Subject
Magic tricks Books
Best books
Albert A. (Albert Allis) Hopkins
Magic, Stage Illusions and Scientific Diversions, Including Trick Photography
"Magic, Stage Illusions and Scientific Diversions, Including Trick Photography" compiled and edited by Albert A. Hopkins is a detailed exploration of magical arts and illusions written in the late 19th century. This comprehensive work delves into the integration of scientific principles such as optics, mechanics, and electricity into stage magic, presenting insights into some of the most renowned conjurers and their tricks, including elaborate descriptions and explanations of various illusions. The opening of this work sets the stage by outlining the unique niche it fills in the literature of magic, as it attempts to demystify stage illusions through scientific explanations. It highlights the significance of magic as an art form rooted in ancient practices and discusses notable figures in the field, explaining how their tricks are often based on ingenious mechanical and optical principles. Overall, the beginning serves as a promise of an entertaining and educational journey into the world of magic, including historical perspectives, specific techniques, and the harmonious blend of artistry and science in theatrical performances.
Henry Ridgely Evans
The Old and the New Magic
"The Old and the New Magic" by Henry Ridgely Evans is a historical account written in the early 20th century. The book explores the evolution of magic from its ancient origins to modern performances, discussing various magicians and techniques throughout history. The main focus is likely on contrasting "old magic," associated with mysticism and superstition, with "new magic," which incorporates scientific principles and psychological illusions. At the start of the text, the author presents an introduction by Dr. Paul Carus, outlining the significance of magic as an art form while emphasizing the divide between its old and new iterations. Carus delves into the historical roots of magic, tracing its etymology and historical context, suggesting that magic has always been intertwined with religion and superstition. He begins to illustrate how ancient practices and beliefs have transformed into the modern magic tricks we recognize today, setting the stage for a detailed examination of notable figures and performances in magic’s rich history.
Professor Hoffmann
Modern Magic: A Practical Treatise on the Art of Conjuring
"Modern Magic: A Practical Treatise on the Art of Conjuring" by Professor Hoffmann is a treatise first published in 1876. This groundbreaking work reveals the apparatus, methods, and tricks used by conjurors of the Victorian era, covering everything from card manipulation to grand stage illusions. The first English-language book to truly explain magical performance, it sparked controversy among magicians while influencing legends like Houdini and Thurston. Its publication may have catalyzed magic's entire golden age.
Edwin Thomas Sachs
Sleight of Hand: A Practical Manual of Legerdemain for Amateurs & Others
"Sleight of Hand: A Practical Manual of Legerdemain for Amateurs & Others" by Edwin Sachs is a comprehensive instructional guide on magic tricks, particularly focusing on the art of sleight of hand. The work appears to have been penned during the late 19th century, specifically around 1885, as indicated by its publication details. The book serves both as a practical manual for aspiring magicians and an exploration of the principles underlying various magic tricks that engage both amateur enthusiasts and experienced performers alike. At the start of the manual, the author, Edwin Sachs, introduces the reader to the captivating world of conjuring and its historical significance. He discusses the psychological elements involved in magic, emphasizing the joy of being mystified, and explores the transition of conjuring from ancient practices to modern performances. The opening portion includes a preface detailing the revisions made in the second edition, followed by an introduction that sets the stage for the practical instructions that follow. Sachs candidly shares his insights on mastering the essential techniques of legerdemain, including the importance of practice, precision, and resourcefulness, laying down foundational skills necessary for performing various tricks, especially those involving coins.
Unknown
Endless Amusement A Collection of Nearly 400 Entertaining Experiments in Various Branches of Science; Including Acoustics, Electricity, Magnetism, Arithmetic, Hydraulics, Mechanics, Chemistry, Hydrostatics, Optics; Wonders of the Air-Pump; All the Popular Tricks and Changes of the Cards, &c., &c. to Which is Added, a Complete System of Pyrotechny; Or, the Art of Making Fire-works.
"Endless Amusement" by Unknown is a collection of nearly 400 entertaining experiments in various branches of science, written in the mid-19th century. This work serves as an engaging guide to practical scientific exploration, covering topics such as acoustics, electricity, magnetism, and mechanics, among others. It is designed to be accessible, even for readers with limited scientific knowledge. At the start of "Endless Amusement," the reader is introduced to a variety of experiments that can be performed with common materials. These include producing fire through chemical reactions, creating illusions with light and perspective, and crafting miniature fireworks. Each experiment is explained with straightforward instructions, making science entertaining and approachable for enthusiasts and learners alike. The opening sets the stage for a rich exploration of whimsical yet educational scientific phenomena, ensuring the reader's curiosity is piqued right from the beginning.
Ellis Stanyon
Magic : $b In which are given clear and concise explanations of all the well-known illusions as well as many new ones.
"Magic" by Ellis Stanyon is a manual on sleight-of-hand techniques and magic tricks, written during the early 20th century. The book provides clear and concise explanations for both well-known and new illusions, guiding readers through the art of conjuring with detailed instructions. The likely subject of the work revolves around the principles and practical applications of magic, offering aspiring magicians a comprehensive resource to enhance their skills. At the start of "Magic," the author introduces the historical context of magic, discussing its evolution through ancient civilizations and into the modern era. The opening chapter presents essential principles for performing magic tricks effectively, emphasizing the importance of misdirection and audience engagement. Stanyon outlines key techniques such as palming and sleight of hand, along with practical advice for overcoming mistakes during performances. This serves as a foundation for the tricks that will be detailed in subsequent chapters, which promise to expand the reader's knowledge and ability in the fascinating realm of magic.
Chung Ling Soo
Spirit Slate Writing and Kindred Phenomena
"Spirit Slate Writing and Kindred Phenomena" by William E. Robinson is a scientific publication written in the late 19th century. The work explores the various methods and tricks utilized by mediums in spiritualistic séances, particularly focusing on slate writing tests that are often misattributed to supernatural abilities. The author, who has a background in magic and illusion, aims to expose the fraudulent tactics employed by these mediums to deceive their audiences. The opening of the text presents the author's preface, where he shares his partial upbringing in beliefs surrounding spiritualism but highlights his intention to demystify the tricks used in the practice. He emphasizes that while he respects the sincere beliefs of spiritualists, it is essential to understand the psychological and mechanical methods used to create the illusion of communication with the dead. Ranging from the use of cleverly designed slates to various deceptive writing techniques, the beginning of the book sets the stage for a detailed examination of the artifice behind spirit communication.
Anonymous
Book of parlor tricks: How to perform them
"Book of Parlor Tricks: How to Perform Them" by Anonymous is a guide on performing various entertaining tricks and illusions, written during the late 19th century. This instructional book belongs to the genre of instructional manuals, specifically focusing on magic and performance. It likely draws upon the popular fascination with entertainment and sleight-of-hand tricks that characterized social gatherings during that era. The book consists of numerous tricks designed for social entertainment, explaining step-by-step methods for their execution. For example, it details how to perform divinations, create illusions of restored items, and even coax coins to appear and disappear, employing various props and clever falsehoods. Each entry is intended to be simple enough for enthusiasts to perform at parlor gatherings, engaging audiences with a mix of wordplay and visual spectacle. By following the instructions, readers can bring a sense of wonder and laughter to their gatherings, making it a delightful resource for anyone interested in the art of performance magic.
Wm. K. (William King) David
Secrets of Wise Men, Chemists and Great Physicians
"Secrets of Wise Men, Chemists and Great Physicians" by William K. David is a practical publication written in the late 19th century. The book compiles various recipes, secrets, and formulas pertaining to health, household management, and trades. Its content aims to provide readers with valuable knowledge extracted from a wide range of sources, making it a unique resource for those interested in home remedies, cooking, and practical chemistry. The opening of this work introduces the author's intent to share a wealth of knowledge regarding simple trade secrets that have historically given individuals an edge in various enterprises. David highlights the challenges in gathering accurate and reliable information amidst numerous recipe books filled with convoluted instructions. He emphasizes that this compilation seeks to distill all the best and most practical information, tested and derived from extensive sources, including the writings of eminent physicians and chemists. This sets the stage for a guide filled with useful tips and techniques for everyday life that promises to be accessible and beneficial to the masses.
H. (Herman) Boaz
The Juggler's Oracle; or, The Whole Art of Legerdemain Laid Open Consisting of all the newest and most surprising tricks and experiments with cards, cups and balls, conveyance of money and rings, boxes, fire, strings and knots; with many curious experiments by optical illusion, chymical changes, and magical cards, &c.
"The Juggler's Oracle; or, The Whole Art of Legerdemain Laid Open" by H. Boaz is a comprehensive guide to the art of sleight of hand and magic tricks written in the early 19th century. The work details numerous tricks and experiments that can be performed using cards, coins, and various props, illustrating the techniques behind these entertaining deceptions. The opening of the book introduces readers to the fundamental principles of legerdemain, emphasizing the importance of skill, practice, and performance style for the conjurer. It educates aspiring magicians on the qualities needed to engage audiences effectively and cleverly distract them during performances. The text also begins to outline specific card tricks, highlighting methods for executing illusions that amuse and astound spectators, while underscoring the intricate mechanics underlying each trick showcased in subsequent chapters.
Arthur Ainslie
Water Wizardry: A collection of tricks in which water is the chief agent
"Water Wizardry: A Collection of Tricks in Which Water Is the Chief Agent" by Arthur Ainslie is a practical guide on magic tricks centered around the use of water, likely written in the early 20th century. The book features a variety of entertaining and easy-to-learn tricks that anyone can perform at gatherings, which makes it ideal for amateur magicians looking to impress friends and family. Ainslie provides detailed instructions and tips to ensure that these tricks lead to successful performances, engaging both children and adults alike. At the start of the text, Ainslie introduces a series of simple water tricks designed for informal performances. One notable trick, "The Impossible," involves three glasses and a piece of paper, leading the audience to believe that a half-full glass can balance on a paper bridge. Ainslie includes clever setups and humorous dialogues to set the scene, encouraging amateur conjurers to rehearse their acts before performing. This opening not only showcases the author's insightful methods but also establishes a light-hearted and engaging tone that sets the stage for the delightful tricks that follow.
L. H. (Lionel Hugh) Branson
Indian Conjuring
"Indian Conjuring" by L. H. Branson is a detailed examination of the art and techniques of Indian magic and juggling, likely written in the early 20th century. This book serves as both an instructional guide and a critical commentary, providing insights into the various tricks performed by Indian conjurers, known as Jadoo-wallahs. The author compares these performances with their Western counterparts, aiming to enlighten readers about the methods behind common tricks and the cultural context of Indian magic. The narrative unfolds through a series of chapters, each dedicated to specific tricks like the Cups and Balls, the Rope Trick, and the Dancing Duck, among others. Branson not only describes the performance and equipment involved but also intricately explains the mechanics behind each trick, revealing how they deceive audiences. He critiques the artistic merits of the Indian conjurer while contrasting them with the more refined techniques of Western magicians, asserting that many Indian tricks are simpler and have not evolved over time. In doing so, Branson aims to uphold the dignity of Western conjuring while providing an educational look at a fascinating cultural tradition in India. The book mixes practical knowledge with cultural observations, making it a unique entry in the genre of magic literature.
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