Subject
London (England) -- Drama Books
Best books
Bernard Shaw
Pygmalion
"Pygmalion" by Bernard Shaw is a play written in 1912. When phonetics professor Henry Higgins boasts he can transform a Cockney flower girl into a duchess simply by teaching her proper speech, Colonel Pickering takes the bet. Eliza Doolittle arrives at Higgins's door seeking lessons to improve her prospects, setting in motion a social experiment that will test class boundaries and personal transformation. This witty comedy became Shaw's most popular work, later inspiring the musical "My Fair Lady."
Ben Jonson
The Alchemist
"The Alchemist" by Ben Jonson is a comedy first performed in 1610. When a plague forces a London gentleman to flee the city, his scheming butler transforms the empty house into a den of fraud. Teaming with a conman and a prostitute, he preys on the greed and ambitions of eager victims—a gambling clerk, a wealthy nobleman seeking the philosopher's stone, and religious zealots hoping to turn metal into gold. As deceptions multiply and schemes collide, the swindlers' elaborate house of cards grows dangerously unstable.
Oscar Wilde
An Ideal Husband
"An Ideal Husband" by Oscar Wilde is a four-act play first produced in 1895. When a respected politician faces blackmail over a youthful indiscretion, his carefully constructed life threatens to collapse. His wife demands unwavering moral perfection, unaware of the secret that built their fortune. As political corruption and personal honor collide, a charming bachelor friend attempts to navigate the crisis. This comedy of manners explores the gap between public reputation and private truth, questioning whether anyone can truly be ideal.
Ben Jonson
Every Man in His Humor
"Every Man in His Humour" by Ben Jonson is a comedy performed in 1598. This groundbreaking "humours comedy" presents characters dominated by singular obsessions and quirks. When a concerned father tries to spy on his wayward son's activities in the city, his servant continually undermines the surveillance. Meanwhile, a merchant spirals into intense jealousy, convinced his wife is betraying him. Surrounding these entangled plots, a colorful cast of English types—boastful soldiers, country fools, and pretentious poets—collide in escalating complications that only a wise judge might untangle.
Bernard Shaw
The Dark Lady of the Sonnets
"The Dark Lady of the Sonnets" by George Bernard Shaw is a short comedy written in 1910. The play imagines William Shakespeare waiting at Whitehall Palace for a secret meeting with his mysterious lover. Instead, he accidentally encounters Queen Elizabeth I and seizes the opportunity to pitch an ambitious idea: the creation of a national theatre. Shaw wrote this witty one-act play as part of a real campaign to establish a Shakespeare National Theatre by 1916, blending historical figures with literary mystery and theatrical ambition.
C. Z. (Charles Zachary) Barnett
A Christmas Carol; Or, The Miser's Warning! (Adapted from Charles Dickens' Celebrated Work.)
"A Christmas Carol; Or, The Miser's Warning!" by C. Z. Barnett and Charles Dickens is a theatrical adaptation of Dickens's celebrated novella, originally produced in the 19th century. This work falls under the category of drama and was shaped during the Victorian era. The principal topic of the book revolves around themes of redemption, the spirit of Christmas, and the moral transformation of the main character, Ebenezer Scrooge, from a miser to a benevolent figure. The storyline follows Ebenezer Scrooge, a cold-hearted miser who despises Christmas and the joy it brings to others. On Christmas Eve, he is visited by the ghost of his former partner, Jacob Marley, and warned about the consequences of his selfishness. Marley informs Scrooge that he will be haunted by three spirits representing Christmas Past, Present, and Future. Through these encounters, Scrooge revisits his neglected childhood, witnesses the struggles of those like his employee Bob Cratchit, and ultimately confronts his own mortality and legacy. These revelations awaken a sense of compassion and responsibility within him, prompting a joyful transformation as he vows to embrace the festive spirit and support those in need. As a result, Scrooge emerges as a better man, embodying the true essence of Christmas and generosity.
Hannah Cowley
The Belle's Stratagem
"The Belle's Stratagem" by Hannah Cowley is a romantic comedy written in 1780. When Letitia Hardy discovers her childhood betrothed Doricourt seems unmoved by her charms, she devises a bold deception to win his passionate devotion rather than settle for a loveless marriage. Meanwhile, newlyweds Sir George and Lady Frances Touchwood navigate jealousy and the corrupting influence of fashionable London society. Both plotlines converge at a climactic masquerade ball where wit, virtue, and romantic love challenge the era's social conventions about marriage and women's roles.
Bernard Shaw
How He Lied to Her Husband
"How He Lied to Her Husband" by Bernard Shaw is a one-act comedy play written in 1904. Created in just four days as a response to the success of his earlier work "Candida," this satirical farce follows a tangled situation involving a poet, his muse, and her husband. When compromising love poems go missing, panic ensues—but the confrontation takes an unexpected turn that subverts romantic assumptions. Shaw transforms a hackneyed theatrical framework into sharp commentary on marriage, vanity, and melodramatic conventions.
Charles Augustus Scott
"Old Scrooge": A Christmas Carol in Five Staves. Dramatized from Charles Dickens' Celebrated Christmas Story.
"Old Scrooge: A Christmas Carol in Five Staves" by Scott and Dickens is a dramatization of Charles Dickens' beloved Christmas story, written in the late 19th century during the Victorian era. This adaptation presents a theatrical retelling of the classic tale, emphasizing the themes of redemption and the spirit of Christmas through the character of Ebenezer Scrooge, a miser who ultimately learns to embrace generosity and compassion. The play captures the heartwarming essence of Dickens' work while conveying a timeless message about the importance of kindness and community. The narrative follows Ebenezer Scrooge, a cold-hearted and selfish businessman who despises Christmas and is indifferent to the suffering of those around him. One Christmas Eve, he is visited by the ghost of his former partner, Jacob Marley, who warns Scrooge of a grim fate unless he changes his ways. Marley informs Scrooge that he will be visited by three spirits: the Ghost of Christmas Past, the Ghost of Christmas Present, and the Ghost of Christmas Yet to Come. Throughout these encounters, Scrooge reflects on his life choices, witnessing both joyous moments and the consequences of his actions. In a transformative journey, he ultimately rediscovers the joy of Christmas and the importance of generosity, leading him to become a benevolent figure in the lives of those he once disregarded, particularly the Cratchit family, embodying the spirit of a true Christmas.
Bernard Shaw
The Inca of Perusalem: An Almost Historical Comedietta
"The Inca of Perusalem: An Almost Historical Comedietta" by Bernard Shaw is a comic one-act play written in 1915 during World War I. What begins as a fairytale about a fantastical "Inca" reveals itself as a satirical portrait of Kaiser Wilhelm II. Through disguises and deceptions, a clever woman named Ermyntrude confronts the vain ruler, mocking his artistic pretensions and his country's disastrous war. Shaw's daring comedy ridiculed Germany's leader while the conflict still raged.
W. J. (Walter James) Turner
The man who ate the popomack : $b A tragi-comedy of love in four acts
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Harold Brighouse
The Scaring off of Teddy Dawson: A Comedy in One Act
"The Scaring off of Teddy Dawson: A Comedy in One Act" by Harold Brighouse is a stage play written in the early 20th century. This comedic work presents a slice-of-life narrative about a working-class family in London's East End, exploring themes of courtship, parental control, and youthful romance. The play captures the dynamics between parents and their daughter as they navigate the turbulent waters of young love. The story revolves around the Bettesworth family, particularly focusing on their daughter Liza and her suitor, Teddy Dawson. As the play unfolds, Liza's father Andrew learns of her secret courtship and vows to scare off Teddy, whom he considers unsuitable. However, the matriarch, Polly, seeks a different approach, believing that a heavy-handed reprimand is not effective in deterring young love. The tension heightens as Teddy arrives to court Liza in the family home, with both parents wrestling with their protective instincts. In a twist of events, Polly cleverly maneuvers the situation to bring about a resolution that only increases Liza's attachment to her family. Ultimately, the play examines the complexities of love and parental relationships, ending on a note of humor and warmth as the family embraces the reality of growing up.
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