Subject
Literature, Modern -- 20th century -- Periodicals Books
Best books
Various
The Little Review, November 1914 (Vol. 1, No. 8)
"The Little Review, November 1914 (Vol. 1, No. 8)" by Various is a literary magazine written during the early 20th century. As a periodical, it features an array of writings including poetry, essays, and drama, reflecting the diverse and evolving artistic landscape of the time. This particular edition includes contributions from notable writers discussing themes related to art, literature, and the tumultuous events surrounding World War I. The opening of this edition introduces a variety of poems and articles that capture the complexity of human experience, emotions, and societal critiques. The poems range from evocative imagery of nature and personal loss to reflections on war and philosophy, with authors expressing both beauty and despair. For instance, Scharmel Iris's lyrical poem paints a vivid tableau of the natural world, while Clarence Darrow's essay discusses the economic implications of war, arguing for the eventual redistribution of wealth that can arise from destruction. Overall, the beginning of "The Little Review" sets a tone of contemplation and engagement with pressing issues of the time, inviting readers to reflect on the interplay of art and life amidst societal upheaval.
Various
The Little Review, September 1914 (Vol. 1, No. 6)
"The Little Review, September 1914 (Vol. 1, No. 6)" by Various is a literary magazine comprised of poems, essays, editorial content, and various works of art and literature from the early 20th century. This edition reflects the tumultuous atmosphere surrounding the outbreak of World War I, showcasing a diverse range of poetic voices and critical opinions that explore themes of war, art, society, and the human condition during this pivotal time. The opening portion of the magazine presents a variety of poetic contributions, including works by Maxwell Bodenheim and Eunice Tietjens, both of which delve into the emotional and societal ramifications of war. Bodenheim's poems express an intimate relationship with music and personal reflections against the backdrop of conflict, while Tietjens’s piece addresses the somber reality of war's impact on future generations, lamenting the violence that will shape their existence. Additionally, the editorial content critiques American indifference to the European war and calls for a deeper understanding of the cultural and humanitarian consequences of such conflicts, urging readers to reflect on their own societal values amidst the chaos.
Various
The Little Review, December 1915 (Vol. 2, No. 9)
"The Little Review, December 1915 (Vol. 2, No. 9)" is a literary magazine edited by Margaret C. Anderson, published in the early 20th century. This compilation features a diverse array of writings including poetry, short stories, and editorial pieces reflecting on contemporary social and political issues. With contributions from various writers, the magazine explores themes of art, politics, personal identity, and the human condition, encapsulating the vibrant literary culture of the time. The beginning of "The Little Review" presents an eclectic mix of works that set the tone for the issue. The first piece, "Hellenica" by Edward J. O’Brien, employs poetic imagery to evoke the beauty of ancient Greece, while "Sister" by Sherwood Anderson introduces a complex relationship between a brother and his artist sister, revealing themes of familial tension and societal expectations. Subsequent works tackle pressing issues of the era, including militarism in Emma Goldman's fervent piece, "Preparedness: Universal Slaughter," and personal struggles with identity as depicted in Mary Aldis's "Ellie." Overall, the opening portion offers a rich tapestry of literary expression, inviting readers to engage with the thoughts and emotions of its contributors.
Various
The Little Review, May 1914 (Vol. 1., No. 3)
"The Little Review, May 1914 (Vol. 1., No. 3)" by Various is a literary magazine published in the early 20th century, focusing on various artistic forms such as literature, drama, music, and art. This particular issue features a blend of essays, poetry, and dramatic criticism, showcasing the lively debates and evolving thoughts around contemporary culture and literature of the time. It captures the artistic spirit of an era marked by significant social and political change, exploring topics like nationalism, individual freedom, and the evolution of literature. The opening of this issue begins with a critical reflection on the plea for American literature to receive official recognition and support, specifically addressing an open letter to President Wilson by Edwin Björkman. The piece emphasizes that true art arises from an artist's intrinsic drive rather than through monetary incentives, urging for a literary culture that transcends nationalistic boundaries. Following this, the introduction sets the stage for various discussions and critiques, including Emma Goldman's radical ideas, a poem evoking themes of consciousness, and an exploration of the necessity of individual expression in art. Collectively, these pieces offer insightful commentary on the complexities of artistic creation during a transformative period in American history.
Various
The Little Review, March 1914 (Vol. 1, No. 1)
"The Little Review" by Various is a literary magazine published in March during the early 20th century. This inaugural issue showcases a diverse range of literary criticism, poetry, and commentary on contemporary culture and art, suggesting a focus on modernist themes. Notably, it features voices like John Galsworthy and Sherwood Anderson, emphasizing the publication's interest in fresh, constructive criticism and appreciation for the arts. The opening portion of "The Little Review" introduces the magazine's mission to explore the interplay between life and art through criticism that is both creative and insightful. The editor, Margaret C. Anderson, articulates a clear vision for the magazine, highlighting the importance of meaningful artistic expression and the role of criticism in fostering appreciation for art in contemporary society. The letters and articles excerpted in this section imply a vibrant discussion surrounding various works, such as Galsworthy's "The Dark Flower," weaving together personal reflections and broader cultural critiques, thus setting the stage for the dynamic conversations that the magazine aims to foster among its readers.
Various
The Little Review, December 1914 (Vol. 1, No. 9)
"The Little Review, December 1914 (Vol. 1, No. 9)" by Various is a literary magazine published in the early 20th century. It features a diverse collection of poetry, essays, and critical articles by various authors reflecting on literary themes and contemporary issues of its time. The magazine illustrates the evolving landscape of literature and art against the backdrop of World War I, exploring both aesthetic and philosophical questions. The opening of this edition showcases an array of artistic contributions, starting with poems that vividly capture everyday life and existential reflections in urban settings. The content addresses topics like creativity, war, and the struggle for artistic expression amidst societal constraints. Noteworthy contributions include Richard Aldington's observations of urbanity, George Soule's exploration of Shakespeare's legacy, and Helen Hoyt's musings on the beauty of life. This multifaceted beginning sets the tone for a thought-provoking collection that invites readers to engage with the complexities of art and culture during a tumultuous period.
Various
The Little Review, April 1914 (Vol. 1, No. 2)
"The Little Review, April 1914 (Vol. 1, No. 2)" by Various is a literary magazine written during the early 20th century. This publication features a diverse array of content, including essays, poems, articles on art and literature, and critical commentary, reflecting the vibrant cultural and intellectual currents of its time. The magazine serves as a platform for both established and emerging writers, showcasing modernist perspectives and the evolving discourse surrounding socio-political issues, particularly feminism and artistic expression. At the start of this issue, the introduction reflects on the legacy of the Pre-Raphaelite magazine "The Germ," illustrating how its original mission to explore nature through poetry and art inspired contemporary dialogues about artistic authenticity and the struggles of youth. The editorial highlights both the trials faced by past artists and the interconnectedness of their work with ongoing cultural revolutions. Subsequent pieces feature poetry from various authors such as George Soule and Sara Teasdale, alongside discussions on equal suffrage and critiques of contemporary literature, signaling a blend of personal introspection and societal critique as key themes in the opening portion of the magazine.
Various
The Little Review, June 1914 (Vol. 1, No. 4)
"The Little Review, June 1914 (Vol. 1, No. 4)" by Various is a literary magazine published in the early 20th century. This edition features a diverse collection of essays, poems, and critiques that explore contemporary issues in literature, art, and culture. Central themes include discussions on femininity, modernity, and the evolving artistic movements such as Futurism, reflecting the cultural tensions and artistic aspirations of the time. At the start of the magazine, the editor, Margaret C. Anderson, presents her argument against the notion that American women are oversexed, asserting instead that they are undersexed and undersensitive. She contends that society's attitudes towards sexuality and femininity stifle emotional depth and creativity. Anderson critiques the prevailing views on women's roles in both personal and artistic contexts, arguing for a re-evaluation of the relationship between sex, art, and emotional expression. This opening portion sets the tone for an in-depth exploration of various articles and poems that follow, addressing the societal and artistic issues of the period.
Various
The Little Review, January-February 1916 (Vol. 2, No. 10)
"The Little Review, January-February 1916 (Vol. 2, No. 10)" is a literary magazine edited by Margaret C. Anderson, published during the early 20th century. This issue features an assortment of poetry, essays, and discussions on various artistic topics, reflecting the innovative spirit of the time. With contributions from writers like H. D. and Sherwood Anderson, the magazine aims to explore contemporary issues in literature, art, and culture, making it an important periodical of the avant-garde movement. At the start of this issue, readers are treated to an array of poems that capture the evolving landscape of early modernist poetry, touching on themes of nature and the human experience. The opening poems by H. D.—"Late Spring" and "Night"—evoke vivid imagery and explore the sensations of light and time, while Anderson's editorial piece provides insight into the transformation of music and art. He elaborates on the inherent potential of the piano as an expressive instrument, suggesting a paradigm shift towards deeper emotional resonance in musical performance. This mix of poetic and critical discourse establishes a dynamic intellectual atmosphere, inviting readers to engage with both the literature and the discussions of artistic evolution present in the magazine.
Various
The Little Review, October 1914 (Vol. 1, No. 7)
"The Little Review, October 1914 (Vol. 1, No. 7)" by Various is a literary magazine published in the early 20th century. This collection features an array of poems, essays, and editorial content, reflecting the cultural and societal dynamics of the time, particularly around the onset of World War I. The topics range from individualism in society, reflections on the war's impact, critiques of contemporary literature, to expressions of longing and creativity through poetry. The opening of this edition presents a mixture of poetry by notable writers such as Witter Bynner and Amy Lowell, alongside Margaret C. Anderson’s editorial piece advocating for individualism as essential to personal and universal growth. Anderson discusses the role of self-reliance and the triviality of societal norms in light of the chaos of war. She highlights the necessity of an inner life and personal power to overcome societal constraints, setting a tone of introspection and call for higher ideals amidst a turbulent world. This edition also serves as a platform for various literary discussions, showcasing the rich tapestry of literary movements that were emerging during this transformative period.
Various
The Little Review, February 1915 (Vol. 1, No. 11)
"The Little Review, February 1915 (Vol. 1, No. 11)" by Various is a literary magazine published in the early 20th century. This edition features a diverse collection of poetry, drama, and critical essays that reflect the turbulent cultural dynamics of the time, including themes of beauty, artistic expression, and social critique. With contributions from various authors, the magazine serves as a platform for avant-garde voices and thought-provoking discussions on literature, politics, and society. At the start of this edition, the editor, Margaret C. Anderson, presents a reflective piece about the magazine's mission and its role in the literary community. She acknowledges the chaotic nature of the magazine's development, emphasizing a commitment to embracing imagination and creativity over strict editorial policies. The opening also includes insights on the necessity of feeling and emotional expression in art, contrasting it with the confines of rationalism and conventionality. The contributions that follow feature notable poets and playwrights, showcasing works that explore themes of nature, identity, and the essence of creativity, setting the stage for an enriching exploration of the literary landscape during that time.
Various
The Little Review, January 1915 (Vol. 1, No. 10)
"The Little Review, January 1915 (Vol. 1, No. 10)" by Various is a literary magazine published in the early 20th century. This edition features a range of contributions, including poetry, essays, and dramatic pieces, focused on topics of contemporary art, literature, and societal commentary during a time of global turmoil due to World War I. The varied articles reflect the evolving landscape of thought and creativity in the early 1900s, engaging with themes such as war, peace, and individual expression. At the start of this edition, Amy Lowell's poem "The Allies" powerfully illustrates the human experience in wartime, depicting soldiers marching into battle and various perspectives on conflict, culminating with a defiant call for peace. Subsequent pieces introduce intriguing characters and discussions ranging from political commentary to personal reflections on creativity. The opening portion sets the tone for a rich exploration of artistic and philosophical ideals, framing the intellectual and emotional climate of the period, making it both a historical snapshot and a showcase of artistic thought.
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