Subject
Missing persons -- Investigation -- Fiction Books
Best books
William R. (William Reynolds) Eyster
The luckless trapper; or, The haunted hunter
"The Luckless Trapper; or, The Haunted Hunter" by William R. Eyster is a novel written in the late 19th century. The story is set in a rugged wilderness, focusing on themes of survival, danger, and the supernatural. The central character, Harry Winkle, navigates a treacherous environment filled with hostile forces, including rival trappers and Native Americans, as he seeks vengeance for personal grievances. At the start of the novel, tension builds as Winkle hears a rifle shot and witnesses a confrontation between two men. One man, Dick Martin, warns Winkle about the dangers in the area, hinting at personal conflicts and suspicions of stirred animosities. As Winkle continues his exploration, he discovers a dead body drifting in a stream, heightening the sense of foreboding that permeates his nighttime experiences. These events foreshadow a series of encounters that will challenge Winkle's skills, resolve, and moral compass amidst a backdrop of looming violence and supernatural elements.
Vincent Starrett
Missing men
"Missing men by Vincent Starrett" is a detective short story written in the early 20th century. It follows the cool-headed sleuth Lavender as he probes a spate of puzzling disappearances in Chicago. The likely topic is a web of vanishing men tied to the theatre, stage identities, and a family secret that has been carefully hidden. When a picture broker named Peter Vanderdonck, a popular comedian named Charles Merritt, and finally the wealthy Cyril Minor all seem to vanish, Lavender pieces together odd clues: a nearly unused office, greasepaint traces at a washstand, a safe, and a newspaper note about actress Sidney Kane. He deduces that Merritt and Vanderdonck are the same person—and then that Minor is both of them, living a double (and triple) life to avoid publicity while secretly reunited with his former wife, Sidney Kane. A suspicious telegram signed “Father” instead of “Dad” sends Lavender and Minor’s daughter, Shirley, to Kane’s suburban home, where the truth emerges: Kane is Shirley’s mother; she and Minor have remarried, and Minor—struck ill—has been convalescing there under the cover story of an “invalid brother.” The disappearances are thus revealed as a theatrical masquerade rather than crime, ending in a family reconciliation.
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