Subject
Motion picture authorship Books
Best books
J. Berg (Joseph Berg) Esenwein
Writing the Photoplay
"Writing the Photoplay" by J. Berg Esenwein and Arthur Leeds is a comprehensive guide on the craft of screenwriting that was written in the early 20th century. This instructional text aims to equip aspiring writers with the necessary tools and techniques for constructing effective photoplays, which are cinematic stories significantly relying on visual storytelling and action. It not only delves into the structural components of a photoplay but also emphasizes the distinct elements that set it apart from traditional prose writing. The opening of "Writing the Photoplay" introduces the concept of a photoplay as a narrative expressed largely through action and pantomime, with supporting descriptive text occasionally displayed on screen. Esenwein and Leeds clarify the importance of visual storytelling, arguing that writers need to focus on dynamic actions rather than dialogue and prose details. They highlight the necessity for a well-structured plot, accessible character motivations, and the various sequences that compose a compelling script. This foundational understanding sets the stage for the deeper exploration of writing mechanics and techniques that will follow in subsequent chapters.
Henry Albert Phillips
The photodrama : $b The philosophy of its principles, the nature of its plot, its dramatic construction and technique, illumined by copious examples, together with a complete photoplay and a glossary, making the work a practical treatise
"The Photodrama: The Philosophy of Its Principles, the Nature of Its Plot, Its Dramatic Construction and Technique Illuminated by Copious Examples" by Henry Albert Phillips is a practical treatise focusing on the emerging art of photoplaywriting written in the early 20th century. The work explores the intersection of literature and cinema, detailing the techniques required to effectively craft photoplays—an innovative storytelling medium that combines visual and emotional elements to engage audiences. Phillips emphasizes the necessity of understanding not just the mechanics but also the artistic demands of this new form of dramatic expression. The opening of the book introduces the concept of the photodrama as an artistic medium distinct from traditional forms of literature and theater, advocating for the recognition of its potential to convey complex emotions and narratives through visual storytelling. Phillips elaborates on the importance of technique, asserting that successful photoplays must prioritize direct action and visual engagement over dialogue and literary prose. He invites readers to appreciate the unique challenges and creative opportunities presented by silent cinema, promoting a deeper understanding of how to evoke emotional responses through carefully structured scenes and character interactions.
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