes. It sets the stage for the subsequent legends and narratives that humorously and solemnly explore love, morality, and spirituality in the context of medieval belief systems.
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